The brief conclusions of Wilson and Tube completed the versions from the previous evening. Weekapaug included Jungle Boogie lyrics and a Divided Sky tease; Weekapaug, YEM, First Tube, and Chalk Dust also included Auld Lang Syne teases. Seven Below was unfinished. The house music played over the P.A. during the second setbreak consisted solely of songs that referenced “cars” in their titles. As midnight neared during Jungle Boogie (a Phish debut), Fish’s drum kit was wheeled to the side of the stage. An Austin Cooper Mini automobile was lowered to the stage from above. The Miami Palmetto Senior High Band and cheerleading squad emerged from the car one-by-one, giving the impression that they were all in the car together. In reality, the car had touched down over a trap door in the stage and the guests came out from underneath. Also emerging were dancers similar to the bunny-women present at the IT Festival. The marching band joined in on the jam that emerged from Jungle Boogie. With the stage covered with marching band members and dancers (some even on top of Page’s baby grand piano), an emcee (dressed in an Eddie George, Tennessee Titans, #27 football jersey) counted the clock down to midnight. A massive balloon drop followed. Phish then led the marching band through an instrumental version of Iron Man (also a Phish debut). Reba did not have the whistling ending. For his “first song of 2004,” in honor of the Miami Heat, Fish performed the Phish debut of Feel the Heat, which contained Fame quotes from Trey and Fish. HYHU contained more references to “Henrietta’s Heat” as Fish took laps around the stage. Frankenstein was preceded by a Fluffhead tease.
Noteworthy Jams
Auld Lang Syne, Divided Sky, and Jungle Boogie teases in Weekapaug Groove, Auld Lang Syne tease in You Enjoy Myself, Auld Lang Syne tease in First Tube, Auld Lang Syne tease in Chalk Dust Torture, Fluffhead tease, Fame quote in Feel the Heat
Debut Years (Average: 1991)

This show was part of the "2003 NYE Run"

Show Reviews

, attached to 2003-12-31

Review by zzyzx

zzyzx (Published in the second edition of The Phish Companion...)

After the amazing show of 12/30, people were of two minds about New Year's Eve. Most people figured that there was no way that the show would live up to the previous one. Others had more hope. In either case, excitement was high before the show, as is only proper for 12/31.

This show starts with a what if. I tried to sit with my friends George and Elayne, but we couldn't find seats together. As a result, instead of sitting with close friends, Melissa and I sat near a bunch of screaming people who were more focused on the fate of various balloons and the state of their cocaine supplies than the music Phish was playing. I wonder if this review would be a lot more positive if that were not the case.

The show started off interestingly enough. Taking a page from the Disco Biscuits play book, they finished the "Wilson" from the night before, before starting "Mike's Song". Like most 2003 versions, the "Mike's" was short and didn't really go anywhere, but the "Weekapaug" part of this complete breakfast got my blood pumping early. The "Auld Lang Syne" tease served as a reminder of where I was, what I was doing, and why I should be excited about it.

I know that people in general don't want to read about “Guyute”, but something impressive happened in this one. During the fast part of the jam after the jig part, Mike and Trey were having a long conversation. They played their difficult parts perfectly while having the chat. That made me become even slightly more impressed with the band.

A solid “You Enjoy Myself” served as the likely set closer. Normally NYE sets run close to an hour. Instead though, we got a slamming “First Tube” which then led to the other Disco Biscuits moment, finishing the 12/30 “Tube”. The setlist games were pretty fun and you have to appreciate anything that has the result of giving us longer sets and shorter setbreaks. The first set break was under a half hour.

The first real highlight of the show was the start of the second set. The “Stash” was long and interesting, albeit more melodic and spacey than high energy. When paired with an energetic “Seven Below”, this worked really well. One Yinged, the other Yanged and this was a great half hour of music. While the rest of the set did little for me (the “Chalk Dust” -> “Slave” > Chalk Dust” was a lot better on paper than it was live), at least we were going to get one peak worthy of this run.

After four days it was finally upon us. My side stage seats let me know that it was a car behind the curtains, but I was dying to know what they would do with it. The setbreak music made me even more curious, as they played a lot of songs with a car theme. I didn't see how they would be able to fit the car onto the stage until the set started and they moved Fishman's drum kit. Then the car came down and many, many, many marching band performers came out on stage, to the tune of “Jungle Boogie”. I think if I were sitting anywhere else in the building, I would have been amazed by this, but unfortunately, I was right by the stage. I could see the trap door opening to let people in through the car. It's better to have illusions sometimes.

2004 started off the way that every year should. After a brief “Iron Man” instrumental, we got a long, exciting “Runaway Jim”. The first ten minutes of the song were just okay, but then Trey counted out a jam to Fishman and things really took off. The jam became an energetic thing that vaguely reminded me of “Satisfaction”. After six minutes or so of playing that theme, it went into a spacey build jam like the end of “A Day in the Life”. That was the tension, the release was the return to the jam. A minute later they did the build jam trick again, this time to a different theme. This was a great jam and I was getting extremely excited for this set. Maybe this show would rival the previous one!

...Or maybe it wouldn't. Perhaps “Simple” should have the line, "What is a band without buzzkills?" because that is the role that that song takes on these days. Two of my favorite jams of the year - this “Jim” and the Philly “Twist” from the Thanksgiving Run - were ended by a segue into “Simple”. That is reason alone for me to root for its retirement, or at least a return to the Summer 1994 anarchistic versions. Follow that with a sloppy “Reba”, and the set seemed lost. The best thing about this part of the show was a sign that someone was holding up in the air, "Just doing some stretching." It's nice to see fans with a sense of humor.

Speaking of which, we got a return to the wackiness during “I Didn't Know”. The vacuum section morphed into a cover of “Feel My Heat”. This was classic Phish silliness, and the joke continuing during the “HYHU” that followed. "Can you feel that?,” Trey asked, “That's Henrietta's heat!". This is the sort of wackiness that I always hope for in a third set environment.

As I was walking back to my hotel after the “Frankenstein” encore, I was pretty down on this show. The stunt seemed more confused than anything, lacking the style of the giant hotdog or the obvious theme of the “Seven Below” snowstorm. The sets were all inconsistent; every one had some mediocre moments. Now that I've had a day to fly home (and catch up on my sleep some on the airplanes), I'm a little more positive about this.

Sure, it's not 12/31/95 or Big Cypress, but this is a welcome addition to the NYE pantheon. Between the setlist games, the two great jams, and a few minor bits of wackiness, this did what a NYE show was supposed to do. It was a capping bit of wackiness to end a really good four show run. I can't really ask for anything more than that.
Add a Review
Setlist Filter
By year:

By month:

By day:

By weekday:

By artist:

Filter Reset Filters Login

Register | Forgot Password
Support & MBIRD is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.

This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.

Credits | Terms Of Use | Legal

© 1990-2017  The Mockingbird Foundation, Inc. | Hosted by End Point Corporation