Trey performed NICU through Bathtub Gin solo acoustic. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things through Hey Ya! saw Trey on acoustic with full TAB; the balance of the gig was full electric TAB. Trey played Strange Design in honor of the end of the tour and for his excitement to be going home to see his daughters the next morning.
Trey performed NICU through Bathtub Gin solo acoustic. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things through Hey Ya! saw Trey on acoustic with full TAB; the balance of the gig was full electric TAB. Trey played Strange Design in honor of the end of the tour and for his excitement to be going home to see his daughters the next morning.
Trey performed Chalk Dust through Wilson solo acoustic. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. Before Theme, Trey talked about all four members of Phish living in an apartment off Vine near The Viper Room while recording Hoist "in 1989"; the audience corrected him (repeatedly) that this was in 1994, not 1989. After Theme, Trey expressed further confusion by suggesting that Rift was released in 1996 instead of 1993. Dragonfly was played by request "because you guys have been yelling for it all night."
Trey performed Chalk Dust through Wilson solo acoustic. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. Before Theme, Trey talked about all four members of Phish living in an apartment off Vine near The Viper Room while recording Hoist "in 1989"; the audience corrected him (repeatedly) that this was in 1994, not 1989. After Theme, Trey expressed further confusion by suggesting that Rift was released in 1996 instead of 1993. Dragonfly was played by request "because you guys have been yelling for it all night."
The first set was Trey solo acoustic except Wading (Trey acoustic with Jen and Natalie), Stealing Time (Trey acoustic with Jen, Natalie, and Russ Remmington), Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB).
The first set was Trey solo acoustic except Wading (Trey acoustic with Jen and Natalie), Stealing Time (Trey acoustic with Jen, Natalie, and Russ Remmington), Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB).
Trey performed Farmhouse through Strange Design solo acoustic. Lawn Boy featured Trey on acoustic with Russell and Tony. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. After Farmhouse, Trey noted that it was great to be in Denver, where if he wanted any nugs he could just go a few doors down the block and buy some. Timber (Jerry the Mule) was a Trey debut. Before the Trey debut of Tube, Trey told the story of the common origin of Tube and Gumbo: he and Fish were roommates in 1985, where Fish would leave his personal journals around the house; Trey would read them when Fish was away and write songs to them. Before Gumbo, Trey told of Fishman's wheatgrass obsession and his "wheatgrass enema."
Trey performed Farmhouse through Strange Design solo acoustic. Lawn Boy featured Trey on acoustic with Russell and Tony. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. After Farmhouse, Trey noted that it was great to be in Denver, where if he wanted any nugs he could just go a few doors down the block and buy some. Timber (Jerry the Mule) was a Trey debut. Before the Trey debut of Tube, Trey told the story of the common origin of Tube and Gumbo: he and Fish were roommates in 1985, where Fish would leave his personal journals around the house; Trey would read them when Fish was away and write songs to them. Before Gumbo, Trey told of Fishman's wheatgrass obsession and his "wheatgrass enema."
The first set was Trey solo acoustic except Let Me Lie through Wading (Trey acoustic with Jen and Natalie), Heavy Things through Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB). Wading was dedicated to Tom Marshall.
The first set was Trey solo acoustic except Let Me Lie through Wading (Trey acoustic with Jen and Natalie), Heavy Things through Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB). Wading was dedicated to Tom Marshall.
Sample in a Jar through Backwards Down the Number Line were solo acoustic by Trey. Hey Ya! was performed acoustic by Trey with the rest of TAB joining him.
Sample in a Jar through Backwards Down the Number Line were solo acoustic by Trey. Hey Ya! was performed acoustic by Trey with the rest of TAB joining him.
Backwards Down the Number Line through Down with Disease were performed solo acoustic by Trey. Heavy Things through Let Me Lie were performed acoustic by Trey with the rest of TAB joining him.
Backwards Down the Number Line through Down with Disease were performed solo acoustic by Trey. Heavy Things through Let Me Lie were performed acoustic by Trey with the rest of TAB joining him.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Liquid Time, Heavy Things, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Wilson contained “a shout out to the King of Prussia Mall, the greatest mall in the northeast.” Twenty Years Later was a TAB debut.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Liquid Time, Heavy Things, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Wilson contained “a shout out to the King of Prussia Mall, the greatest mall in the northeast.” Twenty Years Later was a TAB debut.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Heavy Things, Peggy, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Down with Disease, Meatstick, My Problem Right There, and Empire State of Mind were all TAB debuts. Camel Walk was dedicated to Fish, included a “going downtown to Morocco” alternate lyric and was noted to be “the shortest version of that song ever.” Cavern included the alternate “bitch” / “dung” lyrics. Gotta Jibboo included a Streets of Cairo tease. After Burn That Bridge, Trey noted the song's co-author, Amanda Green, and the "Hands on a Hard Body" play for which the song was written.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Heavy Things, Peggy, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Down with Disease, Meatstick, My Problem Right There, and Empire State of Mind were all TAB debuts. Camel Walk was dedicated to Fish, included a “going downtown to Morocco” alternate lyric and was noted to be “the shortest version of that song ever.” Cavern included the alternate “bitch” / “dung” lyrics. Gotta Jibboo included a Streets of Cairo tease. After Burn That Bridge, Trey noted the song's co-author, Amanda Green, and the "Hands on a Hard Body" play for which the song was written.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Let Me Lie and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. After PYITE, Trey noted that he liked the room, even better than “the one across the street” (Boston’s House of Blues is directly across the street from Fenway Park). Strange Design was dedicated to Trey’s wife, Sue, and eldest daughter, Eliza, who were both in attendance; the song itself was stopped and re-started. Carini and Shine a Light were TAB debuts. Lawn Boy was dedicated to Kris Kristofferson, Page, and Janis Joplin.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Let Me Lie and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. After PYITE, Trey noted that he liked the room, even better than “the one across the street” (Boston’s House of Blues is directly across the street from Fenway Park). Strange Design was dedicated to Trey’s wife, Sue, and eldest daughter, Eliza, who were both in attendance; the song itself was stopped and re-started. Carini and Shine a Light were TAB debuts. Lawn Boy was dedicated to Kris Kristofferson, Page, and Janis Joplin.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Black (with Jen, Natalie and Ray), Valentine, and Devil Went Down to Georgia (full TAB with Trey on acoustic). The second set and encore was electric TAB. Before Backwards Down the Number Line, Trey noted that the song was written “right down the road from here.” After Limb By Limb, Trey offered that the line “tossed with the salad and bailed with the hay” was his all-time favorite Tom Marshall lyric. Guelah Papyrus, Halley’s Comet, and Ocelot were all Trey solo debuts. There was a brief P.A. drop-out at the beginning of Done Done It. Clint Eastwood was a TAB debut. Windora Bug contained alternate lyrics about bumblebees and Batman.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Black (with Jen, Natalie and Ray), Valentine, and Devil Went Down to Georgia (full TAB with Trey on acoustic). The second set and encore was electric TAB. Before Backwards Down the Number Line, Trey noted that the song was written “right down the road from here.” After Limb By Limb, Trey offered that the line “tossed with the salad and bailed with the hay” was his all-time favorite Tom Marshall lyric. Guelah Papyrus, Halley’s Comet, and Ocelot were all Trey solo debuts. There was a brief P.A. drop-out at the beginning of Done Done It. Clint Eastwood was a TAB debut. Windora Bug contained alternate lyrics about bumblebees and Batman.
The first set was Trey solo acoustic excepting Water in the Sky (with Jen and Natalie), Spin (with Jen, Natalie and Ray), Liquid Time, and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Theme, Cavern, Gumbo, and Hey Ya!” were all TAB debuts. After Kill Devil Falls, Trey told a story about the old Tree Café venue in Portland and how the back cover photo of Fishman on the vinyl Lawn Boy was taken backstage there.
The first set was Trey solo acoustic excepting Water in the Sky (with Jen and Natalie), Spin (with Jen, Natalie and Ray), Liquid Time, and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Theme, Cavern, Gumbo, and Hey Ya!” were all TAB debuts. After Kill Devil Falls, Trey told a story about the old Tree Café venue in Portland and how the back cover photo of Fishman on the vinyl Lawn Boy was taken backstage there.
This was a Hug Your Farmer benefit show with proceeds going to Pete's Greens. The farm, managed by Amy Skelton, had a barn burned down in a fire the previous month. This was a two set show. The setlist is unconfirmed, incomplete, and possibly out of order.
This was a Hug Your Farmer benefit show with proceeds going to Pete's Greens. The farm, managed by Amy Skelton, had a barn burned down in a fire the previous month. This was a two set show. The setlist is unconfirmed, incomplete, and possibly out of order.
Spiral and Exit Wound featured Julee Avalone on flute. The encore featured Jenny Hill on saxophone, Buford O'Sullivan on trombone, and Micah Deterville on trumpet. Idea was dedicated to Jared Slomoff.
Spiral and Exit Wound featured Julee Avalone on flute. The encore featured Jenny Hill on saxophone, Buford O'Sullivan on trombone, and Micah Deterville on trumpet. Idea was dedicated to Jared Slomoff.
Easy to Slip was a Mike Gordon debut. Fish sat in on a second drum kit from Easy to Slip through the end of the show. Makisupa Policeman contained quotes of Swingtown. This show was made available as a LivePhish download.
Easy to Slip was a Mike Gordon debut. Fish sat in on a second drum kit from Easy to Slip through the end of the show. Makisupa Policeman contained quotes of Swingtown. This show was made available as a LivePhish download.
This performance featured Trey on acoustic guitar and grand piano, with the Scorchio Quintet: Gregor Kitzis (violin), Maxim Moston (violin), Martha Mooke (viola), Leah Coloff (cello) and Kris Saebo (bass). After Summer of '89, Trey related how he had so many memories from this room, and that the first time he was here was in April 1970, when his parents took him to an anti-Vietnam War rally, his first concert ever, at six-years-old, and the band was, ironically, Country Joe and the Fish. Before Divided Sky, Trey noted that "one part of this song, the lyrics, were written in a field, right over there." Trey played grand piano on Bar 17, Gone, and Wolfman's Brother." Leah Coloff added additional vocals on Flock of Words. After Flock of Words, Trey acknowledged local resident and co-author Tom Marshall; he then noted that many of their songs had been written very close to the venue, including Glide. Tom provided additional vocals on Strange Design. Trey introduced the person responsible for many of his orchestral arrangements, Don Hart. Julie was a debut. Free MP3s of this performance are available at LivePhish.com (excepting Love Is Freedom, Water in the Sky, Brian and Robert, and Julie).
This performance featured Trey on acoustic guitar and grand piano, with the Scorchio Quintet: Gregor Kitzis (violin), Maxim Moston (violin), Martha Mooke (viola), Leah Coloff (cello) and Kris Saebo (bass). After Summer of '89, Trey related how he had so many memories from this room, and that the first time he was here was in April 1970, when his parents took him to an anti-Vietnam War rally, his first concert ever, at six-years-old, and the band was, ironically, Country Joe and the Fish. Before Divided Sky, Trey noted that "one part of this song, the lyrics, were written in a field, right over there." Trey played grand piano on Bar 17, Gone, and Wolfman's Brother." Leah Coloff added additional vocals on Flock of Words. After Flock of Words, Trey acknowledged local resident and co-author Tom Marshall; he then noted that many of their songs had been written very close to the venue, including Glide. Tom provided additional vocals on Strange Design. Trey introduced the person responsible for many of his orchestral arrangements, Don Hart. Julie was a debut. Free MP3s of this performance are available at LivePhish.com (excepting Love Is Freedom, Water in the Sky, Brian and Robert, and Julie).
Hap-Nappy and Dig Further Down contained Swingtown teases. Dig Further Down also contained a tease of The Godfather Love Theme. During The Void there was an impromptu on-stage dance competition with audience members.
Hap-Nappy and Dig Further Down contained Swingtown teases. Dig Further Down also contained a tease of The Godfather Love Theme. During The Void there was an impromptu on-stage dance competition with audience members.
Blinded By the Light was a Mike Gordon debut. Makisupa Policeman contained Swingtown teases. Main Title (The Godfather Waltz) was teased before Another Door.
Blinded By the Light was a Mike Gordon debut. Makisupa Policeman contained Swingtown teases. Main Title (The Godfather Waltz) was teased before Another Door.
This show featured the Mike Gordon debut of Funky Bitch. Susskind Hotel included quotes of Fly Like an Eagle. Tom teased The Fishin' Hole in Pretend. Hap-Nappy contained a Lemon Song tease. Tom teased Rhapsody in Blue in Rock Me Baby. This show was made available as a freeLivePhish soundboard.
This show featured the Mike Gordon debut of Funky Bitch. Susskind Hotel included quotes of Fly Like an Eagle. Tom teased The Fishin' Hole in Pretend. Hap-Nappy contained a Lemon Song tease. Tom teased Rhapsody in Blue in Rock Me Baby. This show was made available as a freeLivePhish soundboard.
This evening was billed as “The Mossery, a free-form musical event on the eve of the release of Mike Gordon’s new studio album Moss." The show was free but there were two separate admissions for each set. The first set featured a core of Mike on bass, Scott Murawski on guitar and Joe Russo (set one) and Todd Isler (set two) on drums, along with a revolving cast of audience members sitting in for each song.
This evening was billed as “The Mossery, a free-form musical event on the eve of the release of Mike Gordon’s new studio album Moss." The show was free but there were two separate admissions for each set. The first set featured a core of Mike on bass, Scott Murawski on guitar and Joe Russo (set one) and Todd Isler (set two) on drums, along with a revolving cast of audience members sitting in for each song.
SET 1:
Mouna Bowa,
Rocky Mountain Way[1],
Outside Inside[1],
Galactic >
'Round the Wheel,
Sometimes a River,
Who's That Lady,
Sitting on Top of the World,
I Know You Rider
ENCORE:
One Love
This show was a benefit for victims of the Fourmile Canyon Fire that also featured a Trey and Mike set, Leftover Salmon (with a guest appearance by Page), Big Head Todd and The Monsters and Yonder Mountain String Band (with Fish). Trey sat in with String Cheese Incident for Rocky Mountain Way and Outside Inside. Who's That Lady featured Todd Park Mohr. Sitting on Top of the World featured Drew Emmitt, Vince Herman, Andy Thorn, Tyler Grant, Bonnie Paine and Bill McKay. I Know Your Rider and One Love featured that same lineup, joined by Jeff Austin, Bill Payne, and Jeremy Lawton.
This show was a benefit for victims of the Fourmile Canyon Fire that also featured a Trey and Mike set, Leftover Salmon (with a guest appearance by Page), Big Head Todd and The Monsters and Yonder Mountain String Band (with Fish). Trey sat in with String Cheese Incident for Rocky Mountain Way and Outside Inside. Who's That Lady featured Todd Park Mohr. Sitting on Top of the World featured Drew Emmitt, Vince Herman, Andy Thorn, Tyler Grant, Bonnie Paine and Bill McKay. I Know Your Rider and One Love featured that same lineup, joined by Jeff Austin, Bill Payne, and Jeremy Lawton.
This show featured Trey and Mike on acoustics and was a benefit for victims of the Fourmile Canyon Fire that also featured Leftover Salmon (with a guest appearance by Page), Yonder Mountain String Band (with Fish), Big Head Todd and The Monsters and String Cheese Incident (with Trey). After Train Song, Trey noted that "the four of us have always thought of Colorado as a second home" and gave a call out to section 107 that was reserved for volunteer fire fighters who had fought the Fourmile Canyon fire.
This show featured Trey and Mike on acoustics and was a benefit for victims of the Fourmile Canyon Fire that also featured Leftover Salmon (with a guest appearance by Page), Yonder Mountain String Band (with Fish), Big Head Todd and The Monsters and String Cheese Incident (with Trey). After Train Song, Trey noted that "the four of us have always thought of Colorado as a second home" and gave a call out to section 107 that was reserved for volunteer fire fighters who had fought the Fourmile Canyon fire.
This performance was part of the Legally Prohibited From Being Funny on Television Tour. Trey joined Conan and his band on guitar and vocals for Alaska.
This performance was part of the Legally Prohibited From Being Funny on Television Tour. Trey joined Conan and his band on guitar and vocals for Alaska.
This performance was part of the Belfast Free Range Music Festival. Grant Green, Jr. sat in on guitar for Blues in the Closet and Compared to What? Col. Bruce Hampton added vocals on Compared to What?
This performance was part of the Belfast Free Range Music Festival. Grant Green, Jr. sat in on guitar for Blues in the Closet and Compared to What? Col. Bruce Hampton added vocals on Compared to What?
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