Date | City | Timing | Notes |
---|---|---|---|
1996-06-06 | Woodstock, NY | 5:31 | Fun debut. Notable for a strong vocals, tight play, and a decidedly different arrangement, it's clear the song is here to stay, even though "[the band] don't know the end yet." |
1997-11-26 | Hartford, CT | 20:43 | This uniquely jammed out version maintains a heavy rock vibe for the duration and features multiple Trey solo sections. -> "2001". |
1997-12-02 | Philadelphia, PA | 8:43 | Mellow - or offbeat - by "Zero" standards, the version, strangely musical, produces a fun and surprising "tripping up the steps" sensation. The band, clearly energized, performs at a much slower tempo, the song's customary forceful vibe created by shouting and Trey's deliberate, scuzzy soloing. |
1999-07-31 | Niigata, Japan | 9:19 | Prompted by a vocal Trey, the band launches into extended and impassioned jamming, Trey's tone and truly spirited soloing working well to capture, at least in part, the zeitgeist of the touring year. |
2000-10-05 | Irvine, CA | 8:30 | > Piper, Trey alights upon a cool, swinging riff, and the version rides this vibe, with on-point fills from Page, the jam not so much building as unfurling, a heavy sort of bass and drum stomp. Play then becomes outright weird when Page shifts to his keys and a moody, brooding, outro ensues, with Trey quoting "Fast Enough For You". |
2011-09-14 | Essex Junction, VT | 8:15 | To paraphrase @nicobert: One of the skronkiest, atonal, and harrowing "Zero" jams going. Like trying to walk a tight-rope to see how far he can push the song's structure without anyone noticing, typically on-fire Trey is especially incendiary, at one point using his mic as slide to, in a manner of listening, spew magma into a packed school bus. |
2017-07-26 | New York, NY | 9:41 | Woah. Sweet show-closer finds the band biding their time, and taking it slow. Straightaway, the jam assumes a smooth, bluesy feel, tinged with some stomping "Martian Monster" texture. Trey augments his tone to shape a cool solo, Fish and Page drop out, and great guitar is met in equal measure by Mike, whose liquid tone gels as the two share a solo. Casually, the version builds to regain its customary intensity, and Trey leads the band through "Zero's" impassioned conclusion. |
2018-08-08 | Camden, NJ | 7:37 | > from a memorable "Melt", "Stop-Start" / "Woo-Driven" action yields to smooth, fluid soloing (featuring Trey's incredibly warm tone), atop bedrock bass, drums, and Page's groovy play. Short but sweet, a fun way to send 'em home. |
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