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Fish sat in for the entire show.
Fish sat in for the entire show.
This show occurred one day after The Great Went; as Fish noted, between the two gigs “the crowd went from 60,000 to 60.”
Mike sat in on bass for a 25-minute Whipping Post > Stranglehold.
Mike and Trey sat in with the Soulard Blues Band performing jazz and blues standards. There is no known setlist or circulating recording.
Fish sat in for one song. This gig was part of the Vermont Brewer’s Fest. No setlist is known and recordings do not circulate.
One Step Beyond opened.

SET 1: Never Too Late To Spend, Headache, Peter's Dad, Dirt [1], Big Bird, Only Shallow > The Noise of Carpet

SET 2: She's Not The One, Saw It Again[1], Timeless Melody, Stand! -> Izabella, 2000

ENCORE: Hello Violence, New York Groove [2]

This gig – the only public performance billed as 'New York!' – featured the debut of future Phish staples Dirt and Saw It Again. Page sat in on keyboards for New York Groove.
The Drovers opened.
Fish sat in on drums for Cissy Strut.

SET 1: She's Here > Six Days On The Road, When That Evening Sun Goes Down, Thoughts, Sadie, Devil's Heart > Jones > Calling Elvis > Signature

SET 2: Sailin' Shoes [1], Something Is Forming[1], Cecilia[1] > Wild Side[1] > Just a Rose[1] > Season of the Witch[1] > Just a Rose[1]

ENCORE: Ninety-Nine Years (and One Dark Day)

Mike performed on a second bass for the entire second set.

SET 1: Chalk Dust Torture, Suzy Greenberg, Their Song > Divided Sky > Their Song, Bathtub Gin, Frankenstein

SET 2: Their Song > Down with Disease, You Enjoy Myself > Their Song, Wilson [1], Funky Bitch[1], Rocky Top[1], NICU[1], Slave to the Traffic Light[1], Their Song, Poor Heart

ENCORE: Their Song[1]

Fish sat in on drums with this Phish cover band for Wilson through Slave to the Traffic Light as well as the encore.

SET 1: Don’t Want You No More > It's Not My Cross to Bear, Trouble No More, Ramblin' Man, Good Clean Fun, Hoochie Coochie Man, Don’t Keep Me Wonderin’, Seven Turns, Stand Back, Jessica

SET 2: You Don't Love Me, I Know I Oughta Leave, Blue Sky, End of the Line, Stormy Monday, No One to Run With, Southbound, High Falls

ENCORE: One Way Out [1]

Page and Duane Betts were guests on the encore One Way Out, with Page sharing Greg Allman’s keyboards.
This performance was as part of the 20th annual Ann Arbor Folk Festival that also featured Nanci Griffith, Leon Redbone and David Bromberg among many others. This was the only gig performed under the billing "The Drop Caps." This setlist is incomplete and unconfirmed.
After attending a ZZ Top show earlier in the evening at the Memphis Orpheum, Fish sat in with FreeWorld on drums for a portion of the second set of this late-night show. Phish was in town for a performance at Memphis’ Mid-South Coliseum the following night. There is no known setlist or circulating recording.
Mike and Page, in town for Phish’s performance of Talking HeadsRemain in Light the following evening, sat in for a portion of this late-night set.
Mike sat in on bass for the whole show. Fish sat in on washboard during the second set; the second set list is unknown.

Mike sat in on bass for the whole show. This show featured the debut of Weekly Time and the first known Mike Gordon vocal performances of Up, Up and Away and Last Child

This small club performance followed the weekend when Phish had performed before their largest audience to date, at The Clifford Ball.

After opening for them, all of the members of Phish sat in for the listed portion of Santana’s set, though the specific songs are not known.

SET 1: Dick Dogs [1], Exodus[1] > Get Up, Stand Up[1] > Exodus[1], Maggot Brain[1]

Phish's opening set was rained out. All the members of Phish sat in during Santana's set on the listed songs.
Trey sat in for the entire set, playing along with Sunspots’ guitarist Jim Kebodeaux. Garbage Can Woman featured Sunpie (on harmonica), Jim, and Trey sitting on the edge of the stage after Sunpie said: “I don’t think they can hear us. Let’s get out on the porch.” This performance was part of the New Orleans Jazz and Heritage Festival and took place on the Fais Do-Do Stage; Phish had performed earlier in the weekend on the Main Stage of JazzFest.
This gig took place during the New Orleans Jazz and Heritage Festival and was billed as "Jazz Funk of the Future." Trey, Page, and RJ Spangler sat in for the whole show. This setlist is incomplete; the listed songs were officially released in 2003 as Live at Jimmy's. Phish had performed earlier in the weekend on the main stage of JazzFest.
This setlist is incomplete. 
Trey joined Merl Saunders and the Rainforest Band on guitar from Built for Comfort through the end of the show. It's in the Air (Konfusion) included a Dixie tease from Trey. Dark Star was performed instrumental and included a China Cat Sunflower tease from Trey. I Feel Like Dynamite included a full-band Thank You (Falettinme Be Mice Elf Agin) tease. The rendition of We All Wanna Boogie from this show appears on the CD Merl Saunders With His Funky Friends: Live!
Surrender to the Air was an effort of Trey Anastasio to bring contemporary musicians together to improvise in the free form style of the jazz musician Sun Ra and the Sun Ra Arkestra. This performance, and the previous night were, in conjunction with the previous month’s release of the Surrender to the Air album. The two sets featured entirely improvisational music. In addition to the performers listed, Page sat in keyboards for the second set. This was the final performance at The Academy.
Surrender to the Air was an effort of Trey Anastasio to bring contemporary musicians together to improvise in the free form style of the jazz musician Sun Ra and the Sun Ra Arkestra. This performance, and the following night were, in conjunction with the previous month’s release of the Surrender to the Air album. The two sets featured entirely improvisational music.

SET 1: Jessica, You Don't Love Me, Ramblin' Man, Worried Down With The Blues, Tombstone Eyes, Stand Back, Statesboro Blues, Change My Way of Living

SET 2: Hoochie Coochie Man, Dreams, Back Where It All Begins, I Know I Oughta Leave, One Way Out [1], Southbound[1], True Gravity[1], Whipping Post[1]

Page filled in for an ailing Gregg Allman, playing keyboards on One Way Out through the end of the show. Gregg Allman had been in a minor motorcycle accident the day before the beginning of the annual ABB run at the Beacon. Gregg toughed it out in the first set, but didn’t feel well enough to finish the show. Page was attending the show, and while backstage during the intermission he was invited to fill in for the rest of the gig.

SET 1: In Harmony > Mystery Train, Dark Water, Emotional Railroad, Late in the Evening > If You Ask Me

SET 2: Louisiana Sun [1] > Wild Side[1] > Jessica[1] > Season of the Witch[1], Just a Rose[1]

ENCORE: 99 Years and One Dark Day, Back Porch Boogie Blues

Mike played rhythm guitar, as the only available bass was left-handed. He performed for the entire second set and was introduced as “Mike Jones” after Just a Rose.
This show marked the inauguration of a weekly series of musical performances at this venue named “Carmel’s Coffeehouse” in memory of Trey’s paternal grandmother, Carmel Musco Anastasio. Air Mail Special contained a Theme from The Brady Bunch tease.

SET 1: Think, Dracula, Henduck, Jelly Belly [1] > Is There Anybody Here That Love My Jesus?[1], The Lover, Lonely Avenue, Chubb Sub[1]

ENCORE: Crosstown Traffic

Trey sat in on guitar for Jelly Belly, Is There Anybody Here That Love My Jesus?, and Chubb Sub.
Big Joe and his band performed at the wedding reception of Page and Sofi Dillof. All four band members sat in at various points during this set, as did Page’s dad, Dr. Jack McConnell, singing Bill Bailey.
This set was part of the 14th annual Camp Creek gathering. Mike sat in on bass for the listed songs. 
The first three songs of the second set featured Mike on bass; Mike also sang lead on John Hardy.
J. Willis Pratt’s We're Bionic and The Dude of Life Band also performed in this triple-bill.
Spastic consisted of Fish on drums and vocals, Martin Guigui on keyboards and vocals; Tommy Lee Smith on guitar; and Aaron Hersey on bass and vocals.  
Trey and Fish sat in for the whole show. This gig featured a mix of the “North” and “South” Cosmic Krewe lineups. This list reflects portions of the two sets performed that evening and is likely out of order; many of the songs listed are included on Michael Ray and The Cosmic Krewe’s 2003 release, Live at Jimmy’s.

SET 1: Rogue Hair, Cherry Pickin’ Frog, Display of Grace, Rose Hill, Cut the Wave, Trina's Odyssey, Everything is Everything, Self, Big Heart > Pelican Jig, Happy Birthday, Intestinal Fortitude, Pumpkins

SET 2: Cabin Fever > Attack of the Rodeo Clown, Route 89, Make You My Bitch, The Bus, Sea Captain, Chooch DeLuke, Leading the Elephants, Stevie's Crib, Go-Kart, Llama

ENCORE: Weekapaug Groove Jam [1], Self[1]

This gig was for Mimi Fishman’s birthday bash; Mimi joined the band for Make You My Bitch. Later, Fish (Jon) joined the band for the encores.
Mike sat in on bass for the whole show, in place of Stacy Starkweather. Other guests at this gig included Paul Asbell, Dave Grippo, Jamie Masefield, and Gene White.
All Along the Watchtower featured Trey on guitar and John Popper on vocals.
Trey and Fish played the entire show. Mike performed during the second set on a one-string bass.
Trey sat in on the above songs.  This setlist is otherwise incomplete.

SET 1: Seek Up, #36, Dancing Nancies, The Best of What’s Around, Rhyme and Reason, Jimi Thing [1], Recently[1], Water Into Wine[1], Ants Marching[1]

ENCORE: Nature intro, Tripping Billies

Ugly Americans and Big Head Todd and the Monsters opened. Trey sat in on guitar from Jimi Thing through the end of the set.
Page sat in on keyboards for a portion of the second set. There is no known setlist or circulating recording.
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