SET 1:
Peace on Earth...Mother Earth...Third Stone from the Sun,
Somewhere in Heaven,
Batuka >
No One to Depend On,
Capri,
Savor,
Jam,
Black Magic Woman/Gypsy Queen,
Oye Como Va,
Elmore's Boogie,
Blues for Salvador,
Angels All Around Us >
Spirits Dancing in the Flesh,
Make Somebody Happy,
Free All the People (South Africa),
Get It in Your Soul >
Toussaint L'Ouverture
ENCORE:
Soul Sacrifice,
Exodus
After opening for them, all of the members of Phish sat in for Elmore's Boogie and Trey was a guest for Blues for Salvador. Oye Como Va contained Eleanor Rigby and Owner of a Lonely Heart teases and an El Pito (I'll Never Go Back to Georgia) tease and quote. Fish performed on washboard for Elmore's Boogie, which contained Blue Monk teases from Trey and Carlos.
After opening for them, all of the members of Phish sat in for Elmore's Boogie and Trey was a guest for Blues for Salvador. Oye Como Va contained Eleanor Rigby and Owner of a Lonely Heart teases and an El Pito (I'll Never Go Back to Georgia) tease and quote. Fish performed on washboard for Elmore's Boogie, which contained Blue Monk teases from Trey and Carlos.
Page, Fish and Dave Grippo performed for the entire show. Working On a Building also featured Trey on guitar. The end of Sitting on Top of the World contained a Call to the Post tease. The Jam preceding Yield Not to Temptation included a Flintstones theme tease from Oteil. Davy Crockett contained a Dixie tease. Believe I... contained a Pop Goes the Weasel tease.
Page, Fish and Dave Grippo performed for the entire show. Working On a Building also featured Trey on guitar. The end of Sitting on Top of the World contained a Call to the Post tease. The Jam preceding Yield Not to Temptation included a Flintstones theme tease from Oteil. Davy Crockett contained a Dixie tease. Believe I... contained a Pop Goes the Weasel tease.
SET 1:
No One to Blame,
Salty Dog,
Shoeless Joe,
Compared to What?,
Poor Boy Blues,
Temptation,
Working On a Building,
Zambi[1],
Sitting on Top of the World[1],
Come on Home[1]
Zambi through Come on Home featured Page on keyboards during ARU’s set opening for Phish.
Zambi through Come on Home featured Page on keyboards during ARU’s set opening for Phish.
Phish was the opening act on this bill that was headlined by Buckwheat Zydeco. Trey sat in for Juke Joint Johnny. This performance was taped for later airing on the public radio program Mountain Stage.
Phish was the opening act on this bill that was headlined by Buckwheat Zydeco. Trey sat in for Juke Joint Johnny. This performance was taped for later airing on the public radio program Mountain Stage.
Ryth McFeud opened for Phish, and Trey sat in for their version of Light Up or Leave Me Alone. The song circulates on many recordings of that evening’s Phish show.
Ryth McFeud opened for Phish, and Trey sat in for their version of Light Up or Leave Me Alone. The song circulates on many recordings of that evening’s Phish show.
SET 1:
Brother John,
Mulling It Over,
Ivory Tusk,
But Anyway,
Slow Change,
What's For Breakfast,
Mother Funker,
100 Years,
Alone,
Sweet Talking Hippie[1]
SET 1:
Trust in Trust >
Dropping Some NYC,
Mulling It Over,
As We Wonder,
Gina,
Gotta Get Mean >
Gloria >
Gotta Get Mean,
But Anyway,
Hard to Exist,
Love of My Life,
The Best Part,
100 Years,
Alone >
Sweet Talking Hippie,
Mother Funker[1]
ENCORE:
Johnny B. Goode
Trey and Page, in town for Phish’s performance at the University of Wisconsin the following evening, sat in for Mother Funker.
Trey and Page, in town for Phish’s performance at the University of Wisconsin the following evening, sat in for Mother Funker.
SET 1:
Trust in Trust >
Sweet Talkin' Hippie,
Weird Chick >
Mullin' It Over,
Gina,
Gotta Get Mean >
Gloria[1] >
Gotta Get Mean,
Crystal Flame,
But Anyway,
Mountain Cry
Phish opened this show. During Blues Traveler’s closing set, Trey sat in on guitar and vocals for Gloria.
Phish opened this show. During Blues Traveler’s closing set, Trey sat in on guitar and vocals for Gloria.
SET 1:
Rock Me Baby,
Mulling It Over,
Weird Chick,
Out of My Hands >
Gina,
Optimistic Thought,
But Anyway,
Slow Change,
Mountain Cry,
Come Together,
Mother Funker
SET 2:
The Best Part,
Love of My Life,
100 Years,
Alone
During the summer of '89, the members of Phish as well as Russell Remington and others performed a weekly series of performances of jazz standards under the moniker "The Johnny B. Fishman Jazz Ensemble." This is the only specific known date and was first reported by phish.com. There is no known recording or setlist.
During the summer of '89, the members of Phish as well as Russell Remington and others performed a weekly series of performances of jazz standards under the moniker "The Johnny B. Fishman Jazz Ensemble." This is the only specific known date and was first reported by phish.com. There is no known recording or setlist.
This is likely the first time members of Phish performed publicly on New Year’s Eve. A booking company telephoned The Joneses on New Year’s Eve and asked them if they could play a last-minute show. Apparently not all members of the band were in town so they added Trey and Page and played the show as a combination of the two bands, called “The Phones.” The lineup included Trey on guitar, Page on keys, Steve Drebber on drums, Dan Pine on drums, Tim “T.J.” Johnston on bass, and Mark Jensen on percussion. Sound was engineered by Garrett Mead. While a setlist is not available, it is known that the show included Eyes of the World, Grapevine (I Heard it Through the...), and a Bachman-Turner Overdrive song.
This is likely the first time members of Phish performed publicly on New Year’s Eve. A booking company telephoned The Joneses on New Year’s Eve and asked them if they could play a last-minute show. Apparently not all members of the band were in town so they added Trey and Page and played the show as a combination of the two bands, called “The Phones.” The lineup included Trey on guitar, Page on keys, Steve Drebber on drums, Dan Pine on drums, Tim “T.J.” Johnston on bass, and Mark Jensen on percussion. Sound was engineered by Garrett Mead. While a setlist is not available, it is known that the show included Eyes of the World, Grapevine (I Heard it Through the...), and a Bachman-Turner Overdrive song.
This list is likely incomplete, and the date may be incorrect. This is the only show by Space Antelope documented by a recording in circulation, though there were likely other gigs. The Jam that preceded Walk on the Wild Side contained part of what would become the Arrival segment of Fluff's Travels.
This list is likely incomplete, and the date may be incorrect. This is the only show by Space Antelope documented by a recording in circulation, though there were likely other gigs. The Jam that preceded Walk on the Wild Side contained part of what would become the Arrival segment of Fluff's Travels.
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