1999 Jam Chart - Phish.Net

Jam Chart for the Year 1999 (239 entries)

Date	Song	City	Timing	Notes
1999-06-30	Gin	Bonner Springs, KS	18:16	The first jam of 1999 slowly, patiently, methodically builds and plateaus into a phantasmically pschedelicious soundcape full of wondrous, mellifluous stories that eventually coalesce into a mystical-yet-triumphant foam, bespeckled by bedazzlingly exquisite riffs by Trey on Gin's melodic theme, which soulfully concludes this orchestral dance.
1999-06-30	BOTT	Bonner Springs, KS	5:34	Debut. Instrumental bridge (jam) between 2nd and 3rd verses, and an instrumental outro after 3rd verse.
1999-06-30	Maze	Bonner Springs, KS	14:40	"Bathtub Gin" tease from Trey. Excellent version, and at the end, Page, Trey and Fish enter into a mock duel with several reprises of the "Maze" signature lick.
1999-06-30	LxL	Bonner Springs, KS	11:17	A different vibe to this version, it has a subdued, almost melancholy quality to it despite being well played. An unusual take on "Limb" and worth checking out.
1999-06-30	Free	Bonner Springs, KS	13:56	Starts in customary manner, with a lot of bass and nice Trey. A kind of echo-filled groove develops, very mellow.
1999-06-30	My Left Toe	Bonner Springs, KS	8:25	Debut version out of -> "Bug".
1999-07-01	Wolfman's	Antioch, TN	10:33	Jerry Douglas on dobro. Very cool and different sort of "WB" that is well worth checking out.
1999-07-01	Roggae	Antioch, TN	9:31	Jerry Douglas on dobro, Ronnie McCoury on mandolin and Tim O'Brien on fiddle. A wonderful version.
1999-07-01	BOTT	Antioch, TN	6:09	Jerry Douglas on Dobro, Ronnie McCoury on mandolin, and Tim O'Brien on fiddle on this bluegrass version. Great short version!
1999-07-01	DwD	Antioch, TN	18:38	As if playing to extinguish the pouring rain, Trey's "soloing" is incendiary, a sort of in-your-face jamming possibly unparalleled. The jam isn't totally absent nuance, however, and play cools to become a bit introspective before the band nimbly works towards the song's conclusion and > "Caspian."
1999-07-01	Caspian	Antioch, TN	8:38	Some really fine, unusually restrained but passionate soloing by Trey is followed by wonderful Page soloing without the usual noisy closing chords. Instead, Page's solo > to "YEM."
1999-07-01	YEM	Antioch, TN	27:40	Phat and funky! Huge thunderstorm during this version.
1999-07-03	Gumbo	Atlanta, GA	10:08	Funky groove, with nice interplay between Page and Trey.
1999-07-03	Taste	Atlanta, GA	10:43	Enchanting. Page's solo features some unusual stylings and cool chord progressions. Trey's solo is a fairly simple, yet stunningly melodic, and includes a "Dueling Banjos" tease and playing vaguely reminiscent to "Faht". Different from the higher octane '97s, but definitely must-hear.
1999-07-03	Tube	Atlanta, GA	7:56	Very melodic playing from Mike. Includes a nice theme from Trey midway through the jam.
1999-07-04	Ya Mar	Atlanta, GA	12:12	Mellow, easy going and stretched out version that gets away into a nice groove near the end. Very '99 sounding.
1999-07-04	Slave	Atlanta, GA	11:14	-> in from a big "Ghost." Played at a slower tempo than usual, one is lulled into thinking the slowed pace will make for a weak ending. Wrong; this is an awesome version, and includes "What's The Use" and "Dark Star" teases.
1999-07-04	WTU?	Atlanta, GA	7:56	Debut. The spaciness of '99 compressed into one song.
1999-07-04	Wilson	Atlanta, GA	8:48	The solo starts in a metal chug but then pushes away at the boundaries, getting into some interesting rhythmic interplay, and sloppily-yet-joyfully landing on a descending Zeppelin-like riff preceding "Mike Christian". Lengthy, noisy, free jazz-like improvisation, with several false endings, arhythmic hits, and whammy pedal worship, before "BLAT BOOM".
1999-07-07	Sneakin' Sally	Charlotte, NC	12:03	With a digital delay loop running in the background, Page and Fish crank up a nice rhythmic jam that grows very quiet in the final minutes before dissolving completely.
1999-07-07	2001	Charlotte, NC	22:42	Borg landing intro. A minimalist first jam and a second jam that floats in a syncopated orbit. A true mothership journey.
1999-07-07	YEM	Charlotte, NC	22:28	MIIIIIIIIKE!!!!!!!!
1999-07-07	Possum	Charlotte, NC	11:17	Blockbuster encore featuring a young Derek Trucks on slide guitar. No need to write more.
1999-07-08	Fee	Virginia Beach, VA	21:18	The outro sticks to the "Fee" framework until 9 minutes when Fish picks up the beat, leading to an upbeat segment filled with the blissfull, atmospheric style of jamming that is so representative of the '99 sound. Eventually returns to Earth at 20 minutes and winds down to close. In the realm of "Fee" jams, this weasel reigns supreme.
1999-07-08	Jam	Virginia Beach, VA	0:00	See Fee Jamming Chart.
1999-07-08	BOAF	Virginia Beach, VA	18:31	At first a wide-ranging and quality "BOAF" jam, this version then moves beyond, breaking into a "Days Between" jam, and an excellent and extended "If I Only Had A Brain" jam with strange lyrics from Mike and Trey. One of the best "Birds."
1999-07-08	JJLC	Virginia Beach, VA	11:51	Very easy going and relaxed feel to this version until the ending when the band cranks it up.
1999-07-08	Simple	Virginia Beach, VA	10:24	This version ends akin to Coil, with each member of the band having left the stage until only Page was left, soloing.
1999-07-09	Mike's	Columbia, MD	17:28	Awesome, improvisational version which proves that "Mike's" doesn't have to have 2 jams to kick ass. Immediately breaking into a lilting, un-"Mike's"-like groove, the jam settles down, gets punchy, settles again, all with a sense that tension is loading. The release begins at 13:30, and by 14:30, a melodic hose-storm is unleashed, repleat with "Sweet Emotion" vocal quotes and jamming.
1999-07-10	Wilson	Camden, NJ	7:12	Another extended, high-octane shredder from the late 90s, "Wilson's" most consistently strong era, and sets the table for the monumental "CDT" that follows.
1999-07-10	CDT	Camden, NJ	14:10	Fantastic version that treads along the periphery of "CDT" for several minutes before making a total departure at about 8:55. Morphs into a blissful, celebratory jam, then gradually fades into a rhythmic pulse. Includes a tease of "In Memory of Elizabeth Reed" and -> to "Roggae."
1999-07-10	Roggae	Camden, NJ	7:46	-> in from an awesome "CDT." Some cool strumming by Mike and really the first version to mix the jam up a little.
1999-07-10	Water in the Sky	Camden, NJ	5:58	High octave and soaring soloing by Trey in this fantastic version.
1999-07-10	Gin	Camden, NJ	16:09	Overlooked gem. A really nice, ethereal "Type I" "Gin" morphs into a great jam on "I'm A Man" (Spencer Davis Group).
1999-07-10	Tweezer	Camden, NJ	20:33	Very groovy jam eventually segues into some intense, beautiful space.
1999-07-10	BOAF	Camden, NJ	14:06	At about 7:25, breaks from the mold into an up-tempo jam that recalls the excellent "CDT" jam from earlier in this show. Version then morphs into a punchy, funky groove which transitions, unfinished, into "When The Circus Comes."
1999-07-10	Fluffhead	Camden, NJ	17:11	Played at a slower tempo than earlier versions, the first several sections are far from spotless. The pace seems to normalize during Fluff's Travels, and then The Chase proves once again why it is perhaps the most difficult of all sections to perform cleanly. Despite some additional bobbles, all is forgiven, as this Arrival proves worth the wait. Whereas the typical Arrival lasts for roughly 2 minutes, this one basks in '99-style celebratory glory for over 4 minutes.
1999-07-12	Twist	Mansfield, MA	11:52	The jam breaks into a nice rocking major mode groove from 8:00 - 10:00 before returning to "Twist."
1999-07-13	Halley's	Mansfield, MA	14:34	Following the final refrain, the band immediately shifts into minor mode and a moderately dark groove. Shifts back to major mode for a more upbeat ending and -> to "Roses."
1999-07-13	Reba	Mansfield, MA	15:24	Excellent version which ebbs and flows, swells and recedes, with Trey seemingly drawing heavily from a "Blue Bayou"-like melody (11:30). Mike alights upon a grooving bass line, which induces relaxed soloing, before Trey abruptly peels away and the jam assumes a darker sentiment. > to "Carini."
1999-07-13	Wolfman's	Mansfield, MA	21:18	A funky, low-key, groove-based jam emerges around 8:40 on the heels of "Wolfman's" proper, and continues, growing ambient and spacey after 15:40. > to "Piper."
1999-07-15	Farmhouse	Holmdel, NJ	9:46	Great extended "Type I" version which demonstrates the song's potential as a straightforward jamming vehicle. Here, the jam moves beyond the typical Page/Trey interplay to a full-band swing with a relaxed beginning that builds in power to a soaring crescendo.
1999-07-15	YEM	Holmdel, NJ	23:58	Killer jam segment! (Available on LiveBait Vol. 04) (No B&D.)
1999-07-15	Meatstick	Holmdel, NJ	20:42	Coasts along in a low-key ambient groove, picks up energy and direction at about 16 minutes, and then returns to more of the same easygoing jamming until > to a very strong "SOAM." Longest version to date.
1999-07-15	SOAMelt	Holmdel, NJ	10:30	Epic, exploratory "SOAM" -> "Kung" -> "Jam." "SOAM" has excellent tempo shifts and dissonance before the -> to a wild "Kung," which leads to an incredible, multi-part groove-based jam (and which is really a return to "SOAM").
1999-07-15	Kung	Holmdel, NJ	3:02	Epic, exploratory "SOAM" -> "Kung" -> "Jam." "SOAM" has excellent tempo shifts and dissonance before the -> to a wild "Kung," which leads to an incredible, multi-part groove-based jam (and which is really a return to "SOAM").
1999-07-15	Jam	Holmdel, NJ	16:59	Epic, exploratory "SOAM" -> "Kung" -> "Jam." "SOAM" has excellent tempo shifts and dissonance before the -> to a wild "Kung," which leads to an incredible, multi-part groove-based jam (and which is really a return to "SOAM").
1999-07-15	CDT	Holmdel, NJ	12:09	Some raging Trey in this high energy, extended jam that never quite breaks free from "CDT," but rocks HARD, including an accelerated tempo towards the end.
1999-07-16	Mike's	Holmdel, NJ	12:20	A solid, mellow groove jam, with a fair amount of "Manteca"-like melodic playing from Trey. The energy level gradually builds, but the jam is generally pretty even sloped. Although there is a brief 2nd jam, it's little more than a quiet transition to "Hydrogen."
1999-07-16	Weekapaug	Holmdel, NJ	10:36	A nice funky breakdown groove with strong Mike and Page concludes with Trey teasing "2001" several times before returning to "Weekapaug" to wrap up.
1999-07-17	Tube	Volney, NY	7:00	Trey takes the melody while Mike punctuates the funk groove with great slapping.
1999-07-17	Tweezer	Volney, NY	19:02	Jamming is groovy, and very cool at times (MIKE!), but still kinda dull for stretches. Good -> "Have Mercy"
1999-07-17	Taste	Volney, NY	12:25	-> in from "Have Mercy." Similar to, but more stretched out than 7/3/99. Yet it doesn't have quite the melodic bliss.
1999-07-17	Jam	Volney, NY	2:22	A brief blues jam is played while guest artist Son Seals leaves the stage. > to "DwD."
1999-07-17	DwD	Volney, NY	23:34	Blistering hot straightforward jam eventually runs out of fuel and gasps for breath for a stretch before regaining momentum and focus and returning to "DwD."
1999-07-17	Sneakin' Sally	Volney, NY	9:40	-> in from "Wolfman's Brother." Great relaxed jam emerges from the back end of this "Sally." Gathers energy with Page and Trey adding nicely to a solid Mike/Fish groove. > to "Timber (Jerry)."
1999-07-17	Timber Ho	Volney, NY	9:58	Even further removed from the typical "Timber" jam than the '98 offering, this version is quite subdued and passively brooding. It gains momentum and power, but has none of the fury of earlier years. A high quality version nonetheless.
1999-07-18	Gin	Volney, NY	19:33	A nice, Page-led groove develops on the back end of the standard "Gin" jam.
1999-07-18	BOTT	Volney, NY	5:07	With the Del McCoury Band. Another great bluegrass version.
1999-07-18	Reba	Volney, NY	17:04	Concentrated, quiet, and introspective play emerges from the composed section. Mike and Fish maintain a steady beat, and Trey's delicate soloing is complimented by really great work from Page. Super bass and powerful piano underscore great guitar and percussion, the jam breaking free to become less groove-oriented and more euphoric.
1999-07-18	CDT	Volney, NY	12:02	Breaks into a nice pulsing groove at about 6:45. Doesn't stray as far from "CDT" as the 7/10/99 version, but still great.
1999-07-18	Runaway Jim	Volney, NY	24:12	Fantastic, groove-based jamming, and this "Jim" has several good ones. Released on Live Bait Vol. 5.
1999-07-18	Free	Volney, NY	10:26	-> in from a huge "Runaway Jim." Super lazy, summer-style Mike led jam. > to "Meatstick."
1999-07-18	Llama	Volney, NY	7:28	> in from "Axilla." Incredibly deft Trey playing combines with that unique '99 - '00 high pitched sound. Extended ending.
1999-07-18	Piper	Volney, NY	25:02	After a long patient intro, this "Piper" rages until about 14:00 when the jam shifts to a funky, multi-faceted rhythmic groove. This version has much more exploratory jamming than most '99 "Pipers," which tend to focus on a single layered groove. Cool Fishman percussion at the end leads to a -> to "Prince Caspian."
1999-07-18	Caspian	Volney, NY	11:37	-> in from a big "Piper." Easy-going Camp Oswego version has some soaring Trey guitar work and a cool transition to "Wilson."
1999-07-18	Wilson	Volney, NY	4:17	Deep into the last set of Camp Oswego, Wilson serves as the unfinished springboard to classic, ridiculous Phishery, preceding a Catapult and a series of narrations and jamlets that often rely on a Wilson-ish chug as a sort of home base.
1999-07-18	Catapult	Volney, NY	4:43	-> in from "Wilson." Following "Catapult," Trey launches into several minutes of banter about the Guiness Book of World Records, the "Book", and other topics. The droning vamp played since the latter part of "Wilson" abruptly changes and -> to "Smoke On The Water" Jam.
1999-07-18	Icculus	Volney, NY	4:25	-> in from "Catapult." Nice jam on this Deep Purple classic. Trey adds some amusing banter about musical similarities between this song and Ted Nugent's "Cat Scratch Fever." > to "Icculus."
1999-07-20	Ghost	Toronto, Ontario, Canada	16:12	Uncle Ebenezer's frozen head revivified through the injection of a steaming hot blast of ectoplasm. [Mighty Mike's monstrous Modulus groove massacres the minions at Molson.]
1999-07-20	YEM	Toronto, Ontario, Canada	24:21	Jam is groovy, punchy, upbeat and peaks well, but the vocal jam is atypically melodic and percussive, and even pleasing to the ears.
1999-07-20	2001	Toronto, Ontario, Canada	10:03	The standard "Train Song" > "2001" > "Misty Mountain Hop" sandwich. Power drop that wastes no time. High energy upbeat rocker. Don't get hit by Mike's laser beams.
1999-07-20	Misty Mountain Hop	Toronto, Ontario, Canada	15:17	Debut. Doesn't truly break free of "Misty Mountain Hop" proper, but it definitely chases after sheer unadulterated happiness. The classic hazy/swirly/gloriously happy summer '99 jamming, with "Disease"-like chord progressions and lofty whale call accenting the jam's peaks.
1999-07-21	Funky Bitch	Burgettstown, PA	8:10	Definitely among the better versions even if it's "just type I."
1999-07-21	Taste	Burgettstown, PA	12:37	Extended, unhurried and skillful soloing by Trey. Only very gradually does the band notch up the intensity.
1999-07-21	Mike's	Burgettstown, PA	12:53	Once again, the band uses the instrumental space in "Mike's" to launch a groove-based jam. In this one, there's a nice ebb and flow of energy, with great Page B-3 action around 7:30. As the jam progresses, it gets increasingly incendiary, with good '99-style Trey shredding.
1999-07-21	My Left Toe	Burgettstown, PA	16:08	-> in from "Simple." A swirling transition jam meanders for bit, but after 8:00 it finds its full stride, and the result is gorgeous and lilting improvisational playing. -> to "Caspian."
1999-07-21	Weekapaug	Burgettstown, PA	12:41	Mike is strong and out in front, leading another extended, funky breakdown jam. Gradually, Trey and Page take the lead back, riding atop the groove as it returns to "Weekapaug" proper.
1999-07-23	Ya Mar	Columbus, OH	11:22	Fairly ordinary, but much more spirited and up-tempo than 7/4/99, until the ending gets a little spacey.
1999-07-23	Ghost	Columbus, OH	16:48	Relentless molten neon electro rockslide that comes to rest in a glistening mountain lake. [Fish and Mike lead a fantastic, uptempo groove, and as Trey pours it on, you can literally hear the audience get whipped into a frenzy, then soothed with a great outro.]
1999-07-23	BOAF	Columbus, OH	25:23	An upbeat and snappy groove develops beyond "BOAF", which then bounces between spacey and pumped-up forays. The band was apparently playing along to a wild thunder and lightning storm occurring at the time.
1999-07-24	Fluffhead	East Troy, WI	32:52	Like 7/10/99, this version is notable for its improvisational Arrival section, as the earlier sections experience execution issues in spots. These few blemishes are overshadowed by an unprecedented, extended jam that emerges from the traditional Arrival and continues for over 18 minutes, beginning at about 16:35. The jam begins with some raging Trey and Mike-led play, before settling into a quieter, snappy and percussive groove. Eventually building power, the jam seems poised to peak, but instead recedes into more exploratory grooving and > to "TMWSIY."
1999-07-24	Jam	East Troy, WI	2:23	A delicate ambient jam emerges by -> from the tail end of "The Man Who Stepped Into Yesterday."
1999-07-24	Mango	East Troy, WI	7:03	> in from "Tweezer. The band compensates for a botched and sloppy composed section by seriously stretching the ending segment (-> to "Jam" according to the Setlist) in a largely "Type I" manner that is upbeat, and with great guitar playing by Trey in his style typical of 1999. > to the debut of "The Happy Whip And Dung Song."
1999-07-24	Jam	East Troy, WI	7:59	-> in from "The Mango Song." Follows a sloppy and mistake-filled attempt at the traditional song. To compensate, Trey leads the band in a spirited, well-played and extended "Type I" "Mango" jam.
1999-07-24	CDT	East Troy, WI	12:10	Fiery and well-played but with a spacey outro jam.
1999-07-25	Makisupa	Noblesville, IN	4:15	The typically good natured "Makisupa" takes a comedic turn into "Happy Birthday" to celebrate CK5's birthday, replete with "rasta style" playing, a Mike bass solo, humor from Trey and Fish, and a CK5 light solo.
1999-07-25	Happy Birthday	Noblesville, IN	4:15	"Happy Birthday" (first version since 9/30/91) to CK5 as the meat of a goofy "Makisupa" sandwich.
1999-07-25	Makisupa	Noblesville, IN	0:45	"Makisupa" resumes to complete a fun filled birthday sandwich version in honor of CK5.
1999-07-25	Boogie On	Noblesville, IN	10:43	Extended funk groove. Mike holds it down while Page and Trey play off each other very well. Returns to the "Boogie on" theme at 10 minutes.
1999-07-25	BOAF	Noblesville, IN	19:08	An excellent, upbeat and uplifting jam develops beyond "Birds" proper. The jam then gets dark and brooding before -> into "Walk Away."
1999-07-25	Antelope	Noblesville, IN	16:26	Viewed as a groove-based jam, there is a lot of improvisation going on including some great syncopated jamming (which occurs again in the excellent "Suzy" that follows). But compared to versions from 1994 and earlier, there is no radical departure from the basic song structure other than a brief settle. For this period however, it stands out.
1999-07-25	Suzy	Noblesville, IN	10:05	Awesome version that Includes a jam based on Stevie Wonder's "I Wish" and a syncopated jam built around Page.
1999-07-25	Loving Cup	Noblesville, IN	8:40	They can encore with this amazing version any time they want! Fantastic climax in the jam, and a short bonus outro-jam!
1999-07-26	Gumbo	Noblesville, IN	9:20	Standard "Gumbo" jam breaks down into a nice ambient jam. Trey sets some loops with Page adding beautiful piano. Segues nicely into "NICU."
1999-07-26	Wolfman's	Noblesville, IN	17:20	The jam moves beyond the conventional structure at 9:00 into several sections of high quality improvisation. > to "Piper."
1999-07-26	Theme	Noblesville, IN	14:06	Soaring, but essentially a straightforward version has an elongated concluding section with a > to "DwD."
1999-07-26	Jam	Noblesville, IN	5:49	> in from "DwD." This spacey jam is dominated by heavy feedback from Trey. At the very end, Fish starts up the rhythm for "2001," but Mike takes control, leading the band with a -> to "SOAM."
1999-07-30	Funky Bitch	Niigata, Japan	8:14	Straightforward rockin' version morphs into type II spacey haze that segues into -> Ghost.
1999-07-30	Ghost	Niigata, Japan	22:10	A twilight stroll from the fields of heaven through the garden of infinite pleasantries that culminates in the discovery of the noisy generator powering the lanterns in the garden. [Fish is noticeably strong in a tight "Ghost" jam, which then breaks into a great Page-led groove, mellows to sublime ambient space, and rebuilds to a dark, fiery ending.]
1999-07-31	Character Zero	Niigata, Japan	9:19	Prompted by a vocal Trey, the band launches into extended and impassioned jamming, Trey's tone and truly spirited soloing working well to capture, at least in part, the zeitgeist of the touring year.
1999-07-31	Bowie	Niigata, Japan	24:30	The duration of this jam may recall '94 -'95, but whereas those versions used their length to range far and wide, this one threatens to break away several times, but ultimately stays within striking distance of home, and explores explores every inch of the Type I "Bowie" format. Still, a notable performance, and one of the last big rides for the song.
1999-07-31	Caspian	Niigata, Japan	10:35	> in from "Velvet Sea." Ethereal version from Japan has an almost other worldly quality that captures the essence of the band's sound and tone in '99 and '00.
1999-07-31	Jam	Niigata, Japan	6:46	Tibetan monk Nawang Kechog on horn and Fish on vacuum. > to "Brian And Robert" with Kechog on wooden flute.
1999-07-31	Simple	Niigata, Japan	12:48	Trey shreds and deploys effects, before a closing jam occurs (which is nothing like "Simple") during which Trey introduces the band ("Barney Rubble on the drums"). Insane version.
1999-08-01	SOAMelt	Niigata, Japan	13:36	The jam veers away from "SOAM" at about 8:30 into a quiet, thought provoking direction before returning to the standard.
1999-08-01	Tweezer	Niigata, Japan	12:41	Unusually soulful, melodic solo from Trey. "Velvet Sea" tease.
1999-08-01	Mike's	Niigata, Japan	14:30	An excellent, somewhat overlooked version which begins with a dark and funky repetitive groove. The temperature gradually reaches the boiling point, at which point (8:40) the 2nd jam kicks in, a soothing, beautiful and ambient one that perfectly captures the unique '99 tone.
1999-08-01	Wedge	Niigata, Japan	7:45	This great version moves from "Stash" teasing through to powerful Page soloing. Cut from a cool vibe, Trey's playing is inventive and on-point, with great modulation through the conclusion.
1999-09-09	Stash	Vancouver, British Columbia, Canada	14:12	Haunting and eerie version that is very unique. Trey and Page deploy effects to create a chilling, lunar soundscape.
1999-09-09	Ghost	Vancouver, British Columbia, Canada	15:27	Add nine grams of ground decarboxylated cannabis to nine ounces of Bacardi 151. Heat mixture to 151 degrees Fahrenheit for ninety-nine minutes. Strain and decant through nine ice cubes into nine medicinal glass vials. Take nine drops over the course of the next nine days. [An ethereal version, lush with the swirling and alluring sounds of '99, but also featuring a strong, Mike-led groove beginning around 7:45, which eventually dissipates.]
1999-09-09	Tweezer	Vancouver, British Columbia, Canada	21:09	Major "type II" version. Twisted jam. Coasts along in a dull fashion but then eventually goes batshit crazy, with a HUGE PEAK! Ends with space. Must-hear.
1999-09-10	Fee	George, WA	7:45	Similar to the typical harmonics-laced outro, but Fish is more active and Trey's playing is also atypical.
1999-09-10	Jibboo	George, WA	8:02	Phish debut.
1999-09-11	Wolfman's	George, WA	15:46	Jam quickly moves beyond funk mode and gives way at about 8:00 to a nice swinging, high power groove with no return to "Wolfman's." This rocking jam eventually burns out to transition space and -> to the debut of "Sand."
1999-09-11	Sand	George, WA	17:30	The great debut version begins with a -> out of "Wolfman's Brother". The groove remains constant while Trey solos extensively with gradually increasing intensity.
1999-09-11	Caspian	George, WA	10:49	Very nice intro section. The jam is great, and curiously seems to shift back and forth between '99 style high octave playing by Trey, and the predominantly power rocking style of '98. > to "Hood."
1999-09-11	Hood	George, WA	15:32	A really graceful, gentle jam develops with great interplay. Although it gains power, it never loses the blissful '99 sound.
1999-09-12	Gin	Portland, OR	18:33	Light years distant from the rocking, improv-oriented versions of '93 - '95, this "Type I" version, played at a slightly slowed tempo, is just incredibly beautiful, blissful music with great Trey and Page.
1999-09-12	Ghost	Portland, OR	29:42	Colossal virtual reality train ride across the wind-swept moors of ninth century England diving into a vortex which dumps out into orbit around Saturn. [Departs a high energy "Ghost" at 14:00, breaking into a great bouncy groove which then become otherworldly and effects-laden, similar to the end of the 9/14/99 "Bag."]
1999-09-14	Bag	Boise, ID	27:17	A masterpiece light years removed from the two big '97 "Bags." Spare on funk, the jam embarks on a somewhat dark, swirling journey. Eventually it grows upbeat, picking up rhythm and energy, arriving at a great rocking groove. Finally, it becomes eerie and outer-space-like, with Page creating chilling effects on the synthesizer.
1999-09-14	Gumbo	Boise, ID	10:04	"Another One Bites the Dust" jam leads to a funky groove that has a cool stop-on-a-dime ending.
1999-09-16	Hydrogen	Mountain View, CA	4:24	Slow and very enchanting (after a creepy segue!).
1999-09-16	Weekapaug	Mountain View, CA	15:15	Following some soaring straightforward play, at 6:00, the jam settles into a great low-key groove. Trey and Page build the intensity, leading a climactic and spirited return to more familiar ground. Trey's playing is incredible at the peak.
1999-09-17	Piper	Mountain View, CA	15:27	The typically high energy "Piper" jam settles down after 12:00 into a low key, blues-tinged exploration, with quiet, looping space bombs from Trey, and great Mike/Page grooving.
1999-09-17	YEM	Mountain View, CA	21:53	"YEM" jam with PHIL LESH! (No B&D, no VJ) -> to a Mike and Phil bass "Jam."
1999-09-17	Jam	Mountain View, CA	3:47	-> in from "YEM." Bass duet with Mike and Phil Lesh.
1999-09-18	Tweezer	Chula Vista, CA	14:10	Short, but VERY sweet.
1999-09-18	Tube	Chula Vista, CA	10:29	A laid-back jam with Mike in the driver's seat featuring some staccato playing from Trey and Page.
1999-09-18	Boogie On	Chula Vista, CA	21:30	The intial funky jam seems to be coming to an end at 9 minutes, but the jam picks back up and grooves for a few more minutes while Trey plays lead before the jam shifts to soaring, melodic "hose". Returns to "Boogie" with breakdown solos from Mike, Trey, and Page. Must-hear.
1999-09-18	Meatstick	Chula Vista, CA	12:57	Spacey wah-groove in the outro. > to "Free."
1999-09-21	Drowned	Tucson, AZ	17:19	Huge, powerhouse version, featuring incendiary, Jimi-esque Trey, and pounding Page. More wall of sound than musical, the jam drones until, set off by some scattershot riffs, play cools to assume a remarkably chill, wavy groove, full-band improvisation suspended in sound somewhere between 99 and what would arrive circa 2000.
1999-09-21	Vultures	Tucson, AZ	12:05	If not quite a carrion, than perhaps a clarion call to the desert's mystic surroundings. Trey breaks from the vocals to launch an all-out assault, his signature 1999 tone on full display. After setting a loop, Trey's beautiful, patterned soloing, artfully phrased, is matched by Page, with Mike soon leading the band through deep and cerebral play. Fish's perfect off-beat and stylized play soon smooths, with Trey's cool, slashing chording informing the -> "LxL". Awesome.
1999-09-21	Antelope	Tucson, AZ	17:09	A killer Antelope that starts off with swirling, whirling loops and a relaxed energy typical of Fall '99, builds up tension by Trey playing some stabbing chords, then builds to a ferocious peak. Proof positive that Antelope still had its fastball even after the mid-90s.
1999-09-22	2001	Las Cruces, NM	13:46	First five minutes are a spacey, black hole, acid trip. Then Trey unleashes pure savagery. Second jam is a sweet groove with space birds and dance beeps gracing this "2001".
1999-09-22	Gin	Las Cruces, NM	17:19	Straightforward jam, in some ways similar to 9/12/99, but also different. This one comes closer at moments to breaking into a groove outside of "Gin" proper, and also features incredible trilling by Trey.
1999-09-22	Taste	Las Cruces, NM	11:34	Delicately but very deftly performed. Great teaming by Trey and Page in this graceful version.
1999-09-24	Wolfman's	Austin, TX	18:55	Great, multi-section version, including some enchanting, melodic, and "Gin"-like hose jamming from 11:50 - 14:15 with fantastic playing by Page. From here, the jam grows delicate, spacey, and -> to "The Lizards."
1999-09-25	LxL	The Woodlands, TX	12:04	Nice extended jam that has a very quiet mid section, a great peak, and strong playing by Trey.
1999-09-25	Caspian	The Woodlands, TX	10:45	"Caspian" seems to reflect the band's musical direction and style at any moment in time more than most songs. This version, like 7/31/99, gives a broad sense of that tone and technique in the late pre-Hiatus period. > to "R&R."
1999-09-25	2001	The Woodlands, TX	11:10	The Borg lands and brings along some dance party, space beats. One of the biggest "2001" grooves culminates with one of Trey's great funk riffs with about 2:00 left.
1999-09-26	CTB	New Orleans, LA	7:09	Guests Michael Ray (Trumpet) and Tim Green (Saxophone) propel a fun, unique take on Page's scripted instrumental. A cool interlude follows intense brass - a nice touch of Trey - before morn horns push the version to its strong conclusion. Fans of the jam should stick around for the rest of the first set, and 9/9/00's "CTB" > "Funky Bitch" similar, but different, combo.
1999-09-26	BOAF	New Orleans, LA	11:50	"Call To The Post" tease early in the jam. Although it stays mostly within typical "Birds" territory, this version begins in a more subdued manner, only gradually picking up energy before a blistering closing.
1999-09-28	Sneakin' Sally	Pelham, AL	8:54	Swirling, funky and laid back jam in this "Sally."
1999-09-28	Farmhouse	Pelham, AL	6:52	The jam here starts out strongly and improves from there. "Rockstar" Trey is on display in this excellent version, taking advantage of multiple opportunities to add shredding color with his uniquely '99 style and tone.
1999-09-28	Tweezer	Pelham, AL	15:39	Very beautiful ending to a strong jam that resembles 9/18/99 quite a bit but without the intensity.
1999-09-28	Makisupa	Pelham, AL	8:16	This has an extended jam, as many in '99 do with whistling in the long jam segment. Some nice melodic playing from Mike, including a passage that sounds quite a bit like "Stir It Up" after the six minute mark.
1999-09-28	YEM	Pelham, AL	22:11	Unusually upbeat "Sweet Home Alabama" VJ. (No B&D.)
1999-09-29	2001	Memphis, TN	21:33	Alice in Wonderland on DMT. This is "2001: A Space Odyssey". The first jam will send you to another galaxy, while the second jam will blow your brains out. An all time great.
1999-10-01	Gin	Ames, IA	18:46	A classic '99 "Gin." Trey's tone and soaring but shredding playing in this straightforward version evince the unique style and sound that could only belong in 1999.
1999-10-01	Gumbo	Ames, IA	12:37	Somewhat bluesy groove with a "Can't Turn You Loose" tease from Page. Big crescendo of noise near the end.
1999-10-02	SOAMelt	Minneapolis, MN	13:58	The jam heads into swirly and spacey waters with the lush sounds of '99 before the "Good Lieutenant" (Trey) makes intros.
1999-10-02	Piper	Minneapolis, MN	21:58	After rocking pretty intensely, this version mellows into a "Manteca"-like jam for a stretch that also sounds similar to the jam from "BOAF." Eventually devolves into space before > to "YEM."
1999-10-03	Bowie	Rosemont, IL	16:57	An early, bass-led section, unusual space mid-jam, and a brief major mode shift distinguishes this one from the vast majority of '98, '99, and '00 versions which are almost all entirely "Type I."
1999-10-03	Funky Bitch	Rosemont, IL	7:58	Sweet version with Sugar Blue on harmonica and vocals and Son Seals on guitar.
1999-10-04	Makisupa	Normal, IL	6:37	Strong version. There's a delicate, staccato solo by Trey at 1:55, and a short, up tempo jam around 4:00-4:40, led by Page. Good outro jam too, with, again, some jamming reminiscent of "Stir It Up". A spacey jam emerges out of the end of "Makisupa."
1999-10-07	Tube	Uniondale, NY	6:54	Wah-groove and clav early on and then Trey takes the lead while Page lays down layers on the organ.
1999-10-07	Mike's	Uniondale, NY	12:05	A cool and different single jam version, with Trey on the mini keyboard at first, while Page and Mike rock out. Trey jumps back on guitar around 6:30, laying down iconic and swirling '99 sounds. Things settle down, and the stretch after 10:00 features great ambient sound.
1999-10-07	McGrupp	Uniondale, NY	11:08	Trey gradually joins in with Page's serene and contemplative solo, offering his uniquely '99 tone in contrast to Page's classic piano musings. Sounding as though it may end in an uncharacteristically subdued manner, Page and Trey instead drive the playing out for another brief circuit, before closing in a more spirited and customary manner.
1999-10-07	Caspian	Uniondale, NY	11:10	Similar to other versions from this period, but Trey shreds the ending part of the jam like a madman here. > to "Golgi."
1999-10-07	Weekapaug	Uniondale, NY	11:36	The jam drops into a rhythmic groove right off the bat. While never far from home base, it's a different and cool version and well worth checking out.
1999-10-08	Halley's	Uniondale, NY	14:24	A propulsive and swirling jam develops with nice Page and Trey teaming. Eventually settles down into a quieter, serene, and cohesive mood.
1999-10-08	Tweezer	Uniondale, NY	19:57	Very long, spacey jam. Brief "Sand" tease.
1999-10-09	Ghost	Albany, NY	23:01	A drive up Saddle Road to the summit of Mauna Kea to watch the sun set and the sky explode with stars. [Classic '99-style "Ghost" jamming breaks into a serene and light groove that some hear as "My Left Toe," but it's not. Instead, it's just great Phish. -> to "Free."]
1999-10-09	LxL	Albany, NY	13:55	Excellent version with strong playing. The jam hits usual peak indicating the song's finale - then at about 8:30 breaks into a low-key groove that works its way back to the "Limb" theme with a soaring peak.
1999-10-09	2001	Albany, NY	20:08	Killer intro that creates one of the most upbeat, grooviest dance parties Phish has ever thrown down. So much goodness.
1999-10-09	Slave	Albany, NY	11:50	According to an unconfirmed story, Phish played this emotional encore to honor a fan tragically killed in a car accident on the way to the show. There are powerful moments prior to the jam and a somber sentiment at the beginning, which miraculously transforms to an uplifting, joyful celebration by the end. A truly gracious and heartfelt version whether or not the story is true.
1999-10-10	Vultures	Albany, NY	10:01	Cool version and another unmistakable "99". Trey's approach is notable, in that he opts for more direct and straightforward, fiery play, which, offset by Page, builds not so much to a peak, but a crazy sort of cacophony. This culminates in a grinding, shreddy sort of release.
1999-10-10	Stash	Albany, NY	17:14	Some gorgeous major-key jamming in this one (from 9:00 - 11:15) and good staccato playing by Trey later in the jam.
1999-10-10	Jam	Albany, NY	7:33	An ambient jam, uncharacteristically darkish in tone kicks off Set II and > to an excellent "You Enjoy Myself."
1999-10-10	YEM	Albany, NY	26:20	TWO AWESOME JAM SEGMENTS!!!! (No B&D, no VJ.)
1999-12-02	Boogie On	Auburn Hills, MI	8:00	Wah-groove from Trey.
1999-12-02	Gin	Auburn Hills, MI	19:07	The standard "Gin" jam morphs around 14:25 into a raging, intense "Piper"-like beast before flaming out and -> to "2001."
1999-12-02	2001	Auburn Hills, MI	15:34	The Space Birds are out in full force. All kinds of originality, none of the cliche riffs.
1999-12-02	YEM	Auburn Hills, MI	21:46	Odd glam-rock repetitive jam segment. Silent jam. -> to "Little Drummer Boy" VJ. (No B&D.)
1999-12-02	The Little Drummer Boy	Auburn Hills, MI	3:18	-> in from the "YEM" vocal jam. A capella version.
1999-12-03	Possum	Cincinnati, OH	11:47	Sort of a call and response between Trey and Page that becomes more of a Page-led jam. A very different, relaxed vibe.
1999-12-03	LxL	Cincinnati, OH	16:21	Departs from "Limb" proper around 8:00 and heads into a dark, subdued jam during which Trey plays keyboard for a good portion. Not to everyone's liking, but more exploratory than most versions. Returns to "Limb" to conclude.
1999-12-04	SOAMelt	Cincinnati, OH	18:11	The jam begins with a haunting, scary groove over the basic structure. At 9:30, there's a transition segment with standout playing by Page and Mike. Then at 10:45 Trey hits the keyboards in a weird sonic combo. Released on Live Bait Vol. 7.
1999-12-05	Jibboo	Rochester, NY	10:04	A strong, prototypical '99 "Gotta Jibboo," with patient and careful Trey/Page interplay at first, a smooth and linear - but predictable - build up in energy and tension, and culmination in an intense, if somewhat short peak. One of the strongest standard '99 "Jibboos."
1999-12-05	Taste	Rochester, NY	12:55	The closest thing to a "jammed out" version of "Taste" (before 2017), as the band stretches Trey's solo out into a very extended and mellow groove, before returning to more familiar ground.
1999-12-05	Twist	Rochester, NY	11:58	Wild improv in this excellent, thrilling set closer that peaks well.
1999-12-05	Meatstick	Rochester, NY	14:14	Loosely segues out of "Mike's" and includes a very atypical jam that "goes type II" and RAGES before eventually cooling down, spacing-out, and seguing well into "Hydrogen."
1999-12-07	Halley's	Portland, ME	27:56	An excellent, rollicking, and very upbeat jam develops immediately. Quiets down slightly at about 16:00, but regains momentum and a different vibe around 20:30. At 24:10, the jam finally slows down, taking a blissful few minutes to transition to "Coil." Includes a "Gotta Jibboo" tease.
1999-12-07	Gin	Portland, ME	16:48	Fantastic groove-based "Gin." The jam quickly leaves "Gin" behind (at 6:50), breaking into a groove that paints a beautiful, serene, and otherworldly landscape. Page's deft use of effects adds to the scenery. A very unique "Gin."
1999-12-08	DwD	Portland, ME	15:09	An upbeat groove develops away from the standard that has an almost an "Gin"-like vibe to it before returning to "DwD."
1999-12-08	Ya Mar	Portland, ME	14:24	A nice percussive, somewhat dark, jam emerges that is unusual in its sentiment.
1999-12-08	Antelope	Portland, ME	14:50	Per @sandyfr "Closing a strong first set, this Antelope starts with some classic siren loops, before moving beyond the standard fare around 9:00, gradually losing any form of sensible key. The music morphs into an atonal wall of filthy harsh noise, as the alien mix of shoegaze and free jazz create a swirling tornado of cacophony."
1999-12-08	Sand	Portland, ME	17:16	Explosive trance.
1999-12-08	Piper	Portland, ME	19:31	The jam downshifts from typically high energy "Piper" fare to a subdued, low key groove with spacey Page effects.
1999-12-08	YEM	Portland, ME	21:23	"Tweeprise" VJ! (No B&D.)
1999-12-10	Tweezer	Philadelphia, PA	14:15	Extremely textural version that builds a "wall of sound." Doesn't do much IMO, but mileage varies.
1999-12-10	Jibboo	Philadelphia, PA	14:09	Careful and patient, the front half of this jam features strong Rhodes and synth work from Page, to create a twinkly and spacey vibe. The band slowly accelerates this "Gotta Jibboo" to a smooth pinnacle, with multiple, very pleasant peaks; other "Jibboos" peak harder, but this one peaks cleaner and longer than its '99 peers. A true culmination of groove-based jam ideas from fall and winter '99.
1999-12-11	SOAMule	Philadelphia, PA	12:22	Page Solo > Mike and Trey duet > full band jam that is really upbeat and rocking > conclusion.
1999-12-11	Boogie On	Philadelphia, PA	7:50	An extra funky jam kicks off a great set.
1999-12-11	Ghost	Philadelphia, PA	19:06	Endurance run through the Nevada desert crests the ridge into the Groom Lake Basin to behold the arrival of the mothership. [-> in from "Sally." Strong, slow tempo straightforward version with great Mike blasts off into deep outer space after 13:00 and explores the universe before -> to "2001."]
1999-12-11	2001	Philadelphia, PA	15:23	Emerges from "Ghost" and becomes a Haunted Space Halloween. Incredibly slow pace. This groove is one for the ages.
1999-12-12	Drowned	Hartford, CT	30:37	If you're looking for a good groove-based jam coming out of "Drowned," this is a more dynamic, propulsive and multi-sectional option than Big Cypress. It's solid, not epic, but well worth checking out.
1999-12-13	Tube	Providence, RI	6:40	Trey sits back while Page and Mike take the lead before ending the jam with some great lead work.
1999-12-13	Gumbo	Providence, RI	10:33	Thick swampy groove. Descending chord pattern in the middle of the jam, but not MLB.
1999-12-13	Piper	Providence, RI	19:11	High energy version with intense "Type I" jamming between verses. A propulsive, rhythmic jam follows.
1999-12-13	Sand	Providence, RI	22:45	Trey's lead playing is thematic and anthemic in this great version which begins as a textural soundscape. "Gotta Jibboo" bassline tease.
1999-12-13	LxL	Providence, RI	9:36	Another exceptional version with solid playing by all, but especially Machine Gun Trey who rips a glorious peak.
1999-12-15	DwD	Washington, DC	15:24	Compared to most '99s, the jam here breaks earlier into a light, textured groove that intensifies as it returns to "DwD."
1999-12-15	Gin	Washington, DC	16:45	A gentle straightforward jam transforms into a nice groove-based jam around 10:30 and eventually works back to "Gin."
1999-12-15	Free	Washington, DC	16:11	Jam starts in typical fashion, but then Trey hits the keyboards for an extended and very different version.
1999-12-16	CDT	Raleigh, NC	10:31	Very patient and gradual build in the jam.
1999-12-16	LxL	Raleigh, NC	10:29	Although this one takes awhile to get going and the "Spreadsheet" recording doesn't do it justice, Trey trills like his life depends on it in the spectacular peak of the jam.
1999-12-16	Sand	Raleigh, NC	22:30	Initially, the jam revolves around a menacing, effects-laden groove. Trey then hops on the keys to inject some melody and later expands on those ideas on guitar before the jam builds to a screaming finale.
1999-12-16	Velvet Sea	Raleigh, NC	10:20	Typically melodious and soaring "Wading" fare abounds in the solo section. As the closing vocals appear to signal the end, a ghostly ambient wash then creeps in and makes itself at home before moving > "Tweezer"".
1999-12-16	Tweezer	Raleigh, NC	21:52	Melodic, "Slave"-like jam.
1999-12-17	BOAF	Hampton, VA	10:47	Decent jam that veers briefly away from the standard form.
1999-12-17	Jam	Hampton, VA	5:05	A spacey, quiet jam with building energy and effects from Page spans the gap between "The Moma Dance" and "Bug."
1999-12-17	SOAMelt	Hampton, VA	17:22	Rooted in the improvisational millennial groove of '99, although perhaps more repetitive and even plodding at times, Fishman largely leads the jam until about 8 mins in, when Trey adds some space vamp. At 10 mins in, Mike changes course, and the jam takes on a menacing, heavy tone, continuing to build in intensity until a looped-out groove arises, and slow rolls its way to a thunderous conclusion. Not as wonderfully weird as 12/4/99, or as funky and fun as the 12/31 performance, but still an incredible three versions to end the century.
1999-12-18	YEM	Hampton, VA	22:47	Very inspired jam segment! (No B&D.)
1999-12-18	2001	Hampton, VA	17:34	An average "2001" becomes great when a Frampton "Do You Feel Like We Do" jam takes over. Bob Mayonnaise on the keyboards ladies and gentlemen.
1999-12-18	Sand	Hampton, VA	16:20	Ambient roar.
1999-12-30	Light Up	Big Cypress, FL	10:07	A wonderful compact jam that starts with some dark energy but soon enough taps into classic '99 sounds and soars into the stratosphere. Welcome to Big Cypress.
1999-12-30	LxL	Big Cypress, FL	11:15	The wild Big Cypress version showcases some cool staccato playing (see also "Plinko") in the middle and an unusual jamming style, while still staying pretty close to the normal theme.
1999-12-30	Wilson	Big Cypress, FL	6:44	Though the band starts in a metal chug similar to other versions in the era, Mike is in a much more exploratory mood than normal, bringing the band briefly into a major key, and later initiating several interesting rhythmic exchanges.
1999-12-30	Tweezer	Big Cypress, FL	16:50	A stunning, gorgeous jam.
1999-12-30	Mike's	Big Cypress, FL	15:27	"Immigrant Song" teasing early on sets the tone for this dark, angry wall of sound. A single jam segment, but it's heavy duty stuff, filled with spacey effects and a driving, seemingly accelerating Mike and Fish-led groove.
1999-12-31	Tube	Big Cypress, FL	9:23	Great lead work from Trey and some nice fills from Fishman in this one from Big Cypress.
1999-12-31	SOAMelt	Big Cypress, FL	20:01	Multi-section, improvisational groove-based jam, including typically dark "SOAM" grooving, funky upbeat major mode jamming, and a -> to "Catapult." Vastly different from 7/15/99.
1999-12-31	Catapult	Big Cypress, FL	1:17	-> in from an excellent "SOAM."
1999-12-31	DwD	Big Cypress, FL	23:41	Laid back but joyful millennial celebratory groove. This is feel good music. Unfinished with -> to "Llama."
1999-12-31	Gin	Big Cypress, FL	15:47	A very different "Gin" begins with extended vocal jamming through 9:25, then shifts to an enchanting groove.
1999-12-31	Twist	Big Cypress, FL	13:15	A tranquil ambient groove emerges with delay loops and an eerie Page solo on the Fender-Rhodes. -> to "Prince Caspian."
1999-12-31	R&R	Big Cypress, FL	30:23	This wide-ranging, 30-minute monster from Cypress starts off in an excellent bluesy groove, before quieting down to a percussive, groovy, organ-led cowbell movement with anthemic riffing from Trey. The jam then coasts along at a low simmer, with very quiet, introspective playing and massive bass bombs, before exploding into an epic, earth-shattering firestorm of a conclusion at 26:00.
1999-12-31	YEM	Big Cypress, FL	22:22	Crowd-assisted CHEESECAKE VJ. (No B&D.)
1999-12-31	C&P	Big Cypress, FL	20:14	This is one of the center-piece jams of one of Phish's most storied and highly-lauded sets. This one quickly hits a slow groovier jam. With a good foundation set by Gordon and Fishman, Trey and Page have ample room to explore several gorgeous and melodic passages.
1999-12-31	Sand	Big Cypress, FL	26:16	The masterpiece of the '99-'00 style "Sands" from the early morning at Big Cypress. A dark groove develops with all sorts of eerie effects added to the mix. Trey's lead work is scintillating and gives the jam an ominous feel as it builds to a devilish peak and then transitions to the hypnotic second movement replete with looped minimalist elements which continue into -> "Quadrophonic Toppling". A must-hear jam from the band's ambient era.
1999-12-31	Quadrophonic Toppling	Big Cypress, FL	10:11	Debut begins with the deployment of Mike's Siket Disc vocal sample in the midst of the meditative, ambient jam which emerged from "Sand". Guitar and keyboard delay loops are eventually joined by a fuller arrangement but the volume never rises above a reverent hush.
1999-12-31	Slave	Big Cypress, FL	15:11	The longest "Type I" version. If you like a slow, really stretched out "Slave," this one is for you. But the peak is nothing remarkable, in fact it sort of collapses under its own weight.
1999-12-31	After Midnight	Big Cypress, FL	20:01	-> in from "Drowned." A patient, sparse, and well-textured groove-based jam.
1999-12-31	Piper	Big Cypress, FL	19:03	New millennium Swamp Worm (it was played about 4:00 AM on 1/1/00) opens with all guns blazing before settling down with a Mike and Page led groove including "Bug" teases from Page.
1999-12-31	Roses	Big Cypress, FL	35:03	Launches into phenomenally intense improv almost from the start as it embarks on an at-times-breathtaking journey. Eventually grows dissonant before briefly regaining its feel-good vibe.
1999-12-31	2001	Big Cypress, FL	13:40	35th song in the second set is the infamous "Hood" fake out. Breakdown at 5:40 is sicknasty and Trey sounds as fresh as he did in 1983. Second jam features a reggae filth groove.
1999-12-31	Meatstick	Big Cypress, FL	8:44	Closes out the Big Cypress festival with a short ambient outro.

Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.

Jam Chart for the Year 1999 (239 entries)

Phish.net

Donate to Mockingbird

Contact Us

The Mockingbird Foundation