This YEM has a really strong Reba 7/6/94 vibe... that soaring, climactic sense that is as much emotion as it is music. The sort of feeling that comes not from an overwhelming number of notes getting churned out by a hyperactive Trey solo (not that there's anything wrong with hyperactive Trey solos), but instead a harmony across the four of them. They all seem to step back and, as a result, everything paradoxically gets elevated. It's great.