SET 1:
Alone,
Optimistic Thought,
Mulling It Over[1],
Should I Stay or Should I Go?,
Low Rider >
Go Outside and Drive,
What's For Breakfast,
Sweet Pain,
The Good the Bad and the Ugly >
Gina,
Love and Greed,
Crash Burn,
Sweet Talking Hippie
ENCORE:
But Anyway
Both Phish and Blues Traveler performed at the annual SunFest. Trey played on Mulling It Over. After the song ended, John Popper exclaimed: “Trey Anastasio! Boy, you know, those Phish guys...love that band!”
Both Phish and Blues Traveler performed at the annual SunFest. Trey played on Mulling It Over. After the song ended, John Popper exclaimed: “Trey Anastasio! Boy, you know, those Phish guys...love that band!”
Fish, Mike and Page sat in during this late-night show for a cover of the Davenport and Coole classic, Fever. Trey was also in attendance but did not perform. Phish had performed earlier in the evening at Atlanta’s “Fabulous” Fox Theatre.
Fish, Mike and Page sat in during this late-night show for a cover of the Davenport and Coole classic, Fever. Trey was also in attendance but did not perform. Phish had performed earlier in the evening at Atlanta’s “Fabulous” Fox Theatre.
SET 1:
Plain or Peanut,
Two Truckloads,
No Egos Underwater,
Time Flack,
Salty Dog,
Spoonful,
Time Is Free,
Fixin' to Die[1],
Lost My Mule in Texas,
Jack the Rabbit,
Zambi >
Space is the Place,
Trondossa,
Yield Not To Tempation
ENCORE:
Working on a Building
Fixin’ to Die featured both Fish and Trey. Phish had performed earlier in the evening at Columbia’s Township Auditorium.
Fixin’ to Die featured both Fish and Trey. Phish had performed earlier in the evening at Columbia’s Township Auditorium.
Trey sat in on guitar for Salty Dog and Payday. Page sat in on organ for Tuxedo Junction through Space is the Place. Michael Ray, Dave Grippo, Dave Gordo, and several members of Leftover Salmon (who opened the gig) also made guest appearances during the set. The encore jam featured all of the guests from throughout the set.
Trey sat in on guitar for Salty Dog and Payday. Page sat in on organ for Tuxedo Junction through Space is the Place. Michael Ray, Dave Grippo, Dave Gordo, and several members of Leftover Salmon (who opened the gig) also made guest appearances during the set. The encore jam featured all of the guests from throughout the set.
SET 1:
Plain or Peanut,
Payday,
Time Flack,
No Egos Underwater,
Fixin' to Die[1],
No Reason to Complain[1],
Time Is Free,
Two Truckloads,
Compared to What?,
Salty Dog,
Basically Frightened,
Elevator to the Moon >
Trondossa,
Yield Not To Temptation,
Zambi >
Space Is the Place
ENCORE:
Working on the Building
Fixin’ to Die and No Reason to Complain featured Mike on bass. Other guests during the show included Mark Vann and Drew Emmitt from Leftover Salmon on banjo and mandolin, respectively.
Fixin’ to Die and No Reason to Complain featured Mike on bass. Other guests during the show included Mark Vann and Drew Emmitt from Leftover Salmon on banjo and mandolin, respectively.
SET 1:
Stop the Revolution,
Lila,
Do What You Want,
Question Air,
Who Do We Think We Are?,
Freaks on Fire >
Tezz >
Underground People
SET 2:
Cherokee,
Don’t Let It Stop Ya,
7th Revelation >
Fish Reading[1] >
Elvin Jones,
Feel Good >
Big Chief >
Fiyo on the Bayou,
Live Wire
ENCORE:
Ma Bitch
ENCORE 2:
Power of Silence
Fish read a passage about “Bucky Domes” from Robert Anton Wilson’s Cosmic Trigger between 7th Revelation and Elvin Jones. A bucky dome, also known as geodesic dome, is a sphere created from a series of hexagrams and pentagrams, invented by Buckminster Fuller. At the time, Fish lived in a bucky dome.
Fish read a passage about “Bucky Domes” from Robert Anton Wilson’s Cosmic Trigger between 7th Revelation and Elvin Jones. A bucky dome, also known as geodesic dome, is a sphere created from a series of hexagrams and pentagrams, invented by Buckminster Fuller. At the time, Fish lived in a bucky dome.
Trey played guitar for the entire show. Page sat in on keyboards from Bitchin' Again and Family Picture. Scotia Jordan provided vocals for Bitchin' Again.
Trey played guitar for the entire show. Page sat in on keyboards from Bitchin' Again and Family Picture. Scotia Jordan provided vocals for Bitchin' Again.
Good w/Willis opened. Page sat in on keyboards for Bitchin' Again through Revolution's Over and Family Picture through Crimes of the Mind. Do You Know What I Mean? and Teenie Weenie Bit of Your Love featured Russ Flanagan on fiddle. Lucy In the Subway contained a Dear Prudence tease.
Good w/Willis opened. Page sat in on keyboards for Bitchin' Again through Revolution's Over and Family Picture through Crimes of the Mind. Do You Know What I Mean? and Teenie Weenie Bit of Your Love featured Russ Flanagan on fiddle. Lucy In the Subway contained a Dear Prudence tease.
moe. opened. Trey performed for the entire show. Page sat in on keyboards for Bitchin' Again through Revolution's Over. Sofi Dillof provided vocals for Bitchin' Again. Dahlia featured a rare Fish drum solo.
moe. opened. Trey performed for the entire show. Page sat in on keyboards for Bitchin' Again through Revolution's Over. Sofi Dillof provided vocals for Bitchin' Again. Dahlia featured a rare Fish drum solo.
SET 1:
Pleas,
Space Wrangler >
Henry Parsons Died >
Travelin' Light,
Diner >
Pilgrims,
Hatfield,
Walkin' >
Holden Oversoul,
Love Tractor
SET 2:
The Take Out >
Porch Song,
Can't Get High,
Worry,
Makes Sense To Me,
Little Kin,
Chilly Water,
Fishwater,
Pickin' Up The Pieces,
Heroes,
Mercy,
Wondering,
Mr. Soul
Trey sat in on guitar for the entire encore. Get Up Early In The Morning featured T. Lavitz on piano; the remainder of the encore featured Page on piano. Get Up Early in the Morning contained Tipitina quotes.
Trey sat in on guitar for the entire encore. Get Up Early In The Morning featured T. Lavitz on piano; the remainder of the encore featured Page on piano. Get Up Early in the Morning contained Tipitina quotes.
Tree Fist featured chords and lyrics improvised by the audience. Kitty Litter Blues was also improvised and featured Anne Weiss on vocals. I Saw the Light, Alabama Jubilee, and Better Get It In Yo’ Soul featured Shane Brodie on guitar and vocals. This is the first public performance billed as Jazz Mandolin Project.
Tree Fist featured chords and lyrics improvised by the audience. Kitty Litter Blues was also improvised and featured Anne Weiss on vocals. I Saw the Light, Alabama Jubilee, and Better Get It In Yo’ Soul featured Shane Brodie on guitar and vocals. This is the first public performance billed as Jazz Mandolin Project.
This performance for Vermont Public Radio featured Trey on guitar, Mike on bass and Jamie Masefield on mandolins. There is no known setlist or circulating recording.
This performance for Vermont Public Radio featured Trey on guitar, Mike on bass and Jamie Masefield on mandolins. There is no known setlist or circulating recording.
SET 1:
Sweet Talking Hippie,
Save His Soul,
Defense and Desire,
Mulling It Over,
Support Your Local Emperor,
Whoops,
Gina,
100 Years >
Sweet Pain,
Brother John,
Mountain Cry[1]
This performance was part of the Laguna Seca Daze festival that also featured Phish. Mountain Cry featured Page on keyboards, while the Gloria encore saw Page, Trey and Todd Park Mohr of Big Head Todd and the Monsters join in.
This performance was part of the Laguna Seca Daze festival that also featured Phish. Mountain Cry featured Page on keyboards, while the Gloria encore saw Page, Trey and Todd Park Mohr of Big Head Todd and the Monsters join in.
This private party and jam session included two bass players, three guitar players, two drummers, percussion and keyboards. There was a rotation of performers throughout the night, including Mike on bass and Fish on drums, and members of local bands Deep Space Six and Uncle Chunk. The only known song performed was the Sanford and Son theme. No known recording exists. Phish had performed earlier in the evening at the Michigan Theatre.
This private party and jam session included two bass players, three guitar players, two drummers, percussion and keyboards. There was a rotation of performers throughout the night, including Mike on bass and Fish on drums, and members of local bands Deep Space Six and Uncle Chunk. The only known song performed was the Sanford and Son theme. No known recording exists. Phish had performed earlier in the evening at the Michigan Theatre.
SET 1:
Dimension Extension[1],
Zero,
Give it Up,
Tone Clone[2],
I Get High,
Big Chief,
Underground People,
Confessions of a Man
ENCORE:
Fire
Dimension Extension featured Fish on vacuum, while Tone Clone featured Fish on drums and a reading from Sun Ra’s Book of Information. Phish had performed earlier in the evening uptown at the Roseland Ballroom, and had also covered Hendrix’s Fire as their encore.
Dimension Extension featured Fish on vacuum, while Tone Clone featured Fish on drums and a reading from Sun Ra’s Book of Information. Phish had performed earlier in the evening uptown at the Roseland Ballroom, and had also covered Hendrix’s Fire as their encore.
SET 1:
Back at the Chicken Shack >
Born Under a Bad Sign,
Let It Rock,
Improv Blues in 'G',
She Caught the Katy and Left Me a Mule to Ride,
Down the Road,
A Mess of Blues,
Little Wing,
Day Tripper,
Escaping,
Hey Joe
SET 2:
Hip Hug-Her,
Rock Me Baby,
In the Wee Wee Hours,
Red House,
Yonder Wall,
She Belongs To Me,
Not Fade Away,
That's Heaven to Me,
Just Before the Bullets Fly,
I've Been Loving You Too Long,
Spanish Moon[1],
All Along the Watchtower[2]
This ad hoc grouping was billed as The Ritz Power Jam. Red House and Yonder Wall featured Dave Tronzo on slide guitar. Spanish Moon featured Trey on guitar, vocals, and keyboards. All Along the Watchtower also saw Dave Matthews, Leroi Moore and Boyd Tinsley join the action while Trey, Dave, and Popper traded vocals. The Gloria encore, sung by Popper, featured Trey on guitar and Mike on bass. Phish had performed earlier in the evening at the Roseland Ballroom.
This ad hoc grouping was billed as The Ritz Power Jam. Red House and Yonder Wall featured Dave Tronzo on slide guitar. Spanish Moon featured Trey on guitar, vocals, and keyboards. All Along the Watchtower also saw Dave Matthews, Leroi Moore and Boyd Tinsley join the action while Trey, Dave, and Popper traded vocals. The Gloria encore, sung by Popper, featured Trey on guitar and Mike on bass. Phish had performed earlier in the evening at the Roseland Ballroom.
Mike, introduced as a “special guest from a band called Tuna,” joined in from Let’s Go Dancing through Tone Clone. Fish came out during Tone Clone and read a James Joyce selection about hell, after which Mike took a bass solo, and the musicians reprised the song.
Mike, introduced as a “special guest from a band called Tuna,” joined in from Let’s Go Dancing through Tone Clone. Fish came out during Tone Clone and read a James Joyce selection about hell, after which Mike took a bass solo, and the musicians reprised the song.
This show featured all four members of Phish. Trey joined in for Elvin Jones and Page joined for a piano jam leading into Big Chief. Mike entered during the ensuing jam and then Fish followed for Sippin Pippa and Don’t Let It Stop Ya.
This show featured all four members of Phish. Trey joined in for Elvin Jones and Page joined for a piano jam leading into Big Chief. Mike entered during the ensuing jam and then Fish followed for Sippin Pippa and Don’t Let It Stop Ya.
After opening for them, all of the members of Phish sat in for the listed portion of Santana’s set that included a vaccum solo from Fish. This setlist is unconfirmed.
After opening for them, all of the members of Phish sat in for the listed portion of Santana’s set that included a vaccum solo from Fish. This setlist is unconfirmed.
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