This performance was taped for later airing on the syndicated public radio program MountainStage. Phish performed on the same stage and for the same radio program ten years earlier, on March 22, 1992.
This performance was taped for later airing on the syndicated public radio program MountainStage. Phish performed on the same stage and for the same radio program ten years earlier, on March 22, 1992.
This performance was broadcast live on the nationally syndicated public radio program APrairieHomeCompanionwith Garrison Keillor. Interview segments with Mike and Leo also aired during the program.
This performance was broadcast live on the nationally syndicated public radio program APrairieHomeCompanionwith Garrison Keillor. Interview segments with Mike and Leo also aired during the program.
Page sat in on keyboards with Cyro Baptista & Beat the Donkey for a portion the second set. Dave Grippo and Jen Hartswick also made guest appearances during this gig. There is no known setlist or circulating recording.
Page sat in on keyboards with Cyro Baptista & Beat the Donkey for a portion the second set. Dave Grippo and Jen Hartswick also made guest appearances during this gig. There is no known setlist or circulating recording.
Mike played bass for the second set that included “Rivers Rising,” which segued into a bass duet with Leftover’s Greg Garrison. Mike then stayed in place of Garrison for renditions of Bill Monroe’s “Rocky Road Blues” and the Rolling Stones’ “Let It Bleed.”
Mike played bass for the second set that included “Rivers Rising,” which segued into a bass duet with Leftover’s Greg Garrison. Mike then stayed in place of Garrison for renditions of Bill Monroe’s “Rocky Road Blues” and the Rolling Stones’ “Let It Bleed.”
Page sat in on keyboards for the latter portion of the second set as well as the encore. Additional guests Dave Grippo and James Harvey performed for the majority of the gig. There is no known setlist; the gig was comprised primarily of improvised instrumentals.
Page sat in on keyboards for the latter portion of the second set as well as the encore. Additional guests Dave Grippo and James Harvey performed for the majority of the gig. There is no known setlist; the gig was comprised primarily of improvised instrumentals.
Night Speaks to a Woman included a section where Trey "conducted" the audience. This show featured the TAB debut of Magilla. Simple Twist Up Dave and Small Axe from this show are included on Trey’s live Plasma CD. Trey performed The Inlaw Josie Wales and Ray Dawn Balloon solo acoustic.
Night Speaks to a Woman included a section where Trey "conducted" the audience. This show featured the TAB debut of Magilla. Simple Twist Up Dave and Small Axe from this show are included on Trey’s live Plasma CD. Trey performed The Inlaw Josie Wales and Ray Dawn Balloon solo acoustic.
Happy Birthday was sung and then played for road manager Brad Sands. Other Halloween recognition included an on-stage jack-o-lantern, and Jennifer Hartswick sporting an amazing wig! Windora Bug included a Stash tease. Tops Off found Trey whipping off his shirt and whirling it around his head; the remainder of the show saw all band members fully clothed.
Happy Birthday was sung and then played for road manager Brad Sands. Other Halloween recognition included an on-stage jack-o-lantern, and Jennifer Hartswick sporting an amazing wig! Windora Bug included a Stash tease. Tops Off found Trey whipping off his shirt and whirling it around his head; the remainder of the show saw all band members fully clothed.
Page sat in with FreeWorld on keyboards for renditions of “First Tube” and the Miles Davis classic “Full Nelson,” the latter also featuring guitarist Shawn Lane.
Page sat in with FreeWorld on keyboards for renditions of “First Tube” and the Miles Davis classic “Full Nelson,” the latter also featuring guitarist Shawn Lane.
This gig was originally scheduled to take place at Utica’s Memorial Auditorium, and then was later rescheduled for the Stanley Performing Arts Center. This show featured the TAB debut of Perhaps. Throughout the evening plaster had been falling from the balcony; after Mr. Completely, Brad Sands made a brief appearance on stage, after which Trey announced that due to concerns about the balcony bouncing that the rest of the show would be performed acoustic. There was a theme from Leave It to Beaver tease after Mr. Completely. Before the encore, a member of the audience shouted “Free Bird!” While Trey declined to play the request, he offered two related stories: the first was about Trey and Fish on vacation in Greece and encountering a bunch of punks playing “Free Bird” on their boom-box; the second related how Phish had offered their a cappella rendition of “Free Bird” for a Lynyrd Skynyrd tribute album, but that it had been turned down. Trey then played “Pebbles and Marbles” solo, acoustic.
This gig was originally scheduled to take place at Utica’s Memorial Auditorium, and then was later rescheduled for the Stanley Performing Arts Center. This show featured the TAB debut of Perhaps. Throughout the evening plaster had been falling from the balcony; after Mr. Completely, Brad Sands made a brief appearance on stage, after which Trey announced that due to concerns about the balcony bouncing that the rest of the show would be performed acoustic. There was a theme from Leave It to Beaver tease after Mr. Completely. Before the encore, a member of the audience shouted “Free Bird!” While Trey declined to play the request, he offered two related stories: the first was about Trey and Fish on vacation in Greece and encountering a bunch of punks playing “Free Bird” on their boom-box; the second related how Phish had offered their a cappella rendition of “Free Bird” for a Lynyrd Skynyrd tribute album, but that it had been turned down. Trey then played “Pebbles and Marbles” solo, acoustic.
This gig was originally scheduled to take place at Portland’s Cumberland County Civic Center, and was later rescheduled for the smaller Portland Expo. This show marked the debut of “Travelling Song.” “Drifting” was preceded by the horn introduction to “Discern.” “Curlew’s Call” and “When” from this gig are included on Trey’s live CD, Plasma.
This gig was originally scheduled to take place at Portland’s Cumberland County Civic Center, and was later rescheduled for the smaller Portland Expo. This show marked the debut of “Travelling Song.” “Drifting” was preceded by the horn introduction to “Discern.” “Curlew’s Call” and “When” from this gig are included on Trey’s live CD, Plasma.
Trey and Jennifer Hartswick sat in on guitar and trumpet, respectively, for “Yes I Will” and “Sometimes.” TAB had performed earlier in the evening at Burlington’s Memorial Auditorium.
Trey and Jennifer Hartswick sat in on guitar and trumpet, respectively, for “Yes I Will” and “Sometimes.” TAB had performed earlier in the evening at Burlington’s Memorial Auditorium.
Spearhead’s Radioactive and Michael Franti joined Trey’s band for “Small Axe.” Page sat in on keyboards for “First Tube” in place of Ray. This show marked the debuts of “Javier Cinakowski,” “Chapeau Mauvais,” “Curlew’s Call” and the TAB debut of Cyro Baptista's "Forro for All." A portion of the proceeds from this show was designated to benefit Burlington City Arts.
Spearhead’s Radioactive and Michael Franti joined Trey’s band for “Small Axe.” Page sat in on keyboards for “First Tube” in place of Ray. This show marked the debuts of “Javier Cinakowski,” “Chapeau Mauvais,” “Curlew’s Call” and the TAB debut of Cyro Baptista's "Forro for All." A portion of the proceeds from this show was designated to benefit Burlington City Arts.
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