|1996-06-06||Woodstock, NY||5:31||Fun debut. Notable for a strong vocals, tight play, and a decidedly different arrangement, it's clear the song is here to stay, even though "[the band] don't know the end yet."|
|1997-11-26||Hartford, CT||20:43||This uniquely jammed out version maintains a heavy rock vibe for the duration and features multiple Trey solo sections. -> "2001".|
|1997-12-02||Philadelphia, PA||8:43||Mellow - or offbeat - by "Zero" standards, the version, strangely musical, produces a fun and surprising "tripping up the steps" sensation. The band, clearly energized, performs at a much slower tempo, the song's customary forceful vibe created by shouting and Trey's deliberate, scuzzy soloing.|
|1999-07-31||Niigata, Japan||9:19||Prompted by a vocal Trey, the band launches into extended and impassioned jamming, Trey's tone and truly spirited soloing working well to capture, at least in part, the zeitgeist of the touring year.|
|2000-10-05||Irvine, CA||8:30||> Piper, Trey alights upon a cool, swinging riff, and the version rides this vibe, with on-point fills from Page, the jam not so much building as unfurling, a heavy sort of bass and drum stomp. Play then becomes outright weird when Page shifts to his keys and a moody, brooding, outro ensues, with Trey quoting "Fast Enough For You".|
|2011-09-14||Essex Junction, VT||8:15||To paraphrase @nicobert: One of the skronkiest, atonal, and harrowing "Zero" jams going. Like trying to walk a tight-rope to see how far he can push the song's structure without anyone noticing, typically on-fire Trey is especially incendiary, at one point using his mic as slide to, in a manner of listening, spew magma into a packed school bus.|
|2017-07-26||New York, NY||9:41||Woah. Sweet show-closer finds the band biding their time, and taking it slow. Straightaway, the jam assumes a smooth, bluesy feel, tinged with some stomping "Martian Monster" texture. Trey augments his tone to shape a cool solo, Fish and Page drop out, and great guitar is met in equal measure by Mike, whose liquid tone gels as the two share a solo. Casually, the version builds to regain its customary intensity, and Trey leads the band through "Zero's" impassioned conclusion.|
|2018-08-08||Camden, NJ||7:37||> from a memorable "Melt", "Stop-Start" / "Woo-Driven" action yields to smooth, fluid soloing (featuring Trey's incredibly warm tone), atop bedrock bass, drums, and Page's groovy play. Short but sweet, a fun way to send 'em home.|
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