During the intro to “Cincinnati” Trey indicated that the song was written for five horns, and that since they were missing the flute player that he would whistle the flute parts.After the extended, multi-part jam out of “Mud City” that included an extended vocal riff on the word “someday,” Trey offered that he ‘had no clue what that song was about.” Trey performed ”The Inlaw Josie Wales,” “Invisible” and “Love That Breaks All Lines” solo acoustic. After “Jibboo” Trey noted that they were over the venue curfew but he wanted to keep playing anyway; they did so, for almost another half hour.
During the intro to “Cincinnati” Trey indicated that the song was written for five horns, and that since they were missing the flute player that he would whistle the flute parts.After the extended, multi-part jam out of “Mud City” that included an extended vocal riff on the word “someday,” Trey offered that he ‘had no clue what that song was about.” Trey performed ”The Inlaw Josie Wales,” “Invisible” and “Love That Breaks All Lines” solo acoustic. After “Jibboo” Trey noted that they were over the venue curfew but he wanted to keep playing anyway; they did so, for almost another half hour.
This show – billed as "Vibes for Peace" – was a benefit for The Rex Foundation. Mickey Hart & Friends opened. Bob Weir sat in on guitar and vocals for "Fountains of Wood" through "Scarlet Begonias" and "The Other One" through "Turn On Your Lovelight." Mike took lead vocals on "Cumberland Blues." Guests Giovanni Hidalgo and Zakir Hussain also sat in on percussion for portions of the show.
This show – billed as "Vibes for Peace" – was a benefit for The Rex Foundation. Mickey Hart & Friends opened. Bob Weir sat in on guitar and vocals for "Fountains of Wood" through "Scarlet Begonias" and "The Other One" through "Turn On Your Lovelight." Mike took lead vocals on "Cumberland Blues." Guests Giovanni Hidalgo and Zakir Hussain also sat in on percussion for portions of the show.
Trey appeared on the University of Pennsylvania’s World Cafe radio show. All of the songs were performed by Trey solo, acoustic, with interview segments between songs.
Trey appeared on the University of Pennsylvania’s World Cafe radio show. All of the songs were performed by Trey solo, acoustic, with interview segments between songs.
Trey performed Wilson solo acoustic in response to the audience chanting “Wilson” prior to the second set. Voodoo Child and the TAB debut of Barracuda were incomplete.
Trey performed Wilson solo acoustic in response to the audience chanting “Wilson” prior to the second set. Voodoo Child and the TAB debut of Barracuda were incomplete.
Trey performed Sleep though Waste solo acoustic, including the TAB debut of Camel Walk. Cincinnati was performed without the introduction and and contained Who Are You teases from Trey.
Trey performed Sleep though Waste solo acoustic, including the TAB debut of Camel Walk. Cincinnati was performed without the introduction and and contained Who Are You teases from Trey.
Before Push On, Trey noted that his friend Mary (from the song) was in the audience. Heavy Things was also played for Mary, as it too is about her. In keeping with the “Mary” theme, Trey repeatedly teased Mary Had a Little Lamb before Heavy Things. Trey teased San-Ho-Zay in Money, Love and Change.
Before Push On, Trey noted that his friend Mary (from the song) was in the audience. Heavy Things was also played for Mary, as it too is about her. In keeping with the “Mary” theme, Trey repeatedly teased Mary Had a Little Lamb before Heavy Things. Trey teased San-Ho-Zay in Money, Love and Change.
Bar 17, Mud City, and Push On 'Til the Day featured Fernando Castillo on trumpet, Carlos Sosa on saxophone, Raul Vallejo on trombone, Ivan Neville on organ, and Russell Remington on saxophone. Plasma also featured Russell Remington on saxophone. During the set-closing Mud City, each of the band members were introduced and took a subsequent solo.
Bar 17, Mud City, and Push On 'Til the Day featured Fernando Castillo on trumpet, Carlos Sosa on saxophone, Raul Vallejo on trombone, Ivan Neville on organ, and Russell Remington on saxophone. Plasma also featured Russell Remington on saxophone. During the set-closing Mud City, each of the band members were introduced and took a subsequent solo.
This gig was part of the second annual Vegoose festival that also featured Tom Petty & The Heartbreakers, Widespread Panic, The Mars Volta, and The Rhythm Devils featuring Mickey Hart, Bill Kreutzmann, Jen Durkin, Steve Kimock, and Mike Gordon. Row Jimmy featured Trey on lead vocals; Trey proclaimed "my bad" and restarted the song after he began the song in the wrong key. Back on the Train featured Mike on banjo and later Trey's guitar after Trey said "Mike's banjo isn't working."
This gig was part of the second annual Vegoose festival that also featured Tom Petty & The Heartbreakers, Widespread Panic, The Mars Volta, and The Rhythm Devils featuring Mickey Hart, Bill Kreutzmann, Jen Durkin, Steve Kimock, and Mike Gordon. Row Jimmy featured Trey on lead vocals; Trey proclaimed "my bad" and restarted the song after he began the song in the wrong key. Back on the Train featured Mike on banjo and later Trey's guitar after Trey said "Mike's banjo isn't working."
This gig was part of the "Vegoose at Night" series of shows held at venues throughout Vegas in conjunction with the main festival held at Sam Boyd Stadium. The Other One and The Eleven were performed instrumentally. Trey took lead vocals on Wharf Rat.
This gig was part of the "Vegoose at Night" series of shows held at venues throughout Vegas in conjunction with the main festival held at Sam Boyd Stadium. The Other One and The Eleven were performed instrumentally. Trey took lead vocals on Wharf Rat.
This late-night gig (10:30p ticket time) was part of the "Vegoose at Night" series. Robert Randolph and the Family Band opened. Robert Randolph sat in on pedal steel guitar for "Stone Free" and "46 Days," the latter also featuring Jason Crosby on keyboards. At several points throughout the show Trey again reminded us to "bet it all on 17!"
This late-night gig (10:30p ticket time) was part of the "Vegoose at Night" series. Robert Randolph and the Family Band opened. Robert Randolph sat in on pedal steel guitar for "Stone Free" and "46 Days," the latter also featuring Jason Crosby on keyboards. At several points throughout the show Trey again reminded us to "bet it all on 17!"
This show featured the TAB debut of The Jimi Hendrix Experience’s “Stone Free.” Towards the end of “Sand,” Trey introduced the band members and gave shout outs to several others both in attendance and not.
This show featured the TAB debut of The Jimi Hendrix Experience’s “Stone Free.” Towards the end of “Sand,” Trey introduced the band members and gave shout outs to several others both in attendance and not.
Skeeto Valdez sat in on drums for "Come As Melody." Trey performed "The Inlaw Josie Wales" through "Chalk Dust Torture" solo acoustic. "Wilson" was dedicated to then-University of Michigan quarterback Chad Henne, who had attended Wilson High School. This setlist is unconfirmed as recordings of the performance do not circulate.
Skeeto Valdez sat in on drums for "Come As Melody." Trey performed "The Inlaw Josie Wales" through "Chalk Dust Torture" solo acoustic. "Wilson" was dedicated to then-University of Michigan quarterback Chad Henne, who had attended Wilson High School. This setlist is unconfirmed as recordings of the performance do not circulate.
“The Inlaw Josie Wales” through “Back on the Train” were performed solo, acoustic. “Cincinnati” was played as an early birthday present for Christina and featured Al Osborne on vocals.
“The Inlaw Josie Wales” through “Back on the Train” were performed solo, acoustic. “Cincinnati” was played as an early birthday present for Christina and featured Al Osborne on vocals.
After “Push On” Trey introduced drummer Jeff Sipe and dedicated “Goodbye Head” to Jeff’s children, who were in attendance. Trey performed “Sample” through “Hood” solo acoustic. Before “Hood” Trey playfully asked the crowd if they’d forgive him if he’d try the song they were asking for “as long as you don’t throw a bottle of beer at me if I mess up.” After “Hood” Trey offered a shout-out to Salsa’s, a nearby Mexican restaurant and a tribute to all the great shows he had performed in Asheville. This gig featured the debut of "Words to Wanda."
After “Push On” Trey introduced drummer Jeff Sipe and dedicated “Goodbye Head” to Jeff’s children, who were in attendance. Trey performed “Sample” through “Hood” solo acoustic. Before “Hood” Trey playfully asked the crowd if they’d forgive him if he’d try the song they were asking for “as long as you don’t throw a bottle of beer at me if I mess up.” After “Hood” Trey offered a shout-out to Salsa’s, a nearby Mexican restaurant and a tribute to all the great shows he had performed in Asheville. This gig featured the debut of "Words to Wanda."
SET 2:
New York City,
Letter Home,
The Pit >
Opium >
32 Things,
Recreational Chemistry
ENCORE:
Understand,
Godzilla
Page sat in on keyboards for the entire first set. Al Schneir did not play guitar during this show due to severe tendonits in his right hand and did not appear at all on several songs. "Dixie Down," "Mexico," Happy Hour Hero," "New York City" and "Letter Home" featured Gordon Stone on pedal steel guitar. "Dixie Down," "Deal" and the last four songs of the second set all featured Adam Terrell (Assembly of Dust) on guitar.
Page sat in on keyboards for the entire first set. Al Schneir did not play guitar during this show due to severe tendonits in his right hand and did not appear at all on several songs. "Dixie Down," "Mexico," Happy Hour Hero," "New York City" and "Letter Home" featured Gordon Stone on pedal steel guitar. "Dixie Down," "Deal" and the last four songs of the second set all featured Adam Terrell (Assembly of Dust) on guitar.
This two-night run at Webster Hall doubled as the record release party for Bar 17. "Bar 17," "Guyute" and "Divided Sky" were performed by Trey on acoustic guitar accompanied by a Don Hart-conducted string quintet. The string quintet accompanied all of TAB for “Goodbye Head.” "Guyute" was the orchestral version. This setlist is unconfirmed as recordings of the performance do not circulate.
This two-night run at Webster Hall doubled as the record release party for Bar 17. "Bar 17," "Guyute" and "Divided Sky" were performed by Trey on acoustic guitar accompanied by a Don Hart-conducted string quintet. The string quintet accompanied all of TAB for “Goodbye Head.” "Guyute" was the orchestral version. This setlist is unconfirmed as recordings of the performance do not circulate.
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Steve Kimock (guitar); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Jeff Coffin (sax); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Steve Kimock (guitar); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Jeff Coffin (sax); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This two-night run at Webster Hall doubled as the record release party for Bar 17. Tom Marshall provided vocals on the TAB debut of “Skip the Goodbyes,” an Amfibian original. “Love Is Freedom” and “Divided Sky” were performed by Trey on acoustic guitar accompanied by a Don Hart-conducted string quintet. The string quintet accompanied all of TAB for “Goodbye Head.” “Divided Sky” was played as a birthday present for Trey’s mom, who was in attendance. The crowd subsequently sang “Happy Birthday” to her during the pause in the song. The string quintet returned to accompany the full band from “Shadow” through “Cincinnati.”
This two-night run at Webster Hall doubled as the record release party for Bar 17. Tom Marshall provided vocals on the TAB debut of “Skip the Goodbyes,” an Amfibian original. “Love Is Freedom” and “Divided Sky” were performed by Trey on acoustic guitar accompanied by a Don Hart-conducted string quintet. The string quintet accompanied all of TAB for “Goodbye Head.” “Divided Sky” was played as a birthday present for Trey’s mom, who was in attendance. The crowd subsequently sang “Happy Birthday” to her during the pause in the song. The string quintet returned to accompany the full band from “Shadow” through “Cincinnati.”
This show consisted largely of improvised music (in addition to the songs listed above) performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Steve Kimock (guitar); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Jeff Coffin (sax); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music (in addition to the songs listed above) performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Steve Kimock (guitar); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Jeff Coffin (sax); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music (including "Instant Karma!") performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Steve Kimock (guitar); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Jeff Coffin (sax); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music (including "Instant Karma!") performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Steve Kimock (guitar); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Jeff Coffin (sax); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Julee Avallone (flute); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Julee Avallone (flute); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Julee Avallone (flute); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Julee Avallone (flute); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Julee Avallone (flute); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Julee Avallone (flute); Jamie Janover (hammered dulcimer); Peter Apfelbaum (sax, flute, percussion); Jamie Masefield (mandolin); Asher Fulero (keyboards); Scott Law (guitar); and Reed Mathis (bass).
SET 1:
The Neighborhood,
Don't Worry Baby,
Short Side of Nothing,
The Town,
Luz De Mi Vida,
Angel Dance,
Hold On,
Georgia Slop,
Chuco's Cumbia,
Everybody Loves a Train,
Kiko and the Lavender Moon,
Let's Say Goodnight,
I'm Gonna Be a Wheel Someday,
Anselma,
Marica Christina,
The Road To Gila Bend[1],
Mas y Mas[1],
I Got Loaded[1],
Not Fade Away[1] >
Bertha[1]
ENCORE:
Chains of Love,
Don't Keep Me Wonderin'
Trey joined Los Lobos on guitar from "The Road to Gila Bend" through "Bertha." "I Got Loaded" contained "Lovelight" quotes.
Trey joined Los Lobos on guitar from "The Road to Gila Bend" through "Bertha." "I Got Loaded" contained "Lovelight" quotes.
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