Jam Chart for shows in the city of Hampton, VA (46 entries)

Date Song City Timing Notes
1995-11-25 Timber Ho Hampton, VA 8:03 Set II opener. Stretched-out, multi-faceted psychedelic jam that includes "Mind Left Body"-like jamming from 2:47 - 3:21. Jam has an eerie, quiet, mid section, then regains power. Extremely dissonant. Transition to "Kung."
1997-11-21 Caspian Hampton, VA 9:59 Jam is well played but typical - then there is a long digital delay loop fade out instead of the usual closing chords.
1997-11-21 Bag Hampton, VA 25:42 > in from "Ghost." The band dexterously weaves together layers of hard rock, funk, and delicate, ambient space almost imperceptibly, as the transitions are so fluid. Difficult to break into easily defined sections or movements, it's more like a dynamically evolving life form. -> to "Slave To The Traffic Light." Simply must-hear.
1997-11-21 Slave Hampton, VA 12:30 -> in from a monster "Bag." '94 and '97: Great years for Phish and for "Slave." But the styles (for both) are very different. This "Slave," like many '97s, has a feeling of gradual building, rather than skyrocketing from valley to peak.
1997-11-22 Mike's Hampton, VA 16:32 Single jam format, but there's a lot going on in this funk filled fan favorite. Patient but clearly directed, the band works the basic groove over and over, adding texture and accent, swelling and shrinking the energy. Around 12:00, the focus shifts to quieter musing and exploration, before finially slipping neatly into "Hydrogen."
1997-11-22 Weekapaug Hampton, VA 13:34 A fan favorite show opens with a strong "Mike's Groove." "Weekapaug" begins with strong "Type I" jamming through 6:50, when it shifts to '97-style funk mode with a slightly dark tone. The funk ends with a "stop" and returns to "Weekapaug" in very good form.
1997-11-22 Hood Hampton, VA 18:00 This patient "Hood" has an extended and very gradual build. The peaking section in the final few minutes is quite glorious.
1997-11-22 Halley's Hampton, VA 24:13 Starting off in a funky, mellow groove, the jam gradually grows legs and momentum with excellent contributions from all four. At about 18:00, the jam downshifts to a more quiet, pensive sentiment with occasional flashes of powerful bass and percussion. A must-hear classic.
1997-11-22 Tweezer Hampton, VA 11:31 Popular, widely circulated funky version. "BEK" teases.
1998-11-20 Gin Hampton, VA 14:06 "Type I" intense jam that builds to a serious peak with great interplay by all four. Cycles down with no closing. > to "Piper."
1998-11-21 Foam Hampton, VA 9:51 Super Page solo followed by ever-so-delicate-and-nimble Trey. Fish rocks the build-up with some serious drumming.
1998-11-21 Simple Hampton, VA 15:21 The straightforward jam is galacticly beautiful.
1999-12-17 BOAF Hampton, VA 10:47 Decent jam that veers briefly away from the standard form.
1999-12-17 Jam Hampton, VA 5:05 A spacey, quiet jam with building energy and effects from Page spans the gap between "The Moma Dance" and "Bug."
1999-12-18 YEM Hampton, VA 22:47 Very inspired jam segment! (No B&D.)
1999-12-18 2001 Hampton, VA 17:34 An average "2001" becomes great when a Frampton "Do You Feel Like We Do" jam takes over. Bob Mayonnaise on the keyboards ladies and gentlemen.
1999-12-18 Sand Hampton, VA 16:20 Ambient roar.
2003-01-02 CDT Hampton, VA 14:18 Leaving "CDT" behind, a multi-section, very upbeat and spirited jam takes hold which then grows quiet and contemplative before returning to "CDT" for a full power finish.
2003-01-02 Gin Hampton, VA 16:25 The jam starts in customary manner, then shifts to funk mode while sticking to "Gin," breaks into a funky and rocking groove, and finally returns to "Gin" in an extended and celebratory manner.
2003-01-02 BOTT Hampton, VA 11:25 Good version, where the jam's rhythm is straightforward, but Trey and Page explore a little more territory and have excellent interplay.
2003-01-02 46 Days Hampton, VA 20:58 Debut. Jam gradually settles down from high powered "46 Days"-style in to a subtle, Trey and Page led foray. Picking up rhythm and energy, there are "CYHMK" teases as the jam builds in intensity. Settles down at the ending with no return to "46 Days" proper.
2003-01-03 Pebbles and Marbles Hampton, VA 13:41 This debut version set a high standard for the jamming potential of the song and exemplifies the uplifting and rocking playing heard in all subsequent performances.
2003-01-03 Wolfman's Hampton, VA 14:52 Super solid version with a gradual transition out the funk phase that develops into a kick-ass celebratory blow out.
2003-01-03 Makisupa Hampton, VA 7:04 This version has a cool little jam, that is laid back and spacey. Trey provides some engaging noodling after the five minute mark.
2003-01-03 Contact Hampton, VA 8:18 In the encore slot, this excellent "Contact" features an extended, rocking and funky jam.
2003-01-04 Roggae Hampton, VA 9:25 Outstanding version combines exceptional Trey soloing, strong Page/Trey back-and-forth, and excellent dynamics modulation driven by Fish and Mike. This one will make you weep with joy.
2003-01-04 Maze Hampton, VA 12:05 A really excellent Page section. Trey starts out tame, but by the end his guitar sounds like a jet engine or rocket ship cycling up for lift off.
2003-01-04 Weekapaug Hampton, VA 11:17 Very improvisational version which makes a big move away from the standard at 3:45 and takes on an increasingly dark tone. Whether it's "Type I" or "Type II" is really irrellevant. It's a great and different version, well worth checking out, and includes an unusual transition to "What's The Use."
2004-08-09 CDT Hampton, VA 19:00 Breaks free and clear of "CDT" into a serene, very melodic, Trey and Page led foray. Starts to build in energy and pulse, then abruptly veers back to "CDT" at about 18:00. Must-hear, especially for any 2.0 doubters.
2004-08-09 Gin Hampton, VA 21:06 A thrilling, intense, Must-Hear version, right on the heels of one of the best versions of "Chalk Dust Torture" ever. No comparison with previous eras, this is uniquely 2.0-style jamming. -> to "Runaway Jim."
2004-08-09 WotC Hampton, VA 17:34 Aggressive, in-your-face "Type I" version.
2004-08-09 Bowie Hampton, VA 12:29 A nice shift to major mode early on, then Trey, Page and Fish depart to extreme dissonance land. Not the prettiest, but it ain't straightforward.
2009-03-07 BOTT Hampton, VA 8:43 First "BOTT" of 3.0 sets a good precedent, although it would be surpassed by a number of subsequent versions (see below). Really, the band is playing "BOTT" better in 3.0 than previously, with the notable exception of 2/28/03.
2009-03-07 It's Ice Hampton, VA 9:09 Spacey, effects-laden jam with Page on synthesizer instead of piano.
2009-03-07 R&R Hampton, VA 12:21 Departs from standard "R&R" at about 8:30, in a delicate, melodic foray that sets up nicely for segue to "Limb By Limb."
2009-03-08 Undermind Hampton, VA 6:29 Debut. Straightforward.
2009-03-08 DwD Hampton, VA 22:17 An unusually melodic, intricate and mesmerizing jam develops. While also improvisational, it's the grace and beauty of this version that distinguishes it as perhaps the highlight of the run of shows beginning the 3.0 era.
2009-03-08 Twist Hampton, VA 8:53 Some downright filthy and nasty "Type I" playing by Mike and Trey (2:50 - 5:45) settles, then breaks at 6:00 into some serene major mode playing before growing dissonant, spacey and -> to "2001."
2013-10-18 Twist Hampton, VA 11:42 At 7:10, the jam breaks into a nice groove that turns 3.0-style ambient and subtle and > to "Free."
2013-10-18 Roggae Hampton, VA 9:18 The jam builds to a peak, seemingly to conclude, then settles briefly before rebuilding to a second peak.
2013-10-18 Carini Hampton, VA 16:06 Fantastic, multi-section version in which Page is clearly the superstar, on the B-3 and teaming with Mike early, jumping to piano for some melodic "HOSE" with Trey, and downshifting to great funk action with Mike.
2013-10-19 Steam Hampton, VA 10:53 Features a surprising rhythm-based section with Trey joining in on drums and Mike playing his fight bell with drumsticks. Worth hearing for this journey "outside the box" alone.
2013-10-20 BOTT Hampton, VA 9:28 The boys do a nice job of driving this "Train" up and over a serious peak, taking several blissful minutes in so doing.
2013-10-20 Tweezer Hampton, VA 23:07 Exceptional, diverse "type II" action, ending in a mellow, spacey haze.
2013-10-20 Golden Age Hampton, VA 17:14 > in from "Tweezer" as the second half in a pair of phenomenal jams. The usual funk-rock elements are present, but the jam gets taken to another level when it bleeds into an intense, psychedelic ambience. Fishman on Marimba Lumina. > to "Piper."
2013-10-20 2001 Hampton, VA 8:10 A breakdown truly worthy of the mothership. Mike yet again inspires greatness and Trey answers with some Echoplex love. Tip your bass player.
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.


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