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Link Saturday, 05/08/1993
Field House, University of New Hampshire, Durham, NH

Soundcheck: Crossroads, Shaggy Dog, Funky Bitch

Set 1: CDTChalk Dust Torture, GuelahGuelah Papyrus, Rift, Mound, Stash -> Kung -> Stash, Glide, My FriendMy Friend, My Friend[1] > Reba, Satin Doll > Cavern

Set 2: BowieDavid Bowie[2] -> Jessica Jam -> BowieDavid Bowie[3] -> Have Mercy -> BowieDavid Bowie, HorseThe Horse[4] > SilentSilent in the Morning > It's Ice > CoilThe Squirming Coil -> Jam -> BBJBig Ball Jam > Mike'sMike's Song -> Crossroads[5] -> Mike'sMike's Song > HydrogenI Am Hydrogen > WeekapaugWeekapaug Groove[6], Amazing Grace > Amazing Grace Jam

Encore: BagAC/DC Bag

[1] Beginning featured Trey on acoustic guitar.
[2] Simpsons signal.
[3] Random Note, Will the Circle Be Unbroken?, Get Back signals.
[4] Trey on acoustic guitar.
[5] Phish debut.
[6] Unfinished.

· Amazing Grace tease in David Bowie
· Discipline and Manteca teases in It's Ice
· Amazing Grace tease in Weekapaug Groove

Noteworthy Jams: Stash (highly recommended), Kung (highly recommended), Stash (highly recommended), Reba, David Bowie (highly recommended), Jessica (highly recommended), David Bowie (highly recommended), Have Mercy (highly recommended), David Bowie (highly recommended), It's Ice, The Squirming Coil (highly recommended), Jam (highly recommended)

Average Song Gap: 6.28

Performers: Trey Anastasio, Page McConnell, Jon Fishman, Mike Gordon

Notes: The beginning of My Friend and all of The Horse featured Trey on acoustic guitar. The intro to Bowie included Simpsons, Random Note, Will the Circle Be Unbroken?, and Get Back signals and an Amazing Grace tease from Mike. The breakdown in It’s Ice included a tease of one of the guitar lines from Discipline (King Crimson) and a Manteca tease. Crossroads made its Phish debut at this show. Weekapaug contained an Amazing Grace tease from Page and was unfinished. The Amazing Grace Jam was played to a Weekapaug-esque drumbeat.

LivePhish Download LivePhish Download

Song Distribution:
6 Rift
5 A Picture of Nectar
2 Lawn Boy
1 Stash
1 Junta
1 The Man Who Stepped into Yesterday
1 The White Tape

Songs by Debut Year:

waxbanks , attached to 1993-05-08 Permalink
waxbanks Phish really turned a corner in 1993; this show, of which swell recordings are available, is one of the year's canonical performances. The Bowie is an all-time classic, as is the closing Amazing Grace jam. If you're building an early-Phish collection, don't hesitate to pick up a copy of this show.
Score: 9
, attached to 1993-05-08 Permalink
(Published in the second edition of The Phish Companion...)

This was my first Phish show: I was a virgin in this culture and by the end of the night I would be hooked for life. It was the spring 1993 tour closer and I couldn’t have asked for a better show. One of my favorites, “Chalk Dust”, opened up the gig and set the twenty-five hundred-plus crowd dancin'. They played a variety of classics right after, including “Guelah”, “Rift”, “Mound”, and “Stash”, but this was not your normal “Stash”. This version started off quite energetically and continued to get even better due to Trey and Fishman’s timely playing. Then they slowed down the jam a bit and started singing the ole’ “Kung” chant. Trey and Mike started singing into the microphone a bit as the ending riff came back to complete the “Stash-> Kung->Stash” sandwich. “Glide” was next, which is now considered somewhat of a rarity. Then Trey pulled out his Martin acoustic to play the intro to “My Friend, My Friend”, which included great drum work from Fishman. After that they got the crowd hopping again with “Reba”, then a very rare Duke Ellington cover called “Satin Doll”, which they played for the whole crew. Trey actually named them all, prior to closing out a great first set with “Cavern”.
The second set had a few treats to say the least. One of my favorites at the time (and now) opened the second set, “David Bowie”. The intro had a couple of secret language cues, the Simpsons signal as well as the “sing a random note” signal. Then out of nowhere the whole band starts jamming on “Jessica” by the Allmans! It never really took off completely but it was clear that the band was having some fun. This “Bowie” goes through a very hypnotic and heavy hard-rock jam to start things off, before it lightens up and fades melodiously into “Have Mercy” and then back into “David Bowie”, completing another fantastic segue sandwich!
A couple of delights came after including an acoustic intro to “Horse”, a great “It’s Ice” and “Squirming Coil”. Then, just as the “Coil” solo ended, the band started to take off in a random jam that got everyone grooving for the Big Balls to come out, as the jam segued in to “Big Ball Jam”.
The crowd was quite adept at getting the three shots, and as they finished the “BBJ” Trey broke into “Mike’s Song”. In my opinion this is a legendary “Mike’s Song”. The energy that poured out of this “Mike’s” was uncanny. Page was happy to be using his new Hammond organ, as was evident from his inspired playing in this “Mike’s”. In the midst of it all, Trey led his three comrades into the old Robert Johnson (more recently Cream/Clapton) cover, “Crossroads”. It was the first time they ever played this one, and they did a pretty good job of it. This segued back into “Mike’s”, thus completing the third segue sandwich of the night, and the rest of the Groove (“Hydrogen” and “Weekapaug”) followed. The “Weekapaug” was followed by “Amazing Grace”, which then led right into an “Amazing Grace Jam”, with the band playing “Grace” with instrumental accompaniment and thanking the crowd for supporting them and for coming to this, the tour closer. The encore, “AC/DC Bag”, was simple but left everyone with a smile on their face. It had only recently come out of hibernation earlier that spring in Atlanta. Although this was my first show, it still remains one of my favorites and a classic Phish performance that all should hear.
Score: 6
seelivemusic , attached to 1993-05-08 Permalink
This was my first full length show, I had seen the boys at some WBCN new music showcase with the Spin Doctors the year before. We shot down that afternoon from school armed with our tickets and a friend of a friend's phone # for a place to crash.

The show was awesome for me personally even tho I remember the acoustics being pretty crappy they figured it out after a couple of songs. Since I had just gotten into PH!SH I didn't know any of the songs but really liked what I had heard and then crossroads was played. I knew that and it was among the first of my many epiphanies about PH!SH. Yes, they may play cover tunes but they make them their own and almost always improve on the org song. The AC/DC encore became my favorite live song till I heard Sanity a few years later.

After the show, the friend of the friend wasn't very happy when we arrived on his doorstep with six people. After some commerce between us, he relented and I slept on a strip of carpet in the kitchen. Good times.
Score: 4
n00b100 , attached to 1993-05-08 Permalink
n00b100 With due respect to @DollarBill, whose early-Phish reviews are invaluable, I have to disagree with his review of this show and agree with, uh, the other reviews of this show. The second set, in particular, is my go-to for pre-94 Phish, even over anything in August '93 - the Mike's and Weekapaug here are short but played with so much gusto; the segues into and out of an explosive Crossroads (not bad for a debut!) are a joy; the Bowie is (to me) glorious and energetic as opposed to sloppy (where you might hear a "mea culpa for the fuckups" in Have Mercy, I hear a charming tonal shift); and the Amazing Grace jam, short though it may be, is truly uplifting once they get the Weekapaug beat synced up. Sure, there're some moments where the band could be tighter, but this is surely not the only famous show where you could say that, and the driving power of the jams overcomes those less than perfect moments (much like the Bomb Factory, which also has some fugly moments). The first set's fine (don't miss the Stash/Kung/Stash), but this second set holds together remarkably well considering how much terrain it covers and is a real must hear in my mind. If you have the LivePhish version, you also have a killer Tweezer and YEM, both of which are probably better than anything from this night. Still, this is a desert island show for me, and considering my post-96 leanings, that's saying something.
Score: 3
SectorQ , attached to 1993-05-08 Permalink
I am not sure how to process that DollarBill review. I have seen more than 300 shows since 1991, and this show is one of the very best. The venue was small and sweltering hot. It had pull out bleachers in the back like you probably had in your high school gym. The energy in the room was electric. To me, this show represented the end of an era of intimate small venue Phish. I think the band knew it too, as they quickly vaulted into amphitheaters and arenas in the months and years that followed. It was a special night for everyone that was there. I don't know how you could listen to this show...particularly Set 2...and not get the chills. To some extent, it may have some of that "you had to be there" stuff going on, but I believe the music speaks for itself, regardless. If I could give it 6 stars I would. I could count on one hand the other shows that rivaled this night for me in emotional significance.
Score: 3
kipmat , attached to 1993-05-08 Permalink
kipmat Another one of the first complete shows I ever received on cassette. This show was an early for good reason: it features the band performing at their highest level up to that time, with lots of musical interaction and communication during the jams. The Rift album was an early favorite of mine, so I enjoyed hearing a show that features so much of the material from that album [how times have changed, eh?].

The setlist notes do not do justice to this version of David Bowie: You must hear this performance. This show is certainly a worthy Live Phish release, and Kevin Shapiro has also featured the versions of Coil->Jam and Mike's Groove->Amazing Grace on FTA shows.
Score: 2
DollarBill , attached to 1993-05-08 Permalink
DollarBill This is the fourth and last show at the Field House at UNH, 70th of the tour, and the last show of the tour! I can’t believe the schedule these guys had back in 1993. I think that was 70 shows in about 100 days all over the country! I can only imagine how tired they were as I’ve been listening and trying to play along with any song that I could, they had to do the real work from city to city. This unfortunately is not the best show, its sloppy and disjointed at times. I’m not saying it wasn’t fun, just not the greatest playing I’ve heard. The recording seemed to be from an audience source, and was pretty average for this tour.

Chalk Dust opens up the show in a rocking fashion and was well played and so was Guelah. Rift is still loose in the timing from Fishman; they are not locked in yet. Mound also had some problems with Fish’s drumming and was just ok to me. Stash had some rough spots from Mike and Trey, but had a good jam in the middle, then inexplicably it goes into KUNG! Not sure why, but who cares? Glide was pretty good. My Friend had some off spots in the intro, but the song itself was good. Reba was also good for the most part, no real problems along the way. Trey thanks the crew then Page leads them through the last performance of Satin Doll. Cavern makes for a good closer to this average first set.

Ok, now it seems a few people here think this Bowie is special, but I thought it kind of sucked. First of all, I wouldn’t call it a Jessica jam; it’s just a lot of teasing mostly by Page. There was a lot of screwing around and signals and the actual Bowie song was sloppy, disjointed and all over the place. I believe the proof is in the Have Mercy part, which I feel the band only plays when they screw up. Of course that’s just my opinion. Trey picks up the acoustic again for an ok Horse. Silent was ok, but had some rough spots and I think I even heard bad notes from Page! Ice was also a bit off from Trey’s part and the middle jam was weird. Coil also suffered from bad notes and sloppiness and the ending jam was kind of weird. Then the Balls come out… Mike’s was good and rocking, then the jam turned into Crossroads, after last night’s Harpua had a rough version of it. Hydrogen was ok, and then the top of Weekapaug got cut off from an old edit of some sort. Then the jam turns into a ridiculous Amazing Grace jam? The whole thing was sloppy and not that much fun to hear. I guess you had to be there right? Anyway, it was a weird way to close up the tour for my ears.

AC/DC Bag is the lone encore tonight and was pretty well played.

Sorry folks, but to me there is no way in hell that this is a four star show. I wish I could say better things about this one, but I can’t
Score: -1

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