Harry Hood

, comment by Palmer
Palmer Standard version, at the 6.02 mark-- very mellow noodling from Trey, as Page is tampering with the piano in a higher range then usual, mike and Jon continuously keep a solid deep rhythm as the hood begins catching on. Trey's playing is unique in this version as he is playing in a pattern which is very Divided Skyish (in the sense that it is solo-ing without solo-ing) unique and a must hear.
 
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