TAB were the musical guests on Late Night with Conan O’Brien. After Push On ‘Til the Day, Conan thanked the band, which then played the first few bars of Tube Top Flop as the show cut to commercial.

TAB were the musical guests on Late Night with Conan O’Brien. After Push On ‘Til the Day, Conan thanked the band, which then played the first few bars of Tube Top Flop as the show cut to commercial.

After TAB had performed earlier that evening at the Landmark Theater, Trey joined Strangefolk on guitar for part of the jam in Neighbor before the band went into Norwegian Wood.

After TAB had performed earlier that evening at the Landmark Theater, Trey joined Strangefolk on guitar for part of the jam in Neighbor before the band went into Norwegian Wood.

This show marked the debuts of Happy Coffee Song and Nothing But an 'E' Thing and the TAB debuts of In the Wee Wee Hours, Rainy Day Women #12 and 35, and Mellow Mood. Gotta Jibboo contained Burlap Sack and Pumps teases from Trey and the horns. Trey performed Guyute solo acoustic. The Happy Coffee Song was dedicated to sound engineer Paul Languedoc. At the Gazebo also featured Trey acoustic.

This show marked the debuts of Happy Coffee Song and Nothing But an 'E' Thing and the TAB debuts of In the Wee Wee Hours, Rainy Day Women #12 and 35, and Mellow Mood. Gotta Jibboo contained Burlap Sack and Pumps teases from Trey and the horns. Trey performed Guyute solo acoustic. The Happy Coffee Song was dedicated to sound engineer Paul Languedoc. At the Gazebo also featured Trey acoustic.

This tour opening performance included the debuts of The Way I Feel, Burlap Sack and Pumps, Push On 'Til the Day, Tube Top Flop, Sidewalks of San Francisco, Drifting, Noodle Rave Daddio, At the Barbeque, At the Gazebo, Ray Dawn Balloon, and Ether Sunday as well as the TAB debuts of It Makes No Difference, I Done Done It, and Acting the Devil. Dave teased Pass the Peas in Burlap Sack and Pumps. Trey performed Back on the Train and Ray Dawn Balloon solo acoustic. After Back on the Train, Trey quoted and teased Cosmik Debris after a fan called out the song. Trey and Tony played acoustic on Happiness in My Pants (with Russ) and At the Gazebo (with horns). Dave teased Eleanor Rigby in Sidewalks of San Francisco. Ray Dawn Balloon was introduced as Waves. This show marked the first TAB performance with horns.

This tour opening performance included the debuts of The Way I Feel, Burlap Sack and Pumps, Push On 'Til the Day, Tube Top Flop, Sidewalks of San Francisco, Drifting, Noodle Rave Daddio, At the Barbeque, At the Gazebo, Ray Dawn Balloon, and Ether Sunday as well as the TAB debuts of It Makes No Difference, I Done Done It, and Acting the Devil. Dave teased Pass the Peas in Burlap Sack and Pumps. Trey performed Back on the Train and Ray Dawn Balloon solo acoustic. After Back on the Train, Trey quoted and teased Cosmik Debris after a fan called out the song. Trey and Tony played acoustic on Happiness in My Pants (with Russ) and At the Gazebo (with horns). Dave teased Eleanor Rigby in Sidewalks of San Francisco. Ray Dawn Balloon was introduced as Waves. This show marked the first TAB performance with horns.

Vermont Senator Patrick Leahy provided introductory remarks before the first set. Elements of this performance were officially released as a now out-of-print VHS. Trey joined the Vermont Youth Orchestra, conducted by Troy Peters, on electric guitar for the Ernie Stires composition Chat Rooms (i. The Blue Room; ii. The Green Room; iii. The Red Room) and the Stires/Anastasio composition Samson Riffs (i. Samson Riff, ii. Samson Variation, iii. Samson Counterpoint). Trey performed acoustic guitar for The Inlaw Josie Wales with featured accompaniment by Adriane Post and Jane Kittredge on violins, Anja Jokela on viola, and Indigo Ruth-Davis on cello. 

Vermont Senator Patrick Leahy provided introductory remarks before the first set. Elements of this performance were officially released as a now out-of-print VHS. Trey joined the Vermont Youth Orchestra, conducted by Troy Peters, on electric guitar for the Ernie Stires composition Chat Rooms (i. The Blue Room; ii. The Green Room; iii. The Red Room) and the Stires/Anastasio composition Samson Riffs (i. Samson Riff, ii. Samson Variation, iii. Samson Counterpoint). Trey performed acoustic guitar for The Inlaw Josie Wales with featured accompaniment by Adriane Post and Jane Kittredge on violins, Anja Jokela on viola, and Indigo Ruth-Davis on cello. 

Trey joined the Vermont Youth Orchestra, conducted by Troy Peters, on electric guitar for the world premiere of the Ernie Stires composition Chat Rooms (i. The Blue Room; ii. The Green Room; iii. The Red Room) and the Stires/Anastasio composition Samson Riffs (i. Samson Riff, ii. Samson Variation, iii. Samson Counterpoint). The debut of Guyute (Orchestral) – on which Trey did not perform – featured a reintegration of this original 1992 piece that had in the Phish repertoire evolved as My Friend My Friend. Trey performed acoustic guitar for The Inlaw Josie Wales with featured accompaniment by Adriane Post and Jane Kittredge on violins, Anja Jokela on viola, and Indigo Ruth-Davis on cello. This recording of Guyute (Orchestral) was later released on The Mockingbird Foundation's Phish tribute album, Sharin' in the Groove.

Trey joined the Vermont Youth Orchestra, conducted by Troy Peters, on electric guitar for the world premiere of the Ernie Stires composition Chat Rooms (i. The Blue Room; ii. The Green Room; iii. The Red Room) and the Stires/Anastasio composition Samson Riffs (i. Samson Riff, ii. Samson Variation, iii. Samson Counterpoint). The debut of Guyute (Orchestral) – on which Trey did not perform – featured a reintegration of this original 1992 piece that had in the Phish repertoire evolved as My Friend My Friend. Trey performed acoustic guitar for The Inlaw Josie Wales with featured accompaniment by Adriane Post and Jane Kittredge on violins, Anja Jokela on viola, and Indigo Ruth-Davis on cello. This recording of Guyute (Orchestral) was later released on The Mockingbird Foundation's Phish tribute album, Sharin' in the Groove.

Mike sat in on bass for a rendition of “High-Heel Sneakers.” The remainder of the setlist is unknown and there is no known circulating recording.

Mike sat in on bass for a rendition of “High-Heel Sneakers.” The remainder of the setlist is unknown and there is no known circulating recording.

Trey joined The Dude of Life and his band for the listed songs; Chrome Car Reflections was an acoustic duet with Trey and The Dude.

Trey joined The Dude of Life and his band for the listed songs; Chrome Car Reflections was an acoustic duet with Trey and The Dude.

Mike sat in on bass with Warren Haynes on guitar and Matt Abts on drums for “Madman Across the Water” through the end of this opening set for Phil Lesh and Friends.

Mike sat in on bass with Warren Haynes on guitar and Matt Abts on drums for “Madman Across the Water” through the end of this opening set for Phil Lesh and Friends.

Mike sat in on a second bass Viola Lee Blues and from the jam out of I Am the Walrus through I Know You Rider. The jam out of the first Viola Lee Blues featured The Other One, Blue Sky, and Third Stone from the Sun teases. The bass duet segment included a Can't You See theme. The jam following the bass duet contained an Eleanor Rigby tease. The Mountains of the Moon > Dark Star > I Am the Walrus segment of this gig was awarded the “Jam of the Year” at the second annual Jammy Awards.

Mike sat in on a second bass Viola Lee Blues and from the jam out of I Am the Walrus through I Know You Rider. The jam out of the first Viola Lee Blues featured The Other One, Blue Sky, and Third Stone from the Sun teases. The bass duet segment included a Can't You See theme. The jam following the bass duet contained an Eleanor Rigby tease. The Mountains of the Moon > Dark Star > I Am the Walrus segment of this gig was awarded the “Jam of the Year” at the second annual Jammy Awards.

Fish sat in playing a variety of percussion instruments on Felic and Partido Alto.

Fish sat in playing a variety of percussion instruments on Felic and Partido Alto.

This performance was a benefit for the Milarepa Fund for Tibetan Freedom. The ad hoc lineup featured Page on keyboards, Warren Haynes on guitar and Mickey Raphael on harmonica. The event celebrated the release of photographer Danny Clinch’s book When the Iron Bird Flies, a chronicle of Clinch’s photography of the Tibetan Freedom Concerts.

This performance was a benefit for the Milarepa Fund for Tibetan Freedom. The ad hoc lineup featured Page on keyboards, Warren Haynes on guitar and Mickey Raphael on harmonica. The event celebrated the release of photographer Danny Clinch’s book When the Iron Bird Flies, a chronicle of Clinch’s photography of the Tibetan Freedom Concerts.

Trey and Fish joined the Dude of Life for performances of Beware of the Dog and Come On Up to My Room during the Dude’s wedding reception.

Trey and Fish joined the Dude of Life for performances of Beware of the Dog and Come On Up to My Room during the Dude’s wedding reception.

Fish sat in on drums for all three sets, replacing regular drummer Kenny "Sweet Sugar G" Goldfield. Although the complete setlist is not known, the songs above were played at some point during the show.

Fish sat in on drums for all three sets, replacing regular drummer Kenny "Sweet Sugar G" Goldfield. Although the complete setlist is not known, the songs above were played at some point during the show.

Trey (introduced as "Trey 'Family Man' Anastasio") played guitar from Partido Alto through the end of the show. Guitarist Oren Bloedow and percussionist Cyro Baptista were also guests for the entire show. It was at this gig where Trey and Cyro met; Cyro would later join the Trey Anastasio touring ensemble.

Trey (introduced as "Trey 'Family Man' Anastasio") played guitar from Partido Alto through the end of the show. Guitarist Oren Bloedow and percussionist Cyro Baptista were also guests for the entire show. It was at this gig where Trey and Cyro met; Cyro would later join the Trey Anastasio touring ensemble.

Mike joined in during the Jam before Little Feat’s Sailin’ Shoes and performed through the end of the show. The poetry reading was by Frank Messina. Mike sang lead vocals on Possum.

Mike joined in during the Jam before Little Feat’s Sailin’ Shoes and performed through the end of the show. The poetry reading was by Frank Messina. Mike sang lead vocals on Possum.

Trey sat in on guitar – an all-white Fender Stratocaster in place of one of his signature Languedoc guitars – for The Wedge and the Chris Harford original If I Can’t Turn To You.

Trey sat in on guitar – an all-white Fender Stratocaster in place of one of his signature Languedoc guitars – for The Wedge and the Chris Harford original If I Can’t Turn To You.

  The songs were performed in two mini-sets for the Tuttle Middle School audience where Dave Grippo is the music teacher. This incarnation of the Vermont Jazz All-Stars included Trey on guitar, Big Joe Burrell on tenor sax, Kenny Goldfield on drums, Dave Grippo on alto sax, Bruce Sklar on keys, and Stacey Starkweather on bass.  

  The songs were performed in two mini-sets for the Tuttle Middle School audience where Dave Grippo is the music teacher. This incarnation of the Vermont Jazz All-Stars included Trey on guitar, Big Joe Burrell on tenor sax, Kenny Goldfield on drums, Dave Grippo on alto sax, Bruce Sklar on keys, and Stacey Starkweather on bass.  

Fish played the "dumbek" on this forty-five minute version of The Phoenicians as well as drums on Oh Yeah!

Fish played the "dumbek" on this forty-five minute version of The Phoenicians as well as drums on Oh Yeah!

This lineup included Aaron Hersey on Bass, Dave Diamond on guitar, James Harvey on trombone, Bruce Sklar on keyboards, Kenny “Sweet Sugar G” on drums, Dave Grippo on saxophone, as well as MCs Reko “the mighty konflik” and Fattie B on turntables. Fish sat in on drums for the three songs listed above during the show’s third set.

This lineup included Aaron Hersey on Bass, Dave Diamond on guitar, James Harvey on trombone, Bruce Sklar on keyboards, Kenny “Sweet Sugar G” on drums, Dave Grippo on saxophone, as well as MCs Reko “the mighty konflik” and Fattie B on turntables. Fish sat in on drums for the three songs listed above during the show’s third set.

Oysterhead (Trey, Stewart Copeland, and Les Claypool) performed the Owner of the World sandwich while the combined Frog Brigade and Oysterhead performed Tomorrow Never Knows. Phish had played earlier in the evening at Thomas & Mack Center. This was also a combined celebration, as both Les and Trey share a September 30th birthday.

Oysterhead (Trey, Stewart Copeland, and Les Claypool) performed the Owner of the World sandwich while the combined Frog Brigade and Oysterhead performed Tomorrow Never Knows. Phish had played earlier in the evening at Thomas & Mack Center. This was also a combined celebration, as both Les and Trey share a September 30th birthday.

Trey’s brother-in-law Kevin hosted a private party after that evening’s Phish show at Deer Creek. Mike played guitar for about an hour, while Fish jammed on drums until sunrise.

Trey’s brother-in-law Kevin hosted a private party after that evening’s Phish show at Deer Creek. Mike played guitar for about an hour, while Fish jammed on drums until sunrise.

Mike played guitar from No Egos Underwater through the end of the show. At one point, Col. Bruce chided Mike about directing him in Mike’s film debut, Outside Out. Phish had performed earlier in the evening at Lakewood Amphitheatre. 

Mike played guitar from No Egos Underwater through the end of the show. At one point, Col. Bruce chided Mike about directing him in Mike’s film debut, Outside Out. Phish had performed earlier in the evening at Lakewood Amphitheatre. 

Kid Rock was the musical guest for Saturday Night Live. Trey added a second rhythm guitar for this acoustic performance.

Kid Rock was the musical guest for Saturday Night Live. Trey added a second rhythm guitar for this acoustic performance.

Fish sat in on drums for this gig that also included Fuzz and Robert Somerville from Deep Banana Blackout, John Medeski on keyboards, and Warren Haynes on guitar. The setlist consisted of mostly improvised music.

Fish sat in on drums for this gig that also included Fuzz and Robert Somerville from Deep Banana Blackout, John Medeski on keyboards, and Warren Haynes on guitar. The setlist consisted of mostly improvised music.

Fish sat in with Galactic for Layin' in the Cut.

Fish sat in with Galactic for Layin' in the Cut.

This debut Oysterhead performance was part of the “Superfly Presents” annual series that runs concurrent the New Orleans Jazz and Heritage Festival. Owner of the World was started by Stewart as Pseudo Suicide and was dedicated to Fish, who ran on stage and bowed. Pseudo Suicide included quotes of Jerry Was a Race Car Driver and Reba. All three musicians wore white jumpsuits for this performance. As this was the first public performance of Oysterhead, all songs were Oysterhead debuts.

This debut Oysterhead performance was part of the “Superfly Presents” annual series that runs concurrent the New Orleans Jazz and Heritage Festival. Owner of the World was started by Stewart as Pseudo Suicide and was dedicated to Fish, who ran on stage and bowed. Pseudo Suicide included quotes of Jerry Was a Race Car Driver and Reba. All three musicians wore white jumpsuits for this performance. As this was the first public performance of Oysterhead, all songs were Oysterhead debuts.

This performance was a benefit for Middlebury College student Katie Samson. The first set was performed without Russ Lawton, who joined for the entire second set on drums. Mike took lead vocals on The Wabash Cannonball. The show featured the debut of The Beltless Buckler.

This performance was a benefit for Middlebury College student Katie Samson. The first set was performed without Russ Lawton, who joined for the entire second set on drums. Mike took lead vocals on The Wabash Cannonball. The show featured the debut of The Beltless Buckler.

Mike played a second bass on the Wolfman’s Brother encore that also featured a short bass duet with Mike and Phil. 

Mike played a second bass on the Wolfman’s Brother encore that also featured a short bass duet with Mike and Phil.