Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird FoundationThe Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by thelot
A solid first set, even if it leans a bit straightforward for this tour. The heart of the set lands in a lively Bowie that works its way into the official debut of Birdland during Bowie’s opening stretch. Trey uses the moment to introduce yet another crowd to the secret language. Bowie is played tightly, but like the set as a whole, it’s very much standard Spring ’92 fare. And thanks to a plumbing disaster that flooded the theater, the entire second set ended up being performed without microphones.