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Link Sunday, 08/02/2009
Red Rocks Amphitheatre, Morrison, CO

Set 1: RosesRoses Are Free, Wilson > NICU, CaspianPrince Caspian, BOTTBack on the Train, Reba[1], Grind, Beauty of a Broken Heart, SampleSample in a Jar, Sugar Shack, Waste, KDFKill Devil Falls

Set 2: Boogie OnBoogie On Reggae Woman, YEMYou Enjoy Myself -> Undermind[2] -> Drums[2] -> Seven Below[2] > 2001Also Sprach Zarathustra[2] > Waves[2] > Character Zero[2]

Encore: Bittersweet Motel, Bouncin'Bouncing Around the Room, SlaveSlave to the Traffic Light

[1] No whistling.
[2] Bill Kreutzmann on drums.

· Twist and Oye Como Va jams in Boogie On Reggae Woman
· AC/DC Bag tease in You Enjoy Myself

Noteworthy Jams: Boogie On Reggae Woman (highly recommended), You Enjoy Myself, Also Sprach Zarathustra

Average Song Gap: 10.78

Performers: Trey Anastasio, Page McConnell, Jon Fishman, Mike Gordon, Bill Kreutzmann (Guest)

Notes: Reba did not have the whistling ending. Boogie On featured a Twist-esque jam and contained an Oye Come Va tease from Page. Both Trey and Page teased AC/DC Bag during YEM. Undermind through Zero featured Bill Kreutzmann on drums.  Before the encore, Trey explained that Bittersweet Motel was being played at the request of his daughter, Bella.  After Bittersweet Motel, Fish remarked that he felt lonely again and needed the second drummer back.

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Song Distribution:
3 Billy Breathes
3 Stash
2 Joy
2 Undermind
2 Round Room
2 Lawn Boy
2 The White Tape
1 Farmhouse
1 Hoist
1 Junta
1 The Man Who Stepped into Yesterday

Songs by Debut Year:

This show was part of the "2009 Late Summer Tour."

waxbanks , attached to 2009-08-02 Permalink
waxbanks The Red Rocks run is strong overall - and a big step up from the June '09 jamming average, heaven knows - but the run's marquee guest appearance is a sloppy, irritating mess. Leaving aside the man's GDead legacy, Kreutzmann just doesn't gel at all with Phish on these tunes, dragging down *every single tempo* in the second set and swamping Fishman's precise, feathery work. The one tune that really benefits from this leadenness is 2001, which gets a bit of a fist-pumping frat-rock energy boost (with Trey using every inch the sluggish tempo affords him). I might be misinterpreting things, but to my ears even the unfailingly generous Trey seems impatient with what's going on. Equipment problems? Rustiness? Whatever the reason, it makes for uncomfortable listening.

The (ironic) worst part: the unaugmented quartet is absolutely *devastating* on Boogie On and YEM, and closes with a triumphant Slave. But the Kreutzmann guest shot guts what should've been the best stretch of the run.

Fishman clowns around a little before the Bouncin' encore, fake-crying and calling out 'Where's Bill?!' Then, in the show's most *unintentionally* funny moment, he kicks in that crisp metronomic solo beat, instantly illuminating the difference between the amorphous wash of percussion that soaked the second set, and his own needlepoint precision.

Not to say you shouldn't relax once in a while to your favourite 1973 'Dark Star,' of course. Not that.

But not this either.
Score: 3
dpwilljr , attached to 2009-08-02 Permalink
dpwilljr This night deserves much more than the rating it currently has.
The Character Zero ALONE is worth 5 stars.
The first set has an outstanding Reba.
The second set is unique and solid from start to finish...
Score: 1
watsonb37 , attached to 2009-08-02 Permalink
Zero was one of the better Trey played versions I've heard. The Slave is a religious experience.
Score: 0

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