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The early show was a RCA Victor Group record label release party for Mike and Leo Kottke’s Clone CD. This previously unannounced show marked the debut public appearance of this duet, who performed a little short of an hour of selections from Clone. Tin Hat Trio and Sex Mob then performed short sets as part of the Rope-a-Dope New Music Seminar. The late show included over a dozen musicians in multiple configurations. Mike played bass for an improvisational set that also included Casey Benjamin, Warren Haynes, DJ Logic, Deantoni Parks, Sherik and Vernon Reid

SET 1: Uncle Pen [1], Deep Elem Blues[1], Jam [2] > Sparks[2] > Jam[2]

Earlier in the evening the venue had hosted a screening of Mike’s movie Rising Low, as part of the Woodstock Film Festival. The subsequent party included a jam session with multiple player configurations. The first set was a bluegrass arrangement with Mike on acoustic bass along with members of Big Apple’achia, as well as Jay Ungar and Molly Mason. Later, and electric setup featured Trey on guitar, Mike and Dave Schools on bass, Matt Abts on drums, DJ Logic on turntables, Rob Marscher on keyboards and Fuzz on guitar.
Trey sat in with Cyro Baptista & Beat the Donkey during the second set, using a borrowed blue Stratocaster guitar. Dave Grippo and Jen Hartswick also made guest appearances during this gig. There is no known setlist or circulating recording.

SET 1: Blind Man in the Dark, Lay Your Burden Down, Bad Little Doggie > Don’t Step on the Grass, Sam, Beautifully Broken, Empty Pages, Drivin’ Rain, Fool’s Moon, Thorazine Shuffle

SET 2: Mule, Sco-Mule, Hammer and Nails, Down and Out in New York City, Spanish Moon, Banks of the Deep End [1], Time to Confess[1], On Your Way Down[1], Jesus Just Left Chicago[1]

ENCORE: Comfortably Numb, Soulshine

This performance was part of the Woodstock Film Festival’s “Focus on Music” program celebrating music in film. The gig featured a rotation of bass players: Dave Schools opened the show and played through the “Mule” second set opener, as well as the encore; Chris Wood assumed the bass reigns for “Sco-Mule” through “Spanish Moon”; Mike then took over for “Banks of the Deep End” through the end of the second set.

SET 1: You Write the Book, Devil's Heart, Tangled Up In Blue, Emotional Railroad, Down on the Corner, Band From Chicago, Gimme Shelter

SET 2: Emerald Eyes, Season of the Witch [1], You’re the Only One [2], Free Born Man[2], Love Makes You Lose Your Mind [3], Windows[1]

ENCORE: Angel From Montgomery [4], Just a Rose[1]

This show was part of the Wormtown Music Festival. Mike sat in on a second bass for “Season of the Witch” through the end of the show. Kris Kehr played mandolin on "You're the Only One" and "Free Born Man." "Love Makes You Lose Your Mind" featured Glen Nelson on keyboards. Tonya Shylock added vocals to "Angel From Montgomery." The gig featured additional guests Tom Constanten on keyboards and Greg DeGuglielmo on drums. 

SET 1: Meat [1], 32 Things, Spine of the Dog > Buster, Understand, The Ghost of Ralph’s Mom, High and Lo > Brent Black

ENCORE: Godzilla

This show was part of the annual moe.down festival. Fish and Jamie Masefield performed on the “Meat” opener (Jazz Mandolin Project had played a set earlier in the day).
This show was part of the annual moe.down festival that also featured Particle, Medeski Martin & Wood, Galactic and, of course, moe. Al Schnier sat in on keyboards from “Proust” through “Jesu, Joy of Man’s Desiring.”
Page sat in on keyboards with Spookie Daly Pride for the Terry Fell country classic “Truck Driving Man” and and the SDP original “Andrew Jones Ain't No Biggity Man.”
Page sat in on keyboards for several songs during the second set.
Page sat in on synthesizers during this 33-minute rendition of “The Golden Gator,” which also contained a "Streets of Cairo" tease.

SET 1: Louisiana Sun > Sadie, Blood Red Roses, Life During Wartime, The Weight, Too Good for Shoes, Love Makes You Lose Your Mind, Six Days on the Road, Cruel World, Tangled Up In Blue, Season of the Witch, Werewolves of London, Eminence Front

SET 2: Cocaine Lady, Morning Star, Will the Circle Be Unbroken?, Magic Carpet Ride [1], In Harmony[1], China Cat Sunflower[1] > I Know You Rider[1]

This show was part of the annual "Camp Creek" festival. Mike played a second bass on “Magic Carpet Ride” through the end of the show. This gig featured an assortment of guests, including the Talking Heads’ and Tom Tom Club’s Tina Weymouth on bass and Chris Frantz on drums for “Life During Wartime.”
Jazz Mandolin Project opened. Fish sat in with Vida Blue on a second drum kit for the encore.
Sam Bush Band opened.
The Slip opened. Following Russell's Tune, Page wished lighting director Chris Kuroda a happy birthday and Oteil played Happy Birthday on bass. Otiel teased Entrance of the Gladiators and Call to the Post in Magilla.
The Slip opened.
The Slip opened. Mike sat in on bass for the encore.
The Slip opened.
The Slip opened. This setlist is unconfirmed as recordings of the performance do not circulate.
This set was part of the Carbon Leaf's Endless Summer Luau & Campout III.
The Slip opened. This setlist is unconfirmed as recordings of the performance do not circulate.
This set was part of the 16th annual Jerry’s Birthday Bash festival. Other performers included əkoostik hookah, Juggling Suns, David Nelson Band, and Steve Kimock Band.
The Slip opened. "Magilla" included an "Electra Glide" tease.
The Slip opened.
Mofro opened.
Mofro Opened.
Mofro opened. Mike sat in on bass in place of Oteil for “Cars Trucks Buses.” For the “Light Up or Leave Me Alone” encore Oteil resumed the bass duties while Mike played guitar.
Mofro opened.

SET 1: Salsa, Run For Your Life, 3 Stroke, March, You Gotta Move, Thank You (Falettinme Be Mice Elf Agin), Shake Your Hips, What G-D Has For Me, Voodoo Child is Iron Man, I Don't Know What You Come to Do [1]

ENCORE: Papa Was a Rollin' Stone[1]

Page sat in on organ for “I Don’t Know What You Come to Do” and the “Papa Was a Rollin' Stone” encore. The Dirty Dozen Brass Band opened this gig.
Robert Randolph and The Family Band opened. Robert Randolph also sat in on slide guitar for “Electra Glide” and “CJ3.” This setlist is unconfirmed as recordings of the performance do not circulate.
Robert Randolph and The Family Band opened. Robert Randolph also sat in on slide guitar for “CJ3” and "Manic Depression." This setlist is unconfirmed as recordings of the performance do not circulate.

SET 1: Only Human, Simple Hill, Evangeline [1], Funnel Cake, Eyes of the World[1], Cissy Strut[1], The Way You Do the Things You Do[1], Dirtweed Jim, Julius[1], Mr. Policeman

Trey sat in on guitar for this private gig in the place of regular Doctor Jones guitarist Casey Grant. The line-up consisted of Trey on guitar, Rob Dasaro on keyboards and vocals, Steve Drebber on drums and vocals, Jim Tasse on bass and vocals, and “Mr. Charlie” Frazier on blues harp. 
Mike sat in on bass for the listed songs. The gig was a double-bill with Bill Kreutzmann’s band, Trichromes.
Trey and his band were the musical guests on The Tonight Show with Jay Leno.
Trey was the musical guest on The Late Late Show with Craig Kilborn. This episode was taped for later airing, first on Friday, July 12, 2002.
This performance closed the main stage the final night of the 1st annual Bonnaroo Music Festival. “Wilson” and “Bathtub Gin” were performed by Trey solo, acoustic. The rendition of “Last Tube” from this gig appears on the Live from Bonnaroo 2002 CD.

Mozambique contained a Rhapsody in Blue tease. The Night Speaks to a Woman from this show appears on Trey’s live CD, Plasma. Trey's bus driver Dominic Placco, joined the band for Olivia. Trey performed Ray Dawn Balloon and Thunderhead acoustic. Trey teased Drifting before Simple Twist Up Dave. The band ended the second set by forming a conga line marching off stage; they came back on stage for the encore in the same manner and reprised the ending of Simple Twist Up Dave.

This show featured the debut of “Olivia."
The second set-closing “Sand” from this gig appears on Trey’s live CD, Plasma. Trey performed “Bathtub Gin” and “Chalk Dust Torture” solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic.
This in-studio performance was a taping for Last Call with Carson Daly; the show first aired on June 24, 2002. “Alive Again” was played in it’s entirety; a small portion of “Push On ‘Til the Day” was played as they cut to commercial break, and they played the intro to “Money, Love and Change” as the ending show credits rolled.
“At the Gazebo” featured the Vermont Youth Orchestra String Quartet. During the break before the encore maracas and tambourines were passed out to the audience and a set of stairs was placed in front of the stage. During “Alive Again” approximately forty guests – including members of Cyro Baptista’s Beat The Donkey ensemble, Brazilian dancers and other assorted percussionists and pranksters – joined Trey’s band in what can perhaps best be described as a strange combination of two infamous Phish antics: the 10/22/96 MSG “Freakapaug” and the 5/27/94 “Shake your Macaroni” Possum. After the ending refrain and amid an audience-aided percussion jam, Trey led the entire entourage down the stairs in front of the stage, through the audience and onto 51st Street where a drum circle ensued, blocking midtown traffic for nearly half an hour.
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