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Link Sunday, 03/08/2009
Hampton Coliseum, Hampton, VA

Set 1: Sanity[1] > Wilson, Foam, GinBathtub Gin, Undermind[2], BagAC/DC Bag > My FriendMy Friend, My Friend, SOAMuleScent of a Mule, All of These Dreams, Maze, She Thinks I Still Care[2], Army of One, Tube, CTBCars Trucks Buses, Free, Frankenstein[3]

Set 2: DwDDown with Disease[1] > Seven Below, HorseThe Horse > SilentSilent in the Morning, Twist -> 2001Also Sprach Zarathustra > MomaThe Moma Dance, WMGGWWhile My Guitar Gently Weeps, Velvet SeaWading in the Velvet Sea > SlaveSlave to the Traffic Light

Encore: Happy BirthdayHappy Birthday to You, Contact, Bug, TweepriseTweezer Reprise

[1] Unfinished.
[2] Phish debut.
[3] Page on keytar.

Teases:
· Happy Birthday to You jam in Contact

Noteworthy Jams: Undermind, Tube, Down with Disease, Twist

Average Song Gap: 21.32

Performers: Trey Anastasio, Page McConnell, Jon Fishman, Mike Gordon

Notes: Sanity (not played since November 27, 1998 or 188 shows) ended prematurely right after the “world explodes” line (additionally, one of the large, white balloons that was hung from the rafters popped, as if on cue, as Trey sang "world explodes"). Disease was also unfinished. This show marked the Phish debuts of Undermind and She Thinks I Still Care. Frankenstein featured Page on keytar. Before Contact, the band and audience sang Happy Birthday to Fish’s Dad, Leonard, and the end of Contact featured a Happy Birthday jam. During Tweezer Reprise, balloons were dropped into the crowd. The post-show music included "Sweet Virginia" from Exile on Main Street.

Links:
LivePhish Download LivePhish Download

Song Distribution:
4 Rift
3 Stash
3 Junta
2 Undermind
2 Round Room
2 Farmhouse
2 The Story of the Ghost
2 Billy Breathes
2 Hoist
2 The Man Who Stepped into Yesterday
2 The White Tape
1 A Picture of Nectar
1 Lawn Boy

Songs by Debut Year:

waxbanks , attached to 2009-03-08 Permalink
waxbanks The Disease is the only real 'jam tune' of the run, though there's some nice play in the Twist > 2001 > Moma series. Nothing here is essential in light of what came after, though these shows were obviously ecstatic experiences for all involved.
Score: 3

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