|1992-08-14||Llama||Los Angeles, CA||5:11||> in from "The Squirming Coil." Trey is sick as expected, but Mike and Fish are awesome and add a lot to this ripper.|
|1994-05-16||Stash||Los Angeles, CA||10:52||A couple of exploratory movements. The second has some beautiful space similar to several Fall '94 "Tweezers."|
|1994-05-16||Antelope||Los Angeles, CA||5:54||"Antelope" ("Type II") -> "BBFCFM ("Type II") -> "Antelope" ("Type II"). A truly amazing jam which like 8/14/93 combines incredible improvisation with inspired melodic and musical magnificence. Released on Live Bait Vol. 8.|
|1994-05-16||BBFCFM||Los Angeles, CA||1:41||-> in from "RLAA." Crazy "Type II" version buried inside an awesome and improvisational "Type II" "Antelope." -> back to "RLAA."|
|1994-05-16||Antelope||Los Angeles, CA||13:12||-> in from "BBFCFM." This section of "Antelope" is extremely improvisational but also includes some melodic and uplifting jamming, while never forgetting its "Antelope" roots.|
|1996-12-01||Tweezer||Los Angeles, CA||20:00||Controlled chaos. Typical fierce jam segues into a cacaphonous hazey wall-of-sound soup, that in turn leads into a "type II" excursion with Trey on the mini-kit and Page, Mike and Fish wailing away. Ends in a truly INSANE, drawn-out way, too.|
|1996-12-01||Reba||Los Angeles, CA||15:44||Extended, Trey-centric groove, featuring a wonderful theme, offset by scattershot playing, matched in equal measure by Fish. Really remarkable. Trey soon breaks to solo atop a passage of really cool and stately calm. Hushed and unhurried, Mike and Page offer wonderful accents as the band continues to probe and explore, expertly modulating intensity. Trey soon breaks free, his soloing extended and infused with amplified energy.|
|1998-10-29||McGrupp||Los Angeles, CA||11:45||Super, subtle, and very '98. Page drives a quiet jam featuring great Fish, and colored by Mike and Trey.|
|1998-10-29||Reba||Los Angeles, CA||20:41||1998 is an awesome year for "Reba," and this HUGE L.A. version is a principal reason why. After breezing along in typical fashion, Trey summons a series of chords, and the jam enters a darker, more ambient space. This morphs into an awesome, deconstructed segment that would be at home in the "Tower Jam," before slickly seguing into "Walk Away."|
|1998-10-29||Walk Away||Los Angeles, CA||6:29||-> in from a massive "Reba." Nice version with an extended and rocking outro jam which neatly -> to "Simple."|
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