SET 1:
Like a Rolling Stone[1],
Box of Rain[1],
Playing in the Band >
Deal >
Oh, Atlanta >
In Your Eyes >
Jam >
Playing in the Band >
Franklin's Tower
SET 2:
Happy Birthday To You >
Eyes of the World >
He Don't Play Nothin' But the Blues >
Dixie Chicken >
Terrapin Station,
I Know You Rider,
Jam[2],
Morning Dew >
St. Stephen >
The Eleven >
Not Fade Away
This was an Unbroken Chain Foundation benefit to support of Hepatitis C research, and a celebration of Phil Lesh’s 60th birthday, for whom Happy Birthday was sung before the second set. Like a Rolling Stone and Box of Rain featured Mike on bass and Phil playing a red Stratocaster guitar. Mike performed on a second bass for the bass duet and encore.
This was an Unbroken Chain Foundation benefit to support of Hepatitis C research, and a celebration of Phil Lesh’s 60th birthday, for whom Happy Birthday was sung before the second set. Like a Rolling Stone and Box of Rain featured Mike on bass and Phil playing a red Stratocaster guitar. Mike performed on a second bass for the bass duet and encore.
SET 1:
Fizzle Fry,
In the Flesh,
Anti Pop,
Sgt. Baker,
Greet the Sacred Cow,
Those Damned Blue-Collar Tweekers[1] >
Communication Breakdown[1] >
Dueling Banjos >
Toys Go Winding Down >
Those Damned Blue-Collar Tweekers,
Jerry Was a Racecar Driver,
My Name is Mud,
Final Voyage of the Liquid Sky,
Lacquer Head,
Crazy Train >
Harold of the Rocks >
Tommy the Cat >
Awakening >
Tommy the Cat,
Hello Skinny >
Pork Soda,
Electric Uncle Sam
ENCORE:
Too Many Puppies >
Hello Skinny >
Too Many Puppies
Trey was introduced as “Eddie Van Anastasio” before joining the action on guitar for Those Damned Blue-Collar Tweekers and Communication Breakdown.
Trey was introduced as “Eddie Van Anastasio” before joining the action on guitar for Those Damned Blue-Collar Tweekers and Communication Breakdown.
This performance was part of the annual Tibet House benefit. Trey joined Nawang Khechog and R. Carlos Nakai on electric and acoustic guitar for an instrumental piece. Trey had performed earlier in the evening.
This performance was part of the annual Tibet House benefit. Trey joined Nawang Khechog and R. Carlos Nakai on electric and acoustic guitar for an instrumental piece. Trey had performed earlier in the evening.
This performance was part of the annual Tibet House benefit. People Have the Power featured Trey on electric guitar.Trey had performed earlier in the evening.
This performance was part of the annual Tibet House benefit. People Have the Power featured Trey on electric guitar.Trey had performed earlier in the evening.
For the second consecutive year Trey played an acoustic set at this benefit for the Tibet House. Trey announced that he had finally settled on the name of the tune we now know as The Inlaw Josie Wales which along with Farmhouse was performed solo acoustic. Trey’s debut cover of Tom Waits’s House Where Nobody Lives featured David Byrne on accordion.
For the second consecutive year Trey played an acoustic set at this benefit for the Tibet House. Trey announced that he had finally settled on the name of the tune we now know as The Inlaw Josie Wales which along with Farmhouse was performed solo acoustic. Trey’s debut cover of Tom Waits’s House Where Nobody Lives featured David Byrne on accordion.
The date and venue of this sit-in are not verified, nor frankly is the name of the band with whom Trey sat in, Frenchman's Hill Band. A recording circulates labelled February 2000. If the location of Lovango Cay is correct, this was in all likelihood a private party. This set features the only known performances by Trey of Traffic's Dear Mr. Fantasy, the Grateful Dead's Easy Wind, Fleetwood Mac's Black Magic Woman and Gillian Welsh's Annabelle.
The date and venue of this sit-in are not verified, nor frankly is the name of the band with whom Trey sat in, Frenchman's Hill Band. A recording circulates labelled February 2000. If the location of Lovango Cay is correct, this was in all likelihood a private party. This set features the only known performances by Trey of Traffic's Dear Mr. Fantasy, the Grateful Dead's Easy Wind, Fleetwood Mac's Black Magic Woman and Gillian Welsh's Annabelle.
Fish sat in on percussion and drums for Yodelittle and drums for the Fire > I Know You Rider > Fire encore. Yodelitlle contained quotes from The Wondrous Boatride from Willie Wonka and the Chocolate Factory. Jamie Masefield also performed on these songs, as well as on Bring it Back Home.
Fish sat in on percussion and drums for Yodelittle and drums for the Fire > I Know You Rider > Fire encore. Yodelitlle contained quotes from The Wondrous Boatride from Willie Wonka and the Chocolate Factory. Jamie Masefield also performed on these songs, as well as on Bring it Back Home.
One night before Phish’s Tucson show, Trey joined in with a Les Paul guitar on the above songs. During Junco Partner, Trey made a “he’s crazy” hand motion toward Leftover’s Vince Herman; the crowd interpreted this as the Meatstick dance and began doing the dance, which prompted Trey to tease the song and join the dance on stage.
One night before Phish’s Tucson show, Trey joined in with a Les Paul guitar on the above songs. During Junco Partner, Trey made a “he’s crazy” hand motion toward Leftover’s Vince Herman; the crowd interpreted this as the Meatstick dance and began doing the dance, which prompted Trey to tease the song and join the dance on stage.
This night was billed The Double Dig Festival, commemorating the closing of the Double Dig Ranch, a communal farm east of Boulder that for four years was host to musicians and other artists. Members of String Cheese Incident, Leftover Salmon, Tony Furtado, and the Wendy Woo Band at various times called this farm home; it was also temporary home to many musicians traveling through the area, including numerous stops by Fish. Trey sat in on acoustic guitar for the show closing jam that at its core was the Tony Furtado Band, though upwards of thirty musicians were on stage at the time.
This night was billed The Double Dig Festival, commemorating the closing of the Double Dig Ranch, a communal farm east of Boulder that for four years was host to musicians and other artists. Members of String Cheese Incident, Leftover Salmon, Tony Furtado, and the Wendy Woo Band at various times called this farm home; it was also temporary home to many musicians traveling through the area, including numerous stops by Fish. Trey sat in on acoustic guitar for the show closing jam that at its core was the Tony Furtado Band, though upwards of thirty musicians were on stage at the time.
The first set was Trey solo acoustic and the second set was electric TAB. This show marked the opening of The Fillmore Auditorium. Trey performed Billy Breathes on piano.
The first set was Trey solo acoustic and the second set was electric TAB. This show marked the opening of The Fillmore Auditorium. Trey performed Billy Breathes on piano.
This show was a benefit for the Committee on Temporary Shelter in Burlington. The first set was Trey solo acoustic and the second set was electric TAB. Trey performed Billy Breathes on piano. During the intermission, Dave Grippo conducted the Frederick Tuttle Middle School Jazz Band (they played In the Mood, Jumpin' at the Woodside, and I Feel Good). Trey joined the band for I Feel Good. The middle school band then returned the favor on Then Came You and Last Tube. Grippo stayed on stage for Further On Up the Road and was joined by Mike, Page, and Fish (and Russ and Tony). Grippo then left the stage and Mike, Fish, and Page performed Voodoo Child with TAB.
This show was a benefit for the Committee on Temporary Shelter in Burlington. The first set was Trey solo acoustic and the second set was electric TAB. Trey performed Billy Breathes on piano. During the intermission, Dave Grippo conducted the Frederick Tuttle Middle School Jazz Band (they played In the Mood, Jumpin' at the Woodside, and I Feel Good). Trey joined the band for I Feel Good. The middle school band then returned the favor on Then Came You and Last Tube. Grippo stayed on stage for Further On Up the Road and was joined by Mike, Page, and Fish (and Russ and Tony). Grippo then left the stage and Mike, Fish, and Page performed Voodoo Child with TAB.
The first set was Trey solo acoustic and the second set was electric TAB. Kissed by Mist was dedicated to Julia Butterfly Hill. Trey played along with the audience during Possum, picking up a drink while the crowd sustained the chorus. Billy Breathes was performed on piano. During Mozambique Trey introduced the band, and then himself as the “Bad Lieutenant.”
The first set was Trey solo acoustic and the second set was electric TAB. Kissed by Mist was dedicated to Julia Butterfly Hill. Trey played along with the audience during Possum, picking up a drink while the crowd sustained the chorus. Billy Breathes was performed on piano. During Mozambique Trey introduced the band, and then himself as the “Bad Lieutenant.”
The first set was Trey solo acoustic and the second set was electric TAB. Alluding to the raunchy nature of a general admission show, after Wolfman’s Brother Trey launched into a chorus of Feel Like Makin’ Love (a TAB debut). Regarding the Trey/Tom song Name, Trey noted that it was the partner song to Feel Like Makin’ Love and was written about a typical “last call” at a bar. Trey performed Billy Breathes on piano. Kissed By Mist was dedicated to Julia Butterfly Hill.Tony introduced Tops Off as a blues standard, but admitted that no one knows what the song is really about. Tony also introduced the band at the end of the encore and thanked the crew while indirectly referencing the Chris Kuroda fan club, "CK5."
The first set was Trey solo acoustic and the second set was electric TAB. Alluding to the raunchy nature of a general admission show, after Wolfman’s Brother Trey launched into a chorus of Feel Like Makin’ Love (a TAB debut). Regarding the Trey/Tom song Name, Trey noted that it was the partner song to Feel Like Makin’ Love and was written about a typical “last call” at a bar. Trey performed Billy Breathes on piano. Kissed By Mist was dedicated to Julia Butterfly Hill.Tony introduced Tops Off as a blues standard, but admitted that no one knows what the song is really about. Tony also introduced the band at the end of the encore and thanked the crew while indirectly referencing the Chris Kuroda fan club, "CK5."
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