Setlists Matching Artist: Trey Anastasio

This was a private performance benefiting the Divided Sky Foundation and featured Trey on solo acoustic from More through Backwards Down the Number Line. Wilson through You Enjoy Myself featured Trey on acoustic and Jeff Tanski on piano. Blaze On's lyrics were changed to "dancing on the beach."

More through Wilson and Brief Time were performed by Trey solo acoustic. The remaining songs featured Trey on acoustic and Jeff Tanski on piano. Trey teased San-Ho-Zay in Twist.

Cavern through The Lizards were performed by Trey solo acoustic. The remainder of the evening was Trey on acoustic and Jeff Tanski on piano. Reba did not contain whistling.

More through Wilson were performed by Trey solo acoustic. The remainder of the evening was Trey on acoustic and Jeff Tanski on piano. This show featured the first Trey acoustic performance of Walls of the Cave.

Brian and Robert through More were performed by Trey solo acoustic. The remainder of the evening was Trey on acoustic and Jeff Tanski on piano. My Friend My Friend did not contain the "Myfe" ending. More was started as Strange Design. Reba did not contain whistling.

This entire show was performed by Trey solo acoustic except for Divided Sky through First Tube, Bug, and You Enjoy Myself (all of which featured Jeff Tanski on piano). Reba did not contain whistling.

This entire show was performed by Trey solo acoustic except for Divided Sky through You Enjoy Myself and Fluffhead (all of which featured Jeff Tanski on piano) and featured the first Trey acoustic performance of Corinna.

This entire show was performed by Trey solo acoustic except for Reba through Stash, Slave to the Traffic Light, and Tweezer Reprise (all of which featured Jeff Tanski on piano). Trey quoted Don’t Come Around Here No More after Blaze On. In a nod to a story from earlier in the evening, Trey added "Jon Fishman" to the Possum lyrics. Reba did not contain whistling.

This entire show was performed by Trey solo acoustic except for Divided Sky through Harry Hood, Fluffhead, and Wilson (all of which featured Jeff Tanski on piano).

This entire show was performed by Trey solo acoustic except for Pebbles and Marbles through Drift While You're Sleeping and You Enjoy Myself (all of which featured Jeff Tanski on piano) and featured the first Trey acoustic performance of If I Could See the World. Trey teased San-Ho-Zay in Chalk Dust Torture.

More through Possum were performed by Trey solo acoustic. The remainder of the evening was Trey on acoustic and Jeff Tanski on piano. Reba did not contain whistling.

Blaze On through Wilson were performed by Trey solo acoustic. The remainder of the evening was Trey on acoustic and Jeff Tanski on piano. This show featured the first Trey acoustic performance of Monsters and the first Ray Dawn Balloon since November 1, 2002. Trey quoted Give It Away after Back on the Train. My Friend My Friend did not contain the "Myfe" ending.

This entire show was performed by Trey solo acoustic except for Pebbles and Marbles through First Tube and Harry Hood (all of which featured Jeff Tanski on piano). Trey quoted The Howling in Wolfman's Brother and changed the song's lyrics to "smooth atonal woos." Cavern's lyrics were changed to reference woos and eggs.

This entire show was performed by Trey solo acoustic except for Reba through Sand and Harry Hood (all of which featured Jeff Tanski on piano). Dog Faced Boy was stopped and restarted. Reba did not contain whistling.

This entire show was performed by Trey solo acoustic except for Divided Sky through Harry Hood and You Enjoy Myself (all of which featured Jeff Tanski on piano). Trey quoted The Howling in Wolfman's Brother. Trey quoted Stereo after Wolfman's Brother.

This entire show was performed by Trey solo acoustic except for Ghosts of the Forest through Drift While You're Sleeping and Fluffhead (all of which featured Jeff Tanski on piano). My Friend My Friend did not contain the "Myfe" ending. Reba did not contain whistling. During the Bundle of Joy part of Fluffhead, Trey mentioned wheatgrass and wedding dresses (both were Fish stories from earlier in the evening).

Theme From the Bottom through Everything's Right were performed by Trey solo acoustic. The remainder of the show featured Trey on acoustic and Jeff Tanski on piano. Reba did not contain whistling.

This entire show was performed by Trey solo acoustic except for A Life Beyond The Dream through Harry Hood and Lonely Trip and First Tube (all of which featured Jeff Tanski on piano). This show marked the first acoustic Trey performances of Horn and Lonely Trip. Trey mentioned Tina (Weymouth) and twisted her name around during Twist after mentioning she was his high school crush earlier in the show.

This entire show was performed by Trey solo acoustic except for It's Ice through Flying Blind, What's the Use?, Drift While You're Sleeping, You Enjoy Myself, and Wilson (all of which featured Jeff Tanski on piano). This show marked the first public and first acoustic Trey performance of Just A Touch (which Trey dedicated to James Casey) and the first Trey acoustic performance of Flying Blind. Walfredo was quoted before Farmhouse. Happy Birthday was sung for Carol. Never was performed for the first time since December 7, 2014 and in its original arrangement (and as an acoustic song) for the first time since November 8, 2005. In a nod to banter earlier in the evening about the movie Cloverfield, Trey said "Cloverfield, come and save us" in Wilson.

This entire show was performed by Trey solo acoustic except for Divided Sky through The Squirming Coil and Dirt through Slave to the Traffic Light (all of which featured Jeff Tanski on piano). This show featured the debut of Timeless and the first acoustic Trey performances of Oblivion, Greyhound Rising, and The Squirming Coil. Prior to Lawn Boy, Trey mentioned that since he had done Dog Faced Boy and Lifeboy, he would complete the "boy triumvirate." Trey teased and quoted Wait after Bathtub Gin and quoted Wait in the pause in Divided Sky.

This entire show was performed by Trey solo acoustic except for Till We Meet Again through Sand and Rift and Fluffhead (all of which featured Jeff Tanski on piano). This show featured the first Trey acoustic performances of What's Going Through Your Mind, Valdese, and Rift. Brian and Robert was dedicated to Cam Neely. Rift (in a nod to Trey's story from earlier in the evening about performing the song in front of Aerosmith on April 7, 1993 during the Boston Music Awards show) was dedicated to Aerosmith. My Friend My Friend did not contain the "Myfe" ending and was followed by Trey whistling part of Piano Man while telling a story. Taste was performed outside of Phish for the first time since May 19, 1999 (when it was also performed by Trey solo acoustic). Trey quoted Valdese in The Wedge. Reba did not contain whistling.

This entire show was performed by Trey solo acoustic except for Petrichor through Stash and Harry Hood (all of which also featured Jeff Tanski on piano). This show featured the Trey debut of I Got You Babe (with lyrics changed to "I've got you for long romantic walks, I've got you at Love Rocks") and the first Trey acoustic performance of Petrichor. Trey quoted The Howling in Wolfman's Brother.

SET 1: Killing Me Softly, No One, Empire State of Mind, (Sittin' On) The Dock of the Bay, Colors, Gonna Find Out, Red House, Love The One You're With, She Don't Love Me Now, Doo Doo Doo (Heartbreaker), I'll Take You There, What A Fool Believes, Takin' It To The Street, Georgia On My Mind, Do You Feel Like We Do, While My Guitar Gently Weeps, Soul Sacrifice, Cigarettes & Wine, Saturday Night's Alright for Fighting, Here Comes The Rain Again, Sweet Dreams, Walking In Memphis, Song For The Lonely, Believe, 1999, Loser, Everything's Right, Good Times Bad Times, Higher Ground

This show was billed as Love Rocks NYC. Trey appeared on While My Guitar Gently Weeps and Everything's Right through Higher Ground.

SET 1: Carolina in My Mind, Southern Accents, Waste [1], The Weight [2], Pantala Naga Pampa > Rapunzel, So Much to Say > Too Much, So Damn Lucky, Jimi Thing > Brick House, Lie in Our Graves [3], Melissa [4], Come Together [5]

This performance was billed as Soulshine and was a benefit for hurricane relief and recovery. It featured Goose, Warren Haynes Band, Nathaniel Rateliff & The Night Sweats, and Dave Matthews Band. Dave Matthews Band's set began with Dave and Warren Haynes on acoustic guitars for Carolina in My Mind. Derek Trucks joined Dave and Warren (still on acoustics) on slide guitar for Southern Accents. Waste was Dave and Trey on acoustic guitars. Dave Matthews Band came on stage for the rest of the set with The Weight featuring Trey on guitar and vocals and Susan Tedeschi and Nathaniel Rateliff on vocals. Jimi Thing and Brick House featured Ben Jaffe on tuba and Trombone Shorty on trombone. Lie in Our Graves featured Trey on guitar. Melissa featured Trey and Derek Trucks on guitar and Warren Haynes on guitar and vocals. Come Together featured Trey, Warren Haynes, and Derek Trucks on guitar, Ben Jaffe on tuba, Trombone Shorty on trombone, Susan Tedeschi, Nathaniel Rateliff, Rick Mitarotonda, Peter Anspach, Trevor Weekz, Jeff Arevalo, and Robert Randolph on vocals plus other musicians on stage.

SET 1: Up on Cripple Creek, Ophelia, The Best of Everything, Evangeline, Acadian Driftwood, Straight Down the Line, Who Do You Love?, Down South in New Orleans, Go Back to Your Woods, King Harvest (Has Surely Come), The Night They Drove Old Dixie Down

SET 2: Broken Arrow, Life is a Carnival, Whispering Pines, Twilight, Across the Great Divide, Rag Mama Rag, Don't Do It, Tupelo Honey, Days Like This, Wonderful Remark

SET 3: The Shape I'm In, Out of the Blue, Forbidden Fruit, Chest Fever, Further on Up the Road, Forever Young, It Makes No Difference, Stage Fright, Caravan, When I Paint My Masterpiece, The Unfaithful Servant [1], Look Out Cleveland[1], The Weight [2], I Shall Be Released [3]

Trey performed at Life is a Carnival which was a musical celebration of Robbie Robertson. The Unfaithful Servant through I Shall Be Released featured Trey on guitar and vocals. The Weight also included Bob Weir on guitar and vocals with Mavis Staples singing lead vocals. I Shall Be Released was the "All-Star Ensemble" with many of the performers from the evening appearing.
Trey gave the keynote speech and performed at The Retreat's annual Imagine Gala. This set was solo acoustic and the setlist is unconfirmed.
This performance was part of Mempho Music Festival and took place on the Adams Keegan Stage. Trey teased Hey Stranger in Wolfman's Brother.
This performance was part of Sea.Hear.Now and took place on the Surf Stage. The TAB debut of Kitty's Back featured Bruce Springsteen on guitar and vocals.
This show featured Trey performing with the Boston Pops, Edwin Outwater conducting, and with orchestration by Don Hart. Water in the Sky, More, and The Inlaw Josie Wales featured Trey on acoustic.
This show featured Trey performing with the National Symphony Orchestra, Edwin Outwater conducting, with orchestration by Don Hart, and featured the orchestral debuts of Evolve, Mercy, and Harry Hood. Water in the Sky, More, and The Inlaw Josie Wales featured Trey on acoustic.
This was a private show. Free featured Trey on solo acoustic. This setlist is unconfirmed.
This performance was part of Boston Calling Music Festival and took place on the Happy Valley Red Stage.
Shade featured Trey on acoustic.
Snowflakes in the Sand featured Trey on acoustic.
After Spin, somebody in the crowd shouted "Let's go Rangers" and Trey said "that solo was dedicated to Chris Kreider." When the Words Go Away and Heavy Things featured Trey on acoustic.
Llama was performed in an alternate arrangement. It's Happening Again and Brian and Robert featured Trey on acoustic.
Water in the Sky featured Trey on acoustic.
This show featured the debuts of It's Happening Again and Liquidate the Moon. Heavy Things, It's Happening Again, and Water in the Sky featured Trey on acoustic.
This show featured the debut of The Kid in the Sky. Trey teased Third Stone From the Sun in First Tube. Lost in the Pack and Shade featured Trey on acoustic.
This show featured the debut of Mists of the Past. Brian and Robert featured Trey on acoustic. Theme From the Bottom and Limb By Limb were performed by Trey solo acoustic.
This show featured the full band debut of Snowflakes in the Sand (all prior versions had been performed solo acoustic by Trey) with Trey on acoustic. When the Words Go Away and Brian and Robert were Trey solo acoustic.
This show featured the debut of Long Long Time. Trey teased Let's Go Blue in Undermind. Llama was performed in an alternate arrangement. Heavy Things and Shade featured Trey on acoustic. Strange Design was performed by Trey solo acoustic.
This show featured the debuts of What's Going Through Your Mind, Poppyhead, and Demons. What's Going Through Your Mind was introduced by Trey as "Your Mind."
This performance was supposed to be part of Beachlife Festival but was canceled due to high winds.
This was a private performance celebrating Tom Marshall's 60th birthday that took place prior to the evening's public show also at the Stone Pony. All songs featured Tom Marshall on additional vocals. I Never Left Home featured Anthony Krizan and Cal Kehoe on guitar. Anna Marshall sang lead vocals on Be a Friend.

Soundcheck: Halfway Home, It's Happening Again, ...And Flew Away, Outside the Lines, Hey Stranger, Tubthumping (x3)

SET 1: Back on the Train, Sand, Tubthumping [1] > Happy Birthday to You [2], Outside the Lines, Wolfman's Brother, The Moma Dance > No Men In No Man's Land, Steam, Blaze On > Ghost

This unannounced set (billed ahead of time as Soule Monde) was part of an evening celebrating Tom Marshall's 60th birthday and featured the TAB debut of Tubthumping with Tom on vocals and Tony Perusso on trumpet. Tubthumping had last been performed by a member of Phish on November 21, 1998 when Phish themselves performed it (also with Tom on vocals). Happy Birthday to You also featured Tony Perusso on trumpet. During the soundcheck, It's Happening Again was performed several times and Tubthumping featured Tom on vocals.
This performance was part of "A Party to Celebrate the Life and Music of James Casey" and featured the TAB debut of Express Yourself. Ryan Zoidis sat in on saxophone for the entire set. Everything's Right through Rise/Come Together featured Mike Maher on trumpet and Alecia Chakour on vocals. Jo Lampert added vocals to Everything's Right and Rise/Come Together. Erin Boyd and Elenna Canlas also provided additional vocals on Rise/Come Together.
This set was part of Hulaween and took place on the Meadow stage. Llama was performed in an alternate arrangement. Sand began with an I Never Needed You Like This Before tease from Trey.
This performance was part of Sound On Sound and was dedicated to James Casey (this was the first TAB show since his passing). Trey teased Layla in Push On 'Til the Day.
This performance was part of the Healing Appalachia festival.
Llama was performed in an alternate arrangement. Snowflakes in the Sand through More were performed by Trey solo acoustic.
Heavy Things and Brian and Robert featured Trey on acoustic guitar. Theme from the Bottom and Limb By Limb were performed by Trey solo acoustic.
Brian and Robert featured Trey on acoustic guitar. Snowflakes in the Sand and Strange Design were performed by Trey solo acoustic.
This show featured the TAB debut of Life Saving Gun.
This set was part of Borderland Music + Arts Festival, took place on the Main Stage, and was dedicated to James Casey. Llama was performed in an alternate arrangement.
Heavy Things, the TAB debut of Lost in the Pack, and Brian and Robert featured Trey on acoustic guitar. Llama was performed in an alternate arrangement. Trey teased Super Bad in Gotta Jibboo. Trey performed Strange Design solo acoustic.
This performance took place at the Coors Light Blues Tent. Blaze On's lyrics were changed to "dancing in the tent." Trey teased Moby Dick in A Wave of Hope.
This performance was part of ALL IN Music & Arts Festival and took place in the Indosphere (officially known as the Indiana Farmers Coliseum).
This performance was part of Catbird Music Festival and took place on the Main Stage.
This performance took place on the Stoke Stage.

Soundcheck: Simple Twist Up Dave, Curlew’s Call, Blues Jam, Evolve, Where They’ll Find Us, Oblivion (this soundcheck is unconfirmed)

SET 1: Set Your Soul Free, Simple Twist Up Dave, Evolve, Rise/Come Together, Steam, Heavy Things > Cayman Review, Night Speaks to a Woman, The Moma Dance, Curlew's Call

SET 2: I Never Needed You Like This Before, 1977, Acting the Devil, No Men In No Man's Land, Oblivion, Love Is What We Are, Drifting, Alaska > Everything's Right

ENCORE: Over the Rainbow [1], First Tube [2]

James Casey joined for the encore (he not appear elsewhere during the show) to sing on Over the Rainbow, which was performed a cappella, and play saxophone on First Tube.
Blaze On's lyrics were changed to "dancing by the water" and the song ended with Everything's Right quotes prompting Trey to say "we're going to end every song like that tonight." Gotta Jibboo also ended with an Everything's Right quote from Trey. O-o-h Child featured James Casey (who did not perform during the show) on vocals.

Soundcheck: Blazing Down the Twisted Wire, Flying Blind (x2), Llama, Valdese (x3), Party Time, Splinters of Hail, Quantegy, The Silver Light, Evolve, Roll Like a River, Lonely Trip, Ocelot

SET 1: Shaking Someone's Outstretched Hand [1], Hey Stranger, Blazing Down the Twisted Wire, Llama [2], No Men In No Man's Land, Roll Like a River, Party Time, Evolve, The Silver Light, Stealing Time From the Faulty Plan

SET 2: Gotta Jibboo, Broken Into Pieces [3], Flying Blind[3], Wolfman's Brother, Valdese[3], Splinters of Hail[3], Ocelot, Heavy Things, Lonely Trip, Everything's Right

ENCORE: Carini

This show featured the debuts of Broken into Pieces, Flying Blind, Valdese, and Splinters of Hail and the first public performance of Shaking Someone's Outstretched Hand (which had previously been played on October 23, 2020 during the Beacon Jams). Llama was performed in an alternate arrangement. The Llama in the soundcheck was also performed in an alternate arrangement and was incomplete. Trey teased a little more time before the soundcheck's Ocelot.

Soundcheck: The Moma Dance, Ghosts of the Forest, Shaking Someone's Outstretched Hand, Ruby Waves

SET 1: I Never Needed You Like This Before, If I Could See the World [1], Spin, Undermind > Ghosts of the Forest > The Endless Dream [2], Mercy, Pillow Jets[2], 46 Days

SET 2: Outside the Lines[2] > Ruby Waves > Machine[2], About to Run, The Moma Dance [3] > Twist

ENCORE: A Wave of Hope

This show featured the debuts of The Endless Dream, Pillow Jets, Outside the Lines, and Machine and the first public performance of If I Could See the World (which had previously been played on October 9, 2020 during the Beacon Jams). Moma Dance was unfinished. Fish quoted Louie, Louie in Twist. Trey and Fish quoted The Well in the soundcheck's Moma Dance. Hey Stranger was teased before the soundcheck's Shaking Someone's Outstretched Hand.
This show featured the debuts of Where They'll Find Us, Perseid, Monsters, Oblivion, The Well, and Ether Edge, the first public performance of The Greater Good (which had previously been played on October 16, 2020 during the Beacon Jams), and the Trey Anastasio debut of Halfway Home (previously only performed by Ghosts of the Forest and Phish). Perseid had evolved from Forward People, which had been released as a single in 2021. The first Perseid was unfinished due to technical issues. Air Said To Me was performed for the first time since December 31, 2006. What's Done was last played on February 28, 2010. Trey teased San-Ho-Zay in The Greater Good. Ghost's lyrics were changed to "the story of Fish in Telluride."
Goose opened for TAB at this co-bill show. Ghost through Party Time featured Rick Mitarotonda on guitar and Peter Anspach on keys. First Tube through Party Time also featured Jeff Arevalo and Ben Atkind on percussion. Trevor Weekz played bass on First Tube and was on percussion for the encore. Llama was performed in an alternate arrangement and had its final lyric changed to "Taboose." Party Time ended with the horns and everyone else on percussion playing as everyone walked off stage.
Goose opened for TAB at this co-bill show. Mr. Completely through Money, Love and Change featured Rick Mitarotonda on guitar and Peter Anspach on keys.
Goose opened for TAB at this co-bill show. The TAB debut of Meet Me at the Creek featured Trey and Billy Strings on acoustic guitars and Billy on vocals. Possum featured Billy on guitar and additional vocals. The Moma Dance and Gotta Jibboo featured Billy and Rick Mitarotonda on guitar and Peter Anspach on keys with Billy adding vocals to Gotta Jibboo. The TAB debut of Love and Regret as well as Water in the Sky were performed by just Trey and Billy on acoustics. Billy sang on Love and Regret. Back on the Train featured Billy and Rick on guitars and vocals and Peter on keys. Carini featured Billy and Rick on guitars, Peter on keys and vocals, Trevor Weekz on bass, and Jeff Arevalo and Ben Atkind on percussion.
Goose opened for TAB at this co-bill show. Sand and the full TAB debut of Suzy Greenberg (last played by Trey outside of Phish on February 23, 2011 as a solo acoustic performance of the song) featured Rick Mitarotonda on guitar and Peter Anspach on keys with Rick and Peter adding vocals to Suzy. Jeff Arevalo, Ben Atkind, and Trevor Weekz also joined on percussion for Suzy. More and Backwards Down the Number Line were performed by Trey solo acoustic.
Goose opened for TAB at this co-bill show. Mr. Completely and Rise/Come Together featured Rick Mitarotonda on guitar and Peter Anspach on keys. The first full TAB performance of Possum featured Rick on guitar, Peter on keys, and Jeff Arevalo, Ben Atkind, and Trevor Weekz on percussion. Prior to this show, the only other time Possum had been played publicly as "TAB" was at the first TAB performance on February 15, 1999 as Trey, Tony Markellis, and Russ Lawton (it was played on October 23, 2020 during the Beacon Jams). This was also the first Possum to be played by any member of Phish with a full horn section since July 27, 1991.
Goose opened for TAB at this co-bill show. No Men In No Man's Land through Carini featured Rick Mitarotonda on guitar and Peter Anspach on keys. Carini also featured Trevor Weekz on bass and Jeff Arevalo and Ben Atkind on percussion.
Goose opened for TAB at this co-bill show. Back on the Train and Steam featured Rick Mitarotonda on guitar and Peter Anspach on keys with Rick and Peter adding vocals to Back on the Train. Theme From the Bottom was performed by Trey solo acoustic. Rick joined Trey on acoustic guitar for Strange Design and also sang vocals. Blaze On featured Rick on guitar, Peter on keys, and Jeff Arevalo, Ben Atkind, and Trevor Weekz on percussion.
Goose opened for TAB at this co-bill show. Wolfman's Brother through First Tube featured Rick Mitarotonda on guitar and Peter Anspach on keys. The TAB debut of Llama and First Tube also featured Jeff Arevalo and Ben Atkind on percussion with First Tube also featuring Trevor Weekz on bass. Llama was performed in an alternate arrangement and had its final lyric changed to "Taboose."
This show featured the debut of Blazing Down the Twisted Wire. 6 1/2 Minutes featured Trey on acoustic with Jennifer, Natalie, and James on additional vocals.
Trey teased the Odd Couple theme in Ocelot. Trey performed Theme From the Bottom through More solo acoustic. More was started in the wrong key, aborted, and restarted in the correct key.
Theme from the Bottom and More were performed by Trey solo acoustic.
Last Tube began as First Tube. Bug was performed by the Trey Anastasio Band with a full lineup (minus James) for the first time since May 31, 2002 (it had been played by TAB as "Classic TAB" with Trey, Russ Lawton, Tony Markellis, and Ray Paczkowski in 2008 and by the Trey Anastasio Trio in 2018).
The debut of 6 1/2 Minutes and Brief Time featured Trey on acoustic with Jennifer and Natalie on additional vocals. James also sang on Brief Time.
This was a private performance and the setlist is unknown. Dave Matthews played an opening set before TAB's set. Trey and Dave performed together for the encore.
This entire show was performed by Trey solo acoustic (except for Happy Birthday which was also sung by Trey and the crowd to his daughter Eliza who was in attendance) and featured the first acoustic performances of Evening Song and Hey Stranger.
This entire show was performed by Trey solo acoustic and featured the first public performance of A Little More Time and the first acoustic performances of Happy Birthday and Roll Like A River. This night marked the debut of Sphere Immersive Sound, billed as "the world's most advanced concert audio system." After Strange Design, Trey noted that the song had been written exactly 27 years ago and proceeded to play and sing Happy Birthday for the song. Trey quoted Vaccinated Attitude before Everything's Right.
This performance was part of the Peach Music Festival and took place on the Peach Stage. The Moma Dance and Rise/Come Together featured Celisse Henderson on guitar and vocals. Celisse added vocals to A Life Beyond The Dream.
This entire show was performed by Trey solo acoustic.
This entire show was performed by Trey solo acoustic with the exception of Bug (Trey brought Jovi, a girl who had been holding up a "Can I sing Bug with u" sign, from the audience on stage to sing the song).
This entire show was performed by Trey solo acoustic. Harry Hood was started mid song and unfinished.
This entire show was performed by Trey solo acoustic and featured the first acoustic performance of Mercy. Prior to Brian and Robert, a fan in the audience shouted out "Slow Sparkle" (Phish had played a slowed down Maze earlier in the month) to which Trey responded "Fast Lawn Boy." Trey then briefly sang and played parts of Lawn Boy at a fast tempo before saying he was going to save that one for when the "boys" come back and that they'd speed up Lawn Boy.
Theme From the Bottom was performed by Trey solo acoustic. Trey sang a part of Walfredo after Theme and teased Oye Como Va in Ghost.
This show featured the first public performance of Mercy and the debut of Roll Like A River.
Cyro teased Watermelon Man before Gotta Jibboo. This show marked the debut of Hey Stranger. Theme From the Bottom through Chalk Dust Torture were performed by Trey solo acoustic. Harry Hood was started mid song and unfinished.
This performance was part of Sweetwater 420 Fest. Trey teased Hey, Ho, Nobody Home and the Odd Couple theme in Rubberneck Lions. Shadow of a Man featured Les on the Whamola and Trey on the Matterhorn.
This performance was part of Sweetwater 420 Fest and took place on the Sweetwater Stage.
Trey played Long As I Can See the Light and briefly sang Do-Re-Mi during a music lesson that was shared on Facebook and Instagram.
Trey and Page stopped by the guitar shop to thank them for Trey's custom acoustic guitar (a belated birthday gift for Trey from Page) and performed Theme from the Bottom with Trey on acoustic guitar and Page adding vocals.
This show featured Fish on drums in place of Russ Lawton who had recently tested positive for COVID-19. Strange Design and Backwards Down the Number Line were performed by Trey solo acoustic. Evolve through A Life Beyond the Dream featured James Casey (who had been absent during the tour due to a recent colon cancer diagnosis) on saxophone with James adding additional vocals for Rise/Come Together and A Life Beyond the Dream.
This show featured Fish on drums in place of Russ Lawton who had recently tested positive for COVID-19. Mr. Completely contained Party Time quotes from Trey and Let's Go Blue teases. When the Words Go Away through More were performed by Trey solo acoustic.
This show featured Fish on drums in place of Russ Lawton who had recently tested positive for COVID-19.
This show took place in the amphitheater and featured Fish on drums in place of Russ Lawton who had recently tested positive for COVID-19. Trey and Fish teased Let's Go Blue in Twist.
This show took place in the amphitheater. It was originally advertised as Trey Anastasio Band but was changed to a Trey solo acoustic show after Russ Lawton tested positive for COVID-19.
Mountains in the Mist through More were performed by Trey solo acoustic.
Trey teased Walk This Way in The Way I Feel. Sample in a Jar through Strange Design were performed solo acoustic by Trey.
Waste and Backwards Down the Number Line were performed solo acoustic by Trey.
This show featured the first full TAB performance of Ghosts of the Forest. When the Words Go Away and More were performed solo acoustic by Trey.
This performance, presented as Rubber Jungle LIVE and airing on Sirius XM's Phish Radio, featured Trey on acoustic guitar.
This performance was part of the Peach Music Festival and took place on the Peach Stage. Rubberneck Lions contained a quote from Charlie and the Chocolate Factory from Les and a Let's Go Blue tease from Trey. Les teased Xanadu in Little Faces.
This show featured Trey on acoustic guitar. Divided Sky, Water in the Sky, The Inlaw Josie Wales, Drift While You're Sleeping, A Life Beyond the Dream, Joy, Slave to the Traffic Light, You Enjoy Myself, Brief Time, and Tweezer Reprise featured the Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello) and Jeff Tanski on piano. Jeff also appeared on I Never Needed You Like This Before, The Wedge, Bouncing Around the Room, and Split Open and Melt. Trey teased Back on the Train before Sample. The strings teased Chameleon in YEM.
This show featured Trey on acoustic guitar. Fluffhead, Brian and Robert, Stash, Mercury, The Lizards, Wolfman's Brother, What's The Use?, If I Could, Say It To Me S.A.N.T.O.S., Pebbles and Marbles, Harry Hood, and First Tube featured the Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello) and Jeff Tanski on piano. Jeff also appeared on Shade, Dirt, and Sand. After Fluffhead, Trey briefly sang Heather McDougal Song, as Heather was in attendance.
This show featured Trey on acoustic guitar and the first acoustic performances of Reba, Drift While You're Sleeping, You Enjoy Myself, and Tweezer Reprise. Strange Design, Drift While You're Sleeping, Light, Till We Meet Again, The Lizards, Slave to the Traffic Light, You Enjoy Myself, A Life Beyond the Dream, and Tweezer Reprise featured the Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello) and Jeff Tanski on piano. Jeff also appeared on Reba, Ghosts of the Forest, Dirt, and Miss You. Reba did not contain the whistling ending. The Rescue Squad Strings and Trey teased Chameleon in YEM.
This show featured Trey on acoustic guitar and the first acoustic performances of I Never Needed You Like This Before, Foam, and What's The Use? Brian and Robert, Wolfman's Brother, What's The Use?, Pebbles and Marbles, and Lifeboy featured the Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello) and Jeff Tanski on piano. Page joined on piano from Mountains in the Mist through the end of the show. Say It To Me S.A.N.T.O.S. also featured the Rescue Squad Strings, with Jeff Tanski accompanying on keys. Trey quoted Reunited before Waste. Sleeping Monkey was introduced as Tony Markelis's and Page's favorite song. Trey and Page left the stage to the audience singing Sleeping Monkey and began the encore playing the ending of the song.
This show featured Trey on acoustic guitar and the debut acoustic performances of Stash, Split Open and Melt, and First Tube. Stash, Water in the Sky, Fluffhead, Mercury, The Inlaw Josie Wales, Joy, Harry Hood, and First Tube featured the Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello) and Jeff Tanski on piano. Jeff also appeared on Shade and Split Open and Melt. Alive Again was performed acoustic for the first time since May 22, 2002. Everything's Right was started and stopped with Trey getting up and acting like he was going to walk off stage before sitting down and playing the song in full. Prior to Harry Hood, Trey sang a bit of Rescue Squad after introducing the Strings.

SET 1: Lonely Trip [1] > Sand[1], Esther [2], Jam [3], Frost[1], Stash[1], Pebbles and Marbles[1], Jam, Reba [4], A Life Beyond The Dream[1]

This performance, was presented as Rubber Jungle LIVE and aired on Sirius XM's Phish Radio. All songs except for the jams featured Jeff Tanski on piano. This performance marked the acoustic debut of Esther. The first jam also featured Trey on acoustic guitar and contained a Welcome to the Jungle quote. Reba's lyrics were changed to "Sell it to Joey in the store." Reba did not contain the whistling ending.
This performance, presented as Rubber Jungle LIVE and airing on Sirius XM's Phish Radio, featured Trey on acoustic guitar and the debuts of Getting Ready for Tour, A Little More Time, and Tour Bus Window as well as the first acoustic performances of Lost in the Pack, Evolve, and Quantegy. Welcome to the Jungle was quoted at the end of Sigma Oasis and in Quantegy.

This performance was the finale to The Beacon Jams series and featured the debut of Just a Touch and the full TAB debuts of Carini, Fast Enough for You, and Slave to the Traffic Light. Just A Touch began with Trey on acoustic guitar accompanied by James, Jennifer, and Natalie on vocals in a stairwell in the Beacon and finished with them all on stage. Pebbles and Marbles, Slave to the Traffic Light, and First Tube featured The Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello) with Pebbles and Slave beginning with just Trey on acoustic guitar with The Rescue Squad Strings and the TAB horns before Trey switched to electric guitar and the rest of the band joined in. Liquid Time was stopped (for Trey to talk) and restarted. Trey briefly sang Moby Dick before Shine. Trey quoted Baby Blue after Shine. After First Tube, Trey walked through the Beacon into the lobby (where there were dancers), giving facemasks out to people before exiting the Beacon with the music still playing.

This performance was part of The Beacon Jams series and featured the debut of Heather McDougal Song and the full TAB debuts of Harry Hood, Let Me Lie, Chalk Dust Torture Reprise, and Death Don't Hurt Very Long. Alive Again's lyrics were changed to "winter's coming and I'd like a review." Petrichor, Harry Hood, Lifeboy through Let Me Lie, and Goodbye Head featured The Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello) with Petrichor featuring just Trey, Jeff Tanski on piano, and the TAB horns, Harry Hood beginning with just Trey on acoustic guitar with the rest of the band joining later, and Lifeboy with Trey on acoustic guitar and Jen Hartswick and Natalie Cressman adding vocals. Trey teased Manteca in Curlew's Call. Trey teased and quoted Heather McDougal Song after Let Me Lie. Chalk Dust Torture Reprise was sung as "Heather McDougal Song." James quoted No Woman No Cry and Trey quoted Welcome to the Jungle after Goodbye Head.

This performance was part of The Beacon Jams series and featured the debuts of Mercy and Are You There Colleen?, the TAB debuts of Moma Dance and A Song I Heard the Ocean Sing, and the full TAB debuts of You Enjoy Myself, Kill Devil Falls, Twenty Years Later, Joy, Tube, Billy Breathes, Bouncing Around the Room, and Wading in the Velvet Sea. You Enjoy Myself began with just Trey with The Rescue Squad Strings and Jeff Tanski on piano with the rest of the band and Jennifer Hartswick, Celisse Henderson, Jo Lampert joining in on vocals later. the lyrics in You Enjoy Myself were changed to "boy, woman, god, shit." Winterqueen featured Trey on acoustic guitar with the full band and singers. Trey teased No Men In No Man's Land in Moma Dance. mercy through Joy featured The Rescue Squad Strings. mercy also featured Jeff Tanski on piano. Summer of '89 featured just Trey on acoustic guitar with the Strings. Trey quoted On the Road Again after Summer of '89. Trey quoted She Blinded Me with Science in Tube.

This performance was part of The Beacon Jams series and featured the Ghosts of the Forest setlist from the band's 2019 tour played in its entirety. Friend, In Long Lines, There's a Path Above, Beneath a Sea of Stars Parts 1 & 2, Mint Siren Dream, Shadows Thrown By Fire, A Life Beyond The Dream, and Brief Time featured The Rescue Squad Strings (Katie Kresek, Maxim Moston, Phil Payton, and Mary Jo Stilp on violin, Monica Davis and Rachel Golub on viola, and Eleanor Norton and Anja Wood on cello). Trey teased No Men In No Man's Land in Sightless Escape. Pigtail was quoted before Stumble Into Flight.

This performance was part of The Beacon Jams series and began with a video of Trey finally escaping from his riser from Phish's December 31, 2019 concert at Madison Square Garden and making it to the Beacon Theater to watch the himself and his band playing the TAB debut of In the House - In a Heartbeat before they segued into Say It To Me SA.N.T.O.S. This show marked the full TAB debuts of Say It To Me S.A.N.T.O.S., Breath and Burning, and Gumbo and the debut of Lonely Trip. Ray teased Happy Birthday after wishing his mother a happy birthday. Quantegy was performed for the first time since May 3, 2005. Trey performed Snowflakes in the Sand and Mountains in the Mist solo acoustic. The lyrics of Breath and Burning were changed to "rage on the Beacon stage." Trey quoted If I Had A Hammer (The Hammer Song) after Pigtail. Til We Meet Again through Frost were performed with The Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello) and with Til We Meet Again and More featuring just Trey on acoustic guitar and My Friend My Friend and Guyute just Trey on acoustic guitar and Jeff Tanski on piano. My Friend My Friend did not contain the "MYFE" ending. Guyute included Trey quoting some of Vincent Price's narration from Thriller.

This performance was part of The Beacon Jams series and featured the debut of Shaking Someone's Outstretched Hand, the first Trey solo acoustic performance of Rescue Squad, the TAB debut of Leaves, and the full TAB debut of The Lizards. Trey quoted Manhattan after Shaking Someone's Outstretched Hand. Andre the Giant was performed for the first time since May 26, 2002. Turtle in the Clouds was performed by Trey solo acoustic. What's the Use? through If I Could and Leaves through The Lizards featured The Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello) with What's the Use? featuring only Trey and Jeff Tanski on piano and Brian and Robert and If I Could only Trey on acoustic guitar. Leaves also featured Trey on acoustic guitar with TAB returning to the stage. Windora Bug had Corona references. Prior to this performance, the only other time Possum had been played as "TAB" was at the first TAB performance on February 15, 1999 as Trey, Tony Markellis, and Russ Lawton. Twist was introduced as "Folding The Laundry" and "When Your Dryer's Broke."

This performance was part of The Beacon Jams series and featured the debuts of Evolve and The Greater Good and the TAB debut of I Never Needed You Like This Before. Divided Sky was only Trey accompanied by Jeff Tanski on piano, Trey teased No Men In No Man's Land in Back On The Train. Trey teased Back in Black before Strange Design. Strange Design through Wolfman's Brother featured The Rescue Squad Strings (Katie Kresek and Maxim Moston on violin, Rachel Golub on viola, and Anja Wood on cello), with Strange Design and Water in the Sky featuring just Trey on acoustic guitar, The Greater Good with Trey only on vocals (no guitar), Greyhound Rising and Wolfman's Brother with the full band, and Wolfman's Brother with Trey on acoustic guitar. Trey quoted Rescue Squad when introducing The Rescue Squad Strings at the end of Wolfman's Brother. Trey teased Let It Grow in No Men In No Man's Land. Trey quoted a line from Poltergeist before and during Ghost's intro.

This performance was part of The Beacon Jams series and featured the debuts of I Never Left Home, A Wave of Hope, If I Could See the World, When the Words Go Away, and ...And Flew Away. Trey quoted Windora Bug after Soul Planet. Shade featured Jeff Tanski on piano. Stash was performed by Trey, Jeff on piano, and Cyro clapping. When the Words Go Away and Sunset Days were performed by Trey solo acoustic. The Inlaw Josie Wales was performed by just Trey on acoustic and Jeff Tanski on piano.

This solo acoustic performance was previously recorded and was part of the SummerStage Jubilee, which was a free benefit digital concert supporting the foundation's programs in parks.

Trey was the first in-studio guest on The Tonight Show in five months (due to the COVID-19 pandemic) for the debut of I Never Needed You Like This Before with The Roots as his backing band.

This performance was canceled as a result of the coronavirus COVID-19 outbreak.

This performance was canceled as a result of the coronavirus COVID-19 outbreak and rescheduled for June 16, 2021.

This performance was canceled as a result of the coronavirus COVID-19 outbreak and rescheduled for June 18, 2021 before being cancelled altogether.

This performance was canceled as a result of the coronavirus COVID-19 outbreak and rescheduled for June 23, 2021 before being cancelled altogether.

This performance was canceled as a result of the coronavirus COVID-19 outbreak.

This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak and would have been part of Mountain Jam.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.
This performance was canceled as a result of the coronavirus COVID-19 outbreak.

This performance was canceled as a result of the coronavirus COVID-19 outbreak and rescheduled for April 17, 2021 before being cancelled altogether.

SET 1: Warehouse, Where Are You Going, Too Much, Pay for What You Get, Fool to Think, #27, Jimi Thing, The Song That Jane Likes, Rooftop, The Dreaming Tree, So Much to Say, Squirm, Little Thing, Say Goodbye, Stay (Wasting Time), Kashmir, Waste [1], Bathtub Gin[1], Typical Situation, Why I Am, Dancing Nancies

ENCORE: Here On Out, Some Devil, All Along the Watchtower

ENCORE 2: Crash into Me

Trey sat in with Dave Matthews and Tim Reynolds on acoustic guitar for Waste and Bathtub Gin.
This show featured the Oysterhead debuts of White Room, Those Damned Blue-Collar Tweekers, and First Tube. Mr. Oysterhead contained Them Changes teases and lyrics.
This was the first Oysterhead performance in almost 14 years and featured the Oysterhead debuts of Voices Inside My Head and 46 Days. Little Faces included Machine Gun (Jimi Hendrix) teases. Les teased Tommy The Cat in Mr. Oysterhead. Rubberneck Lions began with a Too Many Puppies tease from Les. Les teased The Toys Go Winding Down and The Star Spangled Banner in Army's On Ecstasy. Trey teased L.A. Woman in 46 Days. Owner of the World included Jean Pierre and Smoke on the Water teases.
This show was webcast via LivePhish and featured the first full TAB performance of Party Time (this had been previously played by the TAB trio in 2018). Sultans of Swing had lyric changes to reference New Orleans and Saturday night.
This show was webcast via LivePhish and featured the first full TAB Back on the Train (this had been previously played solo acoustic and by the TAB trio in 2018), the first Come on Baby Let's Go Downtown since October 23, 2008, and the TAB debut of Evening Song. Over the Rainbow was performed a cappella.
Over the Rainbow was performed a cappella. Ruby Waves was performed by TAB for the first time since October 19, 2008.
Trey, playing his first show at the Bomb Factory since May 7, 1994, teased Tweezer after Cayman Review. Over the Rainbow was performed a cappella. Cyro Baptista, who was part of Trey's band for this tour, missed the show because of the flu.
Over the Rainbow was performed a cappella. Strange Design and Brian and Robert were performed by Trey solo acoustic. Cyro Baptista, who was part of Trey's band for this tour, missed the show because of the flu.
Over the Rainbow was performed a cappella.
Over the Rainbow was performed a cappella.
This show featured the debut of All Pretending. Over the Rainbow was performed a cappella.
The Landlady was played by TAB for the first time since December 31, 2006. Backwards Down the Number Line and Sleeping Monkey were performed by Trey solo acoustic.
This show featured the debut of The Silver Light.

Soundcheck: Spin, Shade, I'm Down, Back In The U.S.A. (x2), A Life Beyond The Dream (x2), Sigma Oasis, Set Your Soul Free, I'm Down, Rise / Come Together (this soundcheck is possibly incomplete)

SET 1: I'm Down [1], Set Your Soul Free, Sidewalks of San Francisco, Undermind, Drifting, Olivia, Blaze On, Camel Walk, Love Is What We Are[1], Money, Love and Change

SET 2: Sigma Oasis[1], Night Speaks to a Woman, About to Run, Valentine, Alaska, Shade, Gotta Jibboo, Clint Eastwood > Simple Twist Up Dave

ENCORE: Ether Sunday, Shine, Show of Life

This show featured the TAB debuts of I'm Down, Love Is What We Are, and Sigma Oasis. I'm Down and Blaze On had lyric changes referencing Trey being rescued during Phish's New Year's Eve show on December 31, 2019. After the soundcheck's second I'm Down, Trey sang a bit of Blaze On solo and referenced flat-earthers, rescue deniers, and a frying pan. Tony then teased Burlap Sack and Pumps.
This entire show was performed by Trey solo acoustic. Trey walked off the stage while the crowd was still singing along to Bathtub Gin and played the final notes of Gin when he returned for the encore.
This entire show was performed by Trey solo acoustic. Trey whistled a bit of Piano Man before Strange Design.
This entire show was performed by Trey solo acoustic. Trey walked off the stage while the crowd was still singing along to Bathtub Gin and played the final notes of Gin when he returned for the encore.
This entire show was performed by Trey solo acoustic.

This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of If Again. Trey preceded Snowflakes in the Sand by mentioning how it had debuted in this room and had returned after a long absence because Scott Marks had requested it be brought back. Trey teased Big Black Furry Creature from Mars and sang part of the theme from Sanford and Son after If Again.

This entire show was performed by Trey solo acoustic. Trey walked off the stage while the crowd was still singing along to Bathtub Gin and played the final notes of Gin when he returned for the encore.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performances of Ruby Waves and Towers.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performances of Death Don't Hurt Very Long and My Problem Right There.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performances of In Long Lines, Windora Bug, and Sanity.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of Mr. Oysterhead.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performances of About to Run and Ghosts of the Forest.
This performance was part of the Live From Here series and featured Chris Eldridge on guitar, Brittany Haas on fiddle, Chris Thile on mandolin and vocals, Mike Elizondo on bass, Sarah Jarosz on guitar and vocals (Jarosz was only on vocals for If I Could and Back in the U.S.A.), Kush Abadey on drums, and Brett Williams on keys. Blaze On and I'm Gonna Sleep With One Eye Open were performed with Wynton Marsalis on trumpet with the Jazz at Lincoln Center Orchestra. Tom Papa, Wynton Marsalis and the Jazz at Lincoln Center Orchestra, and Dulcé Sloan also performed separately.
This solo acoustic performance was preceded by a screening of Between Me and My Mind and a discussion with moderator Scott Goldman. This show featured the first Trey acoustic performance of A Life Beyond The Dream.
This performance was part of the Bourbon & Beyond festival.
This performance was part of LOCKN’ Festival. The second set and encore featured Derek Trucks on guitar. A Life Beyond The Dream and Rise/Come Together featured Susan Tedeschi on vocals. Brief Time and More were performed acoustic with only Trey and Derek on stage.
This show featured the TAB debut of The Green Truth. Summer of '89 was performed by Trey solo acoustic and dedicated to his wife Sue on their 25th wedding anniversary.
Olivia was performed for the first time since June 7, 2003.
Trey teased Jean Pierre and May The Force Be With You in Last Tube. More was performed by Trey solo acoustic.
This show featured the TAB debut of Sightless Escape. Strange Design and Mountains in the Mist were performed by Trey solo acoustic.
This solo acoustic performance was part of Newport Folk Festival, Trey teased Snowflakes in the Sand before Shade. More was originally played in the wrong key and eventually aborted and restarted in the correct key.
This show was streamed for free on YouTube and took place on the Peach Stage on the third night of the four day Peach Fest.
This show was webcast via Live Phish and featured the TAB debut of Friend. Brian and Robert and More were performed by Trey solo acoustic.
This show was webcast via Live Phish, featured the first TAB performance of Will It Go Round in Circles since December 30, 2006, and the TAB debut of About to Run.
Strange Design through Chalk Dust Torture were performed by Trey solo acoustic.
This performance was preceded by the world premiere of the Between Me and My Mind documentary. More was performed by Trey solo acoustic. Heavy Things and Blaze On featured Page on keys.
Khruangbin was the opening act.
Yo La Tengo was the opening act.
This show was webcast via Live Phish.
This show was webcast via Live Phish. The Intro that debuted at this show was the fifth prerecorded piano intro played over the PA  to debut on the Ghosts of the Forest tour.
The Intro that debuted at this show was the fourth prerecorded piano intro played over the PA  to debut on the Ghosts of the Forest tour.
The Intro that debuted at this show was the third prerecorded piano intro played over the PA  to debut on the Ghosts of the Forest tour.
The Intro that debuted at this show was the second prerecorded piano intro played over the PA to debut on the Ghosts of the Forest tour.
Intro was a prerecorded piano intro played over the PA.
This show was the first performance of Trey's Ghosts in the Forest project. All songs were debuts except for Ruby Waves, which was performed for the first time since October 19, 2008. Intro was a prerecorded piano intro played over the PA. Wider contained a When the Saints Go Marching In tease from Trey.

SET 1: Slide B [1], Miss Miriam [2], Rocket[2], Mimi[2], Whassat[2], The Story[2], Bernard [3], Take My Hand[3], Elsie's River[3], Allah Uya[2], Tango[2]

ENCORE: Influence[3]

Trey sat in for the entire show. Cyro Baptista was on percussion for Miss Miriam through the encore and James Casey appeared on saxophone for Bernard through Elsie's River and Influence.
This entire show was performed by Trey solo acoustic and featured the debuts of Sigma Oasis and Sunset Days. Trey teased Sunset Days before Talk.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of Glide II. Snowflakes in the Sand was performed by Trey for the first time since May 17, 1999 and Glide II was performed for the first time by any member of Phish since May 16, 1995.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performances of Swept Away and Steep.
This entire show was performed by Trey solo acoustic and featured the debut of Bliss and the first Trey acoustic performance of Cool Amber and Mercury. Trey teased Can't Always Listen in The Wedge and quoted Hot in Herre after Farmhouse.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of The Connection. In the banter after The Connection, Trey teased and quoted Wait. Trey also quoted Wait in The Lizards and Wilson.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of Set Your Soul Free. Trey quoted Family Affair before Wolfman's Brother.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of We Are Come To Outlive Our Brains. Hood was started mid-song and unfinished.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of Turtle in the Clouds, You Gotta See Mama Every Night, and Say It To Me S.A.N.T.O.S..
This performance took place on the Stoke Stage and featured Ray Paczkowski on keys. Waste and More were performed by Trey solo acoustic.
This show featured Ray Paczkowski on keys. Waste through More were performed by Trey solo acoustic.
This show featured Ray Paczkowski on keys. Waste, Strange Design, and More were performed by Trey solo acoustic.
This performance, billed as "Sustain," was in memory of Chris Cottrell, and benefited the WaterWheel Cancer Fund. 
Theme from the Bottom and More were performed by Trey solo acoustic.This show was webcast via LivePhish.
Every Story Ends in Stone was performed for the first time since June 8, 2003. Alaska ended with an Also Sprach Zarathustra tease. Waste was performed by Trey acoustic. Waste and Clint Eastwood featured Jennifer Hartswick on vocals. Mozambique and Clint Eastwood featured Hartswick on trumpet. This show was webcast via LivePhish.
This show was webcast via LivePhish. Strange Design and Wedge were performed by Trey solo acoustic.
Farmhouse through More were performed by Trey solo acoustic.
Waste through Chalk Dust Torture were performed by Trey solo acoustic.
This show featured the TAB debut of Party Time. Heartbreaker was teased in Stealing Time From the Faulty Plan. Brian and Robert and More were performed by Trey solo acoustic.
This show featured the TAB debut of No Men In No Man's Land. Trey teased Streets of Cairo in Camel Walk, San-Ho-Zay in Bounce, and Oye Como Va in Soul Planet. Waste was performed by Trey solo acoustic.
This show featured Trey on guitar for the second set and encore.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of Slave to the Traffic Light.
This entire show was performed by Trey solo acoustic.
This entire show was performed by Trey solo acoustic.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performances of Avenu Malkenu, The Curtain, Pigtail, and Show of Life. Trey teased The Man Who Stepped Into Yesterday after Avenu Malkenu.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of Mercury. Trey quoted A Whiter Shade of Pale before Waste.
This entire show was performed by Trey solo acoustic, featured the first Trey acoustic performance of If I Could, and the debut of Empty House.
This entire show was performed by Trey solo acoustic. Trey teased Streets of Cairo in Maze.
This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performances of Rise/Come Together, Light, Ocelot, Sand, and Fuego.
This entire show was performed by Trey solo acoustic, featured the first Trey acoustic performance of Everything's Right, and the debut of Till We Meet Again. Push On ‘Til the Day was incomplete. 
This performance was part of "A Concert for Island Relief" and also featured Trey Anastasio Band, Aaron Neville, and Hurray For The Riff Raff. Proceeds from the event benefited hurricane relief efforts in the U.S. and British Virgin Islands and Puerto Rico. Waste featured Trey on acoustic guitar. The Maker featured Trey Anastasio Band, Aaron Neville, and Rashawn Ross on trumpet. Brother John/Iko Iko and I Want to Take You Higher featured Trey Anastasio Band, Aaron Neville, Ben The Sax Guy, and Rashawn Ross on trumpet. Brother John/Iko Iko also contained Do You Want to Dance lyrics.
This performance was part of "A Concert for Island Relief" and also featured Dave Matthews, Aaron Neville, and Hurray For The Riff Raff. Proceeds from the event benefited hurricane relief efforts in the U.S. and British Virgin Islands and Puerto Rico.
This performance was part of Christmas Jam, was webcast via nugs.tv, and featured Trey on guitar for Miss You and Midnight Rider.
This performance was part of Christmas Jam and was webcast via nugs.tv. Aqui Como Alla was performed for the first time since July 27, 2001.
This acoustic performance was part of the 2017 Spirit Of Life Gala honoring Coran Capshaw. Miss You was dedicated to Chip Hooper,  Phish’s booking agent who died in 2016. Dave Matthews, Preservation Hall Jazz Band, and Joseph also performed.
This show featured the TAB debut of Coming in from the Cold.
This show featured the TAB debut of Over the Rainbow and the debuts of Set Your Soul Free and Soul Planet. Somewhere Over the Rainbow was performed a cappella by Trey, Jennifer, Natalie, and James, with Trey holding a candle in tribute to the victims of the Las Vegas shooting earlier in the month. Sidewalks of San Francisco was played for the first time since June 4, 2003.
Trey joined Tedeschi Trucks Band for Delta Lady and Mountain Jam.
This performance was part of the Grand Point North festival.  First Tube featured Page on keys. Trey was joined by Mike on bass and Grace Potter on vocals for Water in the Sky. Push On 'Til the Day featured Dave Grippo on saxophone.
This performance was part of the High Sierra Music Festival and took place on the Grandstand Stage.
Trey, Joey Dosik, and Cory Wong joined Vulfpeck on stage for Rango and Will You Be There.
This show was webcast via Live Phish. Vulfpeck was the opening act.
This performance was part of Summer Camp Music Festival and took place on the Sunshine Stage. This show featured the TAB debut of Midnight Rider. Money, Love and Change contained a San-Ho-Zay tease. 
This performance took place at DelFest and was on the Grandstand Stage. I'm Blue, I'm Lonesome and Beauty of My Dreams featured Del McCoury on guitar, Rob McCoury on banjo, and Ronnie McCoury on mandolin.
The TAB debut of Cause = Time in the first set was aborted. It was played in full to start the second set.
This show featured the TAB debut of Ain't No Mountain High Enough.
This show featured the TAB debut of Back in the U.S.A..
This show featured the TAB debuts of Basically Frightened and Delta Lady.
This show featured the TAB debuts of On the Road Again and Work Song. The horns teased Happy Birthday in On the Road Again, which was performed on Willie Nelson's birthday. Trey teased On the Road Again in Gotta Jibboo. In the soundcheck, Trey teased Rocky Mountain Way before Speak To Me and Iron Man before Rise/Come Together.
This show was part of the New Orleans Jazz & Heritage Festival.
This performance was part of the Wanee Festival.
This performance was part of the Wanee Festival and featured Bob Weir and Trey performing together on acoustic guitars prior to Bob's set with his own band.
This performance was part of the Sweetwater 420 Festival and was webcast on UphoricTV's YouTube channel.
This show featured the debut of Rise/Come Together and the TAB debut of Tide Turns.
This show featured the debut of Everything's Right and the TAB debuts of Feel It Still and The Parting Glass.

This entire show was performed by Trey solo acoustic and featured the first acoustic performances of Wingsuit, Fee, Breath and Burning, 46 Days, American Tune, Sleeping Monkey, and Maze. American Tune had not been performed by any member of Phish since Trey's performance with Dave Matthews & Friends on January 16, 2004.

This entire show was performed by Trey solo acoustic and featured the first acoustic performances of Shade, Tide Turns, Rubberneck Lions, The Lizards, and Rock 'n' Roll Suicide. Rubberneck Lions had not been played by any member of Phish since Trey's performance in Oysterhead on June 16, 2006. In Lizards, Trey said Paul Languedoc had a rule where "the songs that he liked in life were only songs with whistling" and proceeded to whistle the ending part of the song. Trey dedicated Wading to Tom Marshall and Summer of '89 to his wife Sue, both of who were in the audience. 

 

 

This entire show was performed by Trey solo acoustic, featured the debut of Tree, and the first Trey acoustic performances of Discern, Walfredo, All of These Dreams, Winterqueen, Steam, Miss You, and More. Discern had not been played by any member of Phish since Phish's performance on August 2, 2003. Walfredo was dedicated to Raul Rekow and Summer of '89 was dedicated to Trey's wife, Sue.
This performance was part of the A Prairie Home Companion series and featured Trey on acoustic guitar, Chris Thile on mandolin, Aoife O'Donovan on vocals, Rich Dworsky on keys, Chris Eldridge on guitar, Brittany Haas on fiddle, Paul Kowert on bass, and Ted Poor on drums. Other performers were The Staves and Tig Notaro.
This performance was part of the Peach Music Festival. The first set Sand was aborted shortly after it began due to a major storm that was in the area. Set two began with Sand started at the beginning of the song.
This performance was part of the inaugural Vertex Festival.
Trey briefly teased Wilson before First Tube.
Clint Eastwood contained Chain of Fools quotes from Trey and Jen. Show of Life was dedicated to TAB and Phish booking agent Chip Hooper, who was in a local hospital battling cancer.
Trey Anastasio Band was the musical guest on Conan. The episode first aired on November 18, 2015.
During The Devil Went Down to Georgia, Trey played his guitar with a violin from a fan dressed as the devil. This show featured the TAB debut of Enjoy Yourself.  MacArthur Park included showgirls on the stage.
Call to the Post was teased before Show of Life.
Cayman Review contained a Streets of Cairo tease by Trey.  This show featured the TAB debut of What Is Life.
This show featured the TAB debuts of Soul Rebel, 49 Bye-Byes, and MacArthur Park.
This show was part of the 2015 New Yorker Festival, billed as "Trey Anastasio Talks with Alec Wilkinson." The songs  – including the debut of Cartwheels – were interspersed between interview segments.
Drums featured Sikiru Adepoju on talking drum.
Trey and Phil Lesh sat in for Bertha and Goin' Down the Road Feeling Bad.
 The Merry-Go-Round Broke Down and Dance of the Sugar Plum Fairy were teased during the band intros at the end of Clint Eastwood.
Never was performed for the first time since November 8, 2005 and featured a new full-band arrangement. This show featured the debut of Invisible Knife. The Merry-Go-Round Broke Down was teased during the band intros at the end of Clint Eastwood.
The Merry-Go-Round Broke Down was teased during the band intros at the end of Clint Eastwood.
This solo acoustic performance was part of NPR's Tiny Desk Concerts series.

Plasma contained a Call to the Post tease from Trey and ended with a The Merry-Go-Round Broke Down was tease.

This show featured the debut of the TAB original Speak To Me.
The Merry-Go-Round Broke Down was teased during the band intros at the end of Clint Eastwood.
This show featured the orchestral debut of Architect and the debut of Petrichor.
This gig was taped for later airing on the PBS Front and Center series.
This performance was part of The Peach Music Festival.
This performance was part of The Peach Music Festival.
This performance was part of the annual Summer Camp Music Festival.
This performance featured the debut of Flying Machines and The Song.
Trey sat in on guitar for the entirety of each of the two (early and late) shows. The setlist for the early show is unknown.
This performance was part of the Wanee Music Festival and took place on the Peach Stage. Trey joined The Allman Brothers Band on guitar for Who's Been Talking? and Franklin's Tower. TAB had performed at the festival earlier in the evening.
This single-set performance was part of the Wanee Music Festival and took place on the Peach Stage. Trey also sat in with The Allman Brothers Band later in the evening.
This show was originally scheduled for February 13, 2014 and was postponed due to a winter storm.
Happy Birthday was performed for James Casey.
This show featured the debut of Sometime After Sunset.
This show featured the debut of Paper Wheels, Bounce, Lever Boy, In Rounds, and Very Far Away. Trey teased Jean Pierre in Alaska.
This show featured the debut of Silver Smoke and Pulsing Days and the TAB debut of 1977.
This show was part of the Lockn' Festival, an "Interlocking" music festival where several acts performed full sets with special guests. TAB was added to the festival at the last minute when Neil Young and Crazy Horse were forced to cancel their appearance due guitarist Frank "Poncho" Sampedro's hand injury.
This show was part of the Summer Camp Music Festival and took place on the Sunshine Stage. The show was cut short due to inclement weather.
This show was part of DelFest. Before I'm Blue, I'm Lonesome, Trey related a story about his travels in the early 90s with Col. Bruce Hampton & ARU, about how the ARU mandolin player, Matt Mundy, had turned Phish on to Blue Side of Town by Del McCoury, and how that then became a staple of road music in Phish's van. Trey then noted Del's appearance at Phish's 1999 Oswego festival, and how excited he was to now be playing at Del's festival. I'm Blue, I'm Lonesome and Beauty of My Dreams featured guests Del McCoury, Ronnie McCoury, Jason Carter, and Rob McCoury. Heavy Things and Black Dog featured Ronnie McCoury, Jason Carter, and Rob McCoury.
This show featured Trey performing orchestration by Don Hart with the NSO Pops and Principal Pops Conductor Steven Reineke. Frost was an orchestral debut. Before Goodbye Head Trey noted that he had written this song with his elder daughter when she was nine years old, and that now she was going off to college. Trey dedicated Water in the Sky to a fan who had caused a minor disruption as a bargain so that she would return to her seat. Brian and Robert was dedicated to Tom Marshall.
Heavy Things featured Trey on acoustic guitar.
Former TAB member Jeff Cressman (father of current band member, Natalie Cressman) sat in on trombone for Mozambique.
Trey performed Wilson solo acoustic. Before Wilson, Trey shared asked the audience to push for Wilson to be played at Seahawks games every time Russell Wilson steps on the field ("For thirty we’ve been waiting for someone with the name 'Wilson' to be a sports star.").
This was the rescheduled date from the show that had been postponed due to Hurricane Sandy on October 28, 2012. This show was webcast via LivePhish.com. Alive Again contained a Manteca tease. Sweet and Dandy was performed at the request of someone in the front row. Streets of Cairo was teased before Sand. Flock of Words and Heavy Things featured Trey on acoustic guitar. Trey acknowledged Mary from the Heavy Things lyric, who was in the crowd that evening and pointed out that Vanessa was a real person too, saying "we're all real people!"
Trey appeared on the University of Pennsylvania’s World Cafe radio show. All of the songs were performed by Trey solo acoustic with interview segments between songs.
Trey performed solo in this opening set for a benefit concert for Hurricane Sandy relief that was headlined by Neil Young & Crazy Horse. Trey dedicated Water in the Sky to Sue.
Trey and his band were the guests on Late Night with Jimmy Fallon. As the taping took place the day after Hurricane Sandy hit the New York area, rather than play a track in support of his most recent release Traveler, Trey opted for the uplifting O-o-h Child.
Due to Hurricane Sandy, this show was originally postponed until November 5, 2012, which was also subsequently canceled due to the continued aftereffects of the storm. A short January tour was then scheduled that included two dates at the Capitol Theatre on January 23-24, 2013, presumably to make up for the prior cancellations.
Heavy Things was performed acoustic. The Percussion Parade saw Trey lead the band playing cowbell through the audience, through the lobby, out onto the street (Broadway), and around the corner where they returned through the side stage door.
Sand included Last Tube teases.
Gotta Jibboo included a Streets of Cairo tease.
This show featured the debuts of Corona, Scabbard, Architect, and Traveler.

Trey sat in with The Roots on the songs listed above. Pigtail also featured Grace Potter.  Dancing in the Street, The Thrill is Gone, and Whipping Post featured Grace Potter, Bob Weir, Warren Haynes and Bobby Keys. Whipping Post contained My Favorite Things teases. This performance was a benefit for HeadCount.

This show featured Trey performing with the Los Angeles PhilharmonicScott Dunn conducting with orchestration by Don Hart. You Enjoy Myself featured a Streets of Cairo tease from Trey.
This show featured Trey performing with The Colorado SymphonyScott Dunn conducting with orchestration by Don Hart.
This show featured Trey performing with the Pittsburgh Symphony OrchestraScott Dunn conducting with orchestration by Don Hart.
This show featured Trey performing with the Atlanta Symphony Orchestra, Scott Dunn conducting, with orchestration by Don Hart. You Enjoy Myself contained a Wedding March tease from Trey.
This headlining performance was part of the Bear Creek Music Festival that also featured The Funky Meters, MSM&W, The New Mastersounds, Marco Benevento and Dumpstaphunk among many others. Before Sand, Trey introduced Tony Markellis and told the story of how they met, and of how Trey, Tony, and Russ Lawton wrote First Tube, Last Tube, and Sand on the first day they ever practiced together.
Happy Birthday was performed for a fan, Allison.
This show featured the debut of The Land of Nod and the TAB debut of Pigtail.
Before Burn That Bridge, Trey joked that he wanted to say how genuinely happy he was to be playing here, without sounding like "Hello, Springton!" (from The Simpsons via Spinal Tap). This show marked the debut of Frost that Trey noted had been written by himself and Tom Marshall about a week previous.
This show was "A Vermont Flood Relief Benefit with Trey Anastasio Band.” This show featured the debuts of Snake Head Thumb and Winterqueen. Before Snake Head Thumb, Trey mentioned that the first TAB show (8 Foot Florescent Tubes, 4/17/98, at the old Winooski location) was only the second show ever at Higher Ground, and since they had been playing there for thirteen years, the next song would have a "13-year-long jam."
Trey performed NICU through Bathtub Gin solo acoustic. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things through Hey Ya! saw Trey on acoustic with full TAB; the balance of the gig was full electric TAB. Trey played Strange Design in honor of the end of the tour and for his excitement to be going home to see his daughters the next morning.
Trey performed Chalk Dust through Wilson solo acoustic. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. Before Theme, Trey talked about all four members of Phish living in an apartment off Vine near The Viper Room while recording Hoist "in 1989"; the audience corrected him (repeatedly) that this was in 1994, not 1989. After Theme, Trey expressed further confusion by suggesting that Rift was released in 1996 instead of 1993. Dragonfly was played by request "because you guys have been yelling for it all night."
The first set was Trey solo acoustic except Wading (Trey acoustic with Jen and Natalie), Stealing Time (Trey acoustic with Jen, Natalie, and Russ Remmington), Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB).
Trey performed Farmhouse through Strange Design solo acoustic. Lawn Boy featured Trey on acoustic with Russell and Tony. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. After Farmhouse, Trey noted that it was great to be in Denver, where if he wanted any nugs he could just go a few doors down the block and buy some. Timber (Jerry the Mule) was a Trey debut. Before the Trey debut of Tube, Trey told the story of the common origin of Tube and Gumbo: he and Fish were roommates in 1985, where Fish would leave his personal journals around the house; Trey would read them when Fish was away and write songs to them. Before Gumbo, Trey told of Fishman's wheatgrass obsession and his "wheatgrass enema."
The first set was Trey solo acoustic except Let Me Lie through Wading (Trey acoustic with Jen and Natalie), Heavy Things through Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB). Wading was dedicated to Tom Marshall.
Sample in a Jar through Backwards Down the Number Line were solo acoustic by Trey. Hey Ya! was performed acoustic by Trey with the rest of TAB joining him.
Backwards Down the Number Line through Down with Disease were performed solo acoustic by Trey. Heavy Things through Let Me Lie were performed acoustic by Trey with the rest of TAB joining him.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Liquid Time, Heavy Things, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Wilson contained “a shout out to the King of Prussia Mall, the greatest mall in the northeast.” Twenty Years Later was a TAB debut.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Heavy Things, Peggy, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Down with Disease, Meatstick, My Problem Right There, and Empire State of Mind were all TAB debuts. Camel Walk was dedicated to Fish, included a “going downtown to Morocco” alternate lyric and was noted to be “the shortest version of that song ever.” Cavern included the alternate “bitch” / “dung” lyrics. Gotta Jibboo included a Streets of Cairo tease. After Burn That Bridge, Trey noted the song's co-author, Amanda Green, and the "Hands on a Hard Body" play for which the song was written.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Let Me Lie and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. After PYITE, Trey noted that he liked the room, even better than “the one across the street” (Boston’s House of Blues is directly across the street from Fenway Park). Strange Design was dedicated to Trey’s wife, Sue, and eldest daughter, Eliza, who were both in attendance; the song itself was stopped and re-started.  Carini and Shine a Light were TAB debuts. Lawn Boy was dedicated to Kris Kristofferson, Page, and Janis Joplin.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Black (with Jen, Natalie and Ray), Valentine, and Devil Went Down to Georgia (full TAB with Trey on acoustic). The second set and encore was electric TAB. Before Backwards Down the Number Line, Trey noted that the song was written “right down the road from here.” After Limb By Limb, Trey offered that the line “tossed with the salad and bailed with the hay” was his all-time favorite Tom Marshall lyric. Guelah Papyrus, Halley’s Comet, and Ocelot were all Trey solo debuts. There was a brief P.A. drop-out at the beginning of Done Done It. Clint Eastwood was a TAB debut. Windora Bug contained alternate lyrics about bumblebees and Batman.
The first set was Trey solo acoustic excepting Water in the Sky (with Jen and Natalie), Spin (with Jen, Natalie and Ray), Liquid Time, and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Theme, Cavern, Gumbo, and Hey Ya!” were all TAB debuts. After Kill Devil Falls, Trey told a story about the old Tree Café venue in Portland and how the back cover photo of Fishman on the vinyl Lawn Boy was taken backstage there.

This performance featured Trey on acoustic guitar and grand piano, with the Scorchio Quintet: Gregor Kitzis (violin), Maxim Moston (violin), Martha Mooke (viola), Leah Coloff (cello) and Kris Saebo (bass). After Summer of '89, Trey related how he had so many memories from this room, and that the first time he was here was in April 1970, when his parents took him to an anti-Vietnam War rally, his first concert ever, at six-years-old, and the band was, ironically, Country Joe and the Fish. Before Divided Sky, Trey noted that "one part of this song, the lyrics, were written in a field, right over there." Trey played grand piano on Bar 17, Gone, and Wolfman's Brother." Leah Coloff added additional vocals on Flock of Words. After Flock of Words, Trey acknowledged local resident and co-author Tom Marshall; he then noted that many of their songs had been written very close to the venue, including Glide. Tom provided additional vocals on Strange Design. Trey introduced the person responsible for many of his orchestral arrangements, Don Hart. Julie was a debut. Free MP3s of this performance are available at LivePhish.com (excepting Love Is Freedom, Water in the Sky, Brian and Robert, and Julie). 

This show featured Trey and Mike on acoustics and was a benefit for victims of the Fourmile Canyon Fire that also featured Leftover Salmon (with a guest appearance by Page), Yonder Mountain String Band (with Fish), Big Head Todd and The Monsters and String Cheese Incident (with Trey). After Train Song, Trey noted that "the four of us have always thought of Colorado as a second home" and gave a call out to section 107 that was reserved for volunteer fire fighters who had fought the Fourmile Canyon fire.
This single set performance featured the debuts of Burn That Bridge and Sailboat Man and headlined the inaugural Hangout Music Festival that also featured Ben Harper, The Roots, and the Funky Meters.
Trey performed “Kill Devil Falls” through “Wilson” solo acoustic. “Last Tube” contained a brief “Streets of Cairo” tease from Trey.
Trey performed Water in the Sky through Wilson solo acoustic. Windora Bug featured an alternate “Trey or a Ray” lyric. Excerpts from this show were released as TAB at the TAB.
Backwards Down the Number Line and Wilson were performed solo acoustic. I’m Blue I’m Lonesome and Beauty of My Dreams were performed by Trey and the Del McCoury Band; the rest of Trey’s band joined for Foggy Mountain Special. I’m Blue I’m Lonesome and Foggy Mountain Special were TAB debuts.
Trey performed Kill Devil Falls through Wilson solo acoustic.
Trey performed Backwards Down the Number Line through Wilson solo acoustic.
Trey performed Joy (a Trey debut) through Chalk Dust Torture solo acoustic.
Trey performed Brian and Robert through Wilson solo acoustic.
Trey performed Stealing Time From the Faulty Plan through Backwards Down the Number Line solo acoustic.
Trey performed Brian and Robert through Wilson solo acoustic.
After Shine, Trey wished the audience a Happy Valentines Day, and noted that this was the twenty-first anniversary of his first date with his “Freehold sweetie,” his wife, Sue Statesir Anastasio, who was in attendance. Dedicating Drifting to Sue, he noted that the song was written about her at their Vermont home. The venue’s fire alarm was tripped during Sand, the P.A. was cut and the house lights came on. The horns continued the Sand jam led by Trey on wood blocks, eventually giving way to an impromptu Percussion Parade through the audience with a detour through the lobby.
Trey dedicated “Mozambique” to Annie, Natalie Cressman’s 93-year-old great grandmother, who was in the audience. Trey also dedicated “Show of Life” to the song’s co-author, Steve Pollak (The Dude of Life), who was also in attendance.
The debut of Obstacle of Course was dedicated to Tom Marshall and his daughter, Anna, both of whom were in attendance.
After Jibboo, Trey noted how much he liked this room and that his favorite gig from the first ever TAB tour (5/11/99) was at this venue.
This show was a benefit for the Kristine Anastasio Manning Memorial Fund and featured the debuts of Liquid Time, All That Almost Was, The Birdwatcher, and Show of Life. Trey explained that All That Almost Was and Show of Life were collaborations with the Dude of Life that were written over the course of a sushi lunch on Trey’s iPhone FourTrack app. At the Gazebo was dedicated to everyone affected by cancer and the spirit of Kristy.
This performance was a benefit for the Kristine Anastasio Manning Memorial Fund and the New York Philharmonic. All songs featured featured Trey on acoustic and electric guitars with the New York Philharmonic orchestra conducted by Asher Fisch.
All songs featured featured Trey on acoustic and electric guitars with the Baltimore Symphony Orchestra conducted by BSO musical director Marin Alsop. "Water in the Sky" was performed in memory of the late Kristy Anastasio Manning and dedicated to her surviving son, Jason. 
Before Water in the Sky, Trey referenced the upcoming Phish Hampton reunion shows, saying he was going to take his tent to the parking lot and camp out until March. Trey preformed Water in the Sky through Sample in a Jar solo acoustic. Burlap Sack and Pumps was played “for all the women... we don’t care what you’re wearing, as long as you have nice shoes.”
Cayman Review contained a Streets of Cairo tease from Trey. After Drifting, the audience began chanting “Let’s go, Phillies” (this show took place on an off-day between Games 2 and 3 of the World Series leading to a “Charge!” tease from Ray at the beginning of the ensuing Gotta Jibboo.
Trey performed Sample in a Jar, Wilson, and Bathtub Gin solo acoustic. During Gin, Trey took a break to note that Mike had been texting him from the hospital and that Mike’s wife Sue was giving birth (to their first daughter, Tessa) “at that very moment.” Since she was not yet named, Trey dedicated the song to “Dave Human.”
Trey performed Water in the Sky through Back on the Train solo acoustic. First Tube featured Scott Murawski on guitar, Oteil Burbridge on bass, and Bill Kreutzmann on drums.
This show was a benefit for the Seven Below Arts Initiative (which Trey mentioned at the end of the first set) and featured the debut of Ruby Waves. Sweet Dreams Melinda was played at Tony’s request. Moesha was played by request, though Trey warned the crowd that he hadn’t played the song in five years and didn’t know all the words but would “make them up and then you guys can go on the internet and rag on me.”
After Peggy, Trey made reference to his “legal entanglements” and said that he had to move to the Albany area as a result. He told the audience that if they heard any new songs they “could damn well bet they were written in your backyard.” Trey performed Brian and Robert through Bathtub Gin solo acoustic. 
Trey performed Water in the Sky through Sample in a Jar solo acoustic.
After Alaska, referencing the then recently introduced GOP Vice Presidential candidate Sarah Palin, Trey noted that he wrote the song before she came along, and “to be clear I did not have sex with that woman.” Trey performed Brian and Robert and Chalk Dust Torture solo acoustic.

SET 1: XL, Divided Sky [1], Concertino[1], Orient and Occident , Le Tombeau de Couperin

SET 2: Time Turns Elastic [2]

ENCORE: Let Me Lie[1]

This performance featured Trey performing with Orchestra Nashville, conducted by Don Hart. Trey performed acoustic guitar on Divided Sky, Concertino, and Let Me Lie. This show featured the world premiere of Time Turns Elastic. 
After performing his set with TAB, Trey joined Jack Johnson on guitar for Mudfootball during Johnson's headlining set at the All Points West Music and Arts Festival.
This single set performance was part of the inaugural All Points West Music and Arts Festival that also featured Radiohead, The New Pornographers and The Roots. Trey also sat in with Jack Johnson during his headlining set.
This show featured the debuts of Gone, Valentine, Greyhound Rising, and Light.
This solo acoustic set was part of the Newport Folk Festival. This show featured the debut of the Anastasio/Marshall originals “If I Could Be a Sailor” (dedicated to “everyone on the boats out there”) and “Peggy” (dedicated to Tom).
This set was part of the Rothbury Festival. Trey performed this set solo acoustic, excepting "BDTNL" through "Chalk Dust" where he was joined by Mike on bass. Before "Mountains in the Mist" Trey related a story about how he was asleep in the car on the way to this gig, and when he woke there was a sign that said "Welcome to Whitehall;" he dedicated the song to all the people in Whitehall. This show featured the debuts of "Backwards Down the Number Line" and "Alaska." Trey introduced "BDTNL" as a song written by Tom that arrived in the mail on his birthday and is "about getting younger or something." After "BDTNL" Trey asked the crowd to give it up for Mike who he "had just taught that song five minutes before coming out." 
This single set performance was part of the Langerado Music Festival that also featured moe., Widespread Panic, My Morning Jacket and The New Pornographers, among many others. “Mud City” featured Ivan Neville on keyboards.
This gig was part of the late-night series of the Langerado Music Festival. “Mr. Completely” featured an extended percussion jam.
This event was a public interview with Trey conducted by Anthony DeCurtis (a contributing editor to Rolling Stone) with solo acoustic performances interspersed throughout the interview. 
This show featured the TAB debuts of Auld Lang Syne and Wanna Be Startin’ Somethin'. Wanna Be Startin’ Somethin’ was incomplete. This atypical version of Jibboo included a brief vocal jam and a jam featuring only Trey and Ray. After the second set, Trey announced that they were going to be releasing a live album from the recent shows (Original Boardwalk Style) and that before the third set they would be taking photos of the band and the crowd for inclusion in the album art. Trey performed all of the encore songs solo acoustic. The keyword for Makisupa was “Whitehall,” referencing Trey’s infamous drug bust that occurred a few weeks earlier in Whitehall, NY.
The Way I Feel contained an Auld Lang Syne tease and a vocal jam with Trey on Cyro's talk box. During The Way I Feel, Cyro took a solo on “the evil nitrous tank,” prompting Trey to advise, “they're not good for anything else; never use them for anything else.” Before Alumni Blues, Trey told the audience "don't forget, bet on 17 and everything will go your way.” Trey sang the “'cause I’ve got a degree” lyric from Alumni through his megaphone.
This show featured the TAB debut of Peaches en Regalia. Gotta Jibboo contained Streets of Cairo teases.  Last Tube contained an I Love Lucy theme tease during the band intros and culminated in a brief Also Sprach Zarathrusta jam. Push On 'Til the Day included an Oye Como Va tease.
Sand included a Streets of Cairo tease. Alumni contained the alternate lyric “I'm gonna take this warrant and slice you in the eye.” Also during Alumni, Trey used Cyro's talk box for the “‘'cause I got a degree” lyric.  Sex Machine was a TAB debut. At the beginning of the Percussion Parade, Trey said "put it together for James Brown right now!" Push On included a James Brown-inspired funk jam. Sweet Dreams Melinda included a brief vocal jam which contained a Macarena quote from Trey.
Trey performed The Inlaw Josie Wales and Sweet Dreams Melinda solo acoustic.
Trey teased San-Ho-Zay in Alive Again.
During the intro to “Cincinnati” Trey indicated that the song was written for five horns, and that since they were missing the flute player that he would whistle the flute parts. After the extended, multi-part jam out of “Mud City” that included an extended vocal riff on the word “someday,” Trey offered that he ‘had no clue what that song was about.” Trey performed ”The Inlaw Josie Wales,” “Invisible” and “Love That Breaks All Lines” solo acoustic. After “Jibboo” Trey noted that they were over the venue curfew but he wanted to keep playing anyway; they did so, for almost another half hour.
“Buried Alive” was a TAB debut. 
“Dragonfly” contained a “Can’t You Hear Me Knocking” jam. Trey sang a line of “Close to the Edge” (Yes) prior to the start of the second set. Trey changed the lyrics to “Mud City” to reference Paulie Walnuts. “Low” and “Push On” contained “Third Stone From the Sun” (Jimi Hendrix) teases from Trey.
Trey appeared on the University of Pennsylvania’s World Cafe radio show. All of the songs were performed by Trey solo, acoustic, with interview segments between songs.
Trey performed Wilson” solo acoustic in response to the audience chanting “Wilson” prior to the second set. “Voodoo Child” and “Barracuda” (Heart, a TAB debut) were both incomplete.
Trey performed Sleep though Waste solo acoustic, including the TAB debut of Camel Walk. Cincinnati was performed without the introduction and and contained Who Are You teases from Trey.
Before Push On, Trey noted that his friend Mary (from the song) was in the audience. Heavy Things was also played for Mary, as it too is about her. In keeping with the “Mary” theme, Trey repeatedly teased Mary Had a Little Lamb before Heavy Things. Trey teased San-Ho-Zay in Money, Love and Change.
“Bar 17,” “Mud City” and “Push On” featured Fernando Castillo on trumpet, Carlos Sosa on saxophone, Raul Vallejo on trombone, Ivan Neville on organ and Russell Remington on saxophone.  “Plasma” also featured Russell Remington. During the set-closing “Mud City,” each of the band members were introduced and took a subsequent solo.
This gig was part of the second annual Vegoose festival that also featured Tom Petty & The Heartbreakers, Widespread Panic, The Mars Volta, and The Rhythm Devils featuring Mickey Hart, Bill Kreutzmann, Jen Durkin, Steve Kimock, and Mike Gordon. Row Jimmy featured Trey on lead vocals; Trey proclaimed "my bad" and restarted the song after he began the song in the wrong key. Back on the Train featured Mike on banjo and later Trey's guitar after Trey said "Mike's banjo isn't working."
This gig was part of the "Vegoose at Night" series of shows held at venues throughout Vegas in conjunction with the main festival held at Sam Boyd Stadium. "The Other One" and "The Eleven" were performed instrumentally. Trey took lead vocals on "Wharf Rat."
This late-night gig (10:30p ticket time) was part of the "Vegoose at Night" series. Robert Randolph and the Family Band opened. Robert Randolph sat in on pedal steel guitar for "Stone Free" and "46 Days," the latter also featuring Jason Crosby on keyboards. At several points throughout the show Trey again reminded us to "bet it all on 17!"
This show featured the TAB debut of The Jimi Hendrix Experience’s “Stone Free.” Towards the end of “Sand,” Trey introduced the band members and gave shout outs to several others both in attendance and not.
This live promotional appearance at the Twist & Shout independent record store featured Trey performing solo acoustic.
Skeeto Valdez sat in on drums for "Come As Melody." Trey performed "The Inlaw Josie Wales" through "Chalk Dust Torture" solo acoustic. "Wilson" was dedicated to then-University of Michigan quarterback Chad Henne, who had attended Wilson High School. This setlist is unconfirmed as recordings of the performance do not circulate.
This setlist is unconfirmed as recordings of the performance do not circulate.
After the “First Tube” opener, Trey joked, “Thank you, good night!”
“The Inlaw Josie Wales” through “Back on the Train” were performed solo, acoustic. “Cincinnati” was played as an early birthday present for Christina and featured Al Osborne on vocals.
After “Push On” Trey introduced drummer Jeff Sipe and dedicated “Goodbye Head” to Jeff’s children, who were in attendance. Trey performed “Sample” through “Hood” solo acoustic. Before “Hood” Trey playfully asked the crowd if they’d forgive him if he’d try the song they were asking for “as long as you don’t throw a bottle of beer at me if I mess up.” After “Hood” Trey offered a shout-out to Salsa’s, a nearby Mexican restaurant and a tribute to all the great shows he had performed in Asheville. This gig featured the debut of "Words to Wanda."
Before Mud City, Trey mockingly introduced “Ashlee Simpson” and “Milli Vanilli.” Mud City then included an I Want to Take You Higher jam and quotes.
"46 Days" featured Josh Clark on guitar.
Mike joined TAB for "46 Days" through the end of the show.  At times, the jam preceding "First Tube" featured Trey on organ and Mike on lead guitar.
This two-night run at Webster Hall doubled as the record release party for Bar 17.  "Bar 17," "Guyute" and "Divided Sky" were performed by Trey on acoustic guitar accompanied by a Don Hart-conducted string quintet. The string quintet accompanied all of TAB for “Goodbye Head.” "Guyute" was the orchestral version. This setlist is unconfirmed as recordings of the performance do not circulate.
This two-night run at Webster Hall doubled as the record release party for Bar 17. Tom Marshall provided vocals on the TAB debut of “Skip the Goodbyes,” an Amfibian original. “Love Is Freedom” and “Divided Sky” were performed by Trey on acoustic guitar accompanied by a Don Hart-conducted string quintet. The string quintet accompanied all of TAB for “Goodbye Head.” “Divided Sky” was played as a birthday present for Trey’s mom, who was in attendance. The crowd subsequently sang “Happy Birthday” to her during the pause in the song. The string quintet returned to accompany the full band from “Shadow” through “Cincinnati.”
Trey and his band were the musical guests on the Late Show with David Letterman

SET 1: The Neighborhood, Don't Worry Baby, Short Side of Nothing, The Town, Luz De Mi Vida, Angel Dance, Hold On, Georgia Slop, Chuco's Cumbia, Everybody Loves a Train, Kiko and the Lavender Moon, Let's Say Goodnight, I'm Gonna Be a Wheel Someday, Anselma, Marica Christina, The Road To Gila Bend [1], Mas y Mas[1], I Got Loaded[1], Not Fade Away[1] > Bertha[1]

ENCORE: Chains of Love, Don't Keep Me Wonderin'

Trey joined Los Lobos on guitar from "The Road to Gila Bend" through "Bertha." "I Got Loaded" contained "Lovelight" quotes.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. Trey sat in during Petty's set for "Mystic Eyes." This setlist is unconfirmed as recordings of the performance do not circulate.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This performance was part of the 10,000 Lakes Festival. Trey, Mike and Joe Russo played “Happy Birthday” for Marco Benevento and teased it again after “Mud City.” Marco teased “Chopsticks” before “Mud City.” “Uncle Albert” featured Trey on megaphone. “Wave the Ocean” through “Poor Heart” were performed by Trey on acoustic guitar and Mike on banjo. Marco was presented with a birthday cake before “Shine.” John Medeski sat in on keyboards and Mike played acoustic guitar for “Who Are You?” Trey sat in with Medeski, Martin and Wood during their late-night set. This was the final G.R.A.B. performance to date.
Benevento/Russo Duo opened. “Take Me Out to the Ballgame” (a G.R.A.B. debut), was played instrumental by the band with the crowd providing vocals (earlier in the day Trey had thrown out the first pitch at Wrigley Field). “TMOTTB” was subsequently teased by Trey during “Drifting,” “You’ve Got Me Floating,” “My Sweet One,” “On the Road Again,” and “Mud City.” “Hap-Nappy” featured a “Divided Sky” tease from Marco. “You’ve Got Me Floating” through “On the Road Again” were performed by Trey on acoustic guitar and Mike on banjo. This incomplete version of “My Sweet One” was a G.R.A.B. debut. "Who Are You?" featured Mike on acoustic guitar.

Benevento/Russo Duo opened. Trey teased San-Ho-Zay in Mud City. The G.R.A.B. debut of Billie Jean (Michael Jackson) was performed instrumental. You’ve Got Me Floating, On the Road Again, and Wilson were performed by Trey on acoustic guitar and Mike on banjo. Wilson was played in part in a bluegrass style with alternate lyrics "Cactus" instead of "Wilson" and was followed by a “we’re still having fun” jam. Who Are You featured Mike on acoustic guitar. This show was the only G.R.A.B. performance released as a LivePhish download

“Waste” through “Mexican Cousin” were performed by Trey on acoustic guitar and Mike on banjo. “Susskind Hotel” included a “Stairway to Heaven” tease from Trey. "Who Are You?" featured Mike on acoustic guitar. “These Eyes” (Guess Who) was a G.R.A.B. debut.
G.R.A.B. sat in for a mini-set at a private party with equipment provided by the house band, Grooveyard.
Benevento/Russo Duo opened. “More Pretty Girls Than One” through “On the Road Again” (Willie Nelson) were performed by Trey on acoustic guitar and Mike on banjo. “Poor Heart” and “On the Road Again” were G.R.A.B. debuts. 
Benevento/Russo Duo opened. “More Pretty Girls Than One” (Doc Watson) “You’ve Got Me Floating” (The Jimi Hendrix Experience) and “Mexican Cousin” (all G.R.A.B. debuts) were performed by Trey on acoustic guitar and Mike on banjo. “Mexican Cousin” was restarted after first being played in the wrong key. “Paranoid Android” (Radiohead), also a G.R.A.B. debut), started with just Benevento and Russo; they were joined by Trey and Mike at the end for the -> into “Who Are You?” that featured Mike on acoustic guitar.
This gig was part of the annual All Good Music Festival that also included The Disco Biscuits, Ween, Les Claypool, Galactic and many others. "Who Are You?" featured Mike on acoustic guitar. “Uncle Albert” featured Trey on megaphone. Trey sat in during Les Claypool’s set for “Mr. Oysterhead.” 
After thier performances with G.R.A.B. and Phil Lesh & Friends earlier in the evening at the Champlain Valley Exposition, Mike and Trey sat in with the Dave Grippo Funk Band for "Soul Power" and "The Chicken."
Benevento/Russo Duo opened, Phil Lesh & Friends closed. After Trouble Trey expressed how happy they were to be playing in Vermont and noted that this was the last night they would be playing with Phil Lesh & Friends. Uncle Albert/Admiral Halsey contained Long Tall Glasses teases from Marco and Trey. Who Are You featured Page on keyboards and Mike on acoustic guitar. Trey sat in with Phil & Friends for the entire second set and encore. Mike performed a bass duet with Phil during P&F’s second set. Trey, Mike and Page sat in for P&F’s Midnight Hour encore.
Benevento/Russo Duo opened, Phil Lesh & Friends closed. After the debut of “Motion” Trey noted that “you know, we really fucked that up!” Trey dedicated “Happy Birthday” to a fan in the audience and said that they would play “the most beautiful version of ‘Happy Birthday’ ever played.” “Shine” contained a “Happy Birthday” tease. Trey sat in with Phil & Friends for the entire second set and encore.
This gig featured Benevento/Russo Duo, G.R.A.B. and Phil Lesh & Friends. "Becky" (Benevento/Russo Duo) was a G.R.A.B. debut. “Uncle Albert” featured Trey on megaphone. “Who Are You” included Mike on acoustic guitar, assorted on-stage antics from Trey (“lighting his guitar on fire” a la Hendrix, and Pete Townshend-style windmills and faux guitar-smashing). Trey sat in for Phil’s entire second set that reprised the Grateful Dead’s set performed at Woodstock; the Bethel venue is at the site of the original 1969 Woodstock festival.
Benevento/Russo Duo opened, Phil Lesh & Friends closed. “Uncle Albert” featured Trey on megaphone. “Who Are You?” featured Mike on acoustic guitar.
Benevento/Russo Duo opened, Phil Lesh & Friends closed. Before “Uncle Albert” Trey noted that the only thing they had been listening to on the tour bus was Paul McCartney and Wings; “Uncle Albert” then featured Trey on megaphone. Trey sat in with Phil & Friends for the entire second set and encore.
Benevento/Russo Duo opened, Phil Lesh & Friends closed. “The Beltless Buckler” was a G.R.A.B. debut. "Dragonfly" contained "Happy Birthday" teases; mid-song Trey said "Happy Birthday to Ben, this last jam is for you." Mike sat in with Phil & Friends on electric banjo for “Brown Eyed Women” and “Next Time You See Me.” Trey sat in with Phil & Friends for the entire second set and “GDTRFB” during the encore.
Benevento/Russo Duo, then Phil Lesh & Friends opened. “Uncle Albert” featured Trey on megaphone. This show featured the G.R.A.B. debuts of "Uncle Albert/Admiral Halsey" (Paul and Linda McCartney) and “Stuck in the Middle with You” (Stealers Wheel).
Benevento/Russo Duo opened, Phil Lesh & Friends closed. “Sweet Dreams Melinda” and “Who Are You?” (The Who) were G.R.A.B. debuts. "Who Are You?" featured Mike on acoustic guitar. Trey sat in with Phil & Friends for “The Wheel,” “Not Fade Away” and “Casey Jones.”
Benevento/Russo Duo then Phil Lesh & Friends opened. This show featured the G.R.A.B. debuts of "Plasma," “Get Back” (The Beatles), “Shine,” “Coming Up Roses” (Elliott Smith) and “Communication Breakdown” (Led Zeppelin).
Benevento/Russo Duo opened, Phil Lesh & Friends closed. “Host Across the Potomac” was a G.R.A.B. debut and “Hap-Nappy” was a debut.
Benevento/Russo Duo, then Phil Lesh & Friends opened. "Sleep Again," "Car Carrier Blues" and "Tuesday" were G.R.A.B. debuts.
Trey sat in on guitar during this late-night show following TAB's performance at the Jazz Aspen Snowmass festival earlier in the evening.
This show was part of the Jazz Aspen Snowmass Festival. "Invisible" and "Brian and Robert" were performed as a trio with Trey on acoustic and Jen and Christina adding backing vocals. Trey performed "Waste" solo acoustic.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This late-night performance was part of the annual Bonnaroo Music & Arts Festival and was billed as the “Bonnaroo Superjam.” “Suskind Hotel,” "Seasons” and “Trouble” were debuts; all of the remaining songs were G.R.A.B. debuts. Phil Lesh played bass with Mike on guitar for “Casey Jones;” Phil performed on a second bass for “GDTRFB.” Before “Casey Jones” Phil noted that “there will be no trampolines on this stage tonight!” Trey had performed with TAB earlier in the evening warming up for Tom Petty in Maryland Heights, MO. 
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This first Oysterhead performance in almost five years took place at the Bonnaroo Music & Arts Festival that also featured Radiohead, Phil Lesh & Friends and Tom Petty among many others. This sjhow featured the Oysterhead debut of Jailhouse Rock.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This single set performance was as the opening act for Tom Petty & The Heartbreakers.
This single set performance was as the opening act for Tom Petty & The Heartbreakers.
This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
This show featured the debuts of “If You’re Walking,” “Shadow” and “A Case of Ice and Snow.” “Burlap Sack,” Mr. Completely,” “Plasma,” “Cayman,” and “Simple Twist.” featured Russell Remington on saxophone. During “Heavy Things” Trey pointed out that the real Mary (from the song) was in attendance.
“Sleep Again” and “Wherever You Find It” were duets featuring Trey on acoustic and Ray on piano. “Invisible,” “Shine” and “Flock of Words” were performed by Trey on acoustic, Ray on piano and Jen and Christina on backing vocals. This show featured the debuts of “Dragonfly,” “Let Me Lie” and “Mud City.” “Mud City” was dedicated to everyone heading down to Jazz Fest. Russell Remington and Dave Grippo sat in for the second set and encore (excepting “Drifting”).
This in-studio performance with a small live audience was for XM Radio's "Artist Confidential" series, hosted by the late George Taylor Morris. The performance first aired on 5/1/06. Trey performed all songs solo acoustic, with interview segments interspersed between each song. This performance marked the debut of "In Spirals"; Trey introduced the song by its original name, "Sweet Peace."

SET 1: Two Step, Old Dirt Hill, #41, Warehouse, Everyday [1] > Bathtub Gin[1], Get on the Boat[1], Waste[1]

This performance was part of the Caribbean Cruise Getaway. "Two Step" through "#41" were performed by Dave and Tim Reynolds, acoustic. "Warehouse" was performed by Dave, Tim Reynolds and Brian Blade. "Everyday" through "Waste" were performed by Dave and Trey, acoustic.
This performance was part of the Caribbean Cruise Getaway; it took place in A Chorus Line Theater. Bob Weir sat in on guitar and vocals for "Iko Iko."

SET 1: Bartender, Smooth Rider, Dancing Nancies, Jimi Thing > What Will Become of Me > Too Much

SET 2: Dodo, Save Me, Stay or Leave, So Damn Lucky, Gravedigger, Up and Away, Get on the Boat [1], Trouble, Oh, Some Devil

SET 3: Two Step, Old Dirt Hill (Bring That Beat Back), #41, Warehouse, Everyday [2] > Bathtub Gin[2], Get on the Boat Reprise[2], Waste[2]

This beach-side performance was part of the Caribbean Cruise Getaway and featured the debut of Get on the Boat. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). A storm forced the second set to end with the acoustic third set taking place over an hour later. Two Step through Warehouse were only Dave and Tim with the remainder of the set Dave and Trey.
Trey and his band were the musical guests on The Late Late Show with Craig Ferguson. Trey was originally sheduled to appear on the show on December 12, 2005, but was bumped.
This lineup featured North Mississippi Allstars (setlist), Trey Anastasio, and The Black Crowes (setlist).
TAB were the musical guests on The Tonight Show with Jay Leno.
The Hackensaw Boys opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” was performed by Trey on acoustic guitar with Jen and Christina on backup vocals. After “Invisible” (and continued after “Chalk Dust”) Trey talked about why he won't play “Fluffhead” on the acoustic guitar, despite it being heavily requested. Trey performed “Chalk Dust” through “Pebbles and Marbles” solo acoustic. “First Tube” included a "Ghostbusters" tease by the horn section. “Rubberneck Lions” and “Can't Stand Losing You” were TAB debuts and featured Stewart Copeland on drums and Raymond on percussion.
The Hackensaw Boys opened. Trey performed “Inlaw Josie Wales” through “LxL” solo acoustic. The keyword for “Makisupa” was “Gooball in my mouth.” During “Last Tube” Trey explained (mid-song) that, though he can’t surf, he has always wanted to, and “Last Tube” is his impression of what it would be like to catch the last wave of the day.
The Hackensaw Boys opened. Trey performed “Pebbles and Marbles” through “Bathtub Gin” solo acoustic. Jerry Harrison sat in on the TAB debut of “Roadrunner” (The Modern Lovers); Trey introduced Jerry as being in “two of the most important bands that came out of this country (Talking Heads and Modern Lovers). “Come Together” (The Beatles) was a TAB debut.
The Hackensaw Boys opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Bitch” (Rolling Stones) was a TAB debut. After “Sweet Dreams Melinda,” Trey apologized to Mick Jagger for screwing up the words to “Bitch.” “Waves” and “Loving Cup” were performed solo acoustic. “Invisible” was performed with Trey on acoustic and Jennifer and Christina providing backing vocals. After Invisible,” Trey scolded the audience for throwing things at him, not just at this show but over the course of the entire tour. “Iko Iko” (Dixie Cups), “GDTRFB” (Traditional), “Eyes,” and “Casey Jones” (Grateful Dead) all featured guest performances by Bill Kreutzmann and Mickey Hart and were TAB debuts. Prior to “Casey Jones,” Trey claimed he “just taught Tony this song.”
The Hackensaw Boys opened. A pre-recorded version of 70 Volt Parade was played over the P.A. as the band took the stage. Sample through Limb By Limb were performed solo acoustic, excepting Invisible and Sleep Again where he was joined by Jennifer and Christina providing backing vocals. Trey teased Stash in Simple Twist Up Dave.
The Hackensaw Boys opened. This setlist is unconfirmed as recordings of the performance do not circulate. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “The Inlaw Josie Wales” through “Waste” solo acoustic.
Trey performed “Sample” through “Limb By Limb” solo, acoustic. Trey played “Water in the Sky” and “Bouncing” for a deceased fan named Renee whose mother was in attendance. “Crosstown Traffic” was a TAB debut.

SET 1: Shine [1], Sleep Again[1], Invisible[1], Tuesday[1]

Trey appeared on the University of Pennsylvania’s “World Cafe” radio show. Trey was interviewed between each of the songs. All of the songs were performed acoustic with Jen and Christina adding backing vocals.
A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” through “Sample” were performed by Trey solo acoustic, excepting “Invisible” and “Love That Breaks All Lines” which featured Jen and Christina on backing vocals.
Grace Potter and the Nocturnals opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Raymond Weber performed on drums for the entire show in place of Skeeto Valdez. Band introductions followed “Sweet Dreams Melinda.” “Invisible” through “Waste” were performed by Trey solo acoustic, excepting “Invisible” and “Tuesday” which featured Jen and Christina on backing vocals. After “Invisible” Trey told a short story about John Paluska, who was in the audience. The P.A. cut out for several minutes toward the end of the lengthy “Mr. Completely” jam.
Trey and his band were the musical guests on Late Night with Conan O’Brien
Grace Potter and the Nocturnals opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. After “46 Days” Trey introduced the band, noting that Jen had played her first concert with Trey on the Orpheum stage, where she was “de-flowered.” “Loving Cup” through “Piper” were performed by Trey solo acoustic, excepting “Invisible” which featured Jen and Christina on backing vocals. After "The Horse" > "Silent" told a story about the songwriting process between he and Tom Marshall, how they will often start with very different interpretations of songs, and how he originally thought Tom's poem was about Trey's dog, Marley. Trey abandoned “Suzy” after one verse in favor of “Piper.”
Yerba Buena opened. This show was simulcast on WXPN. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Free” through “Pebbles and Marbles” were performed by Trey solo acoustic. “My Friend” was stopped and re-started for Trey to re-tune one of his strings, and then was abandoned entirely; Trey thanked WXPN for broadcasting the show on the Internet and speculated that since all the critical fans on the Internet would be listening and causing Trey to “mess up,” and perhaps that it was “the Internet” that broke up Phish.
A pre-recorded version of 70 Volt Parade was played over the P.A. as the band took the stage. After Simple Twist Up Dave, Trey talked about some of the many concerts he had seen at the McCarter Theatre (after Lawn Boy, Tom Marshall would tell the story of one such concert from his perspective). Pebbles and Marbles was dedicated to Tom’s daughter, Anna Marshall and performed solo acoustic. Velvet Sea through Character Zero were performed with Trey on acoustic guitar and Tom on vocals. This show featured the TAB debut of Lawn Boy.
Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Two Versions of Me” through “Wilson” solo acoustic. This setlist is unconfirmed as recordings of the performance do not circulate.
Tea Leaf Green opened. In the days leading up to this show it was promoted as the “Countdown to Utica.” As the band took the stage “The Final Countdown” by Europe was played over the P.A. “Access Me” and “Ghost” were Trey Anastasio debuts. “Access Me” through “Ghost” were all duets with Trey on acoustic guitar and Mike on bass. “Divided Sky” also featured Fishman playing the two cymbal beats after the pause. The end of “Divided Sky” featured a “Lawn Boy” tease. “Boogie On” featured the entire band plus Fishman on drums and Mike on bass.
Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Possum” through “Bug” solo acoustic. “Catapult” and “McGrupp” were TAB debuts. During the acoustic segment Trey explained that he would be performing songs showcasing the various people with whom he had collaborated over the years: Susannah Goodman, Dave Abrahams, Brendan O’Brien and, of course, Tom Marshall.
The Wood Brothers opened. Trey performed “Loving Cup” through “Invisible” solo acoustic. “Never” was played at the request of a group of fans outside the show. All of the songs in the first encore were performed by Trey on acoustic and Page on piano. Before “Strange Design” Trey joked that he and Page were starting a band called “Halfway There.” “First Tube” featured Peter Apfelbaum on saxophone and Page, Les and John Medeski on keyboards (along with Ray, dubbed “The Keyboard Quartet” by Trey).
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” featured Trey and Les on acoustic guitars. Trey performed “Sample” through “Chalk Dust” solo acoustic.
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Waves” through “Pebbles and Marbles” solo acoustic.
Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Money Love and Change” was played “for all you motherfuckers in love.” Trey performed “Bathtub Gin” through “Waste” solo acoustic. “Sleep” was dedicated to Tom Marshall. “I’ve Got a Feeling” (The Beatles) and “Rocky Mountain Way” (James Gang) were TAB debuts. “I’ve Got a Feeling” featured Ben Chambers and Josh Clark (Tea Leaf Green) on bass and guitar, respectively.
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Driver” through “Wilson” solo acoustic.
This performance was part of the Vegoose Festival that also featured Beck, Widespread Panic, Phil Lesh and Friends, Arcade Fire and The Flaming Lips. Trey performed “Waste” through “Brian and Robert” solo acoustic, excepting “Flock of Words” and “Brian and Robert” that featured Jennifer on backing vocals. After “Waste” Trey noted that he was “being invaded by low-frequency aliens” and also – ”not to encourage a stampede” – receommended that everyone check out the Arcade Fire show that was happening on another stage immediately after his set. “Low” contained a full-band “Carry On Wayward Son” (Kansas) tease.
This set was part of the innagural Vegoose Festival that also included Widespread Panic, Beck, Phil Lesh & Friends, The Meters, and Trey Anastasio Band. Trey and Dave performed "Everyday" and "Bathtub Gin" acoustic.
A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Invisible” through “Bug” solo acoustic. “Ether Sunday” was dedicated mid-song to Hammy Cott (“Hammy’s in the kitchen”), his brother Steve Cott, Brendan O’Brien (producer of Shine), and Les Claypool, all of whom were in attendance.
This was a single set performance opening for The Rolling Stones. Trey dedicated “Sweet Dreams Melinda” to his mom (who was in attendance) on her birthday.
Grace Potter and the Nocturnals opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Back on the Train” through “Waste” solo acoustic. Trey dedicated “Waste” to the producer of Billy Breathes (and Joy), Steve Lillywhite, who was in attendance.
This was a single set performance opening for The Rolling Stones. This setlist is unconfirmed as recordings of the performance do not circulate.
This show was billed as "Comes a Time: A Tribute to Jerry Garcia" and featured performances by the Black Mountain Boys, String Cheese Incident, Melvin Seals & JGB, Ratdog, and the concluding set by The Jerry Garcia Tribute band listed here.
This set closed “From the Big Apple to the Big Easy - The Concert for New Orleans,” a post-Katrina benefit that took place simultaneously at Radio City and Madison Square Garden. Dave Matthews added vocals for “Three Little Birds.” “Big Chief” and “Thank You...” featured Ivan Neville, Eric Krasno (Soulive), the Galactic horns, and the Wild Magnolia Mardi Gras Indians who paraded through the crowd and on the stage. Other acts included John Mayer, Preservation Hall Jazz Band, Galactic, The Neville Brothers, The Meters, Dave Matthews and Tom Waits. Bill Clinton made a brief speech on the importance of contributing funds to the relief effort. Trey sat in for Dave Matthews’s acoustic set on “Everyday” and “Bathtub Gin.”
This gig was part of the annual Bumbershoot festival. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Back on the Train” through “Sleep” solo acoustic.
Sound Tribe Sector 9 opened. Before “Goodbye Head” Trey gave props to the venue noting that “this is the most incredible place to play, on earth!” Trey dedicated the song to his daughter, Eliza, with whom he co-wrote the song and who was in the audience. He then brought out his then-93-year-old grandmother to take a bow! Trey played acoustic on “Invisible” and performed “Back on the Train” through “Waste” solo acoustic. 
Trey dedicated “Spin” to his high school friend, Roger Holloway. This show featured the TAB debuts of “Anything But Me” and “Friday.” “Anything But Me” through “Friday” were performed solo acoustic. “Love That Breaks All Lines” was performed by Trey on acoustic guitar and Ray on piano.
“Oz is Ever Floating” and “Wherever You Find It” were dedicated to “all you motherfuckers in love.” “Mr. Completely” included a “Crosseyed and Painless” tease. Trey performed “Mexican Cousin” through “Bathtub Gin” solo acoustic. This show featured the TAB debut of “Mexican Cousin.” “No Woman No Cry” featured Matisyahu on vocals.
“Back on the Train,” “The Inlaw Josie Wales” and “Waste” were all performed solo acoustic. “Brian and Robert” and “Ripple” were performed with Trey on acoustic guitar and Jen and Christina on vocals. “The Inlaw Josie Wales” was dedicated to Clint Eastwood. This show featured the TAB debut of “Ripple” (Grateful Dead) which was dedicated to Jerry Garcia on the tenth anniversary of his death, “probably the musician who I love more than anyone who’s ever lived, just about.” After introducing the band and then himself as “T-Money Macktastic-T,” Trey announced that “Sweet Dreams Melinda” was “for all you motherfuckers in love.” “Mr. Completely” was also played “for all you motherfuckers in love.”
Burlap Sack and Pumps was played “for all you motherfuckers in love.” Back on the Train through Wilson were performed solo acoustic. Wilson included a Free Bird tease. Push On ‘Til the Day included an Oye Como Va tease from Trey.
Gov’t Mule opened (setlist). Trey performed “Inlaw Josie Wales” through “Waste” solo acoustic. Prior to “Inlaw Josie Wales” Trey explained that he was going to try something new and play acoustic songs during the “setbreak” since that’s what he would be doing backstage anyway. “BOTT” contained "The Little Drummer Boy” teases. “46 Days” and “Push On” featured Warren Haynes on guitar. 
MMW opened. After “Drifting” Trey expressed how excited he was that Peter Forsberg would be playing for the Flyers the following season and said he would see everyone at the Stanley Cup parade (did not happen, alas). “Burlap Sack and Pumps” featured John Medeski on organ (without Ray).
This show featured the debut performances of "Sleep Again," "Spin" and "Wherever You Find It."
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was part of the 10,000 Lakes Festival and was also Tony Hall's first show with Trey's solo band. This show featured the debuts of "Invisible," "Tuesday" and "Shine." "Oz is Ever Floating" featured Les Claypool on bass.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.

This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.

This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.

This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.
This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.

This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.

This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. The tour was canceled reportedly due to low ticket sales.

This show was to be part of the Zooma Tour co-headlined by Trey Anastasio's quintet and Ben Harper and the Innocent Criminals with rotating supporting acts. Medeski Martin & Wood, Gomez, and Brazillian Girls would have been the supporting acts for this date. The tour was canceled reportedly due to low ticket sales.

This show was part of the 4th annual Bonnaroo Music Festival. "Funk #49" (Joe Walsh), "Boogie On Reggae Woman," "Close My Eyes" (Matisyahu), "Panama" (Van Halen) and "No Woman No Cry" (Bob Marley) were all TAB debuts.  "Close My Eyes" and "No Woman No Cry" featured Matisyahu on vocals and "Panama" featured Bo Bice on vocals.

Particle opened. This show featured the TAB debut of Sway. Old Habits, Back on the Train, and “Waste were duets with Trey on acoustic guitar and Mike on electric bass. Wolfman’s Brother and I Am the Walrus also featured Mike on bass. Jennifer Hartswick sang vocals on Night Speaks to a Woman and Black Dog.

Particle opened. Dig a Pony was dedicated to Tom Marshall. All of the encore songs (from The Beatles’ Abbey Road) were TAB debuts.

Particle opened. Trey teased San-Ho-Zay in Push On 'Til the Day.

Particle opened. Trey teased Jean Pierre in Cayman Review. Love That Breaks All Lines was performed without Les or Skeeto. Trey performed Brian and Robert and Back on the Train solo acoustic. Happy Birthday was played for Skeeto and contained a Free Bird tease. Mozambique was Skeeto’s birthday choice.

  After It’s Ice, Trey noted, “In the words of the immortal Jimi Hendrix, I know I missed a verse." Trey performed Waste and Back on the Train solo acoustic. Love That Breaks All Lines was performed without Les or Skeeto.

Space Oddity (David Bowie) was a TAB debut.

This show featured the debut of Dark And Down and the TAB debut of Sledgehammer (Peter Gabriel). Back on the Train was performed solo acoustic. Les and Skeeto did not play on Love is Freedom, which Trey performed acoustic.
“Push On ‘Til the Day” was played with an atypical blues arrangement. Les and Skeeto did not play on “Love That Breaks All Lines.” North Mississippi Allstars opened (and Trey sat in for one song).
This set was part of the annual New Orleans Jazz & Heritage Festival and took place on the Main Stage. Trey also sat in for a few songs during The Neville Brothers’ headlining set.
This show was billed as the “New Orleans Superjam.” The first set was electric TAB; the second set lineup included Trey, Cyril Neville (The Neville Brothers), Gregory Davis and Roger Lewis (Dirty Dozen Brass Band), Dave Grippo (Giant Country Horns, TAB), and Michael Ray (Sun Ra Arkestra). Bruce “Sunpie” Barnes performed on accordion for the TAB debuts of his originals “Bunny Bread” and “Tomato Song.” “Sneakin’ Sally” featured Mike on bass and contained "Chameleon" teases. “Three Little Birds” featured Mike on bass and Dave Matthews on vocals. “Thank You...” featured both Mike and Peter Chwazik on bass and Dave Matthews on vocals. “Old Habits” was performed by Mike and Trey only, both on acoustic guitars. “46 Days” through the end of the show featured Mike on bass and Ivan Neville on keyboards.
This performance was part of the Beale Street Music Festival. Due to rain, this set began with a lengthy sequence of songs (Chalk Dust Torture through Waste) performed solo, acoustic by Trey.
Trey performed “Back on the Train” and “Wilson” solo, acoustic. Les and Skeeto did not play on “Love That Breaks All Lines.” This show featured the debut of “Gloomy Sky” and the TAB debut of “Dig a Pony.”
This show featured the debuts of “Goodbye Head,” “Black,” “Air Said to Me,” “Host Across the Potomac” and “Love That Breaks All Lines” and the TAB debuts of “Oz is Ever Floating,” “Sitting in Limbo” (Jimmy Cliff), “Knives Out” (Radiohead) and “In the Light” (Led Zeppelin). Trey performed “Talk” was solo acoustic. Les and Skeeto did not play on “Love is Freedom” or “Love That Breaks All Lines.” A pre-recorded version of “70 Volt Parade” was played over the P.A. between the second set and encore. Before the encore Trey related the origins of “Host Across the Potomac” and explained that it was originally titled “Office Space.”
This gig featured the debuts of “Low,” “What’s Done,” “Come As Melody” and “18 Steps” as well as the TAB debuts of “It’s Ice” and “I Am the Walrus.” “Love Is Freedom” featured Trey on acoustic guitar and did not include Les or Skeeto; Trey also performed on acoustic guitar for the intro to “Bar 17.” “70 Volt Parade” was played over the P.A. as the band left the stage at the end of the second set.

SET 1: Bar 17 [1], Love is Freedom[1], Flock of Words [2]

This set was part of the 15th annual Tibet House benefit concert that included Philip Glass,  Patti Smith, Lou Reed, The Black Keys, and many others. Trey performed acoustic guitar and grand piano, acompanied by Scorchio Qunitet. This performance featured the world premiere of "Bar 17" and "Love Is Freedom." Nellie McKay provided additional vocals for "Flock of Words." Trey sat in during Marc Anthony Thompson's set, as well as the "People Have the Power" finale with many of the night's performers, including Trey singing the chorus with Lou Reed and Ray Davies.
This headlining performance was part of the Austin City Limits Music Festival. “Stash” was a TAB debut and was the first performance of the song with horns since Phish’s 7/27/91 gig with the Giant Country Horns.

SET 1: Urban Renewaltz, Resound!, Concerto for Violin and Orchestra

SET 2: Between Hills Briefly Green, Radiance, Guyute (Orchestral) [1], The Inlaw Josie Wales [2]

ENCORE: Flock of Words[2]

This performance featured the Vermont Youth Orchestra performing compositions exclusively by Vermont-based composers: Urban Renewaltz (David Gunn), Resound! (Thomas L. Read), Concerto for Violin and Orchestra (Ernie Stires), Between Hills Briefly Green (Troy Peters), Radiance (David Ludwig) and "Guyute" (Anastasio). Trey performed on acoustic with the VYO for "The Inlaw Josie Wales" and the un-billed "Flock of Words" encore, the latter featuring additional vocals by Hannah Gephart and piano accompaniment by Cathryn Gaylord. This performance was officially released on CD by the VYO as Between Hills Briefly Green.
The Samples played a private party in Burlington for UVM alumnus and 2003-4 NHL MVP Martin St. Louis, who was in town having his "day with the Stanley Cup." Page, Trey and Fish joined The Samples for several songs including "Loving Cup."
These sets were part of the third annual Bonnaroo Music & Arts Festival. The first set featured Trey conducting the Nashville Chamber Orchestra except where noted; second set was electric TAB. "Prologue" and "Coming To" were debuts. "Sing a Song" (Earth Wind & Fire) and "Devil Went Down to Georgia" (Charlie Daniels) were TAB debuts. “Flock of Words” featured Trey on acoustic guitar and vocals, Ray on piano and Jen on backing vocals. “The Inlaw Josie Wales” featured Trey on acoustic guitar. “Cincinnati” (intro) and “Discern” (intro) were performed by the TAB horn section only. “Secret Smile" featured Trey on electric guitar and vocals and Ray on piano. “First Tube” featured festival-closing fireworks.
This set took place on the What Stage as part of the annual Bonnaroo Music & Arts Festival that also included Wilco, Bob Dylan, Los Lobos, The Dead, and Trey Anastasio Band. Dave performed "Some Devil" solo acoustic; Dave and Tim performed "Dancing Nancies" and "Thing" acoustic (no Trey). Dave and Trey performed "Waste" through "Bathtub Gin" acoustic.
This private performance was a surprise 50th birthday party for snowboard innovator Jake Burton Carpenter. A giant cake was cut during “Happy Birthday.” During “O-o-h Child,” Trey's youngest daughter came on stage and put a Hawaiian lei around his neck. There was a fireworks show between sets. “Night Speaks” included a “One Nation Under a Groove” (Funkadelic) jam. 
This show was billed as “The Vermont Easter Jam” and featured scheduled performances from The Unknown Blues Band, a duet with Jamie Masefield and Paul Asbell interpreting the music of Django Reinhardt, and the Grippo Funk Band. After these performances there was an unannounced set by TAB. Page sat in from “Small Axe” through “Chalk Dust.” Fish sat in from “Last Tube” through “Chalk Dust.” Mike joined in for “Sand” and “Chalk Dust.” During “Sand” members of Trey’s group gradually left the stage, leaving Phish alone to complete “Sand” and perform “Chalk Dust.” The cover of Stevie Wonder’s “Higher Ground” featured all the members of both Phish and Trey’s ensemble, Jamie Masefield, Seth Yacovone and others. This gig was a benefit for the Winooski Parks & Recreation Department, Burlington Women’s Rape Crisis Center, and the Child Life Department of Vermont Children’s Hospital.
Trey and Dave Matthews performed several acoustic songs in an informal outdoor setting while taping an episode of VH1’s Inside Out.
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). Trey and Dave Matthews performed “Three Little Birds,” “Everyday” and “Bathtub Gin” acoustic. 
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). Trey and Dave Matthews performed “Waste” and “Everyday” acoustic.
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). Trey and Dave Matthews performed “Three Little Birds” and “Bathtub Gin” acoustic. 
Dave Matthews and Friends were the musical guests on The Tonight Show with Jay Leno.

SET 1: Bartender, The Stone, Lie In Our Graves, I'll Back You Up, Where Are You Going?, Cry Freedom, Dancing Nancies

SET 2: Dodo, Stay or Leave, Trouble, Up and Away, Solsbury Hill, So Damn Lucky, Tell Me Something Good, Save Me, Baby, Gravedigger, Grey Blue Eyes, Oh, Sister, Some Devil, Up On Cripple Creek, American Tune, Too High > Fire > Hey Bulldog

ENCORE: Waste [1], Everyday[1], Thank You (Falettinme Be Mice Elf Agin)

Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). Trey and Dave Matthews performed “Waste” and “Everyday” acoustic. 
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Waste” through “Bathtub Gin” were performed acoustic by Trey and Dave Matthews. 
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Everyday” and “Bathtub Gin” were performed acoustic by Trey and Dave Matthews. 
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Waste” and “Three Little Birds” were performed acoustic by Trey and Dave Matthews. Before “Three Little Birds” Trey mentioned that “it has been six years or so since we played this song together.” “Three Little Birds” was actually performed most recently by this duo when Dave Matthews sat in with Trey’s band on February 28, 2001 in Richmond, VA.

Dave Matthews and Friends were the musical guests for the Late Show with David Letterman on the shows aired December 18 and December 19, 2003. Both shows were taped on December 18; “#Save Me” aired on the 18th, while “Gravedigger” aired on the 19th. During the commercial break and lead-in to “Gravedigger,” the show ran portions of a jam including all the members of Dave Matthews and Friends and The Late Show Band, with Paul Shaffer offering impromptu lead vocals focused on “Jerry,” and a guest appearance by Jerry Springer.

SET 1: Bartender, Lie in Our Graves, Satellite, Typical Situation, #40, Where Are You Going?, Dancing Nancies

SET 2: Dodo, Trouble, Up and Away, Solsbury Hill, Gravedigger, Up On Cripple Creek, Oh, American Tune, Stay or Leave, Oh, Sister, Some Devil, So Damn Lucky, Hey Bulldog, Grey Blue Eyes, Spanish Moon, Save Me, Sweet Up and Down

ENCORE: Everyday [1], Bathtub Gin[1], Fool In the Rain

Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Everyday” and “Bathtub Gin” were performed acoustic by Trey and Dave Matthews. Trey teased “Stash” during the opening sequence to “Dodo.” 

SET 1: Bartender, Crush, Pay for What You Get, Where Are You Going?, Typical Situation, Dancing Nancies

SET 2: Dodo, Trouble > Up and Away, Solsbury Hill, Gravedigger, Up On Cripple Creek, American Tune, Stay or Leave, Oh, Sister, Some Devil, So Damn Lucky, Tell Me Something Good, Save Me, Hey Bulldog

ENCORE: Everyday [1], Waste[1], Will It Go Round in Circles

Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Everyday” and “Waste” were performed acoustic by Trey and Dave Matthews, who shared vocals on both tunes. 
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey).
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey).
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey).
Dave Matthews & Friends were the musical guests on Saturday Night Live.
This invitation-only performance was taped for the Country Music Television program Crossroads; the episode was first broadcast in January 2004. Trey did not perform on “Where Are You Going” (Dave Matthews solo, acoustic), “Strong Hand” or “Imagine” (Emmylou Harris, solo).
This was a headlining performance of the Burlington Discover Jazz Festival. The Unknown Blues Band opened, with special guest Joey Sommerville.
This was a headlining performance of the Burlington Discover Jazz Festival. Introducing the song “Cincinnati” Trey noted that: “it’s good to be here, and not in Cincinnati.” Before the second set there was a playful chant for “Ray! Ray! Ray!” who was the last to arrive on stage. Trey performed “The Inlaw Josie Wales” solo, acoustic.
Trey led the band marching through the crowd at the end of “Sweet and Dandy.”
Trey performed “Spices,” “The Inlaw Josie Wales,” and “Secret Smile” solo, acoustic.
Trey performed “The Inlaw Josie Wales” and “Secret Smile” solo, acoustic.
Carlos Santana sat in on a second guitar for Last Tube, The Way I Feel, and the entire second set. Portions of this show including Carlos Santana were officially released on the 2004 DVD Live at The Warfield. John the Revelator, Caravan, and Root Down were TAB debuts. Soul Makossa was quoted in Last Tube. Night Speaks to a Woman contained a San-Ho-Zay jam and Moving in Stereo teases from Jennifer Hartswick. Caravan included a Manteca tease.
Trey performed “The Inlaw Josie Wales,” “Secret Smile” and “Spices” solo, acoustic. The cover of Led Zeppelin’s “Dazed and Confused” was a TAB debut. At the end of the “Sweet and Dandy” encore Trey led the band marching through the crowd.
Trey performed “The Inlaw Josie Wales” and “Secret Smile” solo, acoustic.
Warren Haynes sat in on a second guitar for “Gotta Jibboo” and “Sand.” This show featured the TAB debut of The Maytals' “Sweet and Dandy” and the debut of the Anastasio/Marshall original, “Undermind.” "Sand" contained an "Eleanor Rigby" tease.
The Anastasio/Marshall originals “Cincinnati,” “Secret Smile,” and “Spices” were all debuts; Led Zeppelin’s “Black Dog” was a TAB debut. Trey performed “Secret Smile” and “Spices” solo, acoustic. Mike appeared on stage with his Segway during “Push On ‘Til the Day” and performed in place of Tony on bass for “Black Dog.”
This version of “Magilla” appears on the live Plasma CD.
Night Speaks to a Woman included a section where Trey "conducted" the audience. This show featured the TAB debut of Magilla. Simple Twist Up Dave and Small Axe from this show are included on Trey’s live Plasma CD. Trey performed The Inlaw Josie Wales and Ray Dawn Balloon solo acoustic.
Happy Birthday was sung and then played for road manager Brad Sands. Other Halloween recognition included an on-stage jack-o-lantern, and Jennifer Hartswick sporting an amazing wig! Windora Bug included a Stash tease. Tops Off found Trey whipping off his shirt and whirling it around his head; the remainder of the show saw all band members fully clothed.
This afternoon solo acoustic performance was broadcast live on Louisville Public Radio WFPK 91.9-FM and also included short interview segments. 
Trey performed "Ray Dawn Balloon" acoustic.
Trey performed "The Inlaw Josie Wales" solo acoustic.
This gig was originally scheduled to take place at Utica’s Memorial Auditorium, and then was later rescheduled for the Stanley Performing Arts Center. This show featured the TAB debut of Perhaps. Throughout the evening plaster had been falling from the balcony; after Mr. Completely, Brad Sands made a brief appearance on stage, after which Trey announced that due to concerns about the balcony bouncing that the rest of the show would be performed acoustic. There was a theme from Leave It to Beaver tease after Mr. Completely. Before the encore, a member of the audience shouted “Free Bird!” While Trey declined to play the request, he offered two related stories: the first was about Trey and Fish on vacation in Greece and encountering a bunch of punks playing “Free Bird” on their boom-box; the second related how Phish had offered their a cappella rendition of “Free Bird” for a Lynyrd Skynyrd tribute album, but that it had been turned down. Trey then played “Pebbles and Marbles” solo, acoustic.
This gig was originally scheduled to take place at Portland’s Cumberland County Civic Center, and was later rescheduled for the smaller Portland Expo. This show marked the debut of “Travelling Song.” “Drifting” was preceded by the horn introduction to “Discern.” “Curlew’s Call” and “When” from this gig are included on Trey’s live CD, Plasma.
Spearhead’s Radioactive and Michael Franti joined Trey’s band for “Small Axe.” Page sat in on keyboards for “First Tube” in place of Ray. This show marked the debuts of “Javier Cinakowski,” “Chapeau Mauvais,” “Curlew’s Call” and the TAB debut of Cyro Baptista's "Forro for All." A portion of the proceeds from this show was designated to benefit Burlington City Arts.
Trey and his band were the musical guests on The Tonight Show with Jay Leno.
Trey was the musical guest on The Late Late Show with Craig Kilborn. This episode was taped for later airing, first on Friday, July 12, 2002.
This performance closed the main stage the final night of the 1st annual Bonnaroo Music Festival. “Wilson” and “Bathtub Gin” were performed by Trey solo, acoustic. The rendition of “Last Tube” from this gig appears on the Live from Bonnaroo 2002 CD.
The “Night Speaks to a Woman” from this show appears on Trey’s live CD, Plasma. Trey performed "Ray Dawn Balloon" and "Thunderhead" acoustic. The band ended the second set by forming a conga line marching off stage; they came back on stage for the encore in the same manner and reprised the ending of “Simple Twist Up Dave.”
This show featured the debut of “Olivia."
The second set-closing “Sand” from this gig appears on Trey’s live CD, Plasma. Trey performed “Bathtub Gin” and “Chalk Dust Torture” solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic.
This in-studio performance was a taping for Last Call with Carson Daly; the show first aired on June 24, 2002. “Alive Again” was played in it’s entirety; a small portion of “Push On ‘Til the Day” was played as they cut to commercial break, and they played the intro to “Money, Love and Change” as the ending show credits rolled.
“At the Gazebo” featured the Vermont Youth Orchestra String Quartet. During the break before the encore maracas and tambourines were passed out to the audience and a set of stairs was placed in front of the stage. During “Alive Again” approximately forty guests – including members of Cyro Baptista’s Beat The Donkey ensemble, Brazilian dancers and other assorted percussionists and pranksters – joined Trey’s band in what can perhaps best be described as a strange combination of two infamous Phish antics: the 10/22/96 MSG “Freakapaug” and the 5/27/94 “Shake your Macaroni” Possum. After the ending refrain and amid an audience-aided percussion jam, Trey led the entire entourage down the stairs in front of the stage, through the audience and onto 51st Street where a drum circle ensued, blocking midtown traffic for nearly half an hour.
Fish – introduced as “Johnny B. Funk” – sat in on a second drum kit for the entire show.
“The Inlaw Josie Wales,” “Flock of Words” and “At the Gazebo” featured the Vermont Youth Orchestra String Quartet. James Harvey sat in on a second trombone for “Mozambique.” "Ray Dawn Balloon" was performed by Trey (on acoustic) accompanied by only Tony and Cyro.
“Mike’s Groove” (both of which were TAB debuts) featured Mike on bass; “Mike’s Song” included a horn introduction, a trampolines segment, as well as an extended duet with Mike and Trey before the beginning of “Weekapaug.”
This show was originally scheduled to have taken place at the Saratoga Performing Arts Center in Saratoga Springs, NY, and then was later rescheduled for Albany’s smaller Palace Theatre. Push On 'Til the Day included an Oye Como Va tease from Trey and a Lively Up Yourself jam before Windora Bug. Last Tube featured band intros, and Trey running laps around the stage and performing the Meatstick dance.
The performance of Mozambique from this show appears on Trey’s live CD Plasma.  Trey teased The Sound of Music during and after Mozambique.
The rendition of “Plasma” from this gig appears on Trey’s live CD of the same name. Trey performed "Ray Dawn Balloon" acoustic.
Trey performed "Ray Dawn Balloon" solo acoustic.
“Wilson” was a Trey Anastasio debut, was incomplete, and, along with "Chalk Dust," was performed by Trey solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic. “Alive Again” contained a “Stash” tease. The performance of “Every Story Ends in Stone” appears on Trey’s live CD, Plasma, as do sections of "Money, Love and Change" and "Mr. Completely" that appear under the title “Inner Tube.”
This version of “First Tube” appears on Trey’s live CD, Plasma.
This live promotional appearance for Boulder’s KBCO-FM featured Trey performing solo acoustic between interview segments.
The Roots, and then Antibalas opened. Trey performed "Thunderhead" acoustic.
Spearhead (setlist), and then Los Lobos (setlist) opened; Trey sat in with both bands. Michael Franti provided lead vocals for “Small Axe.” “I Want to Take You Higher” featured Michael Franti, Steve Berlin, David Hidalgo, and Conrad Lozano and others from Spearhead and Los Lobos. Page capped off the evening of guest appearances, replacing Ray on keyboards for “First Tube” and “Bug.”
The cover of Dire Straits’ “Sultans of Swing” was a TAB debut. Trey performed "Thunderhead" acoustic.
This gig was part of the Mountain Aire Music Festival that also included Les Claypool’s Flying Frog Brigade, Elvis Costello and the Imposters, Galactic, Particle, John Prine, Robert Randolph, and The Derek Trucks Band. Will Bernard from Motherbug sat in on “Last Tube.”
This gig was part of the Mountain Aire Music Festival that also included Les Claypool’s Flying Frog Brigade, Elvis Costello and the Imposters, Galactic, Particle, John Prine, Robert Randolph, and The Derek Trucks Band. “Cayman Review” featured Derek Trucks on guitar; “Night Speaks to a Woman” featured Derek Trucks on guitar and Les Claypool on bass. “In the Wee Wee Hours” featured the forty-four-piece Extra Action Marching Band.
This live promotional appearance for San Francisco’s KFOG-FM 104.5 featured Trey performing solo, acoustic, between interview segments. “Ray Dawn Balloon” was performed instrumental.
Spearhead opened and Spearhead’s Michael Franti added lead vocals on Small Axe. The show featured the debut of Discern.
This live promotional appearance for Portland’s KINK-FM 101.9 featured Trey performing solo acoustic between interview segments.
This live promotional appearance for Seattle’s KMTT-FM 103.7 “The Mountain” featured Trey performing solo acoustic between interview segments. 
This gig featured the debut of “Night Speaks to a Woman” and "Thunderhead." "Thunderhead" featured Trey on acoustic guitar. Trey performed “Ray Dawn Balloon” solo, acoustic.
This live promotional appearance for Montpelier’s WNCS-FM “The PointFM” featured Trey performing solo acoustic between interview segments.
This live promotional appearance for New York City’s WFUV-FM 90.7 featured Trey performing solo, acoustic, between interview segments.
Trey and his band were the musical guests on the Late Show with David Letterman. Dave briefly interviewed Trey after the performance.
This was a taping session for the nationally syndicated radio program Live at the World Café. “Money, Love and Change” was played by request for show host David Dye.
This live promotional appearance for Boston’s 92.9-FM WBOS Studio 7 series featured Trey performing solo acoustic between interview segments.
This live promotional appearance for Boston’s 92.5-FM WXRV The River featured Trey performing solo acoustic between interview segments. 

SET 1: The Inlaw Josie Wales [1], Jam [2]

“The Power of Music” was a panel discussion sponsored by The Connecticut Forum that featured Trey, jazz trumpeter Nicholas Payton, opera star Beverly Sills, and Bob Weir. Vice President of VH1 Bill Flanagan was the moderator. Before the first half of the panel discussion Trey performed “The Inlaw Josie Wales” solo, acoustic. Before the second half of the panel discussion Bob Weir performed “Victim or the Crime?” solo, acoustic. The event concluded with a jam that featured Trey on acoustic guitar, Bob Weir on electric guitar and Nicholas Payton on trumpet.
New Orleans Klezmer All Stars opened. During “Little Faces” Les remarked how this had been “the funnest tour he had ever done” and he also thanked the crew. Before “Them Changes” Stewart threw a barrage of drumsticks into the crowd before settling on a pair to use.
Oysterhead was the musical guest on Late Night with Conan O’Brien.
Marc Ribot y Los Cubanos Postizos opened. A portion of the proceeds from this show were donated to the New York Police and Fire Widows’ and Children’s Benefit Fund, and the New York State Coalition Against Sexual Assault.
Marc Ribot y Los Cubanos Postizos opened. “Shadow of a Man” contained an extended jam at the end featuring Trey on the Matterhorn and Les on the Whamola. A portion of the proceeds from this show were donated to the New York Police and Fire Widows’ and Children’s Benefit Fund, and the New York State Coalition Against Sexual Assault.
Lake Trout opened. “Shadow of a Man” contained an extended jam at the end featuring Trey on the Matterhorn and Les on the Whamola; Trey continued to play the Matterhorn on “The Grand Pecking Order.”
Lake Trout opened. “Wield the Spade” included an extended introductory jam featuring Les on the Whamola and Trey on the Matterhorn. 
Lake Trout opened. 
Dinner is Ruined opened. Rush’s “Cygnus X-1” was teased before “Shadow of a Man.” During “Birthday Boys” Trey mentioned that he wanted to play “Big Joe Mufferaw” by Canadian folk singer Stompin’ Tom Connors, but that he hadn’t learned it yet; Les then sang the opening lines to “Big Joe Mufferaw” before the encore.
Drums and Tuba opened.
Drums and Tuba opened.
Drums and Tuba opened.
Drums and Tuba opened. Trey was dressed in Fish’s frock, Les wore a pig mask, and Stewart donned camo paint to celebrate Halloween. God Bless America was an Oysterhead debut. All Day and All of the Night's lyrics were changed to "Halloween night." The second Army’s On Ecstasy contained Walking On The Moon quotes from Les. Birthday Boys featured Trey singing lines from a number of covers that Fish often performs with Phish: Love You, Bike, and Cracklin’ Rosie. Owner of the World included a Stash tease.
Army’s On Ecstasy contained a Smoke on the Water tease from Les. Pseudo Suicide contained a Moby Dick tease. Mr. Oysterhead contained Voodoo Child, Another One Bites the Dust, and Rapper’s Delight teases. Drums and Tuba opened.
North Mississippi Allstars opened. “Little Faces,” “Pseudo Suicide,” “Shadow of a Man” and “Radon Balloon” from this show appeared on HBO’s Reverb that first aired November 21, 2001. 
North Mississippi Allstars opened. The Residents’ cover “Hello Skinny” was an Oysterhead debut and featured Les on the Whamola and Trey on the Matterhorn. 
North Mississippi Allstars opened. “Polka Dot Rose” featured Les bantering about the first drummer he ever played with, “Kern, Kern the butter churn.” Les played both bass and banjo during “Birthday Boys.” The Oysterhead debut cover of “Them Changes” was preceded by Trey reminiscing about Phish playing this same venue in 1994. He then noted that “Them Changes” is from one of his favorite power trio albums, the Jimi Hendrix classic Band of Gypsys.
This show featured the debut of Wield the Spade and the Oysterhead debut of My Generation. Owner of the World contained an Oye Como Va tease. Les quoted Space Oddity at the start of Shadow of a Man. During Mr. Oysterhead, Les offered to the crowd that they should “feel free to sing along because Stewart’s used to that shit with The Police.” North Mississippi Allstars opened.
This show featured the debuts of Oz is Ever Floating, Little Faces, Radon Balloon, Army’s On Ecstasy, The Grand Pecking Order, Birthday Boys, Polka Dot Rose, and Shadow of a Man. Little Faces and Birthday Boys had evolved from previous versions at Oysterhead's debut show a year earlier where they were called I Am Oysterhead and Blue Ginger respectively. Mr. Oysterhead included a Thank You (Falettinme Be Mice Elf Agin) tease from Les. Army’s On Ecstasy contained Smoke on the Water and Barracuda teases. Polka Dot Rose included a San-Ho-Zay tease from Trey and one verse of Walking on the Moon. North Mississippi Allstars opened.
Oysterhead had originally scheduled gigs at Toad’s Place in New Haven on September 14 and Irving Plaza in New York on September 15; both shows were canceled due to the terrorist attacks of September 11. As a tour warm-up they instead performed a private show at Trey’s Barn, and reportedly played the entire Grand Pecking Order.
Big Joe Burrell and The Unknown Blues Band opened the show: Big Joe Burrell on vocals and sax, Tony Markellis on bass, Paul Asbell on guitar, Chas Eller on keyboards, Russ Lawton on drums; The Unknown Horns Section (Jennifer Hartswick on trumpet, Andy Moroz on trombone, Dave “The Truth” Grippo on alto sax and Russ Remington on tenor sax) performed on their final song.
“Mountains in the Mist” and “Bathtub Gin” were duets with Mike on electric bass and Trey on acoustic guitar. “Back on the Train” was a duet with both Mike and Trey on acoustic guitars.
Push On ‘Til the Day featured Marshall Allen on alto saxophone.

Carl “Gears” Gerhard performed on trumpet for the entire show. Before the show started, Trey introduced Carl and noted that this gig was exactly ten years to the day since the last time the entire Giant Country Horns had performed together; the actual last performance of the GCH with Phish was July 27, 1991. The “Jam” in the second set was based on the theme that emerged out of the jam in “Jibboo.” Trey performed “Ray Dawn Balloon” and “Driver” solo, acoustic.

Plasma was incomplete.
“Ether Sunday” included band intros and a shout-out to Trey’s dad who was in attendance. 
Happy Birthday was dedicated to lighting director Chris Kuroda. At a shade over 48 minutes, this Mr. Completely jam represented almost double the previously longest TAB jam to date.
John Medeski performed on keyboards for the entire show, in addition to regular TAB keyboardist Ray Paczkowski. Trey joined in as the third keyboardist for “Sand.” 

Soundcheck: Push on ‘Til the Day, Tube Top Flop, Simple Twist Up Dave, Money Love and Change, At the Barbeque, Nothing But an ‘E’ Thing, Sidewalks of San Francisco

SET 1: Push On 'Til the Day, Tube Top Flop, Acting the Devil, Small Axe, Simple Twist Up Dave, Nothing But an 'E' Thing, Cayman Review, Last Tube

SET 2: Moesha > Quantegy, Burlap Sack and Pumps [1], Money, Love and Change, Flock of Words, Mr. Completely, At the Gazebo, Drifting

ENCORE: First Tube

John Medeski performed on keyboards for the entire show; regular TAB keyboardist Ray Paczkowski did not perform at this gig. During “Last Tube,” Trey thanked the audience, calling Alpine Valley “the best place to play in the whole world.” “Burlap Sack and Pumps” contained an extended (~five minute) jam with just Trey and John Medeski.
John Medeski performed on keyboards for the entire show; regular TAB keyboardist Ray Paczkowski did not perform at this gig. 
Trey performed “Ray Dawn Balloon” and “Bathtub Gin” solo acoustic. “Moesha” contained the following added lyrics: “Moesha me down, Moesha me up, Moesha me Avalanche, Moesha me cup, Moesha me rocks, Moesha me red, Moesha me live, Moesha me dead, Moesha me straight, Moesha me gay, Moesha me Jerry, Moesha me Trey.”
Come On Baby Let’s Go Downtown was dedicated to “Jill.”
During “Samson Variation” Trey playfully chided Andy Moroz, who had to run back to the band room to get his music for the song; Trey suggested that the audience focus in on the trombone part to make sure it is perfect. This gig featured the debut of “Plasma,” that Trey said was written backstage that very day.
After “Money, Love and Change” Trey offered his thanks to the audience “for supporting the important cause of new music” and supporting their performance of an almost entirely new repertoire. Tony started “Push On ‘Til the Day” by playing “Sand” instead.
Trey dedicated “Last Tube” to the surfers catching the “last tube” of the day. This show marked the debut of “When.”
Seth Yacovone Band opened. This show was quasi-stealth and announced only 24 hours in advance. Though members of Trey’s summer touring ensemble, Russell Remington and Ray Paczkowski were absent from this one show. “Alive Again,” “Cayman Review,” “Every Story Ends in Stone,” “Flock of Words,” “Mr. Completely,” “Moesha,” “Money, Love and Change,” “Quantegy,” and “Simple Twist Up Dave” were all debuts.  Trey humorously mis-identified the debut of “Every Story Ends in Stone” as “Every Story Has a Stone.” Before “At the Gazebo” Trey told of watching that morning’s Forth of July parade and having a fantasy about taking the TAB horns section on a float, moving along and playing this song.
Trey dedicated “Come on Baby Let’s Go Downtown” to his friends Chris and Kevin. Trey performed “Back on the Train” and “Bathtub Gin” solo, acoustic. This second Fox Theatre show was not originally scheduled as part of the tour; it was added the day before, with tickets going on sale at midnight the day before the gig. “Sand” included extended thanks from Trey to Paul, the crew, and the fans.
Joey Sommerville added an extra trumpet from “Burlap Sack and Pumps” through “Mellow Mood.” During “Last Tube” Tony announced that since they were having such a great time on tour that TAB would play again the next night and that tickets would go on sale at midnight. 

This show featured the TAB debut of Strawberry Fields Forever. Trey performed Strawberry Fields Forever and Back on the Train solo acoustic. Ray Dawn Balloon was an acoustic duet with Trey and Tony.

This show featured the debut of Sweet Dreams Melinda (introduced by its original name "Til I Met You") and the TAB debuts of When the Saints Come Marching In. Hard Hearted, and Yellow Submarine.The band marched in through the crowd wearing marching band uniforms for the opening When the Saints Come Marching In. Trey and Tony were on acoustic for Happiness In My Pants with Russ. Trey performed Mountains in the Mist solo acoustic. Mike sat in for the entire encore. Mike and Trey only performed on Hard Hearted and Possum, both on acoustic guitars. Following Yellow Submarine, the crowd continued to sing the chorus as the entire band marched out the same way they came in.

This show the TAB debuts of The Landlady (which contained an instrumental intro section), Everyday, Three Little Birds, Whatever Gets You Thru the Night, and I Want to Take You Higher. Dave Matthews performed on Everyday through the end of the show. Both Trey and Dave performed Everyday and Three Little Birds on acoustic guitar. Trey also played acoustic on At the Gazebo and solo acoustic on Strange Design. 

The show featured the TAB debut of The Chicken. Trey performed Back on the Train and Wading in the Velvet Sea solo acoustic.

Trey and Tony performed Ray Dawn Balloon as an acoustic duet. Trey performed Bathtub Gin solo acoustic.

This show featured the debut of the new arrangement of Andre the Giant and the TAB debuts of Small Axe and Signed Sealed Delivered, I’m Yours. Nothing But an 'E' Thing was dedicated to Trey’s dad. Trey performed Ray Dawn Balloon through Strange Design solo acoustic. While tuning before Driver, Trey noted his two “tuning heroes:” Leo Kottke, and “the greatest tuner ever,” Jimi Hendrix.

Trey played on acoustic guitar with the full band on At the Barbeque and At the Gazebo. Trey performed Back on the Train solo acoustic. Trey and Tony were on acoustic with Russ for Happiness In My Pants. Page sat in playing Trey’s keyboard on First Tube through the end of the show and added vocals on Will it Go Round in Circles.

TAB were the musical guests on Late Night with Conan O’Brien. After Push On ‘Til the Day, Conan thanked the band, which then played the first few bars of Tube Top Flop as the show cut to commercial.

This show marked the debuts of Happy Coffee Song and Nothing But an 'E' Thing and the TAB debuts of In the Wee Wee Hours, Rainy Day Women #12 and 35, and Mellow Mood. Gotta Jibboo contained Burlap Sack and Pumps teases from Trey and the horns. Trey performed Guyute solo acoustic. The Happy Coffee Song was dedicated to sound engineer Paul Languedoc. At the Gazebo also featured Trey acoustic.

This tour opening performance included the debuts of The Way I Feel, Burlap Sack and Pumps, Push On 'Til the Day, Tube Top Flop, Sidewalks of San Francisco, Drifting, Noodle Rave Daddio, At the Barbeque, At the Gazebo, Ray Dawn Balloon, and Ether Sunday as well as the TAB debuts of It Makes No Difference, I Done Done It, and Acting the Devil. Dave teased Pass the Peas in Burlap Sack and Pumps. Trey performed Back on the Train and Ray Dawn Balloon solo acoustic. After Back on the Train, Trey quoted and teased Cosmik Debris after a fan called out the song. Trey and Tony played acoustic on Happiness in My Pants (with Russ) and At the Gazebo (with horns). Dave teased Eleanor Rigby in Sidewalks of San Francisco. Ray Dawn Balloon was introduced as Waves. This show marked the first TAB performance with horns.

SET 1: First essay for Orchestra, Op. 12, Horn Concerto No. 1 in E flat major, Op. 11, Chat Rooms [1]

SET 2: Samson Riffs[1], Pavane pour une infante defunte, Guyute (Orchestral) [2]

ENCORE: The Inlaw Josie Wales [3]

Vermont Senator Patrick Leahy provided introductory remarks before the first set. Elements of this performance were officially released as a now out-of-print VHS. Trey joined the Vermont Youth Orchestra, conducted by Troy Peters, on electric guitar for the Ernie Stires composition Chat Rooms (i. The Blue Room; ii. The Green Room; iii. The Red Room) and the Stires/Anastasio composition Samson Riffs (i. Samson Riff, ii. Samson Variation, iii. Samson Counterpoint). Trey performed acoustic guitar for The Inlaw Josie Wales with featured accompaniment by Adriane Post and Jane Kittredge on violins, Anja Jokela on viola, and Indigo Ruth-Davis on cello. 

SET 1: First essay for Orchestra, Op. 12, Horn Concerto No. 1 in E flat major, Op. 11, Chat Rooms [1]

SET 2: Samson Riffs[1], Pavane pour une infante defunte, Guyute (Orchestral) [2]

ENCORE: The Inlaw Josie Wales [3]

Trey joined the Vermont Youth Orchestra, conducted by Troy Peters, on electric guitar for the world premiere of the Ernie Stires composition Chat Rooms (i. The Blue Room; ii. The Green Room; iii. The Red Room) and the Stires/Anastasio composition Samson Riffs (i. Samson Riff, ii. Samson Variation, iii. Samson Counterpoint). The debut of Guyute (Orchestral) – on which Trey did not perform – featured a reintegration of this original 1992 piece that had in the Phish repertoire evolved as My Friend My Friend. Trey performed acoustic guitar for The Inlaw Josie Wales with featured accompaniment by Adriane Post and Jane Kittredge on violins, Anja Jokela on viola, and Indigo Ruth-Davis on cello. This recording of Guyute (Orchestral) was later released on The Mockingbird Foundation's Phish tribute album, Sharin' in the Groove.

This debut Oysterhead performance was part of the “Superfly Presents” annual series that runs concurrent the New Orleans Jazz and Heritage Festival. Owner of the World was started by Stewart as Pseudo Suicide and was dedicated to Fish, who ran on stage and bowed. Pseudo Suicide included quotes of Jerry Was a Race Car Driver and Reba. All three musicians wore white jumpsuits for this performance. As this was the first public performance of Oysterhead, all songs were Oysterhead debuts.
Trey joined B.B. King and The Roots as part of the filming of IMAX’s All Access: Front Row. Backstage. Live!. Trey also played a segment of Somewhere Over the Rainbow and teased Happy Birthday during a break in the filming.
This performance was part of the annual Tibet House benefit. Trey joined Nawang Khechog and R. Carlos Nakai on electric and acoustic guitar for an instrumental piece. Trey had performed earlier in the evening.
This performance was part of the annual Tibet House benefit. People Have the Power featured Trey on electric guitar.Trey had performed earlier in the evening.
For the second consecutive year Trey played an acoustic set at this benefit for the Tibet House. Trey announced that he had finally settled on the name of the tune we now know as The Inlaw Josie Wales which along with Farmhouse was performed solo acoustic. Trey’s debut cover of Tom Waits’s House Where Nobody Lives featured David Byrne on accordion. 
The date and venue of this sit-in are not verified, nor frankly is the name of the band with whom Trey sat in, Frenchman's Hill Band. A recording circulates labelled February 2000. If the location of Lovango Cay is correct, this was in all likelihood a private party. This set features the only known performances by Trey of Traffic's Dear Mr. Fantasy, the Grateful Dead's Easy Wind, Fleetwood Mac's Black Magic Woman and Gillian Welsh's Annabelle.
The first set was Trey solo acoustic and the second set was electric TAB. This show marked the opening of The Fillmore Auditorium. Trey performed Billy Breathes on piano. 
This show was a benefit for the Committee on Temporary Shelter in Burlington. The first set was Trey solo acoustic and the second set was electric TAB. Trey performed Billy Breathes on piano. During the intermission, Dave Grippo conducted the Frederick Tuttle Middle School Jazz Band (they played In the Mood, Jumpin' at the Woodside, and I Feel Good). Trey joined the band for I Feel Good. The middle school band then returned the favor on Then Came You and Last Tube. Grippo stayed on stage for Further On Up the Road and was joined by Mike, Page, and Fish (and Russ and Tony). Grippo then left the stage and Mike, Fish, and Page performed Voodoo Child with TAB.
The first set was Trey solo acoustic and the second set was electric TAB. Kissed by Mist was dedicated to Julia Butterfly Hill. Trey played along with the audience during Possum, picking up a drink while the crowd sustained the chorus. Billy Breathes was performed on piano. During Mozambique Trey introduced the band, and then himself as the “Bad Lieutenant.” 
The first set was Trey solo acoustic and the second set was electric TAB. Alluding to the raunchy nature of a general admission show, after Wolfman’s Brother Trey launched into a chorus of Feel Like Makin’ Love (a TAB debut). Regarding the Trey/Tom song Name, Trey noted that it was the partner song to Feel Like Makin’ Love and was written about a typical “last call” at a bar. Trey performed Billy Breathes on piano. Kissed By Mist was dedicated to Julia Butterfly Hill. Tony introduced Tops Off as a blues standard, but admitted that no one knows what the song is really about. Tony also introduced the band at the end of the encore and thanked the crew while indirectly referencing the Chris Kuroda fan club, "CK5."
The first set was Trey solo acoustic and the second set was electric TAB. Kissed by Mist was dedicated to Julia Butterfly Hill. Trey dedicated Name to the SUNY- Binghamton graduating seniors who made this show a stop on their “pub crawl;” Trey noted this same group at the end of the 2nd set and the end of the encore, which was dedicated to them. Trey performed Billy Breathes on piano. Sleep, Blue and Shiny, and Waste featured Tom Marshall on vocals. Smells Like Teen Spirit was played jokingly for a fan that screamed out the title after Trey announced that the band would play one more song; they played one verse but ditched it in favor of Silicone Fairy. Waste was a TAB debut. This gig was originally scheduled to take place at SUNY-Binghamton’s Anderson Center.
The first set Trey was solo acoustic and the second set was electric TAB. Trey dedicated Bathtub Gin to the author of its lyrics, Susannah Goodman. As with the night before, Trey played Name after a lengthy introduction of another song; this time, it was Mountains in the Mist. Trey talked about how on this solo tour there were three sets of “duologies,” or songs related to each other. Billy Breathes was played on piano. Tom Marshall provided additional vocals for Sleep and Blue and Shiny. 
The first set was Trey solo acoustic and the second set was electric TAB. Billy Breathes was performed on piano. This show marked the Trey Anastasio debut of Name as well as the Phish staple Strange Design and the cover of Hendrix’s The Wind Cries Mary.
The first set was Trey solo acoustic and the second set was electric TAB. Alumni Blues was dedicated to the students who were skipping finals to see the show. Trey performed Billy Breathes on piano; this was interrupted by Trey relating a story about a conversation that he had with Neil Young, when Neil recommended that Trey move around during the solo set to keep the audience interested. Fluffhead was not followed by Fluff’s Travels. Alumni, Fluffhead, and Bug were TAB debuts. This gig was originally scheduled to take place at the Madison Civic Center and was later rescheduled for the smaller Oscar Meyer Theatre.
The first set was Trey solo acoustic and the second set was electric TAB. Wolfman’s Brother included Trey recalling a story about when he met Fish; he compared Fish’s role as "Wolfman’s Brother" in Phish to Paul McCartney’s role as "The Walrus” in The Beatles. After Prince Caspian Trey talked about his friend, Roger Holloway. Roger then joined Trey for Aftermath (that he co-wrote) and AC/DC Bag (that contains his name in the lyrics). This show features the only known public performance of Aftermath. Last Tube included a Happy Birthday tease after Tony Markellis mentioned that it was a crew member’s birthday. Wolfman’s Brother, Prince Caspian, AC/DC Bag, and Further On Up the Road were TAB debuts.
The first set was Trey solo acoustic and the second set was electric TAB. During PYITE, Trey whistled the lead guitar lines for the Landlady segment. Sample, When the Circus Comes, and PYITE were TAB debuts.
The first set was Trey solo acoustic and the second set was electric TAB. Bathtub Gin was dedicated to Ali and Jesse (fans Ali McDowell and Jesse Jarnow) for temporarily naming The Inlaw Josie Wales as Minestrone. Bathtub Gin, Talk and Wading in the Velvet Sea were TAB debuts. This show featured the debut of Anastasio/Marshall originals Andre the Giant, Back on the Train, Somantin, and Windora Bug. The Amfibian original Heavy Things was a TAB debut.
The first set was Trey solo acoustic and the second set was electric TAB. Mountains in the Mist was introduced as Bake and Boil and was a debut, as was Snowflakes in the Sand. Then Came You, Voodoo Child (Slight Return). and Will it Go Round in Circles were all TAB debuts. Trey allowed the fans to name the instrumental now known as The Inlaw Josie Wales – also a debut – that was named Minestrone at the time. Phish staples Bouncing Around the Room and Farmhouse rounded out Trey’s debuts for the evening. Before Brian and Robert Trey offered a rambling monologue where he mistook a single confused person on the Internet with “the confused people on the Internet” and further mistakenly asserted that fans online would be “confused by the unknown songs.” He then introduced Brian and Robert as Voodoo Child.
Donna Jean Godchaux provided additional vocals on Mississippi Half-Step, Bird Song, GDTRFB, and AWBYG. The outro jam after the second verse of Dark Star included a brief jam on The Other One. Casey Jones featured alternate lyrics from Trey: “Trouble ahead, Phil in Red!”
Stella Blue was performed instrumental with Steve Kimock on pedal steel. This gig featured the first known performance of Alligator by a member of The Grateful Dead since April 29, 1971. Alligator contained a San-Ho-Zay tease from Trey. Dark Star, St. Stephen, and Mike’s Song were teased prior to Bertha. Ripple was performed acoustic. Donna Jean Godchaux provided additional vocals for Bertha, Scarlet Begonias, Fire on the Mountain, and Ripple.
Hello Old Friend featured Phil Lesh on bass and vocals, Steve Kimock on guitar, and Phil’s sons Brian and Grahame on vocals (no Trey or Page). This was Phil's first public performance since undergoing liver transplant surgery in 1998, and the first of many collaborations between members of Phish and The Grateful Dead.
Trey performed a short solo acoustic set during an open mic night.
The Tuttle Middle School Jazz Band, led by Dave Grippo, performed their annual spring concert. Then Trey, along with the rest of the Vermont Jazz All-Stars joined Grippo for this set of jazz.
This performance was part of the annual Tibet House benefit. Philip Glass played piano on his original instrumental composition, Spring Waterfall, with Trey on electric guitar. The remainder of the set featured Trey on acoustic guitar. Brian and Robert featured Nawang Khechog on Tibetan long flute and Foday Musa Suso on kora. Trey performed Dirt solo acoustic. Billy Breathes featured Peter Kater on piano. Other artists on the bill included Chaksam-pa, Cibo Matto, Sean Lennon, Shawn Colvin and R.E.M.
This gig was a benefit for Very Special Arts of Vermont and was the first ever “Trey Anastasio”-billed performance. Gotta Jibboo and Tops Off were debuts. All other songs were TAB debuts, excepting First Tube, Last Tube, Mozambique, and Sand (that all debuted on 4/17/98).
On the night off between Phish’s Halloween performance of The Velvet Underground’s Loaded in Las Vegas and their performance of Pink Floyd’s Dark Side of the Moon within Harpua in Salt Lake City, Trey and Mike performed at an open mic night. The jam before Teach Your Children included teases of Summertime and While My Guitar Gently Weeps. Joseph Sirotnak performed on guitar and additional vocals from Cortez the Killer through Teach Your Children and his friend ‘Ken’ added guitar and vocals to Stir it Up. An attempt to close with Will the Circle Be Unbroken? was aborted when the performers couldn’t remember enough of the words.
This performance included costumed dancers, theatrics that included people being hoisted by cables, artists displaying various props (including Mike Gordon placing cactus props on stage), and innovative lighting that featured large fluorescent tubes. The second set was a looser jam session and included guest appearances from Dave Grippo on saxophones, James Harvey on trombone, Bobby Hackney on vocals, and Fish on drums. This show marked the debut of First Tube, Sand, Mozambique, and Last Tube. While not billed as a Trey Anastasio performance, with Russ and Tony it represents the public debut of the core TAB touring ensemble.  

SET 1: Never Too Late To Spend, Headache, Peter's Dad, Dirt [1], Big Bird, Only Shallow > The Noise of Carpet

SET 2: She's Not The One, Saw It Again[1], Timeless Melody, Stand! -> Izabella, 2000

ENCORE: Hello Violence, New York Groove [2]

This gig – the only public performance billed as 'New York!' – featured the debut of future Phish staples Dirt and Saw It Again. Page sat in on keyboards for New York Groove.
Surrender to the Air was an effort of Trey Anastasio to bring contemporary musicians together to improvise in the free form style of the jazz musician Sun Ra and the Sun Ra Arkestra. This performance, and the previous night were, in conjunction with the previous month’s release of the Surrender to the Air album. The two sets featured entirely improvisational music. In addition to the performers listed, Page sat in keyboards for the second set. This was the final performance at The Academy.
Surrender to the Air was an effort of Trey Anastasio to bring contemporary musicians together to improvise in the free form style of the jazz musician Sun Ra and the Sun Ra Arkestra. This performance, and the following night were, in conjunction with the previous month’s release of the Surrender to the Air album. The two sets featured entirely improvisational music.
This setlist may be incomplete.
This performance was part of the National Guitar Summit Workshop. Trey conducted a guitar seminar and played in the ensuing jam session.
Tree Fist featured chords and lyrics improvised by the audience. Kitty Litter Blues was also improvised and featured Anne Weiss on vocals. I Saw the Light, Alabama Jubilee, and Better Get It In Yo’ Soul featured Shane Brodie on guitar and vocals. This is the first public performance billed as Jazz Mandolin Project.
No setlist is known and recordings do not circulate.
This is likely the first time members of Phish performed publicly on New Year’s Eve. A booking company telephoned The Joneses on New Year’s Eve and asked them if they could play a last-minute show. Apparently not all members of the band were in town so they added Trey and Page and played the show as a combination of the two bands, called “The Phones.” The lineup included Trey on guitar, Page on keys, Steve Drebber on drums, Dan Pine on drums, Tim “T.J.” Johnston on bass, and Mark Jensen on percussion. Sound was engineered by Garrett Mead. While a setlist is not available, it is known that the show included Eyes of the World, Grapevine (I Heard it Through the...), and a Bachman-Turner Overdrive song. 
This list is likely incomplete, and the date may be incorrect. This is the only show by Space Antelope documented by a recording in circulation, though there were likely other gigs. The Jam that preceded Walk on the Wild Side contained part of what would become the Arrival segment of Fluff's Travels.
Setlist Filter
By year:

By month:

By day:

By weekday:

By artist:

Filter Reset Filters
Support Phish.net & Mbird
Fun with Setlists
Check our Phish setlists and sideshow setlists!
Phish News
Subscribe to Phish-News for exclusive info while on tour!


Phish.net

Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.

This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.

Credits | Terms Of Use | Legal | DMCA

© 1990-2025  The Mockingbird Foundation, Inc.