[We would like to thank user Suzy Barros (@SuzyDrano) for recapping last night's show. -Ed.]

Well! What a couple nights that was, I’m glad I wasn’t tasked with recapping Friday night because I would have overfluffed (or fluffed just the right amount depending on who you ask, Best "Fluffhead" ever amirite???). Anyhoo, Friday was perfection for me, as was the only other show I’ve seen this summer (3^rd night Alpharetta) and though I’ve only listened to the highlights of the other shows, it’s enough to know something special has been happening in their playing, even besting the already excellent playing they did during the spring tour.

"Loving Cup"!!! Summer terr debut and the last time it opened a show unless I’m mistaken is all the way back in the cursed year of our lord 2004. I assume the reason being primarily because of its normal usage as a raging encore but there is really no good reason to not set the stage for the evening with a rager as end it with one, now is there??? Plus, when I turned around to give my dear old friend Marnie who joined me for these two shows a huge hug she was having a meltdown, I hadn’t realized it was her favorite song so that made it even better.

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[We would like to thank user Jeremy Willinger (@Jeremy8698) for recapping last night's show. -Ed.]

On the penultimate night of what has been a standout run both in terms of playing and permanence, Phish continued to exhibit why they are the best band on the fucking planet.

Before jumping into this review, let us take a trip back to Tuesday: a perfect show that demonstrated how the band can find a pocket and capitalize in the space to create a defining performance. That momentum from the standout show of the year—yeah I’m saying it—was a wave on which band and phans rode together, past Wednesday and into last night’s ripper at YEMSG.

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[Recap of Wednesday night's MSG show courtesy of Ian Zigel, user @Ripenesswasall, on IG at @memehendge. -Ed.]

“Character Zero” ends, I blink, and “Possum” fires up… or at least it feels like we’re picking up right where we’d left off after the pure Phish magic that was Tuesday’s show. My seat neighbor for these two nights, Trey (yes, really, that was his name), astutely points out that Tuesday/Wednesday crowds at The Garden are made up of the most devoted (albeit insane) Phish fans, and the music played for these shows can generally be summed up as “Phish for Phish fans.” Tuesday night saw the band go deep on a handful of favorites with Zen focus for Jerry Garcia’s birthday, arguably delivering the finest show yet of 2023; tonight is a perfect foil to Tuesday, with no shortage of jamming between songs, deeper cut song selections, antics, and an extremely fun and Phishy overall vibe.

The crowd is noticeably comfortable and in no rush to get to their seats with 5 minutes left to spare before the band takes the stage, but everyone locks in immediately with the unmistakable “Possum” intro. Tonight is my 48th Phish show and my first “Possum” opener. “Guyute” takes the number 2 spot, evocative of the encore on 12/29/22, which served this same pairing in reverse order. However, “Guyute” sounds much tighter and more rehearsed tonight.

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[Recap of Tuesday night's MSG show courtesy of user @SterlingPiper83. -Ed.]

For me, Phish at Madison Square is where it's at. There is no other place You can possibly do so much so easily, while also seeing Phish. But the venue itself, notwithstanding the seemingly never ending construction, is just incredible.

One of the things that makes YEMSG so incredibly special to me is that when the band is locked in and we get to grooving just right the floor begins to pitch and sway beneath your feet. For those of You that haven't been, it is not unlike the sensation one feels when standing on a surfboard or boat in calm waters.

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[We would like to thank Matt, @scissortail, for recapping last night's show. -Ed.]

With three of seven in the books for Phish’s summertime jaunt in Madison Square Garden, we have what I call “good Phish problems.” When the band walks on stage the first night of a seven night run and delivers a masterpiece—when they capture the mysterious and elusive “flow” so completely—it’s impossible not to compare each successive show against the king.

A misplaced ballad. A standard, no-frills run-through of a song that has the potential to go deep. Extremely weird lyrics about guns.

These do not ruin a Phish show. Not even close. They simply prevent the show from reaching the heights of near perfection. And because we witnessed that kind of show on Friday, these little missteps can be unfairly magnified in the harsh light of comparison. But if your only problem at a Phish show is that the raging rock extravaganza is momentarily interrupted by a perfectly fine (if energy-deflating) ditty—life is pretty good. These are good Phish problems.

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[Recap courtesy of @dmg924, David Goldstein -Ed.]

The pre-show vibe amongst the Lawson’s Hopcelot consuming crowd at Madison Square Garden on July 29^th, 2023 could be basically been summed up as such – “Well….how the hell are they going to top THAT?”

The ‘THAT’ in question being the prior night’s show. Based upon the frequently used expletives in my text threads and myriad invocations of the carpenter for whom Easter is celebrated; July 28, 2023 was one of THOSE shows. It was a top to bottom masterpiece in which the improvisation was so effortless and the peaks so memorable that it leaves the more conspiratorial minded fan to wonder exactly why Phish doesn’t play like this all the time? Do they actually have something against the good people of Wilmington, North Carolina? Phish’s ability to turn IT on and off will forever be a mystery worthy of stoned dorm room debate. But that’s why you go to more than one, and there’s no right way to Phish; some fans would prefer to see a 12 to 13 song first set rife with six-minute sing-alongs versus a 22 minute maelstrom of sound only five minutes into the show. I won’t judge. Besides which, if Phish played like 7/28 every night, both they and the audience would simply collapse; Big Red’s mighty fingers worn down to calloused nubs of flesh. So what would they possibly do for an encore on this, only the second night of a seven night Madison Square Garden run?

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[So I effed up and the person who I thought was recapping last night's show uh it turns out had told me three weeks ago they couldn't do it, so now I'm punishing myself---and all of you---and posting a hastily composed recap in a format similar to (but much less thoughtful and considerate than) the one that earned me venom and spite from our beloved community many years ago. You're welcome. -Charlie]

Phish began their seven-show, half-baker's-dozen run last night with a smooth performance of the serene "Evening Song," followed by two spectacular improvisational gems in "A Wave of Hope" and "Cities," both of which are sure to make their respective jam charts. You read that right, we were only three deep into the FIRST SET and yet Phish had performed a 21+ minute "AWOH" and ~15 minute "Cities"! Simply stated, fun was had by N00B, VET and JADEDVET alike, and I offer three perfunctory, insensitive, and devastatingly ignorant "recaps" for each of these types of fan.

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Sometimes things just fall into place. After decades of seeing Phish, we all have our preferences. Our quirks. Our routines. Our horrible opinions. And every show is someone's favorite. For a variety of reasons, Tuesday's show didn't flow for me like it did for a lot of people. Partially because I was distracted by a hilarious game of whack-a-wook between a security guard and a box that was empty for most of the night. Every time someone came into the box, they were so happy—they were the first person to ever think of sneaking into a box! And then within 30 seconds, the security guy was back. Two minutes later, a new trailblazer appears. Rinse, repeat.

But that "Down With Disease" > "The Well," wow. We have a couple new awesome Phish tunes on our hands.

After a couple of fun days of post-show / pre-show / bus rides in partnership with the Ardmore Music Hall, we rolled into The Mann ready to soak in the second night of the run. Probably goes without saying, but what the hell: The Mann is amazing. Beautiful venue, great staff, great sound, great surroundings. The lot scene is among the best, and the band is clearly comfortable and happy coming back to this venue. I know there are Camden defenders out there, but The Mann is the best.

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[Recap courtesy of user @spac_melt, AJ Stalloni. -Ed.]

Ahh, back at the wonderful Mann Center in my hometown of Philadelphia, PA. Phish (or at least Trey) loves playing here, and the energy is palpable. It rained a few times throughout the afternoon/early evening, but luckily nothing along the lines of Wilmington 2.

There would be no rain delay tonight a la 7/8/14.

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[We thank user @VermontCowFunk for recapping last night's show. -Ed.]

Wow. Phish played an absolute barnburner of a Sunday show last night, gracing Jon Fishman’s hometown and a great lakeside venue with fiery, energetic, and creative playing. 10 shows in to summer tour, the rust has been shaken off, new songs are being woven into the mix and jammed out, and much fun is being had on stage. While only Phish’s ninth show in the Salt City and the first since 2016, the stars aligned last night, and the band treated around 15,000 fans to almost three hours of fun last night.

My friend Chris (@flippingbackward) and I left Burlington Vermont Sunday morning to drive to the show, and after a very weird summer weather-wise so far, it felt great to be on the road under smoke-free blue skies. Rain’s been too present of late, causing serious flooding in Vermont and upstate New York, as well as an early ending to an earlier show, so it was a relief to have a dry forecast in store for Sunday. After the obligatory meal at Dinosaur BBQ, we parked at Destiny Mall, wondering if that name foreshadowed a potential bustout, and biked four miles on a bike path along Onondaga Lake, with no sign of the three-eyed fish that graced a very cool poster for the show, and quickly found our way on to the lot, which hosted a relaxed and friendly pre-show scene over quite the linear series of lots. Shakedown was busting with energy in the late afternoon sun and, asking for a friend, do the nitrous vendors always wear Phish T-Shirts? Time quickly slipped by, and we entered the venue almost painlessly thanks to some very friendly and efficient staff (although I did hear others had a hard time getting in) and quickly found ourselves at the top of the lawn, looking over the lake with a breeze cooling everyone down a bit; spirits were high, and pushed higher by a food vendor blaring some studio Phish at the top of the lawn (never heard that before). We made our way down through the lawn to some great seats in the 100 level, cognizant of the relatively early start times at some recent shows and were in place ready to go by 7:30. Or at least we thought we were ready…

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