Exhibit A: Setlist flow. One common complaint of early Phish is that they had no concept of how to construct a setlist with proper song flow (occasionally complained about to this day!). This setlist is definitely out of the ordinary for the time because of how well the songs fit together. There is nothing jarring at all about song placement in the first set, and the Magilla through Possum to close the set is an excellent run of well-played tunes. In an era where type II jamming was still at a premium, setlist flow is markedly important, and they nailed it here.
Exhibit B: The Tweezer/Buried Alive sandwich. Um, what? This may be one of the first examples of Phish just ripping into a song right in the middle of another, and it must have been mind-blowing at the time. It works surprisingly well, although perhaps a bit jarring at first. The return to Tweezer is excellent, and Trey brings it to a satisfying conclusion with a fiery finish.
Exhibit C: The secret language has started to emerge by this point in 1990. After a lengthy break from playing shows, the band had written something like 15 new songs and developed a strange, new system of teasing whatever they wanted whenever they felt like it. Trey peppers many of the songs with Oom Pa Pas and countless Charlie Chans. The Tweezer and Antelope are definitely worth a listen for fans of the "ludicrously out of place" musicality.
Exhibit D: Check out this McGrupp!!!!! Unbelievable work from Page!
A soundboard quality recording from 1990 with a lot of well-played favorites with great setlist flow and a couple of bonafide highlights in Tweezer and McGrupp equals 4 stars from me. Give it a listen!