Good w/Willis opened. Page sat in on keyboards for Bitchin' Again through Revolution's Over and Family Picture through Crimes of the Mind. Do You Know What I Mean? and Teenie Weenie Bit of Your Love featured Russ Flanagan on fiddle. Lucy In the Subway contained a Dear Prudence tease.
Good w/Willis opened. Page sat in on keyboards for Bitchin' Again through Revolution's Over and Family Picture through Crimes of the Mind. Do You Know What I Mean? and Teenie Weenie Bit of Your Love featured Russ Flanagan on fiddle. Lucy In the Subway contained a Dear Prudence tease.
moe. opened. Trey performed for the entire show. Page sat in on keyboards for Bitchin' Again through Revolution's Over. Sofi Dillof provided vocals for Bitchin' Again. Dahlia featured a rare Fish drum solo.
moe. opened. Trey performed for the entire show. Page sat in on keyboards for Bitchin' Again through Revolution's Over. Sofi Dillof provided vocals for Bitchin' Again. Dahlia featured a rare Fish drum solo.
SET 1:
Pleas,
Space Wrangler >
Henry Parsons Died >
Travelin' Light,
Diner >
Pilgrims,
Hatfield,
Walkin' >
Holden Oversoul,
Love Tractor
SET 2:
The Take Out >
Porch Song,
Can't Get High,
Worry,
Makes Sense To Me,
Little Kin,
Chilly Water,
Fishwater,
Pickin' Up The Pieces,
Heroes,
Mercy,
Wondering,
Mr. Soul
Trey sat in on guitar for the entire encore. Get Up Early In The Morning featured T. Lavitz on piano; the remainder of the encore featured Page on piano. Get Up Early in the Morning contained Tipitina quotes.
Trey sat in on guitar for the entire encore. Get Up Early In The Morning featured T. Lavitz on piano; the remainder of the encore featured Page on piano. Get Up Early in the Morning contained Tipitina quotes.
Tree Fist featured chords and lyrics improvised by the audience. Kitty Litter Blues was also improvised and featured Anne Weiss on vocals. I Saw the Light, Alabama Jubilee, and Better Get It In Yo’ Soul featured Shane Brodie on guitar and vocals. This is the first public performance billed as Jazz Mandolin Project.
Tree Fist featured chords and lyrics improvised by the audience. Kitty Litter Blues was also improvised and featured Anne Weiss on vocals. I Saw the Light, Alabama Jubilee, and Better Get It In Yo’ Soul featured Shane Brodie on guitar and vocals. This is the first public performance billed as Jazz Mandolin Project.
This performance for Vermont Public Radio featured Trey on guitar, Mike on bass and Jamie Masefield on mandolins. There is no known setlist or circulating recording.
This performance for Vermont Public Radio featured Trey on guitar, Mike on bass and Jamie Masefield on mandolins. There is no known setlist or circulating recording.
SET 1:
Sweet Talking Hippie,
Save His Soul,
Defense and Desire,
Mulling It Over,
Support Your Local Emperor,
Whoops,
Gina,
100 Years >
Sweet Pain,
Brother John,
Mountain Cry[1]
This performance was part of the Laguna Seca Daze festival that also featured Phish. Mountain Cry featured Page on keyboards, while the Gloria encore saw Page, Trey and Todd Park Mohr of Big Head Todd and the Monsters join in.
This performance was part of the Laguna Seca Daze festival that also featured Phish. Mountain Cry featured Page on keyboards, while the Gloria encore saw Page, Trey and Todd Park Mohr of Big Head Todd and the Monsters join in.
This private party and jam session included two bass players, three guitar players, two drummers, percussion and keyboards. There was a rotation of performers throughout the night, including Mike on bass and Fish on drums, and members of local bands Deep Space Six and Uncle Chunk. The only known song performed was the Sanford and Son theme. No known recording exists. Phish had performed earlier in the evening at the Michigan Theatre.
This private party and jam session included two bass players, three guitar players, two drummers, percussion and keyboards. There was a rotation of performers throughout the night, including Mike on bass and Fish on drums, and members of local bands Deep Space Six and Uncle Chunk. The only known song performed was the Sanford and Son theme. No known recording exists. Phish had performed earlier in the evening at the Michigan Theatre.
SET 1:
Dimension Extension[1],
Zero,
Give it Up,
Tone Clone[2],
I Get High,
Big Chief,
Underground People,
Confessions of a Man
ENCORE:
Fire
Dimension Extension featured Fish on vacuum, while Tone Clone featured Fish on drums and a reading from Sun Ra’s Book of Information. Phish had performed earlier in the evening uptown at the Roseland Ballroom, and had also covered Hendrix’s Fire as their encore.
Dimension Extension featured Fish on vacuum, while Tone Clone featured Fish on drums and a reading from Sun Ra’s Book of Information. Phish had performed earlier in the evening uptown at the Roseland Ballroom, and had also covered Hendrix’s Fire as their encore.
SET 1:
Back at the Chicken Shack >
Born Under a Bad Sign,
Let It Rock,
Improv Blues in 'G',
She Caught the Katy and Left Me a Mule to Ride,
Down the Road,
A Mess of Blues,
Little Wing,
Day Tripper,
Escaping,
Hey Joe
SET 2:
Hip Hug-Her,
Rock Me Baby,
In the Wee Wee Hours,
Red House,
Yonder Wall,
She Belongs To Me,
Not Fade Away,
That's Heaven to Me,
Just Before the Bullets Fly,
I've Been Loving You Too Long,
Spanish Moon[1],
All Along the Watchtower[2]
This ad hoc grouping was billed as The Ritz Power Jam. Red House and Yonder Wall featured Dave Tronzo on slide guitar. Spanish Moon featured Trey on guitar, vocals, and keyboards. All Along the Watchtower also saw Dave Matthews, Leroi Moore and Boyd Tinsley join the action while Trey, Dave, and Popper traded vocals. The Gloria encore, sung by Popper, featured Trey on guitar and Mike on bass. Phish had performed earlier in the evening at the Roseland Ballroom.
This ad hoc grouping was billed as The Ritz Power Jam. Red House and Yonder Wall featured Dave Tronzo on slide guitar. Spanish Moon featured Trey on guitar, vocals, and keyboards. All Along the Watchtower also saw Dave Matthews, Leroi Moore and Boyd Tinsley join the action while Trey, Dave, and Popper traded vocals. The Gloria encore, sung by Popper, featured Trey on guitar and Mike on bass. Phish had performed earlier in the evening at the Roseland Ballroom.
Mike, introduced as a “special guest from a band called Tuna,” joined in from Let’s Go Dancing through Tone Clone. Fish came out during Tone Clone and read a James Joyce selection about hell, after which Mike took a bass solo, and the musicians reprised the song.
Mike, introduced as a “special guest from a band called Tuna,” joined in from Let’s Go Dancing through Tone Clone. Fish came out during Tone Clone and read a James Joyce selection about hell, after which Mike took a bass solo, and the musicians reprised the song.
This show featured all four members of Phish. Trey joined in for Elvin Jones and Page joined for a piano jam leading into Big Chief. Mike entered during the ensuing jam and then Fish followed for Sippin Pippa and Don’t Let It Stop Ya.
This show featured all four members of Phish. Trey joined in for Elvin Jones and Page joined for a piano jam leading into Big Chief. Mike entered during the ensuing jam and then Fish followed for Sippin Pippa and Don’t Let It Stop Ya.
After opening for them, all of the members of Phish sat in for the listed portion of Santana’s set that included a vaccum solo from Fish. This setlist is unconfirmed.
After opening for them, all of the members of Phish sat in for the listed portion of Santana’s set that included a vaccum solo from Fish. This setlist is unconfirmed.
SET 1:
Peace on Earth...Mother Earth...Third Stone from the Sun,
Somewhere in Heaven,
Batuka >
No One to Depend On,
Capri,
Savor,
Jam,
Black Magic Woman/Gypsy Queen,
Oye Como Va,
Elmore's Boogie,
Blues for Salvador,
Angels All Around Us >
Spirits Dancing in the Flesh,
Make Somebody Happy,
Free All the People (South Africa),
Get It in Your Soul >
Toussaint L'Ouverture
ENCORE:
Soul Sacrifice,
Exodus
After opening for them, all of the members of Phish sat in for Elmore's Boogie and Trey was a guest for Blues for Salvador. Oye Como Va contained Eleanor Rigby and Owner of a Lonely Heart teases and an El Pito (I'll Never Go Back to Georgia) tease and quote. Fish performed on washboard for Elmore's Boogie, which contained Blue Monk teases from Trey and Carlos.
After opening for them, all of the members of Phish sat in for Elmore's Boogie and Trey was a guest for Blues for Salvador. Oye Como Va contained Eleanor Rigby and Owner of a Lonely Heart teases and an El Pito (I'll Never Go Back to Georgia) tease and quote. Fish performed on washboard for Elmore's Boogie, which contained Blue Monk teases from Trey and Carlos.
Page, Fish and Dave Grippo performed for the entire show. Working On a Building also featured Trey on guitar. The end of Sitting on Top of the World contained a Call to the Post tease. The Jam preceding Yield Not to Temptation included a Flintstones theme tease from Oteil. Davy Crockett contained a Dixie tease. Believe I... contained a Pop Goes the Weasel tease.
Page, Fish and Dave Grippo performed for the entire show. Working On a Building also featured Trey on guitar. The end of Sitting on Top of the World contained a Call to the Post tease. The Jam preceding Yield Not to Temptation included a Flintstones theme tease from Oteil. Davy Crockett contained a Dixie tease. Believe I... contained a Pop Goes the Weasel tease.
SET 1:
No One to Blame,
Salty Dog,
Shoeless Joe,
Compared to What?,
Poor Boy Blues,
Temptation,
Working On a Building,
Zambi[1],
Sitting on Top of the World[1],
Come on Home[1]
Zambi through Come on Home featured Page on keyboards during ARU’s set opening for Phish.
Zambi through Come on Home featured Page on keyboards during ARU’s set opening for Phish.
Phish was the opening act on this bill that was headlined by Buckwheat Zydeco. Trey sat in for Juke Joint Johnny. This performance was taped for later airing on the public radio program Mountain Stage.
Phish was the opening act on this bill that was headlined by Buckwheat Zydeco. Trey sat in for Juke Joint Johnny. This performance was taped for later airing on the public radio program Mountain Stage.
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