This was a benefit show organized by The Mimi Fishman Foundation to honor Mimi Fishman, who passed away earlier in the year. The program began with a slide show dedicated to Mimi’s life, set to the Junta version of her favorite Phish song, “Divided Sky.” Performances by Sand Bear, Col. Bruce Hampton and The Codetalkers, and Merl Saunders followed, with Fish sitting in on drums throughout the evening. The encores “The Weight” and “Turn on Your Lovelight” included all the performers from the evening.
This was a benefit show organized by The Mimi Fishman Foundation to honor Mimi Fishman, who passed away earlier in the year. The program began with a slide show dedicated to Mimi’s life, set to the Junta version of her favorite Phish song, “Divided Sky.” Performances by Sand Bear, Col. Bruce Hampton and The Codetalkers, and Merl Saunders followed, with Fish sitting in on drums throughout the evening. The encores “The Weight” and “Turn on Your Lovelight” included all the performers from the evening.
SET 1:
Intro,
Land of the Lost,
Fat Albert,
Warning,
Jesus Ranch,
Kielbasa,
History of Tenacious D,
Dio,
The Road,
Lee,
Cosmic Shame,
Saxaboom (toy),
G-and-R,
Karate,
Kyle Quit The Band,
Kyle Took a Bullet,
Kyle Took a Bullet,
Rocket Sauce,
Fuck Her Gently,
Sasquatch,
Tribute,
Blow-Job (video),
Rock Your Socks
Oysterhead had originally scheduled gigs at Toad’s Place in New Haven on September 14 and Irving Plaza in New York on September 15; both shows were canceled due to the terrorist attacks of September 11. As a tour warm-up they instead performed a private show at Trey’s Barn, and reportedly played the entire GrandPeckingOrder.
Oysterhead had originally scheduled gigs at Toad’s Place in New Haven on September 14 and Irving Plaza in New York on September 15; both shows were canceled due to the terrorist attacks of September 11. As a tour warm-up they instead performed a private show at Trey’s Barn, and reportedly played the entire GrandPeckingOrder.
Mike and Warren Haynes joined Project Logic during the second set for a half-hour long jam based on Stevie Wonder’s “Superstition.” Stanley Jordan, Hope Clayburn and Casey Benjamin were also guests during this show.
Mike and Warren Haynes joined Project Logic during the second set for a half-hour long jam based on Stevie Wonder’s “Superstition.” Stanley Jordan, Hope Clayburn and Casey Benjamin were also guests during this show.
This show was a benefit for Clear Path International. Trey performed acoustic guitar for this evening of bluegrass along with John McEuen and Jimmy Ibbotson – founding members of the Nitty Gritty Dirt Band. They were joined by members of opening acts The Brementown Singers, and Banjo Dan and the Midnight Plowboys for a show-closing jam: a 20-minute rendition of the Nitty Gritty Dirt Band’s “Will The Circle Be Unbroken?”
This show was a benefit for Clear Path International. Trey performed acoustic guitar for this evening of bluegrass along with John McEuen and Jimmy Ibbotson – founding members of the Nitty Gritty Dirt Band. They were joined by members of opening acts The Brementown Singers, and Banjo Dan and the Midnight Plowboys for a show-closing jam: a 20-minute rendition of the Nitty Gritty Dirt Band’s “Will The Circle Be Unbroken?”
“Mountains in the Mist” and “Bathtub Gin” were duets with Mike on electric bass and Trey on acoustic guitar. “Back on the Train” was a duet with both Mike and Trey on acoustic guitars.
“Mountains in the Mist” and “Bathtub Gin” were duets with Mike on electric bass and Trey on acoustic guitar. “Back on the Train” was a duet with both Mike and Trey on acoustic guitars.
Carl “Gears” Gerhard performed on trumpet for the entire show. Before the show started, Trey introduced Carl and noted that this gig was exactly ten years to the day since the last time the entire Giant Country Horns had performed together; the actual last performance of the GCH with Phish was July 27, 1991. The “Jam” in the second set was based on the theme that emerged out of the jam in “Jibboo.” Trey performed “Ray Dawn Balloon” and “Driver” solo, acoustic.
Carl “Gears” Gerhard performed on trumpet for the entire show. Before the show started, Trey introduced Carl and noted that this gig was exactly ten years to the day since the last time the entire Giant Country Horns had performed together; the actual last performance of the GCH with Phish was July 27, 1991. The “Jam” in the second set was based on the theme that emerged out of the jam in “Jibboo.” Trey performed “Ray Dawn Balloon” and “Driver” solo, acoustic.
Happy Birthday was dedicated to lighting director Chris Kuroda. At a shade over 48 minutes, this Mr. Completely jam represented almost double the previously longest TAB jam to date.
Happy Birthday was dedicated to lighting director Chris Kuroda. At a shade over 48 minutes, this Mr. Completely jam represented almost double the previously longest TAB jam to date.
John Medeski performed on keyboards for the entire show, in addition to regular TAB keyboardist Ray Paczkowski. Trey joined in as the third keyboardist for “Sand.”
John Medeski performed on keyboards for the entire show, in addition to regular TAB keyboardist Ray Paczkowski. Trey joined in as the third keyboardist for “Sand.”
Soundcheck: Push on ‘Til the Day, Tube Top Flop, Simple Twist Up Dave, Money Love and Change, At the Barbeque, Nothing But an ‘E’ Thing, Sidewalks of San Francisco
John Medeski performed on keyboards for the entire show; regular TAB keyboardist Ray Paczkowski did not perform at this gig. During “Last Tube,” Trey thanked the audience, calling Alpine Valley “the best place to play in the whole world.” “Burlap Sack and Pumps” contained an extended (~five minute) jam with just Trey and John Medeski.
John Medeski performed on keyboards for the entire show; regular TAB keyboardist Ray Paczkowski did not perform at this gig. During “Last Tube,” Trey thanked the audience, calling Alpine Valley “the best place to play in the whole world.” “Burlap Sack and Pumps” contained an extended (~five minute) jam with just Trey and John Medeski.
Trey performed “Ray Dawn Balloon” and “Bathtub Gin” solo acoustic. “Moesha” contained the following added lyrics: “Moesha me down, Moesha me up, Moesha me Avalanche, Moesha me cup, Moesha me rocks, Moesha me red, Moesha me live, Moesha me dead, Moesha me straight, Moesha me gay, Moesha me Jerry, Moesha me Trey.”
Trey performed “Ray Dawn Balloon” and “Bathtub Gin” solo acoustic. “Moesha” contained the following added lyrics: “Moesha me down, Moesha me up, Moesha me Avalanche, Moesha me cup, Moesha me rocks, Moesha me red, Moesha me live, Moesha me dead, Moesha me straight, Moesha me gay, Moesha me Jerry, Moesha me Trey.”
During “Samson Variation” Trey playfully chided Andy Moroz, who had to run back to the band room to get his music for the song; Trey suggested that the audience focus in on the trombone part to make sure it is perfect. This gig featured the debut of “Plasma,” that Trey said was written backstage that very day.
During “Samson Variation” Trey playfully chided Andy Moroz, who had to run back to the band room to get his music for the song; Trey suggested that the audience focus in on the trombone part to make sure it is perfect. This gig featured the debut of “Plasma,” that Trey said was written backstage that very day.
After “Money, Love and Change” Trey offered his thanks to the audience “for supporting the important cause of new music” and supporting their performance of an almost entirely new repertoire. Tony started “Push On ‘Til the Day” by playing “Sand” instead.
After “Money, Love and Change” Trey offered his thanks to the audience “for supporting the important cause of new music” and supporting their performance of an almost entirely new repertoire. Tony started “Push On ‘Til the Day” by playing “Sand” instead.
Seth Yacovone Band opened. This show was quasi-stealth and announced only 24 hours in advance. Though members of Trey’s summer touring ensemble, Russell Remington and Ray Paczkowski were absent from this one show. “Alive Again,” “Cayman Review,” “Every Story Ends in Stone,” “Flock of Words,” “Mr. Completely,” “Moesha,” “Money, Love and Change,” “Quantegy,” and “Simple Twist Up Dave” were all debuts. Trey humorously mis-identified the debut of “Every Story Ends in Stone” as “Every Story Has a Stone.” Before “At the Gazebo” Trey told of watching that morning’s Forth of July parade and having a fantasy about taking the TAB horns section on a float, moving along and playing this song.
Seth Yacovone Band opened. This show was quasi-stealth and announced only 24 hours in advance. Though members of Trey’s summer touring ensemble, Russell Remington and Ray Paczkowski were absent from this one show. “Alive Again,” “Cayman Review,” “Every Story Ends in Stone,” “Flock of Words,” “Mr. Completely,” “Moesha,” “Money, Love and Change,” “Quantegy,” and “Simple Twist Up Dave” were all debuts. Trey humorously mis-identified the debut of “Every Story Ends in Stone” as “Every Story Has a Stone.” Before “At the Gazebo” Trey told of watching that morning’s Forth of July parade and having a fantasy about taking the TAB horns section on a float, moving along and playing this song.
This gig headlined the inaugural Tulsa Jam Festival that also included Barefoot Revolution, Sun Cured Red, Magpu, and Whirligig. "The Phoenicians" was aborted due to a technical malfunction and was followed by extensive banter.
This gig headlined the inaugural Tulsa Jam Festival that also included Barefoot Revolution, Sun Cured Red, Magpu, and Whirligig. "The Phoenicians" was aborted due to a technical malfunction and was followed by extensive banter.
This setlist is incomplete and possibly out of order. Page, along with Gov’t Mule drummer Matt Abts, sat in with John Entwistle's band for “Long Live Rock” and “Johnny B. Goode.” Mike then took over for John Entwistle on bass for a portion of the set including on “Red House.”
This setlist is incomplete and possibly out of order. Page, along with Gov’t Mule drummer Matt Abts, sat in with John Entwistle's band for “Long Live Rock” and “Johnny B. Goode.” Mike then took over for John Entwistle on bass for a portion of the set including on “Red House.”
The Alan Hertz Project consisted of Alan Hertz on drums, Ed Ivey on bass and horns, Tal Morris on guitar, Byron Rynes on bass and guitar, and Joel Behrman on trombone and trumpet. Trey and Les Claypool sat in on guitar and bass, respectively, for the 3rd set that included a version of The Meters’ “Cissy Strut,” along with several improvosational pieces.
The Alan Hertz Project consisted of Alan Hertz on drums, Ed Ivey on bass and horns, Tal Morris on guitar, Byron Rynes on bass and guitar, and Joel Behrman on trombone and trumpet. Trey and Les Claypool sat in on guitar and bass, respectively, for the 3rd set that included a version of The Meters’ “Cissy Strut,” along with several improvosational pieces.
“The Jaques-Imo’s Café Allstars” lineup for this show and the previous night included Fish, Jamie Masefield, Gregory Davis, Kirk Joseph, Lucien Barbarin, and Tim Laughlin. The shows were billed as “An Evening of Traditional New Orleans Jazz.” There is no known setlist and recordings do not circulate of these shows.
“The Jaques-Imo’s Café Allstars” lineup for this show and the previous night included Fish, Jamie Masefield, Gregory Davis, Kirk Joseph, Lucien Barbarin, and Tim Laughlin. The shows were billed as “An Evening of Traditional New Orleans Jazz.” There is no known setlist and recordings do not circulate of these shows.
“The Jaques-Imo’s Café Allstars” lineup for this show and the following night included Fish, Jamie Masefield, Gregory Davis, Kirk Joseph, Lucien Barbarin, and Tim Laughlin. The shows were billed as “An Evening of Traditional New Orleans Jazz.” There is no known setlist and recordings do not circulate of these shows.
“The Jaques-Imo’s Café Allstars” lineup for this show and the following night included Fish, Jamie Masefield, Gregory Davis, Kirk Joseph, Lucien Barbarin, and Tim Laughlin. The shows were billed as “An Evening of Traditional New Orleans Jazz.” There is no known setlist and recordings do not circulate of these shows.
This was a CD release party for Scott Murawski’s Scottness. The core lineup featured Mike on bass, Scott Murawski and Jeff Pevar on guitars, Lee Shusterman on keyboards, and Greg DeGuglielmo on drums. "Outside of Home" was performed by Scott Murawski, Jeff Pevar and Mark Mercier. "Columbus Stockade Blues" featured Mark Mercier on keyboards and Tony Betancourt on guitar. "I Wish I Could Say" and "Don't Tell Me About love" featured Mark Banspach and Tony Betancourt on guitars. Justin Kolak replaced Mike on bass for “Use Me” and was joined by Vykki Vox on vocals. Frank Messina performed the poetry reading during the encore.
This was a CD release party for Scott Murawski’s Scottness. The core lineup featured Mike on bass, Scott Murawski and Jeff Pevar on guitars, Lee Shusterman on keyboards, and Greg DeGuglielmo on drums. "Outside of Home" was performed by Scott Murawski, Jeff Pevar and Mark Mercier. "Columbus Stockade Blues" featured Mark Mercier on keyboards and Tony Betancourt on guitar. "I Wish I Could Say" and "Don't Tell Me About love" featured Mark Banspach and Tony Betancourt on guitars. Justin Kolak replaced Mike on bass for “Use Me” and was joined by Vykki Vox on vocals. Frank Messina performed the poetry reading during the encore.
This evening began with a screening of Mike's film Outside Out, followed by anaudience question-and-answer session with Mike, and finally a performance by Col. Bruce Hampton and the Codetalkers with Mike on guitar for the majority of the show. This setlist is incomplete and unconfirmed.
This evening began with a screening of Mike's film Outside Out, followed by anaudience question-and-answer session with Mike, and finally a performance by Col. Bruce Hampton and the Codetalkers with Mike on guitar for the majority of the show. This setlist is incomplete and unconfirmed.
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