Phish kicked-off the final weekend of the first leg of their summer tour in Charlotte, a venue that has been host to notable past gigs, including the stellar 7/25/03 performance with an epic “Harry Hood,” and the “Fuck Your Face” mega-bustout last summer (7/2/10). Following a two-night run of shows in Georgia that included spectacular highs (6/14 “Bathtub Gin,” “Light Up and Leave Me Alone”) and a perplexing, flat performance in the face of a dramatic thunderstorm on 6/15 that provoked a deluge of commentary, how would the band respond? Roll tape!
Tour packages including party bus shuttles, hotel, restaurant accomodations and even side tours to wineries and ballgames are available for Phish's California, Denver, and Nevada shows for the western leg of Phish's summer tour from a new operator, Greg Yance of Bobby D-Tour.
More information is available on their website. Greg describes his service as "a hybrid of [the recently blogged about "party"] charter bus services combined with [tour package operator] Consider it Dan."
Leaving the driving to Bobby D-Tour seems like a good alternative to rental cars and "do it yourself" accomodations for those flying to the west coast for the end of Phish summer tour.
Samba in the Rain
Wednesday night in Georgia, Phish played like a nostalgia act—a band older than its years, still possessing sharp technical skills but almost utterly disinterested creatively. Like a great boxer who tours the country knocking out pretenders in exhibition bouts, or a veteran stage actor who spends 15 years playing the same part in a hit show, Phish this night seemed to be a band with great powers that was fully satisfied with pleasant mediocrity.
Tonight's live stream from Alpharetta, GA has been postponed until 8:00 pm due to thunderstorms in the area.
Though last night's show didn't start until after 8:00pm, the stream went live at 7:00pm. Phish tweeted, "We will not be starting tonight's Phish stream until 8PM EST due to thunderstorms"
Presumably, this means the show will start later than last night's 8:15pm start time to allow for people to get the stream working properly after it goes live. EDIT: Live as of 8:10pm enjoy!
Reports from the area indicate a ferocious storm with heavy rain, high winds, and even some downed trees.
Read On for Pictures from venue.
Another charter bus service, Rock & Bus, has begun to provide "party bus" service to summer tour Phish shows.
Owner Numann Akram tells us "We're offering buses from all the surrounding cities. Our model works on demand so we go where the fans are. Think you have enough fans in your town to get your own bus? Email us and we'll add your town to the list. These buses are luxury charter motorcoaches with all the amenities. We think this is a great way to extend your Phish experience to and from the show."More information is available at the Rock and Bus website.
An entire nation turned it's eyes on Phish last night as the band embarked on their second official stream. First, a couple notes on the stream itself....
Phish doesn't do anything poorly. Ever. They are meticulous in their planning and building their own streaming platform with nugs.net is an absolute win. People in the past have calmored for a partnership with iclips or spoken highly of the recent VEVO offerings, but Phish have maintained complete control and produced a great result. As far as the technical side of things goes, last night seemed to be even more rock solid than the shows over NYE. It's the internet, you're sure to encounter a few hiccups, but last night was well exectued and much appreciated. BTW, if you were one of the scumbags who was watching via a re-stream, seriously?
On to the music.
Ready to have your couch tore to shreds by Phish with three shows from Colorado?
Check out the Coach Tour streaming FAQ's here: Phish.net Couch Tour FAQ!
Sunday night, MPP1 is in the books, and you know the drill so let’s get right to the action.
Phish Destroys America. Phish Severely Bruises America. Tour of Signs. Phish, The All-Request Band, continued their march down the long-neglected east coast on Sunday by staying put at The Pav Known as Merriweather Post. Phish opened with more “sign language,” this time with a crisp and punchy “Buried Alive.” Dipping back into their 1998 musical costume, The Velvet Underground’s Loaded, Fish assumes one of several leads of the evening with “Lonesome Cowboy Bill,” the first in 141 shows (7/30/03 Camden).
It's Monday, so it must be time for the Mystery Jam. As usual, we will be playing for an MP3 download courtesy of our friends at LivePhish.com / Nugs.Net. This is a fairly unusual one for reasons that will be obvious once you play it, but what the hell, let's have some fun this week. The rules haven't changed: you need to correctly identify the song and the date to win. Post your guess in the comments. One guess per person per day (with the second “day” starting after I post the hint). The hint will come on Tuesday and the answer will be posted on Wednesday. Good luck...
Tuesday Hint: No hint needed this week...
MP3 Downloads Courtesy of LivePhish.com
On Saturday night Phish rolled in to Merriweather Post Pavilion for the first of two weekend gigs at one of the oldest sheds (circa 1967) still in operation – if you are in any doubt, visit the bathrooms, they are exactly the same as on opening night. Yet another venue where Phish has a proven track record of performing amazing shows (see especially 8/8/98 and 6/27/10), and following an uneven night in Camden with spectacular highs and baffling lows, anything was possible. Grab your popcorn!
DISCLAIMER: I have had very little sleep in the last three days and I appear to still be a bit inebriated from last night. If any of the words or opinions that follow seem asinine or otherwise moronic to you in any way, shape or form, please do not doubt that they are. Thank you.
You’ve seen the setlist. And if you’ve seen even a few Phish setlists over the years, you may be wondering, “Seriously!? A “Rocky Top Mike’s Groove” first set opener, a “Curtain With” first set closer, a “JOY” second set closer!?” WTF!? “Curtain With” has never closed a first set, of course, and “Rocky Top” has not opened a show since 12/2/96. And closing a second set with an emotionally intense (if not ironically depressing) ballad like “Joy” just seems batshit f’ing crazy.
We reported a while back about Wiseguys Tickets, the guys who used Bulgarian hackers to defeat the TM capcha system and scoop up all the Hampton Reunion tickets at onsale, as well as Springsteen's and other concert and sporting events.
Yesterday, the linchpins were sentenced in NJ federal court, but surprisingly, didn't get the maximum five year prison terms of the crimes for which they were convicted, but a relative slap on the wrist more like an illegal lot vending rap, perhaps because of the novelty (and weakness?) of the government's case:
"Kenneth Lowson, 41, and Kristofer Kirsch, 38, both of Los Angeles, each pleaded guilty to conspiracy to commit wire fraud and exceed authorized access to computers engaged in interstate commerce, for which they received two years probation and 300 hours of community service.
Joel Stevenson, 38, of Alameda, Calif., pleaded guilty to a misdemeanor charge of exceeding authorized access to computers engaged in interstate commerce and was sentenced to one year of probation."
Their Bulgarian hacker counterparts are still at large.
Source: Sofia, Bulgaria News Agecy 6/10/11 (no kidding)
Phish’s summer tour set up under the big-top of Darien Lake on Wednesday, providing fans with a double-header of wild rides: first in the theme park that was open only to Phish ticket holders, then with a diverse and wide-ranging gig itself. Their fifth performance here, Phish sought to expand on a history with the venue that includes the epic 8/14/97 gig with Ken Kesey and The Merry Pranksters “Forbin’s” -> “Camel Walk” madness, as well as 9/14/00 that contains what is widely regarded as one of the best ever versions of “Suzy Greenberg.” The park’s roller coaster imagery was appropriate for a tour that to date has had amazing highs, alongside some going-through-the-motions valleys. Let’s go to the videotape.
Signs Signs Everywhere a Sign. This gig’s fun started before the first note. A fan was front and center with both a “Jennifer Dances” shirt and sign. Trey immediately spotted the sign and asked for it, held it up, offered a spirited fist pump and said “Finally! Finally somebody got it right with the signs!” Apparently there are campaigns forming all across the land to end our long national nightmare and have Phish perform “Jennifer Dances” by bringing more signs and by having the crowd sing in unison before each show: “A little less salt in the gravy tonight!” The opener, “Nellie Kane” was also played in response to an enterprising group that literally had fifteen signs for the song! Phish, the all-request band!
After a drooping, bouncy rendition of Bob Marley’s “Mellow Mood” (a comparatively rare one-two opening sequence that did not contain a Phish original), the crowd was treated to a short version of “Buffalo Bill,” surprisingly making its first appearance in the Buffalo area. Settling into the set we witnessed a strong but otherwise standard sequence of “Kill Devil Falls,” “Wolfman’s Brother” and “Rift.” “Undermind” follows, a song that varies so often it is hard to peg down what a “standard” version might look like. This one was as “traditional” as the song ever gets but featured viscous attacking lead lines by Trey, very strong! “Ride Captain Ride” was next, thrilling the crowd but causing a mild earthquake in southern California as @lemuria, entering his third decade of missing Phish perform the song, exploded in jealousy. One day, Ellis, one day.
A respectably precise version of “It’s Ice” was next, followed by the comparably underplayed “Dog Faced Boy” and “Brian and Robert” (the latter, apparently, also in response to a fan sign). Picking up the tempo, the roller coaster descended into a stock “46 Days,” a pleasant “Limb By Limb,” and an obligatory “Character Zero” rocking closer. Overall a diverse and unique set with many first-of-tour performances, almost-rarities, and selections from a broad spectrum of the band’s deep repertoire. The jamming jets were in deep cold storage, but overall Phish delivered a very enjoyable set in which most every fan could find something to love. We’ll be back in... fifteen minutes.
Having our appetites stirred with the hints of “Golden Age” in the GoldenGinTeca at Bethel, the second set opened with this TV on the Radio cover as if shot out of a cannon! This bright, fun and engaging tune that Phish debuted in Albany on 11/27/09 made its third appearance in the Phish setlist and was thrilling the crowd, when Trey bailed in favor of “Mike’s Song.” Let’s hope “Golden Age” sticks in the rotation and is allowed to run free like wind next time. Strong and fun, but keeping the 3.0 tradition of the “no jamming in ‘Mike’s Song’ rule” going, this version was precisely rendered. For the first time ever, “Fast Enough for You” followed “Mike’s” – an interesting and pleasant if not especially bold choice, but props for mixing things up. “Weekapaug” saw Mike, perhaps feeling the missed opportunity of the set opener, leading a “Golden Age” tease and the whole band continued the “Golden Age” theme throughout the above-average “‘paug.”
The fan-favorite instrumental “What’s the Use?” from The Siket Disc follows, setting in motion the middle portion of the set that was extremely well-played and enjoyable, but also safe and firmly within the lines. “Theme from the Bottom” and “Backwards Down the Number Line” were both excellent if lacking any genuine adventure. “2001,” however, was stellar and infused with “Golden Age,” “Happy Birthday” (possibly to the late Les Paul, whose birthday is actually 6/9) and “What’s the Use” teases; not rising quite to the level of, say, the Michael Jackson-drenched 6/25/10 Camden masterpiece, but strong, innovative and fun. A beautiful if “typically great” “Harry Hood” closes the second set, and the always rocking “Good Times Bad Times” encore sends everyone home happy. Load the trucks, Camden awaits!
Much as was the case the night before @ Great Woods (recap), this gig was quintessentially “Phish 3.0” – strong, competent, tight, proficient playing, with diversity achieved more through Phish’s ability to reach into a very deep catalog rather than leaping-off-the-cliff improvisation, sprinkled with a very early-90s-style of thematic teasing throughout the second set. The big jamming guns never left the truck for this one, but that type of playing is clearly an optional and not compulsory element of the Phish program these days. Good times, and there isn’t a better entertainment value on the summer shed circuit, or anything close. The weekend is here, Camden and Merriweather await, let’s get it on!
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