Drum Logos, Chuo-ku, Fukuoka, Japan
Soundcheck: Live and Let Die Jam, 007 Theme Jam, Windora Bug (with alternate “Carini” lyrics), Funky Bitch
 Trey altered the lyrics in Cities to reference noodles.
 Segment based on the intro to Ghost.
Average Song Gap: 15.67
Notes: Trey altered the lyrics in Cities to reference noodles. Gumbo contained a Mystery Achievement tease from Mike. Fee included a tease of the old Charlie Chan signal lick from Fish, who played it on the woodblock during one of his breaks. The jam between Twist and Walk Away included a segment based on the intro to Ghost. Sleep was played by request. This show was officially released as Live Phish 04.
Songs by Debut Year:
This was the favorite show that I ever attended. The day was beautiful after a few days of rain in Japan. The venue was in the thick of downtown Fukuoka and there were tons of extras because not a lot of folks wanted to take the six hour train ride (even on the Shinkansen) from Nagoya the night before to get there. The small venue was painted entirely in black, the crowd was primarily Japanese. Folks go in by ticket number in Japan and I very fortuitously had #10 so I got a spot right in front of Trey on the rail. The vibe inside was at first a little raucous with excitement but due to the song choice and the obvious thoughtful vibe of the band both in playing and stage presence the crowd settled down almost immediately. What followed was extraordinary to behold in person. I have NEVER been to any "rock" concert where everyone was so quiet. People were intently listening and the symbiosis between band and audience was perfect. Loud applause at precisely the right moment, dead silence otherwise. The beginning of the second set felt like seeing Phish in a rehearsal and was almost obscenely intimate. The band interplay was so telepathic and the audience so enraptured that the room started to feel downright holy. It was wondrous to witness and everybody knew it. When the lights came on after the show, nobody moved. They, including myself, were entranced; it was just that hypnotic and magical. It was like a spell had been broken and we had come back to earth/Kansas/Kansai(?).
I had dinner with a new Japanese friend I met that night that would become the best man at my wedding three years later in Japan. I met my wife-to-be the next night in Osaka after the show. She's a Japanese and we have traveled back to Japan many times since then to visit the friends I met there on that tour and they have come to the U.S. many times to travel and of course see Phish. To get a feel for what the show was like, listen by yourself cause it was one of those nights that the material world pleasantly disappeared and the self was transported to the astral plane. Domo Arigatou Gozaimasu, Sakana-bandu ("Phish-band" in Japanese)
I can only enjoy the simulacrum. With a solid FOB I picked up about six years ago, I come back to this show more than almost any other in my collection. Why?
One can feel the dissipation, here, yet due to the small venue and novelty of Japan, there's a compressed concision of yore balanced with the high tech eerie of whiz bang e-jam. Trey pulls out some "scratch" sounds, there's a night club vibe, and yet there's a dream drifting, too.
Compared to the band at the same time one year or 10 months before, this is definitely the "other side of the peak." I always did like the after-burn, though. It's that moment when you can finally draw a deep breath and reorient yourself, maybe even find your car. It's definitely a floating home vibe, and that's where I am listening to this right now.
A must have.
Highlights include set one and set two. More specifically, a tragic Gumbo (personal favorite), an intergalactic Twist and following jam, and a solid Walk Away and following jam, and 2001, and a great encore, even if Trey sounds entirely worn out.
Get this show immediately if you've never experienced it. Because, after all, one does not simply "listen" to Fukuoka. One "lives" Fukuoka.
In other parts of the set, Walk Away is always a great cover to hear, one of Page's best vocal turns. The Back on the Train opener is an unexpected groove fest.
Amazing show that features a very patient Phish.
Anything I could say about the 2nd set has already been covered. What a hell of a show.
'SOM' to close the set. 'Twist' is in it's truest form; slithering all over the place and weaving in and out of bass lumps which keep the tune balanced and in perfect harmony. The quality is solid and gives the listener a very thorough and defined listening experience. All fits on 80 minute disc!
Also- Corrini and Curtain deserve the highest praise for just setting the tone of the show...just listened to this while splitting wood outside...nice!