Lengthwise was played for the first time since October 20, 1994 (291 shows). Contact was performed “Mexican Love Style,” as Trey dedicated the song to a couple he met who had fallen in love.
Noteworthy Jams
Debut Years (Average: 1990)

This show was part of the "1998 Summer U.S. Tour"

Show Reviews

, attached to 1998-07-28

Review by MiguelSanchez

MiguelSanchez this is one of my all time favorites. this is a really odd ball show, even on compared to many other odd ball shows in 1998. nice little version of emotional rescue gets this one going before giving way to a good but not other-worldly down with disease. this leads nice into a deep funky moma dance. then we get tela. holy crap, what a hot start! surely they'll take a breather here...nope! sneaking sally gets nice and funky before a very cool it's/length/ice. sparkle kept the energy up before a rollicking funky bitch closes the set. this first set could pass as a very good second set. holy cow! rarities and good playhing galore in this first set.

a rare, for the time, wedge kicks the second set off, before poor heart gets the crowd romping again. the mango song is well played before they drop into the oh so rare brother. trey plays really well on this brother. contact was played "mexican love style," and this one is worth giving a listen. normally caspian anores the piss out of me, but after killing for a set and a half, they can play their caspain. yem closed this one out in style. gordon was hot, and this one was appropriately explored before coming to a close. after all the crap they had already kicked out, they gave this kansas crowd a camel walk>coil encore taboot.

this show provides a great collection of well-played versions of rare and lesser played phish songs. the second set is good, but the first set is sooo damn good that you don't get that typical increase in intensity between first and second set. i must say, this could be the best first set the boys ever played. i'm thinking this one, halloween 96, dayton 97, 2nd night hampton 97.. hmm there's a few more up there but off the top of my head, i can't think of a first set i like better.

highlights:
1
emotional rescue, sneaking sally, tela, ice/length/ice, funky bitch
2
brother, contact, yem, camel walk
, attached to 1998-07-28

Review by Lucyspaw

Lucyspaw Phish always seemed to enjoy playing in KC and this show was no exception. Aside from the early memorial hall shows this one stands out as being one of the most powerful shows from my home town. It was a perfect evening in KC and Sandstone Amphitheatre is a nice outdoor venue that isn't near as large as some other regular phish stops. The band opened with a hilarious Emotional Rescue. Everyone was in high spirits and getting into the groove. Funky Bitch was the perfect closer. The great song choices didn't cease there. Wedge opened the second set and got us all bobbin on the surface. Then they broke out into Poor Heart and Trey was shredding his frets so hard that he took control and ripped all the way through the part where Page would have had his solo. I was kinda set back cuz I love any moment in time when Page touches the keys, especially on Poor Heart. No worries, The Mango Song highlighted Page and made up for any lost stage time. THEN BROTHER! The only time i've ever heard this song. I don't have a recording and don't believe i've heard it at any other show and that makes me sad! I would love to hear this again, I remember it being intense and mind blowing. I need more. All in all this show was a rocker!!

Live phish needs to release this show. 4.5 stars!
, attached to 1998-07-28

Review by mcgrupp81

mcgrupp81 The vibe I get from the tapes is FUN. Anytime you see something as bizarre as It's Ice>Lengthwise>It's Ice, you have to be intrigued. Enjoyed the 1st set a lot.
, attached to 1998-07-28

Review by ADAWGWYO

ADAWGWYO I saw all 8 two set shows of the Europe '98 tour. I then came back to the states and was able to catch just one show of the US summer tour. At this show, Bonner Springs, I saw 11 songs that they didn't play the entire European tour. Wtf?

Good show. Not Grate. But good. Lots of rarities all in one show. They always make ya pay for the show you skip and a lot of people skipped past this one from the 3 TX shows on to St. Louis and that MONSTER Gin.
, attached to 1998-07-28

Review by CreatureoftheNight

CreatureoftheNight This is one of my favorite shows that doesn't contain any serious jamming. A great set list, plenty of variety and each song played with conviction. I was given front row center tickets from mail order, still the best seats I've ever had. I spent half the show in the back of the pavilion while others got the chance to be on top of the action. Sandstone was a little more than half filled and a laid back feel was all over the place. This is the kind of show you can put on and let it fly.
, attached to 1998-07-28

Review by highhat

highhat 7-28 soundcheck: (as is published in Pharmer's Almanac)

Ficus (2x), Shafty, Wading in the Velvet Sea, Sunshine On My Shoulders> Jam
(Fishman says "..you're not vegetarian if you eat the placenta..)

Facts: Page was the 1st member to step on stage this evening and began by peeking and smiling from behind the curtain (House Right/Stage Left). Incidentally, was also last to exit concluding The Squirming Coil.

-Sneaking Sally Thru the Alley did most definitely contain "vocal jamming"; albeit, in subtle fashion.

Fishman sang verses of Lengthwise into his Electrolux.

Trey thanked Rich during Funky Bitch "..for paying the bar tab.. Thank you, Rich for paying the bar tab."

Funky Bitch contained a Moma Dance break down.

Down w/ Disease and Poor Heart were both "flubbed" musically: Disease contained one less bass refrain prior to initial vocals. (Trey laughed)
Poor Heart: a tempo hiccup during intro (provoking Fishman banter)

The vocal jam in YEM resembled Pink Floyd's "Several Species of Small Furry Animals Gathered Together in a Cave and Grooving w/ a Pict"

A true rarity: Of the 9 song selections in the 1st set, each member is featured twice or more on lead vocals.

Review: Blistering.

Post Show (Walk Out) music: "Crazy" by Patsy Cline
, attached to 1998-07-28

Review by chrismcguire634

chrismcguire634 This version of The Moma Dance almost makes me not miss Black-Eyed Katy...... Almost. Unfortunately, 1998 is a year that is often eclipsed by the groundbreaking music made the year previous. It's shows like this one that remind me of the amazing and inspired "laid-back" groove approach that is seen all throughout this period. If ever I'm in the mood to relax, reflect, read or study, a show from this era fits perfectly. Anyway, check out this show and definitely take note of Moma Dance.
Add a Review
Setlist Filter
By year:

By month:

By day:

By weekday:

By artist:

Filter Reset Filters
Phish.net Login

Register | Forgot Password
Support Phish.net & MBIRD
Fun with Setlists

September 30, 2000
16 years ago
Thomas & Mack Center

Set 1: Walfredo, The Curtain With, Maze, Roggae, I Didn't Know[1], Mike's Song > Simple > Saw It Again, Esther[2] > Weekapaug Groove

Set 2: Timber (Jerry), AC/DC Bag, Colonel Forbin's Ascent > Fly Famous Mockingbird[3], Twist > Sand > A Day in the Life

Encore: Emotional Rescue

[1] Referenced Kid Rock's sidekick Joe C.
[2] Flubbed lyrics for the final verse, ending with Trey proclaiming: "She died. Dead."
[3] Narration referenced the band's upcoming hiatus.

Check our Phish setlists and sideshow setlists!


Phish.net

Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.

This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.

Credits | Terms Of Use | Legal

© 1990-2016  The Mockingbird Foundation, Inc. | Hosted by End Point Corporation