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Link Monday, 02/17/1997
Paradiso, Amsterdam, Netherlands

Set 1: Soul Shakedown Party[1], DividedDivided Sky, Wilson > My Soul, Guyute, TimberTimber (Jerry) > Billy Breathes, Llama, GinBathtub Gin > GolgiGolgi Apparatus

Set 2: CoilThe Squirming Coil -> DwDDown with Disease -> Carini[2] -> Taste -> DwDDown with Disease > SuzySuzy Greenberg > CaspianPrince Caspian

Encore: Sleeping Monkey > Rocky Top

[1] Phish debut.
[2] Debut.

· Tequila tease in Bathtub Gin
· You Enjoy Myself tease in Carini

Noteworthy Jams: Down with Disease, Carini (highly recommended), Taste, Down with Disease

Average Song Gap: 6.12

Performers: Trey Anastasio, Page McConnell, Jon Fishman, Mike Gordon

Notes: This show marked the debut of Carini and the Phish debut of Soul Shakedown Party. Page teased Tequila in Bathtub Gin. Carini contained a YEM tease. This show was officially released as part of the Amsterdam box set.

Song Distribution:
3 Billy Breathes
2 Lawn Boy
2 Junta
1 The Story of the Ghost
1 Stash
1 Hoist
1 A Picture of Nectar
1 The Man Who Stepped into Yesterday
1 The White Tape

Songs by Debut Year:

This show was part of the "1997 Winter European Tour."

waxbanks , attached to 1997-02-17 Permalink
waxbanks Tapes of this show provided a wakeup call for stateside fans during the runup to the summer '97 US tour, and it holds up twelve years later. The opening set is a fleet, energetic, standard-excellent hour-plus. Set II goes from strength to strength: strong wide-ranging Disease, fierce Carini, powerful Taste, and a hair-raising Disease Reprise, all connected by loose-limbed, patient segues. If Halloween '96 was the genesis of Phish's funk style, the spring '97 tour provided a lab environment for the band to try out its newfound shaggy minimalism. The playing here is funky, attentive, and finely detailed - a small-venue rethinking of the band's big arena sound, recentered on the rhythm section. The new style flowered on 3/1, but this is a classic transitional show; those second-set segue arrows are no joke, and there's some tasty dark meat on those bones. One of the must-hear Europe shows, though the 7/1 and 7/2 Amsterdam engagements represent a quantum leap beyond even this one.
Score: 21
yemenzo , attached to 1997-02-17 Permalink
The dwd> carini> taste> dwd is a monster but that carini is an all time best imo
Score: 6
kevinAreHollo , attached to 1997-02-17 Permalink
I'd like to petition adding this Divided Sky to the jamming chart. It's concise but completely explosive. Trey destroys the last two minutes, leading to a thrilling machine-gun style peak that raises hairs on end. For the late 90's, a time when this tune was often just a standard (but beautiful) technical workout, this is as good as it gets.

@bertoletdown @Lemuria
Score: 3
Themockingbird , attached to 1997-02-17 Permalink
I have a tape edition of this show and the jam following Carini is called The Webbler which goes into Taste. This is classic Phish show of the musical virtuosos' that they are.
Score: 2
fhqwhgads , attached to 1997-02-17 Permalink
fhqwhgads This review is based upon the recording found within the Amsterdam box set. As the Notes note, the Soul Shakedown Party opener was a Phish debut. It's often clamoured for in the current age, and who can blame anyone who does: it's a Bob Marley tune, Phish does it justice, and it has a breezy mood that would perfectly suit a first set outdoors in the summer, IMO. This show, obviously, finds it indoors, but Phish would proceed to pretty much blow the doors off of the Paradiso this evening. This Divided Sky is highly acclaimed, and I personally enjoy the brief "pause," or rather, the relatively quiet crowd reaction to the pause--perhaps out of Nederlanders' lesser familiarity with the Phish repertoire, or maybe the shushers finally got their way. In any event, Trey closes the pause quickly, and we get a "shredding" (as the kids say) D. Sky. I always love Guyute. I would say this a standard or "average-great" version, but I have a soft spot for it. I had to review the Song History for Timber (Jerry) to pinpoint its debut, which much to my surprise (shows how much I know!) occurred early on in Phishtory, to wit, '87. This version 10 years later does not reach the macrocosmical expansiveness of some versions from the Fall of '97 and elsewhere up to the current day, but it features some groovy and tense jamming that resolves before a > into Billy Breathes. Phish is known for their jamming I think above all, but they are truly great songwriters, along with their respective collaborators (lyricists, most integrally, and in this case, Tom Marshall), and some of their slower-paced songs resonate most emotionally with me. Trey bringing out Eliza at Magnaball last year (his daughter whom he named the song after--her nickname was (is?) Billy) really gives some perspective to the magniloquent beauty contained in this short yet essential song. Relistening to the Llama, Gin > Golgi closing run just proves how on Phish can be--and usually are!

The second set of this show, as with many shows, is where the most compelling improvisation takes place. Followers of Kevin Shapiro's From the Archives broadcasts had already heard the heralded Down with Disease -> Carini -> Taste -> Down with Disease sequence in soundboard quality, but this remastered edition is really spectacular. Coil to open is its usual mesmerizing self, replete with piano outro by Page legitimately segue-ing into DWD. Phish take an approach with the DWD jam that reminds me of '95, but in hindsight I can't help but notice how it anticipates the watershed event of 3/1/97 and the stylistic turn towards funk that would become the theme of 1997. Carini is debuted, and has many fascinating qualities for a phanatic: this debut version's verses feature a piano riff that recalls Manteca, to my ears; more shredding follows, echoing the effervescence of the first set's Divided Sky but with the additional friendly menace of Carini's minor key; then a loopy section with Trey making use of his Boomerang phrase sampler; that finally winds down (or up?) into a blissed-out section to conclude the jam and segue into Taste. Taste is typically masterful--really one of my favorite Phish compositions, and a real showcase for Fish's drumming prowess--and builds into a peak before the Phish from Vermont return to DWD for a quick reprise of that tune's ripping coda. Suzy > Caspian, E: Monkey > Top is nothing to sneeze at, but the previous approximate hour of music is really where this show is at for me. I rated this show 5 out of 5 stars primarily because of the stylistic smorgasbord of jamming on display, but also because 2/17/97 has an X factor of connectedness in the interplay and listening between the four men we know and love that notches it high on my shows listened to. I think the choice to present the 3 '97 Amsterdam shows together for the box set was inspired, and I'm torn as to whether I can prefer any one of the 3 or even this show over the two-night run from July 1st & 2nd or vice versa, but you get a lot of bang for your buck whatever's your pleasure!
Score: 2
zsmith0307 , attached to 1997-02-17 Permalink
Best show of the tour so far.

The first set has standard playing, but a very fun setlist. Definitely an above average Divided Sky, and Bathtub Gin reminds me of a 3.0 version with a very solid type-I peak.

Set 2 is one of the better sets of the tour. As everyone has mentioned, the fireworks occur in the DWD->Carini->Taste->DWD section. In particular, the end of the Carini jam contains some of the more beautiful Phish jamming you'll ever hear. Where was this the last few nights? Some might be dismayed by the Caspian set ender, but they were nailing this song night in and night out this tour.

Get set I if you like the setlist, but you'd be a fool to not hear set II.
Score: 1

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