In the “real world,” alpine holds a different meaning: mountain slopes, evergreens; otherwise peaceful, placid, serene - much like the drive through waving, rolling corn fields and green cow pastures that leads into the venue. But in our world, the other real world, Alpine means something a bit different; fire, energy, the summit, not the slopes. The final three shows of summer tour have led us here, to the fire, to the summit – to Alpine.
[Thank you Brad Krompf (@bradkrompf) for recapping last night's show at the Mohegan Sun. Please note that the opinions expressed by a recapper for a show on this blog are not necessarily those of any volunteer who works on Phish.net. We are all fans with varying opinions, just like you. -Ed]
It was about 7:30pm and we found ourselves in a ridiculously long line of relaxed people, coming in from a long day at the pool, gambling, or a number of other similarly incredible ways to spend a random Wednesday. I’m not certain if Mohegan N1 had an overwhelming amount of flow, but the entire “weekend” (which is what it felt like) had enough overflow to make up for it. Perhaps that overflow would spill into the arena tonight. Proudly donning my Hartford Whalers t-shirt, I was more patient waddling through the security line than I would’ve guessed. We had good friends around us, and despite growing up in Connecticut for my entire childhood, last night was the first time in at least 15 years I had slept there.
We got past security around 8:10 and ran when we heard the opening notes of “Buried Alive.” Without question the Phish from Vermont came to party and so did the crowd.
[Thank you @bl002e (Brian Levine) for recapping last night's show in Uncasville, CT. Please note that the opinions expressed by a recapper for a show on this blog are not necessarily those of any volunteer who works on Phish.net. We are all fans with varying opinions, just like you. -Ed]
The core of any game you’ll find in a casino is mathematics. Every card or die is given a numerical value. Vital to any winning strategy is knowing the percentages of probability. Personally, I’m not much of a gambler. However, as a big fan and participant of the maths, here’s a fun fact for my fellow numberphiles: last night marked the first time in exactly three years that Phish played a show in the Nutmeg State, continuing their 2010s trend of only playing Connecticut in years divisible by three (2010, 2013, 2016, 2019; three is indeed everywhere.) Moreover, it had been over 19 years since a CT venue made its debut; the following year saw the grand opening of Mohegan Sun Arena, our host for last night’s Phish show.
[Thank you @aisincl (Andrew Sinclair) for recapping last night's show in Boston, MA. Please note that the opinions expressed by a recapper for a show on this blog are not necessarily those of any volunteer who works on Phish.net. We are all fans with varying opinions, just like you. -Ed]
Seems that Most Events Aren’t Planned. Tonight once again reminded us to Surrender to the Flow, as the Phish from Vermont played an absolute heater of a show, in a unique environment (39,000 capacity shrine to Baseball) and with some unique meteorological ingredients.
[Thank you @jmart (Josh Martin) for recapping last night's show in Boston, MA -Ed.]
It’s your old pal Marty. First thing's first: I've been instructed to be explicit about the fact that this is a couch tour recap, so, you know, Caveat Emptor, etc. Onward.
When last we spoke, I was busy drooling over that Charlotte 6/21 show. Guess what? I’ve listened to the whole thing at least three times since then and to my ear it still stands up as the show of the tour and “Runaway Jim” the jam of the tour. More on those distinctions in a second.
After Charlotte we were treated to six solid shows from Merriweather, Bangor, and Camden, each with its own individual moments (the "Simple" from the first night of Bangor1 and the "Mercury" from Camden1 definitely belong in the conversation of notable jams.) Reports from the run at Camden varied wildly, with some folks saying the second night was a true heater to others saying it was one of the worst Phish shows in years. As with all things, the truth is probably somewhere in between.
Back at SPAC for night two and the last show of the 2019 summer tour run in Saratoga Springs. Weather pretty much the same as the previous night, high 80ºs, hazy sun, if a bit more humid and less breezy than Tuesday. Unlike night one, we got into the venue about an hour or so earlier so we could check out SPAC’s continually improving food and beverage selections (the former cheerless fencedâ€‘in, dirtâ€‘grounded “beer garden” quarantine zone being thankfully but a bad memory) and hang out in the picnic area at the back of the lawn to sit down, eat, drink and hang a while with some other random newfound tour friends.
With the exception of MSG (60 shows) and Dick’s (27 shows), SPAC (22 shows) is Phish’s most played venue (other than Burlington’s Nectar’s and The Front, neither played since 1991). Kat and I have been to 21 SPAC shows, missing only the first, 7/27/1992, when Phish did a short set opening for Santana. That was before we first got on the Phish bus in the spring and summer of the following year. Last night’s show was our 122nd show, give or take, since 1993.
[Thank you Dianna Hank user @Dianna_2Ns for recapping last night's show in Camden, NJ. -Ed.]
Several times over the course of my Phish-seeing career, the band has played a show that the vast majority of the fanbase has lost their collective (pebbles and) marbles over that I thought was just ok/good. Last night was one of those shows.
Summer Tour 2019 is the first actual tour since the creation of 10 Kasvot Vaxt iRokk songs and 21 Ghosts of the Forest songs. Assuming that all GOTF songs are on the table, that’s 31 new songs. What does a shit ton of new material mean? Huge risks, huge rewards.
I see two divergent forces driving Trey at this moment. On the one hand, he’s creating new music and always pushing forward and trying hard to make all of the new tunes work with his band. If you watch “Between Me and My Mind,” you’ll see how hard Trey works to get the rest of the band on board with his ideas, musically and otherwise. I think you can feel that this tour, particularly with the GOTF songs. This hard work is always present and recognizable.
And then there’s the flip side, the trying to let go. As Trey said in the recent New York Times interview, “I do as much preparation as I can, but once everybody gets in the room, I let go.”
[We would like to thank Jeremy Willinger, @Jeremy8698, for recapping last night's show. Please note that the opinions expressed by a recapper for a show on this blog are not necessarily those of any volunteer who works on Phish.net. We are all fans with varying opinions, just like you. -Ed]
Let’s assume that when Noah built the ark, assembled the animals and launched the ship, it was a fairly wet and humid period. The animals came, on four legs, trudging through the thick, heavy air to reach salvation. The contemporary version took place in the gorgeous (?) confines of Camden, New Jersey, as wooks, bros, fans, phans and vets, walked two by two into the BB&T Pavillion amidst a greying sky and a rising temperature.
[Thank you William "Billy" Stark user @mikebomb24 for recapping last night's show in Bangor, Maine. -Ed.]
I had high hopes for Bangor night two. Summer tour has been relatively hot to date and Night one brought big jams in the “Down With Disease”, and “Simple.” I was certainly not alone in having a transcendent experience during the Type II “Limb by Limb”. On top of that Bangor seemed to be the perfect place to see a Phish show. The Northeastern Wookery was felt deeply, and tickets were almost too easy to come by with people miracling pits on lot. Driving deep into central Maine was certainly a treat, and as the pines multiplied in abundance and the Atlantic Ocean came into sight I experienced a tremendous amount of gratitude for Jonathan Fishman. The band could have profited more in a bigger venue elsewhere, but Fishmans dedication to his northern tribe is demonstrably deep. The music of phish feels at home in the north country, returning to the crucible of ice, snow, and forests in which it was originally forged in Vermont.
[Thank you Ben Harder user @BennyHa_Ha_Ha for recapping last night's show in Bangor, Maine. -Ed.]
Well it’s been a minute for me, and it’s been even longer than that for ME. My first show, at 15, was 12/11/95 at the Cumberland County Civic Center in Portland, and since that barn burner---which included Warren Haynes on both “Funky Bitch” and “While My Guitar Gently Weeps,” and even some Elvis homage (for the last venue he was set to play) in the form of a “Suspicious Minds”---I’ve attended a number of shows each year that the band has toured. My run came to an end on 12/31/17, after which I went zero (0) for 2018. Wudn’t pretty, wudn’t preferable, but I suspect that a number of you in the Old Guard know what it means to have to sit out a tour or more to give a child your undivided love and attention. But boy does the passion abide. Perhaps even more so than when I was taking multiple night runs for granted. I listened to every note of 2018 during my hiatus, and once I got beyond the butthurt and the self-pity (and believe me, I delved deep), I just had to marvel at a show like 10/26/18. Dick’s, the New Year’s run, Mexico, they were all gravy.
CD: Thank you so much for the 11/22/97 "Halley's Comet" "Anatomy of a Jam" film, it was very inspiring to watch, not just for many volunteers of phish.net but even for Jon Fishman, as you've seen from his post on Facebook about it. When did you begin writing and composing "Anatomy of a Jam" pieces and what inspired you to create them?
A: Thank you for the kind words! I’m truly blown away by the positive response and support from the Phish community.
[We would like to thank Cotter, the youngest fan ever to recap a show for this blog, for recapping last night's MPP2 show. -Ed.]
Phish means more to me than nearly any other aspect of my life, so the months leading up to any given show are filled with anticipation. I imagine I’m not alone in this sentiment, but my point of view may be different. Being a diehard Phish fan in high school is one hell of an experience. Be it the incessant checking of this very site in class, or even explaining to people that "no, I’m not in love with a water-dwelling animal, but instead with the magic four middle-aged rock stars produce." This leads to some pretty obnoxious scorns, but shows like last night make it worth it. The 40-minute drive north was chalk full of questions by my family on setlist predictions and song meanings, but that’s really not a problem, as I’ll proudly flaunt whatever knowledge such an obsession leads to. Now to the music.
Welcome to the 381st edition of Phish.Net's Mystery Jam Monday, the fourth and hardest of June. The winner will receive an MP3 download codes courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the songs and dates of the three mystery clips. The clips are connected by a theme, but the theme needn't be part of the correct answer. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Good luck!
Answer: Congratulations to @The_Blob! In addition to identifying a jam quite literally hot-off-the-presses mere hours before this puzzle went live, he correctly identified three recent Crosseyed & Painless jams from 6/23/19, 7/22/18, and 7/25/17 aka Jam-Filled. For his reflexes faster than our jam construction skills, he earns himself a code.
Note from the MJM Crew: MJM will be taking a roughly one month hiatus - your hosts need some time for R&R - so enjoy tour, and we'll see you all in August!
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