Jam Chart: Jams Seen by dscott (91 entries)
| Date | Song | City | Timing | Notes |
|---|---|---|---|---|
| 2010-06-20 | Saratoga Springs, NY | 13:11 | Nice jam that bounces along before slowing to a more spacious sentiment that sets up nicely for a transition into "Swept Away/Steep." | |
| 2010-10-22 | Providence, RI | 9:30 | Trey lays down some different and interesting licks in the early parts of the jam, and Mike is great. | |
| 2010-10-22 | Providence, RI | 12:49 | Very high quality jam that covers a lot of ground and -> to an equally fast moving "Carini." | |
| 2010-10-22 | Providence, RI | 8:01 | -> in from "R&R." The Shapeshifter version. Don't be fooled by the timing, this version is all over the map with improvisation, changing forms multiple times within minutes. -> "My Problem Right There." | |
| 2010-10-24 | Amherst, MA | 6:27 | Another stretched out, harmonics-filled outro with added sirens and synthesizer. Excellent -> to "Time Turns Elastic." | |
| 2010-10-24 | Amherst, MA | 16:08 | -> in from a solid "Fee." Strong version with tight playing throughout the composed sections and some great and extended straightforward jamming on the tail end. | |
| 2010-12-28 | Worcester, MA | 9:19 | Excellent version includes a "Streets of Cairo" tease during the buildup and a flawless -> into "Limb By Limb." | |
| 2010-12-28 | Worcester, MA | 16:39 | Excellent 3.0 version with Trey picking staccato notes, Page matching him on clavinet, and Mike and Fish kicking in on this super and very unique rhythmic groove, before returning home for a more traditional "Hood" ending. | |
| 2011-09-14 | Essex Junction, VT | 11:14 | Some good "Manteca"-like jamming early on, then the jam opens up and Trey layers on some nice guitar melodies before a full-on finish. Mike and Page shine. | |
| 2011-09-14 | Essex Junction, VT | 10:30 | Similar to many of the other standout versions, where the band brings the tone and groove down nicely before rebuilding. But in this version, the band gets into an almost jazz-like swing, and Page adds some unusual (for "Julius") chords that increase the jazz mode. | |
| 2011-09-14 | Essex Junction, VT | 11:04 | Starting off in a driving, typically ear-splitting mode, the jam shifts into an upbeat, non-raging sentiment. (Part of this jam sounds somewhat similar to the "A Love Supreme"-like jamming in the 6/3/11 "DwD"). Trey adds some nice soloing, and Page some great effects. Gets spacey with > to "DwD." | |
| 2011-09-14 | Essex Junction, VT | 9:56 | > in from "DwD." Although shorter, this one starts with delicate, heartfelt playing by Trey, but quickly amps up to pack a full punch from all by the conclusion. | |
| 2011-09-14 | Essex Junction, VT | 8:15 | To paraphrase @nicobert: One of the skronkiest, atonal, and harrowing "Zero" jams going. Like trying to walk a tight-rope to see how far he can push the song's structure without anyone noticing, typically on-fire Trey is especially incendiary, at one point using his mic as slide to, in a manner of listening, spew magma into a packed school bus. | |
| 2012-07-06 | Saratoga Springs, NY | 1:35 | "Tube's" funky jam smoothly -> into the Talking Heads classic "Psycho Killer". | |
| 2012-07-06 | Saratoga Springs, NY | 2:20 | A rousing performance sandwiched inside "Tube's" jam. | |
| 2012-07-06 | Saratoga Springs, NY | 2:39 | -> from "Psycho Killer" and briefly gets into a staccato clav-groove before wrapping up this crowd-pleasing sandwich. | |
| 2012-07-06 | Saratoga Springs, NY | 13:02 | > in from "PYITE." A great, rocking, upbeat, and multi-part jam follows the vocal jam. > to "Ghost." | |
| 2012-07-07 | Saratoga Springs, NY | 11:50 | > in from "Peaches en Regalia." Nothing like some good "Gin" on a nice summer night. This "Type I" version is 3.0-style HOSE at its best. Great nimble and directed playing by Trey later in the jam. | |
| 2012-07-07 | Saratoga Springs, NY | 6:17 | > in from "BDTNL." Band wastes no time getting beyond typical the "Caspian" jam , instead settling on a beautifully delicate, but substantive groove that unexpectedly segues -> to "SOAMule." | |
| 2013-07-05 | Saratoga Springs, NY | 11:33 | -> in from "Cities." Very solid and interesting "Bowie" that shifts back and forth between minor and major modes several times. Upbeat jam contrasts nicely with the more "classic" 12/28/12 version. | |
| 2013-07-05 | Saratoga Springs, NY | 15:07 | A chaotic atonal interlude from the standard jam gives way to a pulsating, reverberating major mode section that settles into a melodic space before -> to "Mango." | |
| 2013-07-05 | Saratoga Springs, NY | 9:10 | The jam settles down gradually, then Trey and Fish have a little back-and-forth jam, followed by a Page/Mike back-and-forth jam which -> cleanly to "Steam." | |
| 2013-07-05 | Saratoga Springs, NY | 10:21 | Perfect segue out of "46 Days." Powerful, popular version, yet that is also controversial, given Trey's heavy reliance on the Digitech Whammy pitch shifter to call entire schools and species of whales. | |
| 2013-07-06 | Saratoga Springs, NY | 6:43 | Begins with the usual Page-led funk on the clav, settles briefly, and picks back up with Trey leading the way. Later, Trey reverts to a rhythmic role as a second, different groove is explored before the closing guitar solo. Here's to more "Tubes" like this in the future. > to "Julius". | |
| 2013-07-06 | Saratoga Springs, NY | 18:17 | Very exploratory jam that contrasts sharply with the "old school" style 8/18/12 version. This one more closely resembles standouts from '96 - '04, and includes mode modulation. Messy closing section; needs practice. | |
| 2013-07-06 | Saratoga Springs, NY | 12:08 | Serious "HOSE"! Jam quickly breaks from the typically dark, throttling form into the now commonly upbeat, major mode style with good modulation of intensity. It then darkens in minor mode, lightens briefly and -> to "Architect." | |
| 2013-10-25 | Worcester, MA | 12:44 | The second jam swells to blissful heights once, recedes, then builds to a Freedom Rock peak, finally crashing into Carini. | |
| 2013-10-25 | Worcester, MA | 9:49 | Solid jam that retains a dark sentiment throughout, and is also infused with great staccato, funk, and rhythmic playing. | |
| 2013-10-25 | Worcester, MA | 7:40 | High quality "Type I" version with spirited soloing by Trey and strong Page backing. > to "Ghost." | |
| 2013-10-26 | Worcester, MA | 18:50 | A quality multi-section jam emerges. A quiet spacey section breaks first, followed by punchy and rocking playing with an "Oye Como Va"-like vibe. From there, a nice dose of 3.0-style "HOSE" develops and > to "Light." | |
| 2013-10-26 | Worcester, MA | 13:14 | An excellent jam breaks from the "Light" at 8:00 into a funky and rhythmic groove. The melodic content gradually increases, Fish add "Hey" vocal interjections, and Mike's bass takes the con. | |
| 2014-07-03 | Saratoga Springs, NY | 14:34 | The typical "Type I" "Gin" jam continues through 10:30, then the chording and harmonics shift into quasi "Type II" jamming (quasi because Fish never really breaks the rhythm until this "Gin" grows spacey and transitional). > to an improvisational "LxL." | |
| 2014-07-03 | Saratoga Springs, NY | 12:55 | Improvisational version which begins to peel away from the standard as Trey and Page play unusual chords and harmonies to the base "LxL" rhythm, then makes a clean "Type II" break into a rhythmic, pulsing and somewhat dark jam. > to an impressive "Winterqueen." | |
| 2014-07-04 | Saratoga Springs, NY | 13:06 | Precise, delicate, and moving, very pretty play informs subdued jamming, featuring notable full-band interaction. Trey deftly shapes his tone, and the version becomes somewhat hypnotic and enchanting, with the musicians responding one to another before driving the jam to an expansive, emphatic peak. | |
| 2014-07-04 | Saratoga Springs, NY | 19:31 | The first improvisational "Fuego" works away from the song structure gradually, making a full break by 11:30 into some very nice, light and fluttery interplay. The intensity builds to a crescendo before smoothly sliding into "DwD." | |
| 2014-07-05 | Saratoga Springs, NY | 10:56 | The jam breaks into the now predictable major mode section in a quieter and relaxed manner, which then builds energy and power and -> to "Waves." | |
| 2014-07-05 | Saratoga Springs, NY | 13:22 | "Piper" is restored to some form of its former self, including an intro (short), bridge (short), and some good "Type I" jamming before breaking into "Type II" ground with nice rhythmic-based playing with strong Page, followed by a short Trey-led "hose" section. | |
| 2014-07-05 | Saratoga Springs, NY | 21:01 | Lots of Mike in the groovy jam segment (though there's no peak). | |
| 2015-08-21 | Watkins Glen, NY | 11:08 | The Magnaball-opening "Simple" wastes no time in getting the festivities underway. After some standard jamming in the typical chord progression, the band opts not to resolve to F and instead stays in B-flat, churning out a fuzzy, pulsating groove led by the rhythm section. | |
| 2015-08-21 | Watkins Glen, NY | 22:50 | Exceptional version including diverse jam segments. Hard-edged rocking, murky funk, and melodic "hose" all feature in this top-shelf "Gin". | |
| 2015-08-21 | Watkins Glen, NY | 18:15 | Yet another "CDT" boasting a post-refrain jam, and yet again does Phish deliver the goods. The jam starts off sparsely and rebuilds to a low-key, part melodic, part hard-edged passage with a "WTU?" tease before > Ghost. | |
| 2015-08-21 | Watkins Glen, NY | 11:45 | Doubles down on the Mann version with two separate rock-oriented jams, occasionally hinting at the climax of "CYHMK." Returns to the "NMINML" ending twice, then dissolves into an ambient fog and -> neatly into "Slave." | |
| 2015-08-22 | Watkins Glen, NY | 10:57 | With an exception or two (11/30/94, 8/11/04), "Antelope" always begins and ends the same way. What's in between separates the great from the typical. This version nicely strays from the ranch from 4:50 - 6:15, and includes a nasty, gnarly and tension-loaded push to the peak. | |
| 2015-08-22 | Watkins Glen, NY | 14:15 | The jam moves beyond the rocking norm to some dark probing, before gradually shifting to serene and introspective exploration. After swelling to a modest peak, the jam -> to "BDTNL." | |
| 2015-08-22 | Watkins Glen, NY | 17:39 | Fierce, punchy version that soars from the get-go, with Trey employing killer effects. The jam then plateaus, and then launches into melodic, major key mode for a while before dissolving into Caspian. | |
| 2015-08-22 | Watkins Glen, NY | 16:10 | The jam that emerges from this "Caspian" at around 6:00 is superb and must-hear Phish. Whether you think of this as a "Tweezer" or "Caspian" jam is a pedestrian concern; just enjoy this band kicking asses in its 33rd year!! | |
| 2015-08-22 | Watkins Glen, NY | 16:01 | At the 7:45 mark, Trey's chording shifts this top-notch "Blaze On" from straight ahead bopping to deep melodic exploration for five minutes, when suddenly the band flips a switch and begins a psychedelic horror show filled with off-kilter intervals and eerie effects that last until the jam somehow careens swiftly into (and leaves explosive residue on) -> "Possum". | |
| 2015-08-22 | Watkins Glen, NY | 7:22 | Another strong and typically funky "Cities" -> "Mind Left Body Jam" sandwich. | |
| 2015-08-22 | Watkins Glen, NY | 0:58 | -> in from "Cities." Last heard in 1998, 17 years earlier, this throwback recalls great moments throughout the band's history. | |
| 2015-08-22 | Watkins Glen, NY | 0:57 | > in from "Mind Left Body Jam." Concluding section sets up a nice transition to a solid "Light." | |
| 2015-08-22 | Watkins Glen, NY | 15:57 | Particularly delicate playing from Trey in the first jam which is broken off by Fish in thunderous fashion. Second jam features calypso rhythms reminiscent of the Augusta version. | |
| 2015-08-23 | Watkins Glen, NY | 9:30 | Trey's comping during Page's solo really adds good tension, then his shortish but intense solo puts this version in the "win" category. | |
| 2015-08-23 | Watkins Glen, NY | 12:21 | Some good and varied playing, in addition to a warming modulation to major mode provide the differentiation that make this version well worth checking out. | |
| 2015-08-23 | Watkins Glen, NY | 8:32 | Although the first half of this version is played in a now predictable manner, the second half breaks orbit and heads into the Exosphere, nearly achieving true outer space exploration. Trey's heavy use of effects play a decisive role, as the band seems more intent on jamming this "Martian Monster" than focusing on funk or comic relief. This strong version eventually drones-out, and slides neatly into "DWD." | |
| 2015-08-23 | Watkins Glen, NY | 5:26 | -> in from "Scents & Subtle Sounds." Dies away to a near hush at the 2 minute mark, then wonderfully explodes back to life. The Kent '94 "Hood" version of "WTU?," and proof that you really can teach an old dog new tricks. | |
| 2015-08-23 | Watkins Glen, NY | 7:45 | Though short, this "Twist" isn't lacking in creativity. As @n00b100 points out, the jam almost immediately pulls itself apart, leads to a Trey-Mike duet of sorts, and moves into a Chilling Thrilling Drive-In space that swings into a "My Soul"-esque take on the main riff, before a heavy metal theme morphs into "Immigrant Song" for a moment and segues -> Weekapaug. | |
| 2016-07-01 | Saratoga Springs, NY | 22:37 | Trey powers through "Carini" like a cold front, and a perfect storm ensues with "CDT." After breezing across familiar territory, the band embarks less upon a jam than an eclectic sort of symphony. The jam floats through a calm yet unsteady passage, atmospheric and effects-laden, before disembarking in comforting bliss, swapping instruments for a spell, and sailing into > "Caspian." | |
| 2016-07-02 | Saratoga Springs, NY | 12:27 | One of those jams that straddles the fence between "Type I" and "Type II". They never quite leave Fuego's structure, but some warm Trey interplay with Page make for a nice departure from the "Fuego" norm. | |
| 2016-07-03 | Saratoga Springs, NY | 11:01 | Solid Page solo > Fish on Marimba Lumina > Weird, spacey electrified bass action from Mike > klezmer, prayer-like chanting from Mike > conclusion. | |
| 2016-07-03 | Saratoga Springs, NY | 8:02 | Colorful bluesy licks. "Southern" swinging lines. Page and Fish might set this "Possum's" steady, swampy shuffle, but it's Trey who dominates this dense, extremely solid version. | |
| 2016-07-03 | Saratoga Springs, NY | 17:34 | One of the longest and most improvisational "Momas" to date isn't just an extended exercise in vamping and grooving. The jam pushes further from shore at the 6 minute mark, modulates by the 9 minute mark, sails through an octave-alternating thump, and the moment doesn't end until Mike drops his bombs and Trey weaves his friends into > "Twist." | |
| 2016-07-03 | Saratoga Springs, NY | 11:00 | Ever versatile, in the past few years, "Harry Hood" has spanned the range from a centerpiece improv-heavy jam to a lilting, polished encore. Here, after really cool, rarefied, and old-school stylings, Trey works this powerful classic to an archetypal peak. | |
| 2018-10-16 | Albany, NY | 10:27 | Page digs into his bag of tricks at 4:15, layering synthesizers on top of the groove, and later Trey takes charge as the jam becomes more rocking and peaks. | |
| 2018-10-16 | Albany, NY | 13:03 | Retains an understated intensity throughout and after 7:30 takes on a graceful, ethereal feel, coalescing at 9:30 with a truly beautiful sequence of soaring guitar and deep impact bass. Around 11:30, a Page-led groove is introduced which brings things to a close with a slick -> "Cities". | |
| 2018-10-16 | Albany, NY | 14:25 | A sick and twisted, evil monster. At first, it sounds like the band is content to tinker with the basic song. But at about 8:00, Fish and Mike hook up and develop a high-power, pulsing and driving base. Chaos ensues, as spacey effects, unusual keyboards, and sick Mike create a throbbing, mind-blowing sensory assault. | |
| 2018-10-16 | Albany, NY | 8:55 | Regardless of your impression of this song generally, this version deserves a listen. Featuring heartfelt, emotive play and strong communication and interplay, the band, especially Trey, is clearly "in the zone" here, and fans are rewarded with an exceptionally strong version, a cathartic relief following the insane "Twenty Years Later" which immediately preceded. | |
| 2018-10-17 | Albany, NY | 14:54 | Following the instrumental bridge and final verse, a pleasant, upbeat groove takes hold. Gradually, the energy in this jam increases to a celebratory peak, before finally returning to "CDT" to conclude. | |
| 2018-10-17 | Albany, NY | 13:35 | Somewhat dark grooving, with strong Mike emerges from the song proper. The sentiment brightens with a warmer tone, before returning to darker, more rocking place. | |
| 2019-07-02 | Saratoga Springs, NY | 20:30 | > from "Cool Amber and Mercury." One week later, and another monster "Disease" is played. This is a multi-layered jam with multiple themes; if you don't like where the jam goes at one point, just wait three minutes and it will go off in another direction. Trey navigates and leads the band with the ease and confidence we've come to expect. > into a cool "Scents and Subtle Sounds." | |
| 2019-07-02 | Saratoga Springs, NY | 15:14 | > from "Down With Disease" and featuring the proper song intro. The jam is patient as the band lets things happen organically. Nimble play from Trey leads the way as the tempo and intensity gradually pick up, before eventually > "Twist". | |
| 2022-07-14 | Mansfield, MA | 12:05 | Opening the first Set 2 of the tour, this jam is full of bliss and great playing from Trey. Early on, there's interplay with Trey and Page playing cat-and-mouse. Around the 10:00 minute mark, a neat melody is found. Trey starts telegraphing while the jam is still going, and it eventually -> "Plasma". | |
| 2022-07-14 | Mansfield, MA | 11:41 | > from "CDT," another exceptional "Plasma," arguably the best recent (2014) addition to the band's massive canon. Trey and Fish play as one, but, if interested in bypassing the (indeed euphoric) peak to lock in on "peak" Phish musicianship, listen four times as a means to follow each musician and his unique contributions. If nothing else, more evidence that Trey loves "Plasma" just as much as we do. | |
| 2022-07-14 | Mansfield, MA | 9:47 | -> from an excellent Plasma, Weekapaug makes another "Mike-less" surprise appearance here sans bass intro. Play beginning typically upbeat with strong Mike leads and Page moving quickly from clav to piano, then distinguishing itself as Trey turns on the "touch tone" effects and Page eventually responds with his synths. Fish and Mike keep the Groove anchored until taking a rare turn through a brief yet lush ska section before -> to Saw it Again. | |
| 2022-07-14 | Mansfield, MA | 6:18 | Outro includes a brief but meaningful departure from the typical and seems to hint at "Fuego" before a deranged but pretty smooth -> to "Caspian". | |
| 2023-08-25 | Saratoga Springs, NY | 13:32 | Extended take drops into murky funk right out of the gate and luxuriates in that space. A mode shift then brings in a more introspective minor-key vibe with notably spry Mike play. Fluid Trey soloing leads Page towards a seamless mode change towards lydian space, before Trey finds the "Moma" melody to close out the affair. | |
| 2023-08-25 | Saratoga Springs, NY | 8:26 | This jam takes off around six minutes in, when Trey's soaring play, Fish's fills, Mike's thundering bass and Page's impressive play all coalesce to give this version an unusually fierce ending. | |
| 2023-08-25 | Saratoga Springs, NY | 13:19 | The "We Welcome You to Munchkinland" teases from Trey start at 6:45 and don't stop as they become the theme of this bizarrely triumphant jam on the 84th Anniversary of "The Wizard of Oz's" release. | |
| 2023-08-25 | Saratoga Springs, NY | 22:12 | The jam begins in earnest, propelled with vigor by the rhythm section while Trey and Page build layers. There is some searching midway as a slow build leads to fine peak directed noodling from Trey that eventually peters into transitional space. The band then pushes through several minutes of percussive grit before Trey takes charge again, steering them to Simple. | |
| 2023-08-25 | Saratoga Springs, NY | 21:53 | -> from an expansive "AWoH". This multi-sectioned journey initially takes off in a minor key and plants its flag there as Trey's looping and Mike's cascading high octave wash apply density and complexity. The grooves grow polyrhythmic before coalescing into a dark, intense, effects-laden attack. A seemingly composed rhythm shift then leads the band towards anthemic territory with fluid Trey playing, before yielding to an extended passage of midnight-dark ambience to close. Fantastic. | |
| 2023-08-25 | Saratoga Springs, NY | 10:30 | Less a typical "CDT" jam and more akin to the soundtrack of a slasher film as the killer gives chase to another victim. Extended, spine-tingling dissonance raises the tension to obscene levels before the usual closing section, after which it cranks up twice more to insanity and concludes with a tease of "We Welcome You to Munchkinland" for a bizarre juxtaposition which could only make sense in the weird, wonderful world of Phish. Deranged, but awesome. | |
| 2023-08-26 | Saratoga Springs, NY | 13:15 | A guest appearance and surprising cover selection lead to shimmering play that transcends expectations. Even in the composed section, what the estimable Derek Trucks brings to this special flood recovery benefit performance makes this version, and what follows, must-hear. | |
| 2023-08-26 | Saratoga Springs, NY | 15:42 | > from "Golden Age." The first "Everything's Right" with a guest featured is must-hear. From the beginning of the song, Derek Trucks adds a layer to the song that makes it feel fuller and more whole. Around 10:00, Trey and Derek lock in after having traded licks back and forth and within a couple minutes, the jam takes on (as one might expect) a distinctly Allman Brothers' Band feel. This is most certainly a unique take on "ER." | |
| 2023-08-26 | Saratoga Springs, NY | 8:08 | This song closing the second set is about the only thing normal about it. Part of the Derek Trucks sit-in, this standout version is unique in "First Tube" history. Derek and Trey's play is complementary as they navigate the song. Derek then takes center stage with some truly deft playing, sounding almost like he is playing with a slide. Things eventually reach a screaming, soaring peak. Must-hear version. | |
| 2023-08-26 | Saratoga Springs, NY | 10:30 | With Derek Trucks, whose slide-like guitar work greatly enhances "Possum's" bluesy flavor. The jam first features DT and Trey trading lead duties before culminating with the two joining forces for a blistering conclusion. | |
| 2024-07-19 | Mansfield, MA | 9:37 | Second song of Summer '24, Trey demonstrates his commitment to reimagining older material. Atypical, the take seems born from that sonic batter mixed at the Baker's Dozen, the band, in lieu of a typical set-closing rocker, moving from the song, proper, into quieter, contemplative, "jazzy" musings - a welcome change of pace that, while a just dessert, sets the table for a tour full of surprises. | |
| 2024-07-19 | Mansfield, MA | 13:55 | The jam early on seems to draw from the ambivalence of the final lyrics as the band opens up a respectful space for each other. Fishman's insistent cymbal keeps some sense of direction as the conversation grows more fluid and brightens along Trey's melodic lead and Page's grand piano work. Mike hints at darkness and Trey responds with brief pedal play that quickly returns to cleaner tone and gives way to a tension free return to a thematic finish. | |
| 2024-07-19 | Mansfield, MA | 19:01 | The initial spelunk-funk of "Ghost's" outset jam breaks quickly for contemplative major key exploration, before escalating toward more rock- oriented pastures. The band plants their flag here and digs in when suddenly, a portal rips through space-time, catalyzing a dance with ""4.0's"" famous Dissonant Robots, before concluding with a >""Light"". | |
| 2024-07-19 | Mansfield, MA | 14:54 | > from "Beneath a Sea of Stars Part 1". Often imitated, never quite duplicated. "Melt" appeared four times in Summer 2024, with three of those (including this one) being the Set 2 closer. Each followed the same basic principle: utter deconstruction. How fine a line could the band walk while still keeping things slightly together? They did it best with the first try of the summer, mainly due to Fish's determined play that gives a backbone to the deconstruction happening all around him. | |
| 2024-07-20 | Mansfield, MA | 15:07 | Gallops out of the gates on the back of Mike's bouncing play and Trey's familiar riffs before transitioning into twinkling psychedelia that moves through diverse spaces becoming more melodic, never quite peaking, and eases through dissonance that deconstructs into "Monsters". | |
| 2024-07-20 | Mansfield, MA | 12:24 | > from "2001," this electric version, quite similar to several "compact" jams of late (check out the song's JC), strikes that fine, Phishy line between melody and cacophony. Perhaps most notable, here, is Treyâs excellent, sustained, soloing. | |
| 2024-07-21 | Mansfield, MA | 16:52 | > from "Tweezer". The full "Scents" treatment with intro. The play is patient and slowly builds towards a celebratory jam. The jam takes a turn and is highlighted by some fantastic play from Fish. The tempo slows considerably and eventually > into "Twist". |
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
Phish.net
The Mockingbird Foundation