The Mockingbird Foundation (whose volunteers operate this site) will have a table on Friday night, January 31, 2020, at Great Scott in Allston, MA, where Garcia Peoples will perform (after an opening set by Owsley's Owls). Tickets for the gig are available here. Please stop by and say "hi" and consider making a donation to the cause of music education for children and young adults.
Welcome to the 401st edition of Phish.Net's Mystery Jam Monday, the final and easiest of January. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the mystery clip, selected by MJM Hall of Famer @schvice. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Good luck!
Synchronicity is when no observable cause connects two events, yet a meaning exists between them. In other words, these are your cases of real-life magic. They’re the moments that likely won’t rearrange the course of your life, but remind you that the cosmos are capable of playing little tricks to help you remember the mundane, in fact, does not always have to be so mundane.
The Mockingbird Foundation and our friends at Osiris present Mystery Jam Monday Part 400! For this momentous occassion - the 400th regular edition of the Mystery Jam Monday series, and the first puzzle of the decade - we've got the puzzles and prizes to match. Let's get down to the nitty gritty:
1. be the first (or second, or third) person to email the correct songs and dates of the four mystery jams below to this email address
2. each jam is connected to the next by a theme; you don't need to identify the themes to win, and the themes only connect consecutive jams (not all four)
3. every 72 hours or so, I'll provide another hint until it's been solved - THERE IS NO NEED FOR ANYONE ELSE TO PROVIDE HINTS, PLEASE (that means you, writes one of the answers on the blog bro)
4. EVERYONE, including MJM Hall of Famers, is welcome to participate in this MJM contest
1. first place will have first choice of one of the three prizes; second place will have second choice, and third place will win the remaining prize
2. the three prize options are:
a. one brand new copy of the limited edition Billy Breathes vinyl (RSD release 2018), courtesy of your host and the Mockingbird Foundation, autographed by Phish lyricist Tom Marshall (thanks Osiris!)
b. two screen printed posters (both the blue/red and the orange/blue) by Drew Millward for the 2016 New Year's Eve run at Madison Square Garden, courtesy of fellow MJM Hall of Famer, @wforwumbo, and the Mockingbird Foundation
c. one Osiris limited edition poster autographed by its cofounders, Tom Marshall and RJ Bee, courtesy of our friends at Osiris
3. all three winners will receive a LivePhish MP3 download code as well, courtesy of our friends at Nugs.net / LivePhish.com
[We would like to thank Cotter, the youngest fan ever to recap a show for this blog, for recapping last night's NYE show. (Note that he also recapped MPP2 in June 2019 for us.) Happy New Year's everyone! -Ed.]
Last night was the single most memorable night of my life. The tangible excitement surrounding the holy grail of all Phish shows was contagious as it spread from me, to my mom, my dad, and even my twelve-year-old brother, who’s first show was a three set show!
[Phish.net would like to thank Jeremy Willinger for recapping last night's show -ed]
I bought a brand new mini-notebook yesterday afternoon to record my impressions while jamming at MSG. At around 11:30PM last night I crammed a wrinkled, bent, stained, stack of paper that resembled a notebook back into my pocket. On the pages were various scribbles, time stamps, and ruminations that started off very legible and devolved into an alphabet soup of observances and compliments around the beginning of the second set, for some cold, cold, cold reason...
Let’s just get the overall review out of the way: This show was absolutely epic! It is a must listen - especially the second set - but the first set has gems, pleasers, and stunning musicianship all its own. Truly, 12/30/19 will be talked about in the pantheon of shows for the ages and reinforces why Phans will do whatever we can, and endure or inure any and all unforeseen circumstances to see this foursome again and again. Now, onto the show.
There are some dates that can quickly send a shiver down the spine of a Phish fan. For many, 12/29 is one of those dates. The amount of tremendous music that has been created on this night throughout the years is somewhat staggering, perhaps equaled or surpassed only by the following night. 12/29 is also a very personal date as it was on that night in 2013 that I got back into Phish after thirteen years. On a whim, I decided to watch the webcast. I was blown away by what I saw after being out of the game for so long. These guys were having FUN and it showed – no turning back from there!
So what would last night’s show bring? Would it yield one of the longest, zaniest jams ever like on 12/29/94? Would it contain some classic, joyful funk like on 12/29/97? Would it be an underrated hidden gem like 12/29/16? Or would it be an absolute scorcher like 12/29/18? As we should have known, it was none of those things. Because 12/29/19 was its own show, its own element, just like the nights before and after it…and that’s part of the beauty of it all.
After fortifying ourselves with delicious pizza and wine nearby, we headed over to the venue. The vibe inside was all smiles and buzzed with excitement. We found some friends right in front of the soundboard and got ready. People around us were being very gracious and courteous which added to the feeling in the air.
[Recap is courtesy of user @bobbker, Bob Ker, (@Phish1999at2019 on Twitter). Please remember that recaps are written by VOLUNTEER FANS. Their views are entirely their own and are not necessarily shared by anyone who volunteers to work on Phish.net. There is no such thing as an "official" dot net recap of a show. -Ed.]
The little-loved sibling of the annual New Year’s run, Phish’s concerts on December 28 have historically offered sporadic highlights but rarely, if ever, have produced a classic. More often than not, the band uses the night to limber up after a dormant period, eschewing strong setlist construction in favor of running through songs seemingly intended to get their muscle memory going. The enthusiasm of the audience and energy in the room makes it a worthy date on the Phish calendar, but in the opening night of the New Year’s run, the crowd traditionally writes a check that the band puts a 24-hour hold on.
There will be yoga classes from 10am to 2:45pm on December 30 at the Hotel Penn (100% of the proceeds will benefit Mockingbird and Living Yoga). To get tickets and for more information, visit this page. And of course don't miss the PhanArt show also at Hotel Penn (18th floor) from noon to five on December 30.
On the final episode of After Midnight, host Jesse Jarnow dives into the following questions: What was it like for the band to walk off stage after playing for 7 hours? Would fans go back to a world destroyed by Y2K? What was next for Phish after this monumental achievement? How did Big Cypress influence festivals and the music industry?
What's it like to pull an all-nighter with 80,000 of your closest friends? What happens when you try to drive a hot dog through that same crowd? Can you say "Cheesecake!" like you're pissed? Will the band play an encore?
In episode 4, we answer these questions and more. We also explore the lasting impressions of the legendary midnight-to-sunrise experience.
[Phish.net user Tommy Whittaker, @Quidley, organized the line of Phish fans, all of whom were ultimately let into the show, outside the Met last week. He shares his story and gratitude below. - ed.]
The Phish phenomenon has been a constant in my life since October 29, 1995. Over the 161 shows I have attended, with the Met being 160, somehow I have managed to have tickets to all but four shows prior to my arrival. The last time I showed up to a show without a ticket was Virginia Beach on August 9, 1998, which was the third anniversary of Jerry Garcia’s passing. Oddly enough, I was traveling with my favorite Phish buddy, Henry, aka “Bring it on home jam.” We arrived two or three songs into the first set, assuming we would only be able to hear the show from outside. Much like the feeling at the Met, we thought, "no way we are getting in." Out of nowhere, the “Virginia Beach Saint” miracled us tickets in the 8th row, center. We thanked him profusely, started running to the show, and before we knew it, we were wide-eyed seeing the only "Terrapin Station" Phish has played to date.
At this point the reader may ask, what the hell does this have to do with the Met show? For me, two things: first, my favorite road buddy “Bring it on home jam” had decided to use his vacation days for the Met and Pittsburg. Second, the anxiety and blind faith of two 25 year loyal followers meeting up to attempt the impossible. Both of us, up to the day of the show, had exhausted all available channels to get tickets to no avail.
Here we are fellow phans, on December 3, 2019, and I have taken a cab into the city and arrived at the Met at 1:30 pm. The scene is pretty loose with people steadily arriving all day who were either on the Sirius/Phish friends and family list, or those lucky enough to win a package. There were a handful of one finger in the air fans hanging at the back of the package winner’s line hoping to score their spot with a variety of good trades, including four floors for New Years, and up to $1,000 cash. I roamed around for a few minutes before catching wind of an “unofficial” sign up sheet for people hoping to get a miracle from Sirius.
Welcome to the 399th edition of Phish.Net's Mystery Jam Monday, the second of December. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the songs and dates of both mystery clips. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Thursday at 10 AM PT / 1 PM ET. Good luck!
[Recap is courtesy of user TwiceBitten, Nick Williams (@deepthoughtsjp on Instagram). Please remember that recaps are written by VOLUNTEER FANS. Their views are entirely their own and are not necessarily shared by anyone who volunteers to work on Phish.net. There is no such thing as an "official" dot net recap of a show. -Ed.]
Phish fans are not exactly a homogenous bunch and I find the differences in the fanbase generally line up with geography. Fans in the Northeast are the most persnickety. They are capable of providing enormous amounts of energy, but they are also prone to talking over slow songs, smoking cigs indoors, and groaning and shit-talking the show while the music is playing. Fans on the West Coast are a lot more easy going. There is room to move in the GA section, the crowd is more evenly divided gender-wise and in general they are the most pleasant audience to be around. Still, West Coasters lack the fire and grit when it comes to giving energy back to the band, and we all know the band feeds on that and uses it to complete the circuit.
The Mountain West fanbase is somewhat harder to pin down, seeing as they’ve only played Dick’s over the last nine years, and it’s a real melting pot of fans from all over the country. Speaking of cannabis, I will say that the audience in Colorado can also be a bit unresponsive, maybe due to the strong legal weed, but also possibly due to the vibes dissipating slightly in the large open air venue. Fans from the Midwest are a rowdy bunch, more willing to display enormous amounts of energy without discrimination, but also willing to talk over slow songs like their Northeast counterparts. I think the term “blind unfocused rage” works well to describe them.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed just about $1,500,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.