Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by The__Van
Am I crazy or does Trey's noodling at the start sound like Reba?? Halley's starts off noticeably slower than normal (although about as fast as they play it now). Consequently it heads straight into a quintessential 2.0 deep groove. No fog or haze just a late night drive with sprinkles of light from Page. I've never heard this jam mentioned before; definitely underrated. After a strong peak, Fish switches up the beat to sounding almost like Hydrogen. Trey jettisons the idea with some choppy riffs and then some swampy effects leading us into Hood. This a quick midset Hood, all killer no filler. Heavy Things is fine as a slight cooldown and has a typical super melodic solo from Trey. Twist gets back into some deep jamming with that sludgy noise jamming that many 2.0 haters point to. I for one love this kind of sound. AOTD is played once again this tour. Waves is a very solid version that I wish continued on a little longer. Sample & Chalk Dust are the 1-2 punch needed to end the set with some energy. I've never liked Farmhouse as an encore.