[Would like to thank user @KipMat Matt Schrag for recapping St. Louis for the blog. Be advised that the opinions offered in a "recap" of a show (or in any post) on Phish.net's blog are not necessarily shared by any of the other many volunteers who work on the site. We would appreciate it if you correct anyone out there ignorant enough to suggest that the "recap" of a show on this site is in any way, shape, or form an "official" view of the show by Phish.net. There is no such thing, and no such thing has ever existed at any time at all whatsoever. Thank you. -Ed.]
I had initially volunteered to write just one show recap for the Blog, but was asked by Phish.net to provide recaps for both nights of the tour-opening St. Louis run. Several well-meaning folks read my recap of last night’s show, and felt that it was lacking, or simply not what they were expecting.
This site is one of several sources on the internet for day-after recaps of Phish shows. These recaps are traditionally linear in form, in that they provide a rundown of the setlist, start to finish, with commentary on each song. I do not prefer this style for two reasons: fluff, and formula. A recap doesn’t have to include an opinion on every single song. Even though sentiments like “I love 'Roggae' it’s one of my 50 favorite Phish songs!” or “I wish I could hear 'Bouncing Around The Room' at every show!” are pleasing and help spread good vibes, they don’t pique my interest. And because recaps are essentially newspaper-style journalism, the writing tends to fall back on tired conventions to fill space. "Song A featured X, then segued into song B which featured Y," or "Phish often does ______ during a show, and tonight was no exception." I acknowledge that there’s an audience for this kind of journalism; I just find it bland.
So let’s talk about last night’s show! @EvenCarlSagan disagrees with me, but I thought the first set was weak sauce up through “We Have Come To Outlive Our Brains.” Everything up until that point struck me as safe, by-the-numbers Phish, while a noticeable portion of the audience was out on the concourse watching Game 7 of the Stanley Cup Finals on the mounted flat-screen tv’s. Nothing from the stage seemed “off," but the music just wasn’t happening for me. The ice was broken by Trey’s acknowledgement of blowing the repeat of the chorus of “WACTOOB” by hamming it up and asking the audience to sing along. The band’s performance seemed to refocus after the flub, and the rest of the set was a distinct improvement to my ears. Of course, the news that the St. Louis Blues had won the Stanley Cup for the first time in franchise history had spread during “Run Like An Antelope," and New Jersey Devils fan Chris Kuroda (pictured here in 1989) was gracious enough to shine bright blue and gold lights on the audience, using the Blues’ team colors to acknowledge the occasion.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed just about $1,500,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.