This headlining performance was part of the Bear Creek Music Festival that also featured The Funky Meters, MSM&W, The New Mastersounds, Marco Benevento and Dumpstaphunk among many others. Before Sand, Trey introduced Tony Markellis and told the story of how they met, and of how Trey, Tony, and Russ Lawton wrote First Tube, Last Tube, and Sand on the first day they ever practiced together.
This headlining performance was part of the Bear Creek Music Festival that also featured The Funky Meters, MSM&W, The New Mastersounds, Marco Benevento and Dumpstaphunk among many others. Before Sand, Trey introduced Tony Markellis and told the story of how they met, and of how Trey, Tony, and Russ Lawton wrote First Tube, Last Tube, and Sand on the first day they ever practiced together.
Before Burn That Bridge, Trey joked that he wanted to say how genuinely happy he was to be playing here, without sounding like "Hello, Springton!" (from The Simpsons via Spinal Tap). This show marked the debut of Frost that Trey noted had been written by himself and Tom Marshall about a week previous.
Before Burn That Bridge, Trey joked that he wanted to say how genuinely happy he was to be playing here, without sounding like "Hello, Springton!" (from The Simpsons via Spinal Tap). This show marked the debut of Frost that Trey noted had been written by himself and Tom Marshall about a week previous.
This show was "A Vermont Flood Relief Benefit with Trey Anastasio Band.” This show featured the debuts of Snake Head Thumb and Winterqueen. Before Snake Head Thumb, Trey mentioned that the first TAB show (8 Foot Florescent Tubes, 4/17/98, at the old Winooski location) was only the second show ever at Higher Ground, and since they had been playing there for thirteen years, the next song would have a "13-year-long jam."
This show was "A Vermont Flood Relief Benefit with Trey Anastasio Band.” This show featured the debuts of Snake Head Thumb and Winterqueen. Before Snake Head Thumb, Trey mentioned that the first TAB show (8 Foot Florescent Tubes, 4/17/98, at the old Winooski location) was only the second show ever at Higher Ground, and since they had been playing there for thirteen years, the next song would have a "13-year-long jam."
This show marked the Mike Gordon debut of Down in the Flood. River Niger through Weekly Time featured Bob Wagner on second guitar. During setbreak, front of house engineer and bass tech Rachel Bischoff was proposed to on stage (she accepted).
This show marked the Mike Gordon debut of Down in the Flood. River Niger through Weekly Time featured Bob Wagner on second guitar. During setbreak, front of house engineer and bass tech Rachel Bischoff was proposed to on stage (she accepted).
15 Step contained Take Five teases from Mike. Susskind Hotel contained Midnight Rider and Swingtown teases. Tom teased theme to I Love Lucy and The Odd Couple theme in Mound.
15 Step contained Take Five teases from Mike. Susskind Hotel contained Midnight Rider and Swingtown teases. Tom teased theme to I Love Lucy and The Odd Couple theme in Mound.
After Another Door, Tom Cleary performed a mini "song" on the Kaossilator that he had written backstage before the show about that evening's Supermoon. Mike introduced The Void as a "song about the feeling the first person that ever walked on the moon had when taking that... step." Atlanta-fixture Col. Bruce Hampton provided vocals for Fixin' to Die."
After Another Door, Tom Cleary performed a mini "song" on the Kaossilator that he had written backstage before the show about that evening's Supermoon. Mike introduced The Void as a "song about the feeling the first person that ever walked on the moon had when taking that... step." Atlanta-fixture Col. Bruce Hampton provided vocals for Fixin' to Die."
This show was a co-bill with Galactic and both band's sets were streamed live on iclips. After Andelman's Yard, Mike wished everyone a "Happy SPD." After Walls of Time, Mike tossed a fan a Kaossilator to test out.
This show was a co-bill with Galactic and both band's sets were streamed live on iclips. After Andelman's Yard, Mike wished everyone a "Happy SPD." After Walls of Time, Mike tossed a fan a Kaossilator to test out.
Mike introduced the Leo Kottke original "Balloon" as a tribute to Leo, and offered that any audience member who could write a book report about what this song was about would get free tickets to the next five shows! Dumpstaphunk members Tony Hall, Ivan Neville, Ian Neville, and Raymond Weber sat in on Jaded though the end of the first set as well as the entire encore.
Mike introduced the Leo Kottke original "Balloon" as a tribute to Leo, and offered that any audience member who could write a book report about what this song was about would get free tickets to the next five shows! Dumpstaphunk members Tony Hall, Ivan Neville, Ian Neville, and Raymond Weber sat in on Jaded though the end of the first set as well as the entire encore.
An incomplete Mound ended the first set, was completed to begin the second set, and appeared later in the second set before and after the Mike Gordon debut of Got My Mojo Working. Susskind Hotel contained Rock On quotes.
An incomplete Mound ended the first set, was completed to begin the second set, and appeared later in the second set before and after the Mike Gordon debut of Got My Mojo Working. Susskind Hotel contained Rock On quotes.
Trey performed NICU through Bathtub Gin solo acoustic. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things through Hey Ya! saw Trey on acoustic with full TAB; the balance of the gig was full electric TAB. Trey played Strange Design in honor of the end of the tour and for his excitement to be going home to see his daughters the next morning.
Trey performed NICU through Bathtub Gin solo acoustic. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things through Hey Ya! saw Trey on acoustic with full TAB; the balance of the gig was full electric TAB. Trey played Strange Design in honor of the end of the tour and for his excitement to be going home to see his daughters the next morning.
Trey performed Chalk Dust through Wilson solo acoustic. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. Before Theme, Trey talked about all four members of Phish living in an apartment off Vine near The Viper Room while recording Hoist "in 1989"; the audience corrected him (repeatedly) that this was in 1994, not 1989. After Theme, Trey expressed further confusion by suggesting that Rift was released in 1996 instead of 1993. Dragonfly was played by request "because you guys have been yelling for it all night."
Trey performed Chalk Dust through Wilson solo acoustic. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. Before Theme, Trey talked about all four members of Phish living in an apartment off Vine near The Viper Room while recording Hoist "in 1989"; the audience corrected him (repeatedly) that this was in 1994, not 1989. After Theme, Trey expressed further confusion by suggesting that Rift was released in 1996 instead of 1993. Dragonfly was played by request "because you guys have been yelling for it all night."
The first set was Trey solo acoustic except Wading (Trey acoustic with Jen and Natalie), Stealing Time (Trey acoustic with Jen, Natalie, and Russ Remmington), Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB).
The first set was Trey solo acoustic except Wading (Trey acoustic with Jen and Natalie), Stealing Time (Trey acoustic with Jen, Natalie, and Russ Remmington), Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB).
Trey performed Farmhouse through Strange Design solo acoustic. Lawn Boy featured Trey on acoustic with Russell and Tony. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. After Farmhouse, Trey noted that it was great to be in Denver, where if he wanted any nugs he could just go a few doors down the block and buy some. Timber (Jerry the Mule) was a Trey debut. Before the Trey debut of Tube, Trey told the story of the common origin of Tube and Gumbo: he and Fish were roommates in 1985, where Fish would leave his personal journals around the house; Trey would read them when Fish was away and write songs to them. Before Gumbo, Trey told of Fishman's wheatgrass obsession and his "wheatgrass enema."
Trey performed Farmhouse through Strange Design solo acoustic. Lawn Boy featured Trey on acoustic with Russell and Tony. Let Me Lie featured Trey on acoustic with Jen and Natalie on backing vocals. Heavy Things and Liquid Time featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. After Farmhouse, Trey noted that it was great to be in Denver, where if he wanted any nugs he could just go a few doors down the block and buy some. Timber (Jerry the Mule) was a Trey debut. Before the Trey debut of Tube, Trey told the story of the common origin of Tube and Gumbo: he and Fish were roommates in 1985, where Fish would leave his personal journals around the house; Trey would read them when Fish was away and write songs to them. Before Gumbo, Trey told of Fishman's wheatgrass obsession and his "wheatgrass enema."
The first set was Trey solo acoustic except Let Me Lie through Wading (Trey acoustic with Jen and Natalie), Heavy Things through Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB). Wading was dedicated to Tom Marshall.
The first set was Trey solo acoustic except Let Me Lie through Wading (Trey acoustic with Jen and Natalie), Heavy Things through Hey Ya! (Trey acoustic with full TAB), and Push On (electric TAB). Wading was dedicated to Tom Marshall.
Sample in a Jar through Backwards Down the Number Line were solo acoustic by Trey. Hey Ya! was performed acoustic by Trey with the rest of TAB joining him.
Sample in a Jar through Backwards Down the Number Line were solo acoustic by Trey. Hey Ya! was performed acoustic by Trey with the rest of TAB joining him.
Backwards Down the Number Line through Down with Disease were performed solo acoustic by Trey. Heavy Things through Let Me Lie were performed acoustic by Trey with the rest of TAB joining him.
Backwards Down the Number Line through Down with Disease were performed solo acoustic by Trey. Heavy Things through Let Me Lie were performed acoustic by Trey with the rest of TAB joining him.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Liquid Time, Heavy Things, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Wilson contained “a shout out to the King of Prussia Mall, the greatest mall in the northeast.” Twenty Years Later was a TAB debut.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Liquid Time, Heavy Things, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Wilson contained “a shout out to the King of Prussia Mall, the greatest mall in the northeast.” Twenty Years Later was a TAB debut.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Heavy Things, Peggy, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Down with Disease, Meatstick, My Problem Right There, and Empire State of Mind were all TAB debuts. Camel Walk was dedicated to Fish, included a “going downtown to Morocco” alternate lyric and was noted to be “the shortest version of that song ever.” Cavern included the alternate “bitch” / “dung” lyrics. Gotta Jibboo included a Streets of Cairo tease. After Burn That Bridge, Trey noted the song's co-author, Amanda Green, and the "Hands on a Hard Body" play for which the song was written.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Heavy Things, Peggy, and “Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Down with Disease, Meatstick, My Problem Right There, and Empire State of Mind were all TAB debuts. Camel Walk was dedicated to Fish, included a “going downtown to Morocco” alternate lyric and was noted to be “the shortest version of that song ever.” Cavern included the alternate “bitch” / “dung” lyrics. Gotta Jibboo included a Streets of Cairo tease. After Burn That Bridge, Trey noted the song's co-author, Amanda Green, and the "Hands on a Hard Body" play for which the song was written.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Let Me Lie and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. After PYITE, Trey noted that he liked the room, even better than “the one across the street” (Boston’s House of Blues is directly across the street from Fenway Park). Strange Design was dedicated to Trey’s wife, Sue, and eldest daughter, Eliza, who were both in attendance; the song itself was stopped and re-started. Carini and Shine a Light were TAB debuts. Lawn Boy was dedicated to Kris Kristofferson, Page, and Janis Joplin.
The first set was Trey solo acoustic excepting Lawn Boy (with Russ Remington on tenor sax and Tony on bass), Let Me Lie and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. After PYITE, Trey noted that he liked the room, even better than “the one across the street” (Boston’s House of Blues is directly across the street from Fenway Park). Strange Design was dedicated to Trey’s wife, Sue, and eldest daughter, Eliza, who were both in attendance; the song itself was stopped and re-started. Carini and Shine a Light were TAB debuts. Lawn Boy was dedicated to Kris Kristofferson, Page, and Janis Joplin.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Black (with Jen, Natalie and Ray), Valentine, and Devil Went Down to Georgia (full TAB with Trey on acoustic). The second set and encore was electric TAB. Before Backwards Down the Number Line, Trey noted that the song was written “right down the road from here.” After Limb By Limb, Trey offered that the line “tossed with the salad and bailed with the hay” was his all-time favorite Tom Marshall lyric. Guelah Papyrus, Halley’s Comet, and Ocelot were all Trey solo debuts. There was a brief P.A. drop-out at the beginning of Done Done It. Clint Eastwood was a TAB debut. Windora Bug contained alternate lyrics about bumblebees and Batman.
The first set was Trey solo acoustic excepting Wading (with Jen and Natalie), Black (with Jen, Natalie and Ray), Valentine, and Devil Went Down to Georgia (full TAB with Trey on acoustic). The second set and encore was electric TAB. Before Backwards Down the Number Line, Trey noted that the song was written “right down the road from here.” After Limb By Limb, Trey offered that the line “tossed with the salad and bailed with the hay” was his all-time favorite Tom Marshall lyric. Guelah Papyrus, Halley’s Comet, and Ocelot were all Trey solo debuts. There was a brief P.A. drop-out at the beginning of Done Done It. Clint Eastwood was a TAB debut. Windora Bug contained alternate lyrics about bumblebees and Batman.
The first set was Trey solo acoustic excepting Water in the Sky (with Jen and Natalie), Spin (with Jen, Natalie and Ray), Liquid Time, and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Theme, Cavern, Gumbo, and Hey Ya!” were all TAB debuts. After Kill Devil Falls, Trey told a story about the old Tree Café venue in Portland and how the back cover photo of Fishman on the vinyl Lawn Boy was taken backstage there.
The first set was Trey solo acoustic excepting Water in the Sky (with Jen and Natalie), Spin (with Jen, Natalie and Ray), Liquid Time, and Hey Ya! (full TAB with Trey on acoustic). The second set and encore was electric TAB. Theme, Cavern, Gumbo, and Hey Ya!” were all TAB debuts. After Kill Devil Falls, Trey told a story about the old Tree Café venue in Portland and how the back cover photo of Fishman on the vinyl Lawn Boy was taken backstage there.
This was a Hug Your Farmer benefit show with proceeds going to Pete's Greens. The farm, managed by Amy Skelton, had a barn burned down in a fire the previous month. This was a two set show. The setlist is unconfirmed, incomplete, and possibly out of order.
This was a Hug Your Farmer benefit show with proceeds going to Pete's Greens. The farm, managed by Amy Skelton, had a barn burned down in a fire the previous month. This was a two set show. The setlist is unconfirmed, incomplete, and possibly out of order.
Spiral and Exit Wound featured Julee Avalone on flute. The encore featured Jenny Hill on saxophone, Buford O'Sullivan on trombone, and Micah Deterville on trumpet. Idea was dedicated to Jared Slomoff.
Spiral and Exit Wound featured Julee Avalone on flute. The encore featured Jenny Hill on saxophone, Buford O'Sullivan on trombone, and Micah Deterville on trumpet. Idea was dedicated to Jared Slomoff.
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