Setlists Matching Sideshows, All

Showing 15011550 of 2187 shows
Mike sat in on bass for “War Pigs” and “Deep Elem Blues” during this late night set. Phish had performed earlier in the evening at Miami’s American Airlines Arena.
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Waste” through “Bathtub Gin” were performed acoustic by Trey and Dave Matthews. 
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Everyday” and “Bathtub Gin” were performed acoustic by Trey and Dave Matthews. 
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Waste” and “Three Little Birds” were performed acoustic by Trey and Dave Matthews. Before “Three Little Birds” Trey mentioned that “it has been six years or so since we played this song together.” “Three Little Birds” was actually performed most recently by this duo when Dave Matthews sat in with Trey’s band on February 28, 2001 in Richmond, VA.

Dave Matthews and Friends were the musical guests for the Late Show with David Letterman on the shows aired December 18 and December 19, 2003. Both shows were taped on December 18; “#Save Me” aired on the 18th, while “Gravedigger” aired on the 19th. During the commercial break and lead-in to “Gravedigger,” the show ran portions of a jam including all the members of Dave Matthews and Friends and The Late Show Band, with Paul Shaffer offering impromptu lead vocals focused on “Jerry,” and a guest appearance by Jerry Springer.

SET 1: Bartender, Lie in Our Graves, Satellite, Typical Situation, #40, Where Are You Going?, Dancing Nancies

SET 2: Dodo, Trouble, Up and Away, Solsbury Hill, Gravedigger, Up On Cripple Creek, Oh, American Tune, Stay or Leave, Oh, Sister, Some Devil, So Damn Lucky, Hey Bulldog, Grey Blue Eyes, Spanish Moon, Save Me, Sweet Up and Down

ENCORE: Everyday [1], Bathtub Gin[1], Fool In the Rain

Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Everyday” and “Bathtub Gin” were performed acoustic by Trey and Dave Matthews. Trey teased “Stash” during the opening sequence to “Dodo.” 

SET 1: Bartender, Crush, Pay for What You Get, Where Are You Going?, Typical Situation, Dancing Nancies

SET 2: Dodo, Trouble > Up and Away, Solsbury Hill, Gravedigger, Up On Cripple Creek, American Tune, Stay or Leave, Oh, Sister, Some Devil, So Damn Lucky, Tell Me Something Good, Save Me, Hey Bulldog

ENCORE: Everyday [1], Waste[1], Will It Go Round in Circles

Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). “Everyday” and “Waste” were performed acoustic by Trey and Dave Matthews, who shared vocals on both tunes. 
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey).
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey).
Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey).
Mike sat in on a second bass for a rendition of Rev Tor Band’s original “Black Mile.” No additional setlist details are known and recordings do not circulate.
Trey sat in on guitar for the second-set closing “Los Bastardos.”
Dave Matthews & Friends were the musical guests on Saturday Night Live.
Trey sat in on guitar for the beginning of the second set. Trey had performed earlier in the evening with Dave Matthews and Friends.
This invitation-only performance was taped for the Country Music Television program Crossroads; the episode was first broadcast in January 2004. Trey did not perform on “Where Are You Going” (Dave Matthews solo, acoustic), “Strong Hand” or “Imagine” (Emmylou Harris, solo).
Mike sat in on bass for several songs during this Leo Kottke solo performance. There is no known setlist or circulating recording.
Kaki King opened. Peter Apfelbaum sat in on tenor saxophone for the entire show.
Kaki King opened. “Scrapple from the Apple” (Charlie Parker) and “If You Ask Me” (Max Creek) were Mike Gordon debuts. This was the only show from Mike’s 2003 tour made available as a LivePhish download.
Kaki King opened, and also performed on “Goin’ Down Slow.” Page sat in on keyboards for “On Your Way Down.” Max Creek members Scott Allshouse, Mark Mercier and John Rider sat in for the Mike Gordon debut of the Max Creek original “Cruel World.”
Kaki King opened. The encore featured guests Roy “Futureman” Wooten and G. Calvin Weston on percussion and Jeff Coffin on saxophone.
Kaki King opened. This show featured the Mike Gordon debut of “Free Born Man” (Jimmy Martin).
Kaki King opened.
For the second consecutive night, after his performance at the Fox Theatre, Mike sat in on bass with this local jazz band.  Scott Murawski also joined in the action on this night.
Kaki King opened. This show featured the debut of “Steel Bones,” “The Teacher,” and the Mike Gordon debut of “For the Losers” (James Harvey), “Things in Life” (Don Stover), “Southwind” (Gordon Stone), “Goin’ Down Slow” ("St. Louis Jimmy" Oden) and “Alphabet Street” (Prince).
After his performance that evening at the Fox Theatre, Mike sat in on bass with a local jazz band.
Kaki King opened. This show featured the debuts of “The Lesson” and “Take Me Out II” as well as the Mike Gordon debuts of "The Beltless Buckler," “Still Water” (Daniel Lanois), “If You Ask Me” (Max Creek), and “Wayside / Back in Time” (Gillian Welch).

SET 1: Hey Music Lover [1]

After his performance that evening at The Fillmore, Mike sat in on bass for a 20-minute rendition of “Hey Music Lover” that also featured other members of Mike’s touring ensemble, James Harvey on keyboards and Josh Roseman on trombone.
Kaki King opened. This was the first ever Mike Gordon-billed performance and included the debut of “Couch Lady,” “Bone Delay,” “Short Circuit,” “Regression,” “Exit Wound,” “Gatekeeper,” “Inside Out,” and “Take Me Out Outro.” All of the following were Mike Gordon debuts: “Jones” (Max Creek), “Where the Soul of a Man Never Dies” (Ricky Skaggs), “Sunday Driver” (Gordon Stone), “That’s the Way” (Rita Marley), “Six Feet of Snow” (Little Feat), Mike’s own “Round Room” (Phish) and “You’ve Been In Love Too Long” (Martha and the Vandellas). “Outside Out” contained a bass and tap dance duet with Mike and Jeannie Hill; a keyboard solo by James Harvey preceded “Where the Soul of a Man Never Dies” and a horn jam preceded “Exit Wound.”
This gig was a CD release party for Vida Blue’s The Illustrated Band.
Trey sat in with Tim Reynolds on guitar for the encore, a cover of Peter Gabriel’s “Red Rain.” 

SET 1: Jones > Hard Love, Darlin', Back Street Woman, Sitting in Limbo, ICU

SET 2: I Want You to Know, Thoughts, For What it's Worth > Wild Side > Emerald Eyes > Copperhead Road, Something Is Forming [1]

ENCORE: I Shall Be Released[1], If You Ask Me [2]

Mike (on a second bass), Jeff Pevar (guitar) and Julee Avallone (flute) sat in from “Something is Forming” through the encores. "If You Ask Me" also featured Brett Connors on guitar.
Mike sat in on bass for “Open Road.” This gig was part of Strangefolk’s own 8th annual Garden of Eden Festival that also included Gordon Stone Band, John Brown’s Body, Max Creek, Assembly of Dust, Percy Hill, and RAQ.

SET 1: Jones > Fire and Brimstone > Wild Side, Emotional Railroad, Columbus Stockade Blues [1], In the Midnight Hour [2]

ENCORE: Back Porch Boogie Blues[1]

Mike sat in on a second bass from “Columbus Stockade Blues” through the encore. Reid Genauer added vocals to "In the Midnight Hour." This set was part of the 8th annual Garden of Eden Festival.
Mike sat in on lead guitar for this final encore of the gig. Phish had performed earlier in the evening at Atlanta’s Lakewood Amphitheatre.
On the day off between the Utah and Bonner Springs Phish gigs, Mike sat in with Steam Powered Airplane alternating on banjo and acoustic guitar. There is no known setlist or circulating recording.
On the day off between the Gorge and Utah Phish gigs, Mike sat in with Steam Powered Airplane alternating on banjo, acoustic guitar, and acoustic upright bass. 
Mike sat in with on a second bass covering The Stones’ “Jumpin’ Jack Flash.” Phish had performed earlier in the evening at Shoreline Amphitheatre.
Mike sat in on banjo for several tunes in the first set. No setlist is known and recordings do not circulate.

SET 1: Jam [1] > Eyes of the World [2]

Mike arrived on stage – via his Segway – with one of Phil’s old basses for the ‘bass duet’ out of the “Drums” > space jam and the ensuing "Eyes of the World." Additional guests for this gig included Walfredo Reyes Jr. (yes, the “Walfredo”), Edson “Café” Da Silva, and opener Steve Winwood.
This gig, billed as a "Superjam," was part of the second annual Bonnaroo Music Festival. 
This performance was part of the second annual Bonnaroo Music & Arts Festival that also featured The Dead, Widespread Panic, Neil Young & Crazy Horse, James Brown, The Allman Brothers Band and many others. A free SBD of this set is available at nugs.net.
Mike sat in on a second bass during the final encore. This gig was part of the second annual Bonnaroo Music and Arts Festival that also featured The Allman Brothers Band, James Brown, The Dead, The Funky Meters, MMW, Sonic Youth, Widespread Panic, and Neil Young
This was a headlining performance of the Burlington Discover Jazz Festival. The Unknown Blues Band opened, with special guest Joey Sommerville.
This was a headlining performance of the Burlington Discover Jazz Festival. Introducing the song “Cincinnati” Trey noted that: “it’s good to be here, and not in Cincinnati.” Before the second set there was a playful chant for “Ray! Ray! Ray!” who was the last to arrive on stage. Trey performed “The Inlaw Josie Wales” solo, acoustic.
Trey led the band marching through the crowd at the end of “Sweet and Dandy.”
Trey performed “Spices,” “The Inlaw Josie Wales,” and “Secret Smile” solo, acoustic.
Trey performed “The Inlaw Josie Wales” and “Secret Smile” solo, acoustic.
This was the second of two separate-entry performances of the evening (late show). Gordon Stone sat in on banjo for "Half Creek" and "Little Maggie."
This was the first of two separate-entry performances of the evening (early show).
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