The first set was Trey solo acoustic and the second set was electric TAB. Kissed by Mist was dedicated to Julia Butterfly Hill. Trey dedicated Name to the SUNY- Binghamton graduating seniors who made this show a stop on their “pub crawl;” Trey noted this same group at the end of the 2nd set and the end of the encore, which was dedicated to them. Trey performed Billy Breathes on piano. Sleep, Blue and Shiny, and Waste featured Tom Marshall on vocals. Smells Like Teen Spirit was played jokingly for a fan that screamed out the title after Trey announced that the band would play one more song; they played one verse but ditched it in favor of Silicone Fairy. Waste was a TAB debut. This gig was originally scheduled to take place at SUNY-Binghamton’s Anderson Center.
The first set was Trey solo acoustic and the second set was electric TAB. Kissed by Mist was dedicated to Julia Butterfly Hill. Trey dedicated Name to the SUNY- Binghamton graduating seniors who made this show a stop on their “pub crawl;” Trey noted this same group at the end of the 2nd set and the end of the encore, which was dedicated to them. Trey performed Billy Breathes on piano. Sleep, Blue and Shiny, and Waste featured Tom Marshall on vocals. Smells Like Teen Spirit was played jokingly for a fan that screamed out the title after Trey announced that the band would play one more song; they played one verse but ditched it in favor of Silicone Fairy. Waste was a TAB debut. This gig was originally scheduled to take place at SUNY-Binghamton’s Anderson Center.
The first set Trey was solo acoustic and the second set was electric TAB. Trey dedicated Bathtub Gin to the author of its lyrics, Susannah Goodman. As with the night before, Trey played Name after a lengthy introduction of another song; this time, it was Mountains in the Mist. Trey talked about how on this solo tour there were three sets of “duologies,” or songs related to each other. Billy Breathes was played on piano. Tom Marshall provided additional vocals for Sleep and Blue and Shiny.
The first set Trey was solo acoustic and the second set was electric TAB. Trey dedicated Bathtub Gin to the author of its lyrics, Susannah Goodman. As with the night before, Trey played Name after a lengthy introduction of another song; this time, it was Mountains in the Mist. Trey talked about how on this solo tour there were three sets of “duologies,” or songs related to each other. Billy Breathes was played on piano. Tom Marshall provided additional vocals for Sleep and Blue and Shiny.
The first set was Trey solo acoustic and the second set was electric TAB. Billy Breathes was performed on piano. This show marked the Trey Anastasio debut of Name as well as the Phish staple Strange Design and the cover of Hendrix’s The Wind Cries Mary.
The first set was Trey solo acoustic and the second set was electric TAB. Billy Breathes was performed on piano. This show marked the Trey Anastasio debut of Name as well as the Phish staple Strange Design and the cover of Hendrix’s The Wind Cries Mary.
The first set was Trey solo acoustic and the second set was electric TAB. Alumni Blues was dedicated to the students who were skipping finals to see the show. Trey performed Billy Breathes on piano; this was interrupted by Trey relating a story about a conversation that he had with Neil Young, when Neil recommended that Trey move around during the solo set to keep the audience interested. Fluffhead was not followed by Fluff’s Travels. Alumni, Fluffhead, and Bug were TAB debuts. This gig was originally scheduled to take place at the Madison Civic Center and was later rescheduled for the smaller Oscar Meyer Theatre.
The first set was Trey solo acoustic and the second set was electric TAB. Alumni Blues was dedicated to the students who were skipping finals to see the show. Trey performed Billy Breathes on piano; this was interrupted by Trey relating a story about a conversation that he had with Neil Young, when Neil recommended that Trey move around during the solo set to keep the audience interested. Fluffhead was not followed by Fluff’s Travels. Alumni, Fluffhead, and Bug were TAB debuts. This gig was originally scheduled to take place at the Madison Civic Center and was later rescheduled for the smaller Oscar Meyer Theatre.
The first set was Trey solo acoustic and the second set was electric TAB. Wolfman’s Brother included Trey recalling a story about when he met Fish; he compared Fish’s role as "Wolfman’s Brother" in Phish to Paul McCartney’s role as "The Walrus” in The Beatles. After Prince Caspian Trey talked about his friend, Roger Holloway. Roger then joined Trey for Aftermath (that he co-wrote) and AC/DC Bag (that contains his name in the lyrics). This show features the only known public performance of Aftermath. Last Tube included a Happy Birthday tease after Tony Markellis mentioned that it was a crew member’s birthday. Wolfman’s Brother, Prince Caspian, AC/DC Bag, and Further On Up the Road were TAB debuts.
The first set was Trey solo acoustic and the second set was electric TAB. Wolfman’s Brother included Trey recalling a story about when he met Fish; he compared Fish’s role as "Wolfman’s Brother" in Phish to Paul McCartney’s role as "The Walrus” in The Beatles. After Prince Caspian Trey talked about his friend, Roger Holloway. Roger then joined Trey for Aftermath (that he co-wrote) and AC/DC Bag (that contains his name in the lyrics). This show features the only known public performance of Aftermath. Last Tube included a Happy Birthday tease after Tony Markellis mentioned that it was a crew member’s birthday. Wolfman’s Brother, Prince Caspian, AC/DC Bag, and Further On Up the Road were TAB debuts.
The first set was Trey solo acoustic and the second set was electric TAB. During PYITE, Trey whistled the lead guitar lines for the Landlady segment. Sample, When the Circus Comes, and PYITE were TAB debuts.
The first set was Trey solo acoustic and the second set was electric TAB. During PYITE, Trey whistled the lead guitar lines for the Landlady segment. Sample, When the Circus Comes, and PYITE were TAB debuts.
The first set was Trey solo acoustic and the second set was electric TAB. Bathtub Gin was dedicated to Ali and Jesse (fans Ali McDowell and Jesse Jarnow) for temporarily naming The Inlaw Josie Wales as Minestrone. Bathtub Gin, Talk and Wading in the Velvet Sea were TAB debuts. This show featured the debut of Anastasio/Marshall originals Andre the Giant, Back on the Train, Somantin, and Windora Bug. The Amfibian original Heavy Things was a TAB debut.
The first set was Trey solo acoustic and the second set was electric TAB. Bathtub Gin was dedicated to Ali and Jesse (fans Ali McDowell and Jesse Jarnow) for temporarily naming The Inlaw Josie Wales as Minestrone. Bathtub Gin, Talk and Wading in the Velvet Sea were TAB debuts. This show featured the debut of Anastasio/Marshall originals Andre the Giant, Back on the Train, Somantin, and Windora Bug. The Amfibian original Heavy Things was a TAB debut.
The first set was Trey solo acoustic and the second set was electric TAB. Mountains in the Mist was introduced as Bake and Boil and was a debut, as was Snowflakes in the Sand. Then Came You, Voodoo Child (Slight Return). and Will it Go Round in Circles were all TAB debuts. Trey allowed the fans to name the instrumental now known as The Inlaw Josie Wales – also a debut – that was named Minestrone at the time. Phish staples Bouncing Around the Room and Farmhouse rounded out Trey’s debuts for the evening. Before Brian and Robert Trey offered a rambling monologue where he mistook a single confused person on the Internet with “the confused people on the Internet” and further mistakenly asserted that fans online would be “confused by the unknown songs.” He then introduced Brian and Robert as Voodoo Child.
The first set was Trey solo acoustic and the second set was electric TAB. Mountains in the Mist was introduced as Bake and Boil and was a debut, as was Snowflakes in the Sand. Then Came You, Voodoo Child (Slight Return). and Will it Go Round in Circles were all TAB debuts. Trey allowed the fans to name the instrumental now known as The Inlaw Josie Wales – also a debut – that was named Minestrone at the time. Phish staples Bouncing Around the Room and Farmhouse rounded out Trey’s debuts for the evening. Before Brian and Robert Trey offered a rambling monologue where he mistook a single confused person on the Internet with “the confused people on the Internet” and further mistakenly asserted that fans online would be “confused by the unknown songs.” He then introduced Brian and Robert as Voodoo Child.
Donna Jean Godchaux provided additional vocals on Mississippi Half-Step, Bird Song, GDTRFB, and AWBYG. The outro jam after the second verse of Dark Star included a brief jam on The Other One. Casey Jones featured alternate lyrics from Trey: “Trouble ahead, Phil in Red!”
Donna Jean Godchaux provided additional vocals on Mississippi Half-Step, Bird Song, GDTRFB, and AWBYG. The outro jam after the second verse of Dark Star included a brief jam on The Other One. Casey Jones featured alternate lyrics from Trey: “Trouble ahead, Phil in Red!”
Stella Blue was performed instrumental with Steve Kimock on pedal steel. This gig featured the first known performance of Alligator by a member of The Grateful Dead since April 29, 1971. Alligator contained a San-Ho-Zay tease from Trey. Dark Star, St. Stephen, and Mike’s Song were teased prior to Bertha. Ripple was performed acoustic. Donna Jean Godchaux provided additional vocals for Bertha, Scarlet Begonias, Fire on the Mountain, and Ripple.
Stella Blue was performed instrumental with Steve Kimock on pedal steel. This gig featured the first known performance of Alligator by a member of The Grateful Dead since April 29, 1971. Alligator contained a San-Ho-Zay tease from Trey. Dark Star, St. Stephen, and Mike’s Song were teased prior to Bertha. Ripple was performed acoustic. Donna Jean Godchaux provided additional vocals for Bertha, Scarlet Begonias, Fire on the Mountain, and Ripple.
Hello Old Friend featured Phil Lesh on bass and vocals, Steve Kimock on guitar, and Phil’s sons Brian and Grahame on vocals (no Trey or Page). This was Phil's first public performance since undergoing liver transplant surgery in 1998, and the first of many collaborations between members of Phish and The Grateful Dead.
Hello Old Friend featured Phil Lesh on bass and vocals, Steve Kimock on guitar, and Phil’s sons Brian and Grahame on vocals (no Trey or Page). This was Phil's first public performance since undergoing liver transplant surgery in 1998, and the first of many collaborations between members of Phish and The Grateful Dead.
The Tuttle Middle School Jazz Band, led by Dave Grippo, performed their annual spring concert. Then Trey, along with the rest of the Vermont Jazz All-Stars joined Grippo for this set of jazz.
The Tuttle Middle School Jazz Band, led by Dave Grippo, performed their annual spring concert. Then Trey, along with the rest of the Vermont Jazz All-Stars joined Grippo for this set of jazz.
This performance was part of the annual Tibet House benefit. Philip Glass played piano on his original instrumental composition, Spring Waterfall, with Trey on electric guitar. The remainder of the set featured Trey on acoustic guitar. Brian and Robert featured Nawang Khechog on Tibetan long flute and Foday Musa Suso on kora. Trey performed Dirt solo acoustic. Billy Breathes featured Peter Kater on piano. Other artists on the bill included Chaksam-pa, Cibo Matto, Sean Lennon, Shawn Colvin and R.E.M.
This performance was part of the annual Tibet House benefit. Philip Glass played piano on his original instrumental composition, Spring Waterfall, with Trey on electric guitar. The remainder of the set featured Trey on acoustic guitar. Brian and Robert featured Nawang Khechog on Tibetan long flute and Foday Musa Suso on kora. Trey performed Dirt solo acoustic. Billy Breathes featured Peter Kater on piano. Other artists on the bill included Chaksam-pa, Cibo Matto, Sean Lennon, Shawn Colvin and R.E.M.
This gig was a benefit for Very Special Arts of Vermont and was the first ever “Trey Anastasio”-billed performance. Gotta Jibboo and Tops Off were debuts. All other songs were TAB debuts, excepting First Tube, Last Tube, Mozambique, and Sand (that all debuted on 4/17/98).
This gig was a benefit for Very Special Arts of Vermont and was the first ever “Trey Anastasio”-billed performance. Gotta Jibboo and Tops Off were debuts. All other songs were TAB debuts, excepting First Tube, Last Tube, Mozambique, and Sand (that all debuted on 4/17/98).
This gig took place in the Slade Hall basement. Mike did not perform on Nardis and Devil's Dream. After Yardbird Suite there was extensive banter about each of the musician's experiences in Slade Hall over the years. Cat Scratch Fever was jammed before St. Thomas. A jam from the soundcheck also circulates with the recording of this performance.
This gig took place in the Slade Hall basement. Mike did not perform on Nardis and Devil's Dream. After Yardbird Suite there was extensive banter about each of the musician's experiences in Slade Hall over the years. Cat Scratch Fever was jammed before St. Thomas. A jam from the soundcheck also circulates with the recording of this performance.
Trey sat in on guitar for the second set. It was at this show that Trey met viperHouse keyboardist Ray Paczkowski, who would join TAB. Phish had performed earlier in the evening at the Lawrence Joel Veteran’s Memorial Coliseum, where viperHouse’s Heloise Williams provided additional vocals during the You Enjoy Myself vocal jam. There is no known setlist or circulating recording.
Trey sat in on guitar for the second set. It was at this show that Trey met viperHouse keyboardist Ray Paczkowski, who would join TAB. Phish had performed earlier in the evening at the Lawrence Joel Veteran’s Memorial Coliseum, where viperHouse’s Heloise Williams provided additional vocals during the You Enjoy Myself vocal jam. There is no known setlist or circulating recording.
This show was a reprise of the Grateful Dead’s performance on October 31, 1983. Fish sat in on a second drum set from Estimated Prophet through the end of the show.
This show was a reprise of the Grateful Dead’s performance on October 31, 1983. Fish sat in on a second drum set from Estimated Prophet through the end of the show.
On the night off between Phish’s Halloween performance of The Velvet Underground’sLoaded in Las Vegas and their performance of Pink Floyd’sDarkSideoftheMoon within Harpua in Salt Lake City, Trey and Mike performed at an open mic night. The jam before Teach Your Children included teases of Summertime and While My Guitar Gently Weeps. Joseph Sirotnak performed on guitar and additional vocals from Cortez the Killer through Teach Your Children and his friend ‘Ken’ added guitar and vocals to Stir it Up. An attempt to close with Will the Circle Be Unbroken? was aborted when the performers couldn’t remember enough of the words.
On the night off between Phish’s Halloween performance of The Velvet Underground’sLoaded in Las Vegas and their performance of Pink Floyd’sDarkSideoftheMoon within Harpua in Salt Lake City, Trey and Mike performed at an open mic night. The jam before Teach Your Children included teases of Summertime and While My Guitar Gently Weeps. Joseph Sirotnak performed on guitar and additional vocals from Cortez the Killer through Teach Your Children and his friend ‘Ken’ added guitar and vocals to Stir it Up. An attempt to close with Will the Circle Be Unbroken? was aborted when the performers couldn’t remember enough of the words.
Mike sat in on an additional bass for Boogie On Reggae Woman through the end of the show. Jones featured a poetry reading by Frank Messina. Eamon Cronin provided additional vocals on Tangled Up In Blue and One Way Out.
Mike sat in on an additional bass for Boogie On Reggae Woman through the end of the show. Jones featured a poetry reading by Frank Messina. Eamon Cronin provided additional vocals on Tangled Up In Blue and One Way Out.
This performance included costumed dancers, theatrics that included people being hoisted by cables, artists displaying various props (including Mike Gordon placing cactus props on stage), and innovative lighting that featured large fluorescent tubes. The second set was a looser jam session and included guest appearances from Dave Grippo on saxophones, James Harvey on trombone, Bobby Hackney on vocals, and Fish on drums. This show marked the debut of First Tube, Sand, Mozambique, and Last Tube. While not billed as a Trey Anastasio performance, with Russ and Tony it represents the public debut of the core TAB touring ensemble.
This performance included costumed dancers, theatrics that included people being hoisted by cables, artists displaying various props (including Mike Gordon placing cactus props on stage), and innovative lighting that featured large fluorescent tubes. The second set was a looser jam session and included guest appearances from Dave Grippo on saxophones, James Harvey on trombone, Bobby Hackney on vocals, and Fish on drums. This show marked the debut of First Tube, Sand, Mozambique, and Last Tube. While not billed as a Trey Anastasio performance, with Russ and Tony it represents the public debut of the core TAB touring ensemble.
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