Jam Chart for shows in the city of Indianapolis, IN (8 entries)

Date Song City Timing Notes
1993-08-13 Llama Indianapolis, IN 5:57 > in from "Lengthwise." Cool little Mike solo between Page and Trey. Brief exploratory jamming towards end of Trey's solo. Blistering finish.
1993-08-13 Foam Indianapolis, IN 9:20 -> in from "Makisupa." A fantastic segue. Jam begins with Mike soloing quietly, then Page joins him in a largely delicate duo (with Fish subtly keeping the beat). Trey's solo is similarly restrained. At 7:15, the volume comes back up for a exclamation point finale.
1993-08-13 Stash Indianapolis, IN 11:08 Very exploratory, but also remarkably musical. Lots of tension, but without so much chaos and dissonance.
1993-08-13 Bowie Indianapolis, IN 19:18 Long, very musically-oriented intro. Serious improvisation, but unlike many other strong versions, this one is far less dissonant and shrill. Rather, it is very rich musically, including little jams on "The Mango Song" and "Magilla."
1993-08-13 Gin Indianapolis, IN 15:49 Incredibly improvisational, Must-Hear "Gin," one of the best ever. After 83 mostly straightforward versions, the band in August '93 suddenly seizes upon "Gin's" jamming potential. This wild, racehorse version is fun, wacky, musically coherent, has multiple teases/jams, and segues seemlessly into "Ya Mar."
1993-08-13 Mike's Indianapolis, IN 12:24 A shredding 1st jam with good variation is followed by yet another improvisational but somewhat wacky 2nd jam. Here the band settles into some quiet, Mike-led play, before thematically rebuilding, with the band's weird chanting/screaming adding to its crazed nature.
1994-06-24 Reba Indianapolis, IN 13:45 Great theme out of the composed section, notable for really quiet and wholly unique playing. The band continues to explore and push boundaries, with the jam becoming "primal" and totally out of the ordinary. Very cool.
1994-06-24 Antelope Indianapolis, IN 19:56 Very improvisational and multi-faceted version with several distinct "Type II" sections, including an uplifting "DwD" jam near the end. Released as filler for Live Phish Vol. 10. A heavyweight among "Antelopes."
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.


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