Some pretty, nice, ambient swirly stuff before segueing into Skin It Back, then Fishman getting his monitors adjusted before more ambient swirly stuff with a harder edge. Trey's tone, as has been documented thoroughly, is kind of harsh, whether due to the lack of the Ross compressor or what, but this is a monumental achievement that would be the highlight of almost any other band's professional gig, let alone Sound Check, and makes me almost giddy thinking of the krakens that will be unleashed in phans' fragile deemster trenches once Phish resumes releasing soundcheck stuff in soundboard (as with the iTunes Live Phish bonus tracks.) This soundcheck is IMO representative of IT as a cohesive experience--I wasn't there, unfortunately--but in a more raw fashion, even perhaps being let to grow more organically from the band than the 46 Days jam on 8/3/03, but I'll have to review the Tower Jam again before I can compare or contrast it with the Sound Check.