SET 1: The Curtain > You Enjoy Myself[1] -> I Didn't Know, Maze, Farmhouse, Black-Eyed Katy, Theme From the Bottom > Rocky Top
SET 2: Timber Ho! > Limb By Limb, Slave to the Traffic Light > Ghost > Johnny B. Goode
ENCORE: My Soul
Add a Review
March 27, 1993
25 years ago
Warfield Theatre
Set 1: Llama, Guelah Papyrus, Rift, Stash, Reba, My Friend, My Friend[1], Uncle Pen, Sample in a Jar, I Didn't Know[2], David Bowie[3]
Set 2: Buried Alive > Halley's Comet > It's Ice > Bouncing Around the Room, Chalk Dust Torture, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Mike's Song > I Am Hydrogen > Weekapaug Groove, Hold Your Head Up > Cracklin' Rosie > Hold Your Head Up, Poor Heart > Golgi Apparatus
Encore: The Squirming Coil, Carolina
[1] Beginning featured Trey on acoustic guitar.
[2] Fish on trombone.
[3] All Fall Down signal in intro.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $1,000,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by waxbanks
The songs are self-contained (save for the Ghost > Johnny pairing), but the whole band plays dynamically and creatively throughout, enjoying the freedom of a night without a 300-mile commute to the next show. Those were the days of 12-15 minute LxL's (it's an 8-minute tune now); as in the breathtaking Went versions, the boys make the most of the extra breathing room. Timber goes dark and Slave shines a light, but the real show is the climactic Ghost, an exercise in pinpoint funk that seems to capture some of the band's freewheeling practice-room energy.
11/30 is the best show of the Worcester stand, I'd say, but considering the fidelity of available recordings and the quality of this second set, you shouldn't hesitate to track down this entire show.