, attached to 1989-05-26

Review by mancubism

mancubism Standard, well-executed set up thru Mike’s Groove. I’ve only heard Fast Sanity a few times and those seemed sloppy - but this one is tight & funky. Nancy singing Halley’s with them makes a silly song sillier and still they rock it. Interesting to hear this ending to Sloth - before the counting up to “onze!”

And can we keep talking about this YEM? Great buildup to BOY, straight out of Washa Uffizi Page lays a quiet jam and you can just feel Trey itching to take over. Page has no problem with that. Trey’s off the hook, all the way through. I’m telling you - Trey went back & listened to this jam when writing My Soul & Guyute. So good.

Talking all about their new songs, playing with the audience, the bet you didn’t notice our new gear rant before Lazy Lester - messing around and having fun. This is the banter you love. They’ve always loved communicating with the audience. Not a shabby Lazy Lester taboot!

Early intro for Mango that they eventually scrapped for Trey’s melodic intro - good choice. Similar to the Sloth outro in set 1. On Relisten Mango fades out, then back in on the steam dream part of SOAM. The first Gin ever (“you heard it here first!”) - has a kind of From the Bottom from the top / limb by limb by limb vocal outro. Cool to hear their excitement about this new batch of songs - they never really stopped writing after releasing Junta

More great banter from Trey tying Antelope to playing hockey - being a musician and pro hockey player sometimes not being very different. And teasing the audience before Golgi (“We won’t play it if you stay, but we will if you go”) - lots of playing around with timing of the Golgi melody too - all over this show are traces of Trey’s ability to take the songs to the next level.

Set 3: Slave has a powerful minimalism that builds the tension in the first half - maybe from a slight misstep, then Trey jumps in with a weird fuzzy filter that sounds out of place, which Mike’s co-opts around 4:30-5:00. And then the song ends with heavy & deep organ & bass, lifted by Trey’s fire jamming - on par with this show’s theme. Nice spots for Mike & Page in FB & Cutis - Mike sticks with the fuzz & Page sounds like he’s had a fifth of wine singing lead. Cute riffs from Trey.

Trey wants Molly’s hat for Possum. They’re all pretty loose at this point. Trey gives Possum the Johnny B Goode treatment. Mike gives the vocals the ....loose treatment. The only logical encore is Practical Song - prescient, singing about goods shortages years in advance of COVID
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