SET 1: Blaze On, What's the Use?, Martian Monster, Devotion to a Dream, Waking Up Dead > Timber (Jerry the Mule), Things People Do, Let Me Lie, Maze -> Lengthwise[1] -> Maze, Ass Handed, Carini, Wolfman's Brother
SET 2: Mercury -> Twist > I Always Wanted It This Way[2] > Miss You, Fuego -> Sand, Joy, Possum
ENCORE: Good Times Bad Times
Photo © Rene Huemer
Big Boat
5
Rift
3
Fuego
2
Farmhouse
2
Sigma Oasis
1
Party Time
1
Joy
1
The Siket Disc
1
Stash
1
Hoist
1
The Man Who Stepped into Yesterday
1
I have always wanted Page to use a more-varied synthesizer palette this way, and it's already paying dividends. Simply captivating and I have high hopes for what will happen with Always Wanted in the future, both near and far. Lovely, heartfelt tribute in Miss You, and I'm beginning to develop a real affinity for this song. Fuego's segue into Sand is not whipcrack-tight, but it's worth hearing in an era where most segues are of the > variety if at all, and the ->'s tend to be less transcendent(?), fluid (I think that's more what I mean) than in years past. Also glad to see Joy still in rotation.
opens Set II, but the jam feels a bit aimless; like it has no solid direction and it's feet are stuck in the mud, so the band opt to > into Twist. Twist initially seems just as perfuntory as Mercury's jam, but after some nice WTU teases, Fish brings the tempo up and Page starts some tension on the Lil' Pumpkin, before fading into strange effects laden territory and going into I Always Wanted it This Way. This is one my favorite tracks from Big Boat, so it's great to see it debut here. The jam afterward rode a nice funk groove, before Page went to the organ (in a creative way, not just spamming it like a... spastic on 9/4/16, but the jam filtered out before it could reach any conclusion and/or it's full potential (a recurring theme throughout tonight) and the band went into Miss You.
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