It looks like there's a Phish show in progress! You can discuss it here x

Phish.net: a Project of the Mockingbird Foundation


Jump to: / / Setlist Options

 

Link Wednesday, 08/12/1998
Vernon Downs, Vernon, NY

Set 1: La Grange > MakisupaMakisupa Policeman > Funky Bitch, Possum, Roggae, Character Zero, Ramble On -> SlaveSlave to the Traffic Light

Set 2: Mike'sMike's Song > Simple > Rift, Loving Cup > Sleeping Monkey > WeekapaugWeekapaug Groove, CoilThe Squirming Coil

Encore: Burning Down the House[1], YEMYou Enjoy Myself

[1] Phish debut; lyrics changed to "Vernon down the house."

Teases:
· Those Were the Days and Ramble On teases in Slave to the Traffic Light
· Hold Your Head Up and Theme from Mission: Impossible teases in You Enjoy Myself
· Cocaine tease in Ramble On

Noteworthy Jams: Slave to the Traffic Light, Mike's Song, Simple, You Enjoy Myself

Average Song Gap: 7.25

Performers: Trey Anastasio, Page McConnell, Jon Fishman, Mike Gordon

Notes: Possum was dedicated to its author, Jeff Holdsworth, and Fish’s band in high school, Frodo. Ramble On was played in honor of Fish seeing a Led Zeppelin concert at age eleven and contained Cocaine teases; Slave subsequently included Ramble On teases, as well as Those Were the Days teases from Trey and Mike. The Phish debut of Burning Down the House contained alternate lyrics ("Vernon down the house"). YEM included HYHU and Mission: Impossible theme teases.

Song Distribution:
2 The White Tape
1 The Story of the Ghost
1 Billy Breathes
1 Stash
1 Rift
1 Lawn Boy
1 Junta
1 The Man Who Stepped into Yesterday

Songs by Debut Year:

This show was part of the "1998 Summer U.S. Tour."

CraigSKnowlton , attached to 1998-08-12 Permalink
CraigSKnowlton During the summer after high school before heading off to college, my long-time Phish traveling companion, Devin Lacey, and I took a Greyhound bus from Port Authority in New York City to Syracuse for this show on our way to the Lemonwheel. We each had giant camping backpacks filled with gear, and in those pre-9/11 days security let us walk right into the venue, which was the center field of a harness-racing track.

The show began with a mean Mike sung "La Grange" into "Makisupa Policeman" where Trey woke up this morning 'Burning Down'--a double entendre, whose full meaning emerged during the encore. Fishman grew up nearby the venue, and Trey's onstage chat before "Possum" referred to him as the 'hometown boy' and quizzed the audience about Fish's high school band, Frodo. Trey also dedicated the song to the song's author and former Phish bandmate, Jeff Holdsworth. Devoted fans probably knew these fun facts before the show, but hearing the band banter about them onstage added a special nostalgia to the atmosphere. The spotlight fell on Fishman during "Roggae" and a rare mid-set, mid-Mike's Groove "Sleeping Monkey," but explosive cover songs and big jams defined the show as a highlight of summer 1998.

One of the goofy joys of being a Phish phan is sitting around a room compiling a wish list of the songs that, in an ideal world, the band would cover. As a classic rock obsessed eighteen-year old, Led Zeppelin's "Ramble On" topped my list. When Trey started this tune's soft opening licks and Page began to sing, the crowd went absolutely NUTS. Trey's guitar powered through Jimmy Page's fierce licks long past the well-memorized peaks of Zeppelin II's version before Page's piano tickling brought the jam into a mellow but driven exploration of the song's softer melody. Then they transitioned flawlessly into a gorgeous Set I closing "Slave to the Traffic Light."

The "Mike's Song" that opened Set II dropped into deep funk quickly with Trey's crunchy notes encircling Page's dark organ swirls. One of the show-making versions that haven't occurred in 3.0 yet, this song reached multiple peaks before slipping into a "Simple" that matches the delicacy of 2011 versions with a headier drive at the end that melted into ambience as Trey led the band into "Rift." The rest of the set balanced between hard-driven rock and calming classics, but the encore brought the moments that would stand out in every attendees' memory.

"Burning Down the House" fulfilled its title. Trey swapped "Vernon Down" for the true lyrics, but the band remained true to the rest of the Talking Heads classic, including the soaring keyboard-funk bridge. On an ordinary night, a one-off cover might seem sufficient, but this was 1998, and the audience sensed that the band wanted to keep the party going. After teasing Fish some more with "HYHU," Trey announced they'd play 'one more song that Fish wanted to do for his friends and family': YOU ENJOY MYSELF! This 'one more song' turned into a 20-minute monster with HYHU and Mission Impossible teases and an insane, Kuroda light's-driven 'whose your daddy' vocal jam.

The next day we headed north to Maine for the Lemonwheel excited for the festival craziness ahead but knowing that we'd, perhaps, experienced the summer tour's high water mark. In a year that I consider as the musical peak of the band's career, the experience of attending this show remains my favorite moment of the summer.
Score: 11
IdRatherBeOnTour , attached to 1998-08-12 Permalink
IdRatherBeOnTour 1st of my current 46 shows. I can honestly say that before this show I wasn't a big fan of Phish. I knew a few songs by sound/name and when they opened with La Grange I couldn't believe my ears. They played this tune better than ZZ Top!! To make things even better for me they played Ramble On and Burning Down the House to a T, both of which are two of my favorites. My first YEM vocal jam with insane lights left me speechless. Walking in I thought I would hear only Phish songs and not have a clue as to what was going on. Well needless to say they blew my mind and I was hooked for life on the music of Phish.

"Woke up this morning, VERNNNNON DOWN!"
Score: 5
Frankster , attached to 1998-08-12 Permalink
Frankster Wow I can't believe no one has reviewed this one yet. This was one of the funnest and honestly most solid shows I've ever seen. From head to toe this rocks . . . literally! The setlist is old skool played with that beautiful summer 98 sound. Pick a song any song and you won't be disappointed. Mike's > Simple is the best I've ever seen or heard. I won't even give you my feed just go and get this tape!!! A strong show from a strong tour. By now you should know not to skip the last show before a festival but if you don't this one and last year at Darien prove this point quite well. Turn it up and rock out.
Score: 2
ucpete , attached to 1998-08-12 Permalink
ucpete One additional note-- the lyrics of Ramble On are littered with Lord of the Rings references. Did the mention of Fishman's high school band, "Frodo", spur them to play the Zeppelin tune? Probably.
Score: 2
oongowa , attached to 1998-08-12 Permalink
oongowa Looking back, I would consider the summer of 98 to be just about to the peak of my Phish obsession. I think the actual peak happened at Big Cypress since the shows I saw after then never quite felt the same. I know itís clichť to say that Big Cypress was the best thing ever and that you canít even bring it up when trying to compare runs or shows since itís not a fair comparison, but for me, itís the truth. When I look at the list of shows Iíve seen, I enjoyed just about every one of them up until Big Cypress and not so much after. Not saying that they were all bad, it was just a slow decline until the end. Anyways, my point is that during the Summer of 98, Phish, to me, was the best band on this planet and there was nowhere on earth I would rather be then at a Phish show (which of course still holds true, thankfully).

My friend Justin and I were lucky enough to attend 3 of the 4 Island shows in April and caught only Star Lake the night before Vernon before heading up to Maine for The Lemonwheel. We rented a 12 person van for the 8 of use making the trip up North. Needless to say, it was pretty packed. The venue was a horse race track with the stage at one end and bleachers along one side of the track. It was all GA and, correct me if Iím wrong, but besides the 2 previous festivals, there werenít too many outside GA shows in those days. I really donít remember that much about the show. What I do remember is being REALLY fucking excited about going up to Maine. I almost couldnít wait for the show to be over so that we could get on the road. I clearly remember the La Grange opener and I decided on that day that every show should open with it. I still believe that (and what a fucking treat to hear it at SPAC this year). The Ramble On was such a great surprise and to this day I find it hard to believe that Phish ever covered it. Always has been and always will be one of my favorite Zeppelin songsÖmostly because itís about Frodo Baggins and Iím a dork. I clearly remember the Burning Down the House encore with people going absolutely BONKERS while Justin and I hovered around the back of the crowd so that we could get out of there and beat the traffic. When they started up YEM we both looked at each other and kind of shrugged our shoulders and walked back towards the stage.

Thatís it for memories, now for the play back. The quality of these tapes are really great. Nice outdoor recording with no roof or other funny shit for sound to bounce off of. This is what a good FOB AUD sounds like kids. The first set is a lot of fun and you can tell that the band is having the time of their lives. Lots of laughter and joking around. You can see the sun setting and the pot smoke hovering in the air, feel that mystery gust of cool air blow across your face and see all the happy smiling faces surrounding you AND up on the stage. This was the last official show of what some people would say was one of their most fun tours ever. Different covers every night, endless energy, great playing, then throw in some 97 funk and the new ambient style and youíve got yourself a fantastic recipe for a good time. Again, loved the Ramble On and the Slave was perfect. The Mikeís to open the second set was great to my ears, mostly since we donít hear Mikeís like this anymore. The rest of the set doesnít get exploratory or crazy but itís a lot of fun, and itís ok to have a nothing but fun Phish show. Some people might knock a show like this but Iíve always enjoyed them since you feel like the band isnít pressured prove anything or crank out a 20min face melting jam, theyíre relaxed and having fun, itís like seeing them in someoneís back yard with friends. Give me a can of Old Milwaukee, a fucking lawn chair and fire up the grill. This is a back yard BBQ with Phish. Could it get any better?

BB

Jibboo Crew
Score: 2
tubescreamer , attached to 1998-08-12 Permalink
My First show. I thought I had felt IT before on tape, but I felt IT for the first time in the live setting during Slave. The band, the lights, the audience, all in unison, this was something even bigger than music. After the show, me and my buddy were wandering around when we came across a crowd. It was Trey and Mike in a golf cart. Everyone was shaking their hands, and I didn't feel like pushing through the crowd to do the same-- I remember thinking that this was a normal thing, and that I would say hi to them next time. I never saw them on a golf cart again, or post show again. I have regrets about once being a naive teenager on acid on phish tour, but those regrets are outweighed by how thankful I am to have once been a naive teenager on acid on phish tour.
Score: 1
pikepredator , attached to 1998-08-12 Permalink
pikepredator This show has some serious highlights. La Grange bustout is a great way to start a show. Ramble On>Slave . . . is just as good as it looks. At the time I was really impressed by how the Ramble On jam was phish + Ramble On, a great fusion of sounds. And the Vernon Down the House>YEM and banter encore business was a lot of fun. This had everything a tour closing show should have.

Including - most importantly - kick-ass jamming to start set II. I don't know why this Mike's doesn't get more props but I absolutely love it.

It starts out in tight, focused '98 Mike's territory. After a few minutes it starts to get a bit sparse/trance. Nice subdued groove going on, good band balance, no voice is dominating, everybody contributing. They start to approach the closing chords but quickly back away. Around the 10:00 mark trey announces that they're going to jam for a while, delay loops are issued and things get late night/dark swamp eerie.

Fish starts to drive them forward a bit, trey follows his lead, once again they begin the approach to the closing chords. but no, they take a sharp left back into the 98 funk. Tight shit around 13:30, I love this kind of phish. they ratchet up the chaos level, screaming can be heard on the AUDs at phishtracks. NOW they're going for the closing chords . . . no wait fishman shifts the vector once again. trey gets NASTY now. I love how phish can shift directions together so easily. fish has a little ASZ groove but trey's playing has an industrial feel. is this NIN? Crazy noises! and Bob Weaver says NOW it's time for the closing chords. unique mike's. Love it.

Simple is simple . . . for a while. but the darkness of the mike's rears it's head after a few minutes of typically delicate simple jamming and they find a dark bluesy groove. the change happens fast, Mike starts a simple 2-thump bass "groove" (barely), trey plays a blues lick, and the whole feel inverts. One of those *moments* at a phish show where you enter uncharted waters, similar to the post-piper jam on 04/03/98. this jam doesn't really go anywhere, juts hands out in the bluesy realm before a little space and then an abrupt >Rift.

rest of the set is typical tour-closing joy!!
Score: 0

Login Register