It seems like Trey and Fish at least got extra caffeinated at several points throughout the first set. The Tube, in only its second opening slot, is hot to trot out of the gates with a stepped up tempo from Fish. The Guelah sees Trey "singing" one of the last choruses in a very herky-jerky fashion, putting his syllablic stresses all around the original phrasing without ever really falling out of it. You'll have to listen yourselves to really hear what I'm talking about.
Trey also is very peppy during Brother, almost frantically/obsessively rattling off family members and their relative proximity to the featured tub. The set is overall very-well paced, and hits a lot of great spots, like the Tube opener, a birthday-dedicated Paul and Silas, and a solidly energetic Divided anchoring the middle of the set.
They definitely build on the energy of the first set by tearing right into Sloth, impactful and hard-hitting, to open the second. Sparkle is barely a month old and undeniably fits nicely with the high-energy feel of the show so far.
I've read that they didn't really find their groove in Melt until spring of '93 or thereabouts (something about that Hoist 4/21/93 version, right?). Shame they were so hard on themselves because I think this is a damn fine Melt with an ending that I enjoyed most for Fish's contribution. But then, I'm not a musician, just an ardent lover of music.
The Mike's Groove is solid, with special proto-jam nod to the Weekapaug, definitely a slightly more compressed prelude to some of the epic versions of the mid-to-late '90s, though of course the vocal stylings are more home in this early '90s Phish. I repeat: vocals silly, but music is pretty incredible. Sharing in the lard, hilarious. Almost type II Weekapaug jam in '91? Priceless.
After an able bodied Jesus, a small ambient rock build up serves as intro music for a mini Dude o Life set. I'd remarked about my surprise of no reviews of this show with a Dude appearance, but upon listening to it, I remembered that no review doesn't mean mine would be a terribly positive one. Two slightly better tunes bookended two others that are hard to imagine listening to a second time (much like my purchase of the Dude album). And it's mostly the music that makes the other two any good. Self is of course the modified Chalkdust, and Crimes isn't a bad Sample meets I Saw It Again rocker. In fact, I'm almost surprised this song didn't at least make a stab at being in the Phish repertoire.
The Fee encore is notable mostly for the blood curdling screams of girlish joy at getting Fee for an encore coming form the crowd. Suzy comes in crisply and tartly to cap off an evening of seemingly unexplained piss and vinegar from the band (not to mention the randomness of the Dude in Alabama... right?).