Jam Chart for Everything's Right (4 entries)

Date Song City Timing Notes
2017-07-14 Everything's Right Chicago, IL 13:42 Impressive debut. The band quickly clicks to create a chill groove, with Trey working a warm tone to solo atop steady bass, scattershot drumming, and excellent Page-propelled atmospherics. This, then, into extended trilling, which Trey distorts before breaking to assume a clean, bright line, which builds - to break - back into the jam's pulsing, Floyd-like vibe. Excellent.
2017-07-21 Everything's Right New York, NY 11:42 As if building upon the song's promising debut, another extended jam, anchored by Fish's on-point percussion and Mike's slinky bass line, finds Trey taking a page from "Leo's" book, working his Supa-Puss to create a sonic soundscape. Soon matched by Page - he, too, leans heavily into his effects - the resulting sound rises to inform a pretty sort of asymmetry.
2018-07-31 Everything's Right Del Valle, TX 18:46 Effects-laden grime coasts on the tail end of a type I jam. Mike leads a charge to D, which goes ignored at first, but this lays the bedrock for a patient and breathtakingly happy shift towards bliss territory roughly halfway through the jam as Page and then Trey finally follow. A hose jam builds from the ether thanks to whale call and a foundational groove from Mike, eventually reaching a sustained peak with multiple releases of tension in a shower of joy over Everything that is Right with the universe. A final chorus and then dissonant noise paves the way for a > "Disease".
2018-08-08 Everything's Right Camden, NJ 16:13 A multi-passage monstrosity grows its sea legs out of the Delaware River as the band walks this "Everything's Right" around the corner and back. Up top, dark minor-mode jamming is propelled thanks to Page' synth and stellar bass work from Mike; this eventually paves the path to a happy and fluid bliss jam. A second key change first heads for grimy Leslie-driven plinko, until Trey steps up with whale call and a second prominent bliss peak unfolds thanks to Fish's dynamic improvisation. An abrupt return to the final chorus winds down to close out the tune and, in turn, the set.
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.


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