This show was a benefit for the Kristine Anastasio Manning Memorial Fund and featured the debuts of Liquid Time, All That Almost Was, The Birdwatcher, and Show of Life. Trey explained that All That Almost Was and Show of Life were collaborations with the Dude of Life that were written over the course of a sushi lunch on Trey’s iPhone FourTrack app. At the Gazebo was dedicated to everyone affected by cancer and the spirit of Kristy.
This show was a benefit for the Kristine Anastasio Manning Memorial Fund and featured the debuts of Liquid Time, All That Almost Was, The Birdwatcher, and Show of Life. Trey explained that All That Almost Was and Show of Life were collaborations with the Dude of Life that were written over the course of a sushi lunch on Trey’s iPhone FourTrack app. At the Gazebo was dedicated to everyone affected by cancer and the spirit of Kristy.
This show was a benefit for founding Little Feat drummer Richie Hayward, who had recently been diagnosed with liver cancer. Page sat in on keyboards for Spanish Moon and Skin It Back.
This show was a benefit for founding Little Feat drummer Richie Hayward, who had recently been diagnosed with liver cancer. Page sat in on keyboards for Spanish Moon and Skin It Back.
The Mike Gordon debut of Peggy-O featured Tara Nevins on fiddle and vocals. Crumblin' Bones, Weekly Time, and Swamp Music featured Guthrie Trapp on guitar.
The Mike Gordon debut of Peggy-O featured Tara Nevins on fiddle and vocals. Crumblin' Bones, Weekly Time, and Swamp Music featured Guthrie Trapp on guitar.
This show featured the Mike Gordon debuts of Wave the Ocean and Yield Not to Temptation. Yield Not to Temptation featured Col. Bruce Hampton on guitar. Nobody's Home and I'm Deranged featured Deji Coker on saxophone.
This show featured the Mike Gordon debuts of Wave the Ocean and Yield Not to Temptation. Yield Not to Temptation featured Col. Bruce Hampton on guitar. Nobody's Home and I'm Deranged featured Deji Coker on saxophone.
This performance was part of "Divine: Music for the Soul," a benefit concert for the Dhatri Foundation for Compassionate Integrative Health. The set featured two The Peace originals as well as a cover of Bob Marley and the Wailers' Coming in from the Cold.
This performance was part of "Divine: Music for the Soul," a benefit concert for the Dhatri Foundation for Compassionate Integrative Health. The set featured two The Peace originals as well as a cover of Bob Marley and the Wailers' Coming in from the Cold.
This performance was a benefit for the Kristine Anastasio Manning Memorial Fund and the New York Philharmonic. All songs featured featured Trey on acoustic and electric guitars with the New York Philharmonic orchestra conducted by Asher Fisch.
This performance was a benefit for the Kristine Anastasio Manning Memorial Fund and the New York Philharmonic. All songs featured featured Trey on acoustic and electric guitars with the New York Philharmonic orchestra conducted by Asher Fisch.
Drums featured Ken Lovelett on lap drum.The soundcheck for this show was broadcast live on Radio Woodstock WDST. Reid Genauer performed a solo acoustic set to open.
Drums featured Ken Lovelett on lap drum.The soundcheck for this show was broadcast live on Radio Woodstock WDST. Reid Genauer performed a solo acoustic set to open.
This show featured the debut of Spiral and three Mike Gordon debuts: Nobody's Home, Who By Fire, and God Put a Smile Upon My Face. Break Science featuring Adam Deitch opened.
This show featured the debut of Spiral and three Mike Gordon debuts: Nobody's Home, Who By Fire, and God Put a Smile Upon My Face. Break Science featuring Adam Deitch opened.
This tour-opening show featured the debuts of What Things Seem and Can't Stand Still and the Mike Gordon debuts of Swamp Music, The Field, Sarala, Intensified, and 15 Step. Marco Benevento and Joe Russo in for Sarala and Intensified. Marco Benevento opened.
This tour-opening show featured the debuts of What Things Seem and Can't Stand Still and the Mike Gordon debuts of Swamp Music, The Field, Sarala, Intensified, and 15 Step. Marco Benevento and Joe Russo in for Sarala and Intensified. Marco Benevento opened.
This previously unannounced free show took place on Mike's birthday; Mike sported a new bass given to him as a birthday gift from Page. Tara Nevins provided vocals for Peggy-O.
This previously unannounced free show took place on Mike's birthday; Mike sported a new bass given to him as a birthday gift from Page. Tara Nevins provided vocals for Peggy-O.
All songs featured featured Trey on acoustic and electric guitars with the Baltimore Symphony Orchestra conducted by BSO musical director Marin Alsop. "Water in the Sky" was performed in memory of the late Kristy Anastasio Manning and dedicated to her surviving son, Jason.
All songs featured featured Trey on acoustic and electric guitars with the Baltimore Symphony Orchestra conducted by BSO musical director Marin Alsop. "Water in the Sky" was performed in memory of the late Kristy Anastasio Manning and dedicated to her surviving son, Jason.
Mike joined Chris Barron for Ben's Looking Out the Window Blues and Gorilla Boy (along with John Popper on harmonica), then again later in the set for How Could You Want Him (When You Know You Could Have Me) (with John Popper on harmonica and Joe Russo on drums).
Mike joined Chris Barron for Ben's Looking Out the Window Blues and Gorilla Boy (along with John Popper on harmonica), then again later in the set for How Could You Want Him (When You Know You Could Have Me) (with John Popper on harmonica and Joe Russo on drums).
SET 1:
Little Martha,
Trouble No More,
Trouble No More,
Who’s Been Talking,
Black Hearted Woman,
Can’t Lose What You Never Had,
The Sky is Crying,
You Don’t Love Me,
Southbound[1]
This shiw was part of The Allman Brothers Band's 40th anniversary celebration run at The Beacon Theatre. "Southbound" featured Trey on guitar and vocals, Page on keyboards, Buddy Guy on guitar and vocals, and James van de Bogert on drums. I Know You Rider featured Trey on guitar and vocals and Page on keyboards. In Memory of Elizabeth Reed featured Trey on guitar and Page on keyboards.
This shiw was part of The Allman Brothers Band's 40th anniversary celebration run at The Beacon Theatre. "Southbound" featured Trey on guitar and vocals, Page on keyboards, Buddy Guy on guitar and vocals, and James van de Bogert on drums. I Know You Rider featured Trey on guitar and vocals and Page on keyboards. In Memory of Elizabeth Reed featured Trey on guitar and Page on keyboards.
This show featured the Mike Gordon debut of Living for the City. Takin' It to the Streets contained Midnight Rider and Fanfare for the Common Man teases. Bow Thayer & Perfect Trainwreck opened.
This show featured the Mike Gordon debut of Living for the City. Takin' It to the Streets contained Midnight Rider and Fanfare for the Common Man teases. Bow Thayer & Perfect Trainwreck opened.
Bow Thayer & Perfect Trainwreck opened. This show included the Mike Gordon debut of "Suskind Hotel" and the Max Creek original "Willow Tree," as well as the debut of "Only a Dream."
Bow Thayer & Perfect Trainwreck opened. This show included the Mike Gordon debut of "Suskind Hotel" and the Max Creek original "Willow Tree," as well as the debut of "Only a Dream."
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Kofi Burbridge (flute); Michael Kang (mandolin, fiddle); Eric Krasno (guitar); Nigel Hall (vocals); and Janis Wallin (bass).
This show consisted largely of improvised music performed by multiple combinations of musicians. The main participants for this show were: Fish (drums); Matt Butler (conductor, percussion); Kofi Burbridge (flute); Michael Kang (mandolin, fiddle); Eric Krasno (guitar); Nigel Hall (vocals); and Janis Wallin (bass).
Before Water in the Sky, Trey referenced the upcoming Phish Hampton reunion shows, saying he was going to take his tent to the parking lot and camp out until March. Trey preformed Water in the Sky through Sample in a Jar solo acoustic. Burlap Sack and Pumps was played “for all the women... we don’t care what you’re wearing, as long as you have nice shoes.”
Before Water in the Sky, Trey referenced the upcoming Phish Hampton reunion shows, saying he was going to take his tent to the parking lot and camp out until March. Trey preformed Water in the Sky through Sample in a Jar solo acoustic. Burlap Sack and Pumps was played “for all the women... we don’t care what you’re wearing, as long as you have nice shoes.”
Cayman Review contained a Streets of Cairo tease from Trey. After Drifting, the audience began chanting “Let’s go, Phillies” (this show took place on an off-day between Games 2 and 3 of the World Series leading to a “Charge!” tease from Ray at the beginning of the ensuing Gotta Jibboo.
Cayman Review contained a Streets of Cairo tease from Trey. After Drifting, the audience began chanting “Let’s go, Phillies” (this show took place on an off-day between Games 2 and 3 of the World Series leading to a “Charge!” tease from Ray at the beginning of the ensuing Gotta Jibboo.
Trey performed Sample in a Jar, Wilson, and Bathtub Gin solo acoustic. During Gin, Trey took a break to note that Mike had been texting him from the hospital and that Mike’s wife Sue was giving birth (to their first daughter, Tessa) “at that very moment.” Since she was not yet named, Trey dedicated the song to “Dave Human.”
Trey performed Sample in a Jar, Wilson, and Bathtub Gin solo acoustic. During Gin, Trey took a break to note that Mike had been texting him from the hospital and that Mike’s wife Sue was giving birth (to their first daughter, Tessa) “at that very moment.” Since she was not yet named, Trey dedicated the song to “Dave Human.”
Trey performed Water in the Sky through Back on the Train solo acoustic. First Tube featured Scott Murawski on guitar, Oteil Burbridge on bass, and Bill Kreutzmann on drums.
Trey performed Water in the Sky through Back on the Train solo acoustic. First Tube featured Scott Murawski on guitar, Oteil Burbridge on bass, and Bill Kreutzmann on drums.
This show was a benefit for the Seven Below Arts Initiative (which Trey mentioned at the end of the first set) and featured the debut of Ruby Waves. Sweet Dreams Melinda was played at Tony’s request. Moesha was played by request, though Trey warned the crowd that he hadn’t played the song in five years and didn’t know all the words but would “make them up and then you guys can go on the internet and rag on me.”
This show was a benefit for the Seven Below Arts Initiative (which Trey mentioned at the end of the first set) and featured the debut of Ruby Waves. Sweet Dreams Melinda was played at Tony’s request. Moesha was played by request, though Trey warned the crowd that he hadn’t played the song in five years and didn’t know all the words but would “make them up and then you guys can go on the internet and rag on me.”
After Peggy, Trey made reference to his “legal entanglements” and said that he had to move to the Albany area as a result. He told the audience that if they heard any new songs they “could damn well bet they were written in your backyard.” Trey performed Brian and Robert through Bathtub Gin solo acoustic.
After Peggy, Trey made reference to his “legal entanglements” and said that he had to move to the Albany area as a result. He told the audience that if they heard any new songs they “could damn well bet they were written in your backyard.” Trey performed Brian and Robert through Bathtub Gin solo acoustic.
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