SET 1:
Linus and Lucy Jam,
Mexico,
Spine of a Dog >
Buster,
Not Coming Down,
New York City,
Happy Hour Hero[1] >
Recreational Chemistry[1],
Opium >
lylelovit,
Bodhisattva,
Sensory Deprivation Bank
This late night gig was the official after show party for “The Jammys” music awards program. Trey sat in on guitar for “Happy Hour Hero” and “Recreational Chemistry.”
This late night gig was the official after show party for “The Jammys” music awards program. Trey sat in on guitar for “Happy Hour Hero” and “Recreational Chemistry.”
The early show was a RCA Victor Group record label release party for Mike and Leo Kottke’s Clone CD. This previously unannounced show marked the debut public appearance of this duet, who performed a little short of an hour of selections from Clone. Tin Hat Trio and Sex Mob then performed short sets as part of the Rope-a-Dope New Music Seminar. The late show included over a dozen musicians in multiple configurations. Mike played bass for an improvisational set that also included Casey Benjamin, Warren Haynes, DJ Logic, Deantoni Parks, Sherik and Vernon Reid.
The early show was a RCA Victor Group record label release party for Mike and Leo Kottke’s Clone CD. This previously unannounced show marked the debut public appearance of this duet, who performed a little short of an hour of selections from Clone. Tin Hat Trio and Sex Mob then performed short sets as part of the Rope-a-Dope New Music Seminar. The late show included over a dozen musicians in multiple configurations. Mike played bass for an improvisational set that also included Casey Benjamin, Warren Haynes, DJ Logic, Deantoni Parks, Sherik and Vernon Reid.
Earlier in the evening the venue had hosted a screening of Mike’s movie Rising Low, as part of the Woodstock Film Festival. The subsequent party included a jam session with multiple player configurations. The first set was a bluegrass arrangement with Mike on acoustic bass along with members of Big Apple’achia, as well as Jay Ungar and Molly Mason. Later, and electric setup featured Trey on guitar, Mike and Dave Schools on bass, Matt Abts on drums, DJ Logic on turntables, Rob Marscher on keyboards and Fuzz on guitar.
Earlier in the evening the venue had hosted a screening of Mike’s movie Rising Low, as part of the Woodstock Film Festival. The subsequent party included a jam session with multiple player configurations. The first set was a bluegrass arrangement with Mike on acoustic bass along with members of Big Apple’achia, as well as Jay Ungar and Molly Mason. Later, and electric setup featured Trey on guitar, Mike and Dave Schools on bass, Matt Abts on drums, DJ Logic on turntables, Rob Marscher on keyboards and Fuzz on guitar.
Trey sat in with Cyro Baptista & Beat the Donkey during the second set, using a borrowed blue Stratocaster guitar. Dave Grippo and Jen Hartswick also made guest appearances during this gig. There is no known setlist or circulating recording.
Trey sat in with Cyro Baptista & Beat the Donkey during the second set, using a borrowed blue Stratocaster guitar. Dave Grippo and Jen Hartswick also made guest appearances during this gig. There is no known setlist or circulating recording.
SET 1:
Blind Man in the Dark,
Lay Your Burden Down,
Bad Little Doggie >
Don’t Step on the Grass, Sam,
Beautifully Broken,
Empty Pages,
Drivin’ Rain,
Fool’s Moon,
Thorazine Shuffle
This performance was part of the Woodstock Film Festival’s “Focus on Music” program celebrating music in film. The gig featured a rotation of bass players: Dave Schools opened the show and played through the “Mule” second set opener, as well as the encore; Chris Wood assumed the bass reigns for “Sco-Mule” through “Spanish Moon”; Mike then took over for “Banks of the Deep End” through the end of the second set.
This performance was part of the Woodstock Film Festival’s “Focus on Music” program celebrating music in film. The gig featured a rotation of bass players: Dave Schools opened the show and played through the “Mule” second set opener, as well as the encore; Chris Wood assumed the bass reigns for “Sco-Mule” through “Spanish Moon”; Mike then took over for “Banks of the Deep End” through the end of the second set.
This show was part of the Wormtown Music Festival. Mike sat in on a second bass for “Season of the Witch” through the end of the show. Kris Kehr played mandolin on "You're the Only One" and "Free Born Man." "Love Makes You Lose Your Mind" featured Glen Nelson on keyboards. Tonya Shylock added vocals to "Angel From Montgomery." The gig featured additional guests Tom Constanten on keyboards and Greg DeGuglielmo on drums.
This show was part of the Wormtown Music Festival. Mike sat in on a second bass for “Season of the Witch” through the end of the show. Kris Kehr played mandolin on "You're the Only One" and "Free Born Man." "Love Makes You Lose Your Mind" featured Glen Nelson on keyboards. Tonya Shylock added vocals to "Angel From Montgomery." The gig featured additional guests Tom Constanten on keyboards and Greg DeGuglielmo on drums.
SET 1:
Meat[1],
32 Things,
Spine of the Dog >
Buster,
Understand,
The Ghost of Ralph’s Mom,
High and Lo >
Brent Black
ENCORE:
Godzilla
This show was part of the annual moe.down festival. Fish and Jamie Masefield performed on the “Meat” opener (Jazz Mandolin Project had played a set earlier in the day).
This show was part of the annual moe.down festival. Fish and Jamie Masefield performed on the “Meat” opener (Jazz Mandolin Project had played a set earlier in the day).
This show was part of the annual moe.down festival that also featured Particle, Medeski Martin & Wood, Galactic and, of course, moe.Al Schnier sat in on keyboards from “Proust” through “Jesu, Joy of Man’s Desiring.”
This show was part of the annual moe.down festival that also featured Particle, Medeski Martin & Wood, Galactic and, of course, moe.Al Schnier sat in on keyboards from “Proust” through “Jesu, Joy of Man’s Desiring.”
Page sat in on keyboards with Spookie Daly Pride for the Terry Fell country classic “Truck Driving Man” and and the SDP original “Andrew Jones Ain't No Biggity Man.”
Page sat in on keyboards with Spookie Daly Pride for the Terry Fell country classic “Truck Driving Man” and and the SDP original “Andrew Jones Ain't No Biggity Man.”
SET 1:
Louisiana Sun >
Sadie,
Blood Red Roses,
Life During Wartime,
The Weight,
Too Good for Shoes,
Love Makes You Lose Your Mind,
Six Days on the Road,
Cruel World,
Tangled Up In Blue,
Season of the Witch,
Werewolves of London,
Eminence Front
This show was part of the annual "Camp Creek" festival. Mike played a second bass on “Magic Carpet Ride” through the end of the show. This gig featured an assortment of guests, including the Talking Heads’ and Tom Tom Club’s Tina Weymouth on bass and Chris Frantz on drums for “Life During Wartime.”
This show was part of the annual "Camp Creek" festival. Mike played a second bass on “Magic Carpet Ride” through the end of the show. This gig featured an assortment of guests, including the Talking Heads’ and Tom Tom Club’s Tina Weymouth on bass and Chris Frantz on drums for “Life During Wartime.”
The Slip opened. Following Russell's Tune, Page wished lighting director Chris Kuroda a happy birthday and Oteil played Happy Birthday on bass. Otiel teased Entrance of the Gladiators and Call to the Post in Magilla.
The Slip opened. Following Russell's Tune, Page wished lighting director Chris Kuroda a happy birthday and Oteil played Happy Birthday on bass. Otiel teased Entrance of the Gladiators and Call to the Post in Magilla.
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