Setlists Matching Sideshows, All

Showing 20012050 of 2161 shows
Mike and Fish joined the Flecktones for their encore. Mike and Victor Wooten engaged in a bass duet. Fish also hammed it up on a percussion machine, and everyone else stopped to let him jam. No additional setlist details are known and recordings do not circulate.
Mike and Fish joined the Flecktones for their encore. Mike and Victor Wooten engaged in a bass duet. Fish also hammed it up on a percussion machine, and everyone else stopped to let him jam. No additional setlist details are known and recordings do not circulate.
This lineup of the Sneakers Jazz Band included James Harvey on trombone, Dave Grippo on alto sax, John Rivers on acoustic bass, Jeff Salisbury on drums, and Trey on guitar for whole show except the encores, when Paul Asbell played Trey’s guitar.
This lineup of the Sneakers Jazz Band included James Harvey on trombone, Dave Grippo on alto sax, John Rivers on acoustic bass, Jeff Salisbury on drums, and Trey on guitar for whole show except the encores, when Paul Asbell played Trey’s guitar.
This show was a co-bill with The Hot Club of Cowtown.
This show was a co-bill with The Hot Club of Cowtown.
This show was a co-bill with The Hot Club of Cowtown.
This show was a co-bill with The Hot Club of Cowtown.
This show was a co-bill with Michael Ray and the Cosmic Krewe.
This show was a co-bill with Michael Ray and the Cosmic Krewe.
Col. Bruce Hampton sat in on Fixin' to Die.
Col. Bruce Hampton sat in on Fixin' to Die.
This setlist may be incomplete.
This setlist may be incomplete.
Fish sat in on drums for three songs in the second set, including Self. Phish had performed earlier in the evening at Madison Square Garden.
Fish sat in on drums for three songs in the second set, including Self. Phish had performed earlier in the evening at Madison Square Garden.
This setlist is incomplete, likely out of order, and includes parts of the three sets performed that evening. Fish played for most of show, which featured upwards of two dozen musicians in rotating jams including: Derek Trucks on sarod, Kofi Burbridge on flute and keyboards, Jeff Mosier on banjo, Michael Kang on mandolin and fiddle, Gary “El Buho” Gazaway and Michael Ray on trumpet, Dr. Dan Matrazzo and T. Lavitz on keyboards, Bob Baglione and Jimmy Herring on guitars, Jeff Sipe, Todd Nance and Yonrico Scott on drums, Count M’Butu on percussion, Lincoln Metcalf as conductor and on French horn, Todd Smalley, Ed Nitty and John Cowan on bass, two female vocalists, and Fish, who played drums, tambourine, congas, and vacuum. Col. Bruce Hampton was crowned “King of Zambiland” and led Fixin’ to Die.
This setlist is incomplete, likely out of order, and includes parts of the three sets performed that evening. Fish played for most of show, which featured upwards of two dozen musicians in rotating jams including: Derek Trucks on sarod, Kofi Burbridge on flute and keyboards, Jeff Mosier on banjo, Michael Kang on mandolin and fiddle, Gary “El Buho” Gazaway and Michael Ray on trumpet, Dr. Dan Matrazzo and T. Lavitz on keyboards, Bob Baglione and Jimmy Herring on guitars, Jeff Sipe, Todd Nance and Yonrico Scott on drums, Count M’Butu on percussion, Lincoln Metcalf as conductor and on French horn, Todd Smalley, Ed Nitty and John Cowan on bass, two female vocalists, and Fish, who played drums, tambourine, congas, and vacuum. Col. Bruce Hampton was crowned “King of Zambiland” and led Fixin’ to Die.

SET 1: You Let Me Down Again, Steady Rollin' Man, You’re The Only One, The Field > When It Comes To You > Blood Bed Roses > If You Ask Me

SET 2: Louisiana Sun > Thank You (Falettinme Be Mice Elf Agin) [1] > Wild Side[1] > Outside of Home[1] > Just a Rose[1]

ENCORE: Lawyers, Guns and Money[1], What I Like About You[1]

Mike joined the band on a second bass after Louisiana Sun and played through the end of the show.
Mike joined the band on a second bass after Louisiana Sun and played through the end of the show.
Trey sat in on guitar for the final encore, Gimme Some Lovin'.
Trey sat in on guitar for the final encore, Gimme Some Lovin'.
Trey Anastasio and James Harvey sat in for portions of this gig.
Trey Anastasio and James Harvey sat in for portions of this gig.
Fish sat in for the entire show.
Fish sat in for the entire show.
Fish sat in for the entire show.
Fish sat in for the entire show.
This show occurred one day after The Great Went; as Fish noted, between the two gigs “the crowd went from 60,000 to 60.”
This show occurred one day after The Great Went; as Fish noted, between the two gigs “the crowd went from 60,000 to 60.”
Mike sat in on bass for a 25-minute Whipping Post > Stranglehold.
Mike sat in on bass for a 25-minute Whipping Post > Stranglehold.
Mike and Trey sat in with the Soulard Blues Band performing jazz and blues standards. There is no known setlist or circulating recording.
Mike and Trey sat in with the Soulard Blues Band performing jazz and blues standards. There is no known setlist or circulating recording.
Fish sat in for one song. This gig was part of the Vermont Brewer’s Fest. No setlist is known and recordings do not circulate.
Fish sat in for one song. This gig was part of the Vermont Brewer’s Fest. No setlist is known and recordings do not circulate.
One Step Beyond opened.
One Step Beyond opened.

SET 1: Never Too Late To Spend, Headache, Peter's Dad, Dirt [1], Big Bird, Only Shallow > The Noise of Carpet

SET 2: She's Not The One, Saw It Again[1], Timeless Melody, Stand! -> Izabella, 2000

ENCORE: Hello Violence, New York Groove [2]

This gig – the only public performance billed as 'New York!' – featured the debut of future Phish staples Dirt and Saw It Again. Page sat in on keyboards for New York Groove.
This gig – the only public performance billed as 'New York!' – featured the debut of future Phish staples Dirt and Saw It Again. Page sat in on keyboards for New York Groove.
The Drovers opened.
The Drovers opened.
Fish sat in on drums for Cissy Strut.
Fish sat in on drums for Cissy Strut.

SET 1: She's Here > Six Days On The Road, When That Evening Sun Goes Down, Thoughts, Sadie, Devil's Heart > Jones > Calling Elvis > Signature

SET 2: Sailin' Shoes [1], Something Is Forming[1], Cecilia[1] > Wild Side[1] > Just a Rose[1] > Season of the Witch[1] > Just a Rose[1]

ENCORE: Ninety-Nine Years (and One Dark Day)

Mike performed on a second bass for the entire second set.
Mike performed on a second bass for the entire second set.

SET 1: Chalk Dust Torture, Suzy Greenberg, Their Song > Divided Sky > Their Song, Bathtub Gin, Frankenstein

SET 2: Their Song > Down with Disease, You Enjoy Myself > Their Song, Wilson [1], Funky Bitch[1], Rocky Top[1], NICU[1], Slave to the Traffic Light[1], Their Song, Poor Heart

ENCORE: Their Song[1]

Fish sat in on drums with this Phish cover band for Wilson through Slave to the Traffic Light as well as the encore.
Fish sat in on drums with this Phish cover band for Wilson through Slave to the Traffic Light as well as the encore.

SET 1: Don’t Want You No More > It's Not My Cross to Bear, Trouble No More, Ramblin' Man, Good Clean Fun, Hoochie Coochie Man, Don’t Keep Me Wonderin’, Seven Turns, Stand Back, Jessica

SET 2: You Don't Love Me, I Know I Oughta Leave, Blue Sky, End of the Line, Stormy Monday, No One to Run With, Southbound, High Falls

ENCORE: One Way Out [1]

Page and Duane Betts were guests on the encore One Way Out, with Page sharing Greg Allman’s keyboards.
Page and Duane Betts were guests on the encore One Way Out, with Page sharing Greg Allman’s keyboards.
This performance was as part of the 20th annual Ann Arbor Folk Festival that also featured Nanci Griffith, Leon Redbone and David Bromberg among many others. This was the only gig performed under the billing "The Drop Caps." This setlist is incomplete and unconfirmed.
This performance was as part of the 20th annual Ann Arbor Folk Festival that also featured Nanci Griffith, Leon Redbone and David Bromberg among many others. This was the only gig performed under the billing "The Drop Caps." This setlist is incomplete and unconfirmed.
After attending a ZZ Top show earlier in the evening at the Memphis Orpheum, Fish sat in with FreeWorld on drums for a portion of the second set of this late-night show. Phish was in town for a performance at Memphis’ Mid-South Coliseum the following night. There is no known setlist or circulating recording.
After attending a ZZ Top show earlier in the evening at the Memphis Orpheum, Fish sat in with FreeWorld on drums for a portion of the second set of this late-night show. Phish was in town for a performance at Memphis’ Mid-South Coliseum the following night. There is no known setlist or circulating recording.
Mike and Page, in town for Phish’s performance of Talking HeadsRemain in Light the following evening, sat in for a portion of this late-night set.
Mike and Page, in town for Phish’s performance of Talking HeadsRemain in Light the following evening, sat in for a portion of this late-night set.
Mike sat in on bass for the whole show. Fish sat in on washboard during the second set; the second set list is unknown.
Mike sat in on bass for the whole show. Fish sat in on washboard during the second set; the second set list is unknown.

Mike sat in on bass for the whole show. This show featured the debut of Weekly Time and the first known Mike Gordon vocal performances of Up, Up and Away and Last Child

Mike sat in on bass for the whole show. This show featured the debut of Weekly Time and the first known Mike Gordon vocal performances of Up, Up and Away and Last Child

This small club performance followed the weekend when Phish had performed before their largest audience to date, at The Clifford Ball.

This small club performance followed the weekend when Phish had performed before their largest audience to date, at The Clifford Ball.

After opening for them, all of the members of Phish sat in for the listed portion of Santana’s set, though the specific songs are not known.
After opening for them, all of the members of Phish sat in for the listed portion of Santana’s set, though the specific songs are not known.

SET 1: Dick Dogs [1], Exodus[1] > Get Up, Stand Up[1] > Exodus[1], Maggot Brain[1]

Phish's opening set was rained out. All the members of Phish sat in during Santana's set on the listed songs.
Phish's opening set was rained out. All the members of Phish sat in during Santana's set on the listed songs.
Trey sat in for the entire set, playing along with Sunspots’ guitarist Jim Kebodeaux. Garbage Can Woman featured Sunpie (on harmonica), Jim, and Trey sitting on the edge of the stage after Sunpie said: “I don’t think they can hear us. Let’s get out on the porch.” This performance was part of the New Orleans Jazz and Heritage Festival and took place on the Fais Do-Do Stage; Phish had performed earlier in the weekend on the Main Stage of JazzFest.
Trey sat in for the entire set, playing along with Sunspots’ guitarist Jim Kebodeaux. Garbage Can Woman featured Sunpie (on harmonica), Jim, and Trey sitting on the edge of the stage after Sunpie said: “I don’t think they can hear us. Let’s get out on the porch.” This performance was part of the New Orleans Jazz and Heritage Festival and took place on the Fais Do-Do Stage; Phish had performed earlier in the weekend on the Main Stage of JazzFest.
This gig took place during the New Orleans Jazz and Heritage Festival and was billed as "Jazz Funk of the Future." Trey, Page, and RJ Spangler sat in for the whole show. This setlist is incomplete; the listed songs were officially released in 2003 as Live at Jimmy's. Phish had performed earlier in the weekend on the main stage of JazzFest.
This gig took place during the New Orleans Jazz and Heritage Festival and was billed as "Jazz Funk of the Future." Trey, Page, and RJ Spangler sat in for the whole show. This setlist is incomplete; the listed songs were officially released in 2003 as Live at Jimmy's. Phish had performed earlier in the weekend on the main stage of JazzFest.
Setlist Filter
By year:

By month:

By day:

By weekday:

By artist:

Filter Reset Filters
Support Phish.net & Mbird
Fun with Setlists
Check our Phish setlists and sideshow setlists!


Phish.net

Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.

This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.

Credits | Terms Of Use | Legal | DMCA

© 1990-2025  The Mockingbird Foundation, Inc.