SET 1:
Louisiana Sun >
Sadie,
Blood Red Roses,
Life During Wartime,
The Weight,
Too Good for Shoes,
Love Makes You Lose Your Mind,
Six Days on the Road,
Cruel World,
Tangled Up In Blue,
Season of the Witch,
Werewolves of London,
Eminence Front
This show was part of the annual "Camp Creek" festival. Mike played a second bass on “Magic Carpet Ride” through the end of the show. This gig featured an assortment of guests, including the Talking Heads’ and Tom Tom Club’s Tina Weymouth on bass and Chris Frantz on drums for “Life During Wartime.”
This show was part of the annual "Camp Creek" festival. Mike played a second bass on “Magic Carpet Ride” through the end of the show. This gig featured an assortment of guests, including the Talking Heads’ and Tom Tom Club’s Tina Weymouth on bass and Chris Frantz on drums for “Life During Wartime.”
The Slip opened. Following Russell's Tune, Page wished lighting director Chris Kuroda a happy birthday and Oteil played Happy Birthday on bass. Otiel teased Entrance of the Gladiators and Call to the Post in Magilla.
The Slip opened. Following Russell's Tune, Page wished lighting director Chris Kuroda a happy birthday and Oteil played Happy Birthday on bass. Otiel teased Entrance of the Gladiators and Call to the Post in Magilla.
Mofro opened. Mike sat in on bass in place of Oteil for “Cars Trucks Buses.” For the “Light Up or Leave Me Alone” encore Oteil resumed the bass duties while Mike played guitar.
Mofro opened. Mike sat in on bass in place of Oteil for “Cars Trucks Buses.” For the “Light Up or Leave Me Alone” encore Oteil resumed the bass duties while Mike played guitar.
SET 1:
Salsa,
Run For Your Life,
3 Stroke,
March,
You Gotta Move,
Thank You (Falettinme Be Mice Elf Agin),
Shake Your Hips,
What G-D Has For Me,
Voodoo Child is Iron Man,
I Don't Know What You Come to Do[1]
Robert Randolph and The Family Band opened. Robert Randolph also sat in on slide guitar for “Electra Glide” and “CJ3.” This setlist is unconfirmed as recordings of the performance do not circulate.
Robert Randolph and The Family Band opened. Robert Randolph also sat in on slide guitar for “Electra Glide” and “CJ3.” This setlist is unconfirmed as recordings of the performance do not circulate.
Robert Randolph and The Family Band opened. Robert Randolph also sat in on slide guitar for “CJ3” and "Manic Depression." This setlist is unconfirmed as recordings of the performance do not circulate.
Robert Randolph and The Family Band opened. Robert Randolph also sat in on slide guitar for “CJ3” and "Manic Depression." This setlist is unconfirmed as recordings of the performance do not circulate.
Trey sat in on guitar for this private gig in the place of regular Doctor Jones guitarist Casey Grant. The line-up consisted of Trey on guitar, Rob Dasaro on keyboards and vocals, Steve Drebber on drums and vocals, Jim Tasse on bass and vocals, and “Mr. Charlie” Frazier on blues harp.
Trey sat in on guitar for this private gig in the place of regular Doctor Jones guitarist Casey Grant. The line-up consisted of Trey on guitar, Rob Dasaro on keyboards and vocals, Steve Drebber on drums and vocals, Jim Tasse on bass and vocals, and “Mr. Charlie” Frazier on blues harp.
This performance closed the main stage the final night of the 1st annual Bonnaroo Music Festival. “Wilson” and “Bathtub Gin” were performed by Trey solo, acoustic. The rendition of “Last Tube” from this gig appears on the Live from Bonnaroo 2002 CD.
This performance closed the main stage the final night of the 1st annual Bonnaroo Music Festival. “Wilson” and “Bathtub Gin” were performed by Trey solo, acoustic. The rendition of “Last Tube” from this gig appears on the Live from Bonnaroo 2002 CD.
The “Night Speaks to a Woman” from this show appears on Trey’s live CD, Plasma. Trey performed "Ray Dawn Balloon" and "Thunderhead" acoustic. The band ended the second set by forming a conga line marching off stage; they came back on stage for the encore in the same manner and reprised the ending of “Simple Twist Up Dave.”
The “Night Speaks to a Woman” from this show appears on Trey’s live CD, Plasma. Trey performed "Ray Dawn Balloon" and "Thunderhead" acoustic. The band ended the second set by forming a conga line marching off stage; they came back on stage for the encore in the same manner and reprised the ending of “Simple Twist Up Dave.”
The second set-closing “Sand” from this gig appears on Trey’s live CD, Plasma. Trey performed “Bathtub Gin” and “Chalk Dust Torture” solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic.
The second set-closing “Sand” from this gig appears on Trey’s live CD, Plasma. Trey performed “Bathtub Gin” and “Chalk Dust Torture” solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic.
This in-studio performance was a taping for Last Call with Carson Daly; the show first aired on June 24, 2002. “Alive Again” was played in it’s entirety; a small portion of “Push On ‘Til the Day” was played as they cut to commercial break, and they played the intro to “Money, Love and Change” as the ending show credits rolled.
This in-studio performance was a taping for Last Call with Carson Daly; the show first aired on June 24, 2002. “Alive Again” was played in it’s entirety; a small portion of “Push On ‘Til the Day” was played as they cut to commercial break, and they played the intro to “Money, Love and Change” as the ending show credits rolled.
“At the Gazebo” featured the Vermont Youth Orchestra String Quartet. During the break before the encore maracas and tambourines were passed out to the audience and a set of stairs was placed in front of the stage. During “Alive Again” approximately forty guests – including members of Cyro Baptista’s Beat The Donkey ensemble, Brazilian dancers and other assorted percussionists and pranksters – joined Trey’s band in what can perhaps best be described as a strange combination of two infamous Phish antics: the 10/22/96 MSG “Freakapaug” and the 5/27/94 “Shake your Macaroni” Possum. After the ending refrain and amid an audience-aided percussion jam, Trey led the entire entourage down the stairs in front of the stage, through the audience and onto 51st Street where a drum circle ensued, blocking midtown traffic for nearly half an hour.
“At the Gazebo” featured the Vermont Youth Orchestra String Quartet. During the break before the encore maracas and tambourines were passed out to the audience and a set of stairs was placed in front of the stage. During “Alive Again” approximately forty guests – including members of Cyro Baptista’s Beat The Donkey ensemble, Brazilian dancers and other assorted percussionists and pranksters – joined Trey’s band in what can perhaps best be described as a strange combination of two infamous Phish antics: the 10/22/96 MSG “Freakapaug” and the 5/27/94 “Shake your Macaroni” Possum. After the ending refrain and amid an audience-aided percussion jam, Trey led the entire entourage down the stairs in front of the stage, through the audience and onto 51st Street where a drum circle ensued, blocking midtown traffic for nearly half an hour.
“The Inlaw Josie Wales,” “Flock of Words” and “At the Gazebo” featured the Vermont Youth Orchestra String Quartet. James Harvey sat in on a second trombone for “Mozambique.” "Ray Dawn Balloon" was performed by Trey (on acoustic) accompanied by only Tony and Cyro.
“The Inlaw Josie Wales,” “Flock of Words” and “At the Gazebo” featured the Vermont Youth Orchestra String Quartet. James Harvey sat in on a second trombone for “Mozambique.” "Ray Dawn Balloon" was performed by Trey (on acoustic) accompanied by only Tony and Cyro.
“Mike’s Groove” (both of which were TAB debuts) featured Mike on bass; “Mike’s Song” included a horn introduction, a trampolines segment, as well as an extended duet with Mike and Trey before the beginning of “Weekapaug.”
“Mike’s Groove” (both of which were TAB debuts) featured Mike on bass; “Mike’s Song” included a horn introduction, a trampolines segment, as well as an extended duet with Mike and Trey before the beginning of “Weekapaug.”
The line-up for this show of traditional bluegrass included Mike on bass, Andy Cartoun on banjo, Pete Elegant on fiddle, Bob Mavian on mandolin, and Nick Novia on guitar.
The line-up for this show of traditional bluegrass included Mike on bass, Andy Cartoun on banjo, Pete Elegant on fiddle, Bob Mavian on mandolin, and Nick Novia on guitar.
This show was originally scheduled to have taken place at the Saratoga Performing Arts Center in Saratoga Springs, NY, and then was later rescheduled for Albany’s smaller Palace Theatre. Push On 'Til the Day included an Oye Como Va tease from Trey and a Lively Up Yourself jam before Windora Bug. Last Tube featured band intros, and Trey running laps around the stage and performing the Meatstick dance.
This show was originally scheduled to have taken place at the Saratoga Performing Arts Center in Saratoga Springs, NY, and then was later rescheduled for Albany’s smaller Palace Theatre. Push On 'Til the Day included an Oye Como Va tease from Trey and a Lively Up Yourself jam before Windora Bug. Last Tube featured band intros, and Trey running laps around the stage and performing the Meatstick dance.
“Wilson” was a Trey Anastasio debut, was incomplete, and, along with "Chalk Dust," was performed by Trey solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic. “Alive Again” contained a “Stash” tease. The performance of “Every Story Ends in Stone” appears on Trey’s live CD, Plasma, as do sections of "Money, Love and Change" and "Mr. Completely" that appear under the title “Inner Tube.”
“Wilson” was a Trey Anastasio debut, was incomplete, and, along with "Chalk Dust," was performed by Trey solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic. “Alive Again” contained a “Stash” tease. The performance of “Every Story Ends in Stone” appears on Trey’s live CD, Plasma, as do sections of "Money, Love and Change" and "Mr. Completely" that appear under the title “Inner Tube.”
SET 2:
Little Maggie[1],
Fetch Wood Carry Water[1],
Hillbilly Jazz,
Peach Picking Time in Georgia,
Kissimmee Kid,
Boogie in the Barnyard,
Smoke! Smoke! Smoke! (That Cigarette),
Drownin',
Got a Light?,
Big Railroad Blues,
Fat Angel,
Truck Drivin' Man,
Mama Tried,
Watching the River Flow,
Glendale Train,
Will the Circle Be Unbroken?
This show was billed as “A Night of Legends.” Mike sat in on bass in place of Klyph Black for “Nine Pound Hammer” through the end of the first set, and “Little Maggie” and “Fetch Wood Carry Water” to begin the second set.
This show was billed as “A Night of Legends.” Mike sat in on bass in place of Klyph Black for “Nine Pound Hammer” through the end of the first set, and “Little Maggie” and “Fetch Wood Carry Water” to begin the second set.
SET 1:
Mas y Mas,
I Walk Alone,
The Neighborhood,
Luz de mi Vida,
Done Gone Blue,
Maria Christina,
Hearts of Stone,
Soy Mexico Americano,
Good Morning Aztlán,
Not Fade Away[1] >
Bertha[1]
Spearhead (setlist), opened, TAB (setlist) closed. Trey sat in on guitar and vocals for "Not Fade Away" > "Bertha."
Spearhead (setlist), opened, TAB (setlist) closed. Trey sat in on guitar and vocals for "Not Fade Away" > "Bertha."
SET 1:
Love Invincible,
Soulshine,
Stay Human,
Every Single Soul,
Bomb the World,
Sometimes[1]
Spearhead, then Los Lobos (setlist) opened for TAB (setlist). Trey sat in for the Spearhead original “Sometimes” that included a quick “Smells Like Teen Spirit” tease and witnessed Trey delivering guitar solos literally from his knees.
Spearhead, then Los Lobos (setlist) opened for TAB (setlist). Trey sat in for the Spearhead original “Sometimes” that included a quick “Smells Like Teen Spirit” tease and witnessed Trey delivering guitar solos literally from his knees.
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