“Wilson” was a Trey Anastasio debut, was incomplete, and, along with "Chalk Dust," was performed by Trey solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic. “Alive Again” contained a “Stash” tease. The performance of “Every Story Ends in Stone” appears on Trey’s live CD, Plasma, as do sections of "Money, Love and Change" and "Mr. Completely" that appear under the title “Inner Tube.”
SET 2:
Little Maggie[1],
Fetch Wood Carry Water[1],
Hillbilly Jazz,
Peach Picking Time in Georgia,
Kissimmee Kid,
Boogie in the Barnyard,
Smoke! Smoke! Smoke! (That Cigarette),
Drownin',
Got a Light?,
Big Railroad Blues,
Fat Angel,
Truck Drivin' Man,
Mama Tried,
Watching the River Flow,
Glendale Train,
Will the Circle Be Unbroken?
This show was billed as “A Night of Legends.” Mike sat in on bass in place of Klyph Black for “Nine Pound Hammer” through the end of the first set, and “Little Maggie” and “Fetch Wood Carry Water” to begin the second set.
SET 1:
Mas y Mas,
I Walk Alone,
The Neighborhood,
Luz de mi Vida,
Done Gone Blue,
Maria Christina,
Hearts of Stone,
Soy Mexico Americano,
Good Morning Aztlán,
Not Fade Away[1] >
Bertha[1]
Spearhead (setlist), opened, TAB (setlist) closed. Trey sat in on guitar and vocals for "Not Fade Away" > "Bertha."
SET 1:
Love Invincible,
Soulshine,
Stay Human,
Every Single Soul,
Bomb the World,
Sometimes[1]
Spearhead, then Los Lobos (setlist) opened for TAB (setlist). Trey sat in for the Spearhead original “Sometimes” that included a quick “Smells Like Teen Spirit” tease and witnessed Trey delivering guitar solos literally from his knees.
Spearhead (setlist), and then Los Lobos (setlist) opened; Trey sat in with both bands. Michael Franti provided lead vocals for “Small Axe.” “I Want to Take You Higher” featured Michael Franti, Steve Berlin, David Hidalgo, and Conrad Lozano and others from Spearhead and Los Lobos. Page capped off the evening of guest appearances, replacing Ray on keyboards for “First Tube” and “Bug.”
This show was billed as “A Night of Legends.” Mike sat in on bass in place of Klyph Black from “Pulling the Devil By the Tail” through the end of the show.
SET 1:
Highball with the Devil,
David Makalaster,
Long in the Tooth,
Hendershot,
Cosmic Highway,
Up on the Roof,
Ding Dang,
Thela Hun Ginjeet,
Seas of Cheese,
Whamola[1]
This performance was part of the Mountain Aire Music Festival. Trey sat in on guitar for “Whamola.” Trey also performed on this date with TAB.
This live promotional appearance for San Francisco’s KFOG-FM 104.5 featured Trey performing solo, acoustic, between interview segments. “Ray Dawn Balloon” was performed instrumental.
This gig featured the debut of “Night Speaks to a Woman” and "Thunderhead." "Thunderhead" featured Trey on acoustic guitar. Trey performed “Ray Dawn Balloon” solo, acoustic.
This was a taping session for the nationally syndicated radio program LiveattheWorldCafé. “Money, Love and Change” was played by request for show host David Dye.
This free performance was part of the University of Vermont’s annual SpringFest. Project Logic opened. DJ Logic sat in on “Stir It Up” and “Who’s Laughing Now?” During the gig Page made note of that morning’s extremely rare earthquake that registered 5.1 on the Richter scale just 20 miles from Burlington.
Trey sat in for the listed songs at this free outdoor beachside show, playing a borrowed black Stratocaster guitar. The lineup this evening featured Dave Gerard on guitars and vocals, David Bailey on bass, Ed Jurdi on guitar and Rohin Khemani on drums.
This was an acoustic performance by Mike on bass and Warren Haynes on acoustic guitar. This was a private gig that followed the debut of Mike’s movie Rising Low at the SXSW Film Festival. This setlist is likely incomplete.
Fish sat in on drums and vocals for the “War Pigs” encore. Dave “The Truth” Grippo also sat in on saxophone earlier in the show during “Airmail Special."
SET 1:
Cardboard Box,
Mold Pt. 2 >
Wage,
Once There Was a Way,
I Commit Crimes,
The Untitled One,
Sweat Sauce,
What Will I Do When Winter Comes >
I Got Nothin' >
Chunky Baby Crap Brown Haggis on Toast
Trey sat in with Seth Yacovone Band on electric guitar from “Cheer Up” through the rest of the show. The Yacovone original “OK” contained a full-band “Makisupa Policeman” tease. James Rosocha sat in replacing Tommy Coggio on bass for “Blues in A.”
This evening included a rotating series of ad hoc groups – all featuring DJ Logic – followed by a full set of Project Logic. The groups were, in order: DJ Logic, Christian McBride, Kareem Wiggins, and Scratch; DJ Logic, Charlie Hunter, and Billy Martin; Mike, DJ Logic, and John Medeski; DJ Logic, Michael Kang, and Rob Wasserman. Each of the mini-sets consisted entirely of improvised instrumentals.
This show was a benefit to raise funds for the medical bills of Burlington musician “Mr. Charlie” Frazier, who had recently suffered a stroke. The gig included performances from Doctor Jones, The John Tower Group, Nobby Reed Project, Seth Yacovone Band, and Mr. Charlie’s own band, Blues for Breakfast. Page joined Blues for Breakfast on keyboards for renditions of the Grateful Dead classics “Scarlet Begonias” and “Franklin’s Tower.”
Bullfrog, and then Kid Koala opened. Before the Jam preceding Auld Lang Syne, Page announced that they had a TV tuned into Dick Clark's New Year's Rockin' Eve so they would get the countdown right, followed by Oteil teasing “Charge!”. Midnight was celebrated with pyrotechnics and a balloon drop. Page sat out for “America the Beautiful”; Oteil dedicated the song to New York City. “Light Up or Leave Me Alone” featured Trey and Mike, both playing Languedoc guitars.
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